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Click here to subscribeWilliam Hogarth (British 1697-1764) - A collection of ten black and white engravings, including a set of The Four Stages of Cruelty, 40.5 x 33.5cm approx visible sheet size, A Midnight Modern Conversation, Charity in the Cellar, Pit Ticket, O The Roast Beef of Old England, France - plate 1 and England - plate 2, all in coloured mounts and Hogarth type frames (10)
THREE GEM SET RINGS, the first of cluster design set with a central circular cut sapphire with a single cut diamond surround, to the bifurcated shoulders, stamped 18ct, ring size O, a single circular cut sapphire ring, tapered shoulders, stamped 585, ring size M, together with a single cultured pearl within a textured surround, to the tapered shoulders, ring size F1/2, approximate gross weight 6.4 grams
THREE 9CT GOLD GEM SET RINGS, the first a three stone single cut diamond ring within an illusion setting, with a 9ct hallmark for London, ring size O, a circular cut aquamarine and single cut diamond ring, with a 9ct hallmark for London, ring size N, together with a round brilliant cut diamond half eternity ring, with a 9ct hallmark for Birmingham, ring size O, approximate gross weight 4.7 grams
THREE 9CT GOLD RINGS, to include an oval cut sapphire and single cut diamond detail surround, with openwork shoulders, with a 9ct import mark for Birmingham, ring size J, an oval cut tourmaline with a single cut diamond detail surround, with a 9ct hallmark for London, ring size O, together with a single brilliant cut diamond ring within an illusion setting, with a 9ct hallmark for London, ring size K1/2, approximate gross weight 4.7 grams
TWO 9CT GOLD AMETHYST RINGS, the first designed with an oval cut amethyst and textured open work scrolling shoulders, with a 9ct hallm ark for Birmingham, ring size P1/2, together with an oval cut amethyst within a collet mount and a circular open work surround and band, with a 9ct hallmark for London, ring size O, approximate gross weight 7.8 grams
THREE 9CT GOLD GEM SET RINGS, to include a diamond and sapphire cluster ring with a 9ct hallmark for Birmingham, ring size P, a diamond and ruby cluster to the textured leaf design shoulders, with a 9ct hallmark for London, ring size R, together with an oval cut opal and circular cut sapphire crossover shoulders, with a 9ct hallmark for London, ring size O, approximate gross weight 8.0 grams
THREE GEM SET RINGS, to include an amethyst and diamond set cluster ring, with a 9ct hallmark for Sheffield, ring size L, an oval cut amethyst within a four claw setting and diamond detail shoulders, with a 9ct hallmark for Birmingham, ring size K, together with a yellow metal oval cut citrine within a collet mount, ring size O, approximate gross weight 7.6 grams
SIXTEEN LILLIPUT LANE SNOW COVERED SCULPTURES, all with deeds except where mentioned, comprising boxed 'Lead Kindly Light in Winter' (illuminated cottages), boxed 'Little Donkey At All Saints' (2008 Christmas Special), six from Snowed Christmas/Christmas Snowed, boxed 'Happy Tolly Days', boxed 'Blencathra', boxed 'Christmas Punch', two boxed 'Christmas Bakery' and 'Frosty Fun' (no deeds or box), three from Christmas Collection 'St Joseph's Church', 'Hollytree House' and 'Cranberry Cottage', 1993 Annual ornament 'Robin Cottage', boxed 'Winter Last in line' (Exclusive to H. Samuel) and three boxed from British collection 'Slate Cutters in Winter', 'Wassail Lodge' and 'Here We Go Round' (16) Condition Report N o apparent chips, cracks, or signs of restoration to any of the houses in this lot. 'Lead Kindly Light in Winter' has discolouration snow - just starting to yellow. Also 'Holly Tree House' and 'Cranberry Cottage'. This discolouration is not obvious unless compared to other houses with 'Bright White' snow
TWO 9CT GOLD DIAMOND CLUSTER RINGS, the first designed as a tiered cluster with a central single cut diamond and single cut diamond surround to the textured open work heart shape shoulders, with a 9ct hallmark for London, ring size O, together with a single cut diamond cluster with textured shoulders, with a 9ct hallmark for Birmingham, ring size P, approximate gross weight 5.1 grams
THREE 9CT GOLD GEM SET RINGS, the first an oval cut citrine within a double four claw setting and lopen work gallery, with a 9ct halklmark for London, ring size J, an oval cut amethyst within a four claw setting to the single cut diamond set open work shoulders, with a 9ct hallmark for Sheffield, ring size O, together with an oval cut rose quartz within a four setting and scroll detail gaqllery, with a 9ct hallmark for Birmingham, ring size M1/2, approximate gross weight 16.4 grams
THREE GEM SET RINGS, to include a cushion cut orange paste, within a four claw setting, to the bifurcated shoulders, with a 9ct hallmark for London, ring size L, a large cushion cut green paste within a double four claw setting and open work gallery, with a 9ct hallmark for London, ring size O, together with an oval opal set within a four claw setting, stamped 9ct, approximate gross weight 11.7 grams
A SELECTION OF JEWELLERY, to include a gentlemen's onyx signet ring, with a 9ct hallmark for Birmingham, ring size O, two amber set rings, an abalone shell ring, an amethyst and marcasite ring, etc together with a set of nine circular buttons, each designed with an embossed picture of pyramids, palm trees and birds on a yellow panel over the base metal back with hoop attachment, each approximately 17mm in diameter
Tom McNeely (Canadian, B. 1935) "The Fruited Plain" Signed lower right. Original Watercolor painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood First Day Cover of the 32c Flag Over Porch Self-Adhesive Coil stamp issued January 24, 1997. "O beautiful for spacious skies, for amber waves of grain/ For purple mountain majesties, above the fruited plain." When Katharine Lee Bates gazed from the summit of Pike's Peak across the rolling plains of America spreading out before her, she was inspired to write America the Beautiful, a song celebrating this nation's beauty and majesty. This painting by Tom McNeely is one of four paying tribute to America the Beautiful and to the richness and beauty of America's countryside. Image Size: 28.75 x 21 in. Overall Size: 29.75 x 21.75 in. Unframed. (B15342)
Donald Moss (1920 - 2010) "Trinity Church" Boston. Signed lower left. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting was published on a Fleetwood First Day Cover for the U.S. 15c Trinity Church, Boston stamp issued on October 9, 1980. Trinity Church, one of America's great nineteenth century churches stands in Boston's Copley Square, both monument and temple of America's freedom of religion and the revolution in American architecture effected by architect Henry Hobson Richardson (1838-1886). Originally planned in 1872 at the urging of Trinity Church's Rector Phillips Brooks -- universally known for his beautiful Christmas carol, "O Little Town of Bethlehem" -- Trinity Church was consecrated in 1877, but was not completed until 1897. Its style was a free rendering of the French Romanesque which flourished in eleventh century France. Its silhouette was Byzantine. Its lantern tower influenced by Spain's Salamanca Cathedral. And its centralized Byzantine Greek-cross plan inspired by St. Mark's Cathedral in Venice, which the glowing color of the great barrel vaults evokes today. The effect was a temple of worship which made one think he had a pass-key to the Golden Gates. And it was most importantly Richardson's first use of what came to be called Richardson Romanesque style, which made him the first American architect to have an international reputation as well as the most important architect of his generation in America. Though truly neither Richardson's, nor Romanesque, the style inspired thousands of buildings across America between 1880 and 1895, and emphasized honest use of materials and structure -- a principle leading directly to the twentieth century's "new architecture." Image Size: 14.5 x 15 in. Overall Size: 20 x 17.25 in. Unframed. (B06019)
Conway Stewart "Nippy", No.3 propelling pencil with black Bakelite body and gold plated fittings, impressed Conway Stuart, London, Yard o led silver plated propelling pencil, hexagonal design, harlequin panelled decoration, Queensway fountain pen with black bakelite body and a Waterman fountain pen, stainless steel body, and gold plated fittings, Platignun"Ensign" burgundy bodied fountain pen
A contemporary Laura Moore "Billy's a Bad Kitty" hand-crafted white metal pendant, of lenticular form decorated with a shallow relief naturalistic study of blossom, stamped 999 FS and tested as silver, 25 mm, together with, a contemporary flamboyant dress ring comprising a broad silver band set with articulated pearls and pink baubles, CPM, Birmingham, 2004, size N / O [Exhibiting at art fairs from Dana Point, CA to Edinburgh, Scotland, artist Laura Moore's jewelry is known for its evocation of a distinctive organic beauty and clean and simple lines]
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