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Lot 600
Flt. Lt. C. Fitzpatrick, Co-Pilot: F O Mutty, Nav: Sqn. Ldr. C. P. Manage, Eng.: Flt. Sgt. A. J. Scott pilot crew signed RAF flown cover. 25th Anniversary of the VC10 Into RAF Service. British Forces 50th Anniversary postmark, 23 April 1991. Two covers both of the same design and signed as follows: Flown cover on return of No.101 Sqn., from the Gulf.
Lot 601
Flt. Lt. A. M. Skelton, Co-Pilot: F O C. S. Panter, Nav: Flt. Lt. J. Gulliver, Eng.: Flt. Lt. C. Foggo pilot crew signed RAF flown cover 25th Anniversary of the VC10 Into RAF Service. British Forces 50th Anniversary postmark, 23 April 1991. Two covers both of the same design and signed as follows: Flown in a VC 10 of No.101 Sqn.
Lot 441
Title: Hermann Courtens (1884-1956): Still life with rooster, oil on canvas Description: Dimensions: 105 x 80 cm Provenance: Ronald Luyten (+ 2017), de Kunstkamer Herentals. Exhibited: Mouscron, MusŽe des Beaux-Arts, 15 Octobre - 17 December 1999, "Les Courtens". Literature: C. Van Damme, O. Clynckemaille, J. Ogonovszky-Steffens, M. Franceus, A.-M. Pirlot, "Les Courtens, 2 gŽnŽrations d'artistes", ASBL Conseil des Beaux-Arts de Mouscron, 1999, p. 96.
Lot 5019
Vinyl Records - LP's including Uriah Heep - Return to Fantasy - ILPS 9335; Uriah Heep Live - ISLD 1; Tangerine Dream - Encore - VD 2506; Ricochet - V2044; Rainbow - Down to Earth - POLD 5023 (Limited edition - clear vinyl); Rising - 2490 137 - matrix runout - side A - stamped - 2490137 A//1 O 11 / etched - OY1-1601 A-1, side B - stamped - 2490137 B//1 O/ etched - OY1-1601 B-1; Long Live Rock and Roll - POLD 5002; On Stage - 2657 016; Deep Purple - Deep Purple in Rock - SHVL 777 - matrix runout - side A - stamped - SHVL 777 A-2, side B - SHVL 777 B-1 (9)
Lot 350
A Collection of Antique Sterling Silver Items ( Small ) ( 5 ) Pieces In Total. Comprises 1/ Edwardian Period Silver Hinged Sovereign Holder, Hallmark Birmingham 1911. 2/ Early 20th Century Silver Stamp Case In the design of an envelope, Hallmark Birmingham 1914. 3/ Late Victorian Yard-o-led Sterling SIlver Cased Propelling Pencil. Hallmark London 1900. 4/ Antique Period Silver Tone and Leather Miniature Purse. 5/ Art Deco Period Ladies Sterling SIlver Card Case, James Dixon & Sons, Hallmark Birmingham 1936, Small Size. 36.8 grams. Condition - All Pieces Free From Damage and In Overall Good Condition.
Lot 210
A collection of 7 antique Fans, including a fine quality hand painted Chinese silk fan with pierced decorated ivory handles (cased), a Mourning Fan (mother-o-pearl), and another plain Mourning Fan; a Child's Fan; another Chinese Fan; and two other ivory handled Fans; as a collection, w.a.f. (7)Note: CITES Applicable.
Lot 45
ANNA BELINDA OXFORD: A champagne raw silk full length wedding dress size 8-10 and a lady's vintage two piece silk suit also by Anna Belinda with hook and button detail leg-o-mutton sleeves decorated in printed silks throughout in gold, bronze and brown tones with ribbon edged detail size 8-10 (2)
Lot 145
An 18ct gold mounted and diamond five stone ring, set with round brilliant cut diamonds (approximate total diamond weight .50ct), (size Q), an 18ct gold wedding band of reeded form (size O+), a 9ct white gold wedding band (size P), and a 9ct gold mounted five stone gem set ring (size O), (total gross weight 19 grammes)
Lot 284
An emerald and diamond three stone ring claw set in a yellow and white metal mount marked 18ct, total weight of diamonds approximately 0.20 carat, ring size O, an emerald and diamond circular cluster with eight brilliant cut diamonds claw set in a 9 carat yellow and white gold mount, ring size P, and an 18 carat all yellow gold half eternity ring set with three diamonds and three emeralds (one missing), ring size P. (Qty: 3)
Lot 106
A quantity of jewellery and watches, to include a pair of 14ct gold freshwater pearl drop earrings, London 2006, a single row uniform freshwater pearl necklace, with five jade beads and a fluted spherical safety clasp, tested as approximately 9ct gold, an assortment of silver jewellery to include a single row uniform freshwater pearl necklace, a single row graduated faceted amethyst bead necklace, a moonstone bracelet, a blue topaz bracelet, a jade and marcasite pendant and chain, a pair of citrine and marcasite earrings, a freshwater pearl set chain, a malachite ring, size N, a chalcedony, amethyst and blue topaz ring, size N, a blue topaz ring, size O, a moonstone and cubic zirconia pendant, a chalcedony and white topaz pendant, a freshwater pearl pendant on leather cord, a synthetic orange sapphire ring, size N, a rutilated quartz ring, size N, together with four quartz watches
Lot 134
An 18ct gold signet ring, with a shield shaped head to scrolling shoulders and plain shank, Birmingham 1907, finger size O, 4.22g, together with a Masonic stick pin, the finial tested as approximately 15ct gold, the pin tested as approximately 9ct gold, 1.08g, a sterling silver verge fusee pocket watch, the movement signed 'John Morton London', London 1832, an open faced key wind cylinder escapement pocket watch, the dial signed John Myers & Co, a sterling silver curb link albert chain with T-bar and swivel clasp fittings, a quantity of pocket watches, stick pins, cufflinks etc.
Lot 8
A gold cubic zirconia ring, the oval head with openwork foliate motifs grain set with round cut cubic zirconias and a row of channel set baguette and tapered baguette cut cubic zirconias, with a plain shank, tested as approximately 18ct gold, finger size O, together with a similarly designed pair of earrings with omega fittings, tested as approximately 18ct gold, and a pair of domed cubic zirconia cluster earrings, tested as approximately 18ct gold 18ct gold - 19.72g total
Lot 84
A gold sapphire and diamond seven stone ring, ( one sapphire deficient ), Swiss cut sapphires with a pair of single cut diamonds to a plain polished shank, tested as approximately 18ct gold, size O, a sapphire and pearl cluster ring, tested as approximately 9ct gold, size M, and a 9ct gold synthetic ruby and spinel ring, London 1967, size Q, 9ct gold - 6.34g total, 18ct gold - 1.79g
Lot 76
A gold diamond ring, the two colour swirl design head grain set with single cut diamonds, to a plain polished shank, tested as approximately 14ct gold , size O, an openwork circle design band ring, tested as approximately 14ct gold, size N½, a 9ct gold curb link chain, 415mm long, to bolt ring clasp, and a gold bar brooch with central knot motif to double bar with alternating twist and polished finish, tested as approximately 15ct gold, with a brooch pin tested as approximately 9ct gold, 9ct gold - 1.35g, 14ct gold - 4.00g total, 15ct gold - 2.52g
Lot 543
The Holy Hand Grenade of Antioch from Terry Gilliam and Terry Jones' comedy Monty Python and the Holy Grail. The Holy Hand grenade, a "sacred relic" carried by Brother Maynard (Eric Idle) on the quest for the Holy Grail, was used to defeat the Killer Rabbit of Caerbannog. To activate the device, the "Book of Armaments" was consulted and its elaborate operating instructions read aloud by Brother Maynard's Brother (Michael Palin)... "..And the Lord spake, saying, "First shalt thou take out the Holy Pin. Then, shalt thou count to three. No more. No less. Three shalt be the number thou shalt count, and the number of the counting shall be three. Four shalt thou not count, nor either count thou two, excepting that thou then proceed to three. Five is right out. Once the number three, being the third number, be reached, then, lobbest thou thy Holy Hand Grenade of Antioch towards thy foe, who, being naughty in my sight, shall snuff it." The Holy Hand Grenade of Antioch was always thought to be lost since filming and was subject to much speculation and rumour. It was recently discovered to have been kept by the family of the prop maker who created it. In the time-honoured tradition of effient prop makers, the grenade was constructed in a very rudimentary way: utilising a ballcock from a toilet cistern, finished in gold-coloured paint. A metal cross, the pin, with most its original jewels still present, sits on top. Rows of off-white artificial pearls have been strung together to lightly sit against the orb — an addition for display purposes, as the originals were lost after production wrapped. These pearls lift off as a single piece and do not affect any original elements of the weapon. This careful work was done by long-time Python collaborator Valerie Charlton, who served as a special effects model maker on the film. Virtually all the gold paint has worn away over time, but evidence of the original pearls' placement remains, and the pin still retains seven of its original coloured jewels. The hand grenade is presented on a custom-made stand and remains in good production-used condition. Dimensions: 13 cm x 13 cm x 7 cm (5" x 5" x 7") "O Lord, bless this, thy hand grenade, that with it, thou mayest blow thine enemies to tiny bits."£50000-100000 M
Lot 328
A Gizmo stand-in puppet from Joe Dante's comedy sequel Gremlins 2: The New Batch. Six years after the events of the first film, Gizmo found himself captured by scientists working for the company Splice O' Life. While there, he was sprayed by a broken water fountain and spawned four Mogwai: George, Lenny, Daffy and Mohawk. The four bullied Gizmo and caused havoc throughout Clamp Tower. The puppets for the film were designed and created by Rick Baker. Baker, who has won seven Academy Awards for Best Makeup and been nominated for a further three, initially turned down Gremlins 2, as he did not want to work on something he had not originated himself. But he changed his mind when director Dante said he could add his own features and personalities to the different Gremlins. This included minor modifications to Gizmo's appearance, manifesting in his head becoming flatter and his ears subtly changing shape. Built by Baker's Cinovation Studio €†whose work also includes Men In Black, Tim Burton's Planet of the Apes and Ron Howard's How The Grinch Stole Christmas €†this particular puppet was used as a stand-in for the incredibly elaborate animatronic versions of Gizmo. The puppet's body is made of foam and covered in faux fur. Its ears, nose, hands and feet are bare, and the foam has been painted to resemble Mogwai skin. The head mounts to the body via a simple metal pole that fits inside the body. Attached to the back of the head is a simple flat grip, which allowed puppeteers to turn or pose it. This is not anchored in place. The piece shows minor wear due to production use and age, but remains in very good overall condition. Dimensions: 18 cm x 29 cm x 23 cm (7" x 11 1/2" x 9")£8000-10000 M
Lot 44
A xenomorph VFX head from Paul W.S. Anderson's sci-fi action film AVP: Alien vs. Predator. The Yautja Predator known as Scar (Ian Whyte) beheaded a xenomorph after murdering Charles Bishop Weyland (Lance Henriksen). This alien head, with its signature elongated dome, was designed by Academy Award-winning special effects group Amalgamated Dynamics, Inc. (ADI). It is made of fibreglass, with an airbrushed dark green urethane dome labelled "o. Head D", a movable jaw with faux-silver teeth, and a soft rubber palate. Rubber piping inside the jaw and lips pumps saliva through the teeth, while a steel handle and a hand slot on the inside of the dome allow for puppeteering during VFX insert shots. While its biomechanical details and iconic shape hark back to H.R. Giger's original creature design from Ridley Scott's Alien, this head exhibits a smooth dome that is unique to AVP. It is fragile from use and age, with piping exposed from multiple fractures throughout the fibreglass. Dimensions: 89 cm x 20.5 cm x 35.75 cm (35" x 8" x 14")£3000-5000 Ω Δ
Lot 625
A jack-o'-lantern from Tim Burton's fantasy horror Sleepy Hollow (1999). Jack-o'-lanterns decorated the grand home of Baltus (Michael Gambon) and Lady Van Tassel (Miranda Richardson), which Ichabod Crane (Johnny Depp) visited when he first arrived at Sleepy Hollow during the town's Halloween festivities. Hand-painted in shades of orange to give it a realistic appearance, the pumpkin is made of fibreglass and displays a carved-out face with a jagged smile. A separate lid with a cut off stalk section sits atop the pumpkin. The interior is coated with candle wax and the jack-o'-lantern displays staining from smoke. Signs of production use are present on the lot, including minor chips, wear and several paint marks on the exterior. Dimensions: 27 cm x 30 cm x 19 cm (10 3/4" x 12" x 7 1/2").£400-600 † Δ
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175434 item(s)/page