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Lot 108
A Victorian cast iron overmantel mirror with central eagle and sunburst relief work panel over a rectangular bevel edged mirror plate, flanked by dolphin and eagle panels and shelves, 122 cm wide x 82 cm high, together with an oak cased barometer thermometer, small oak occasional table, glass six light electrolier and framed print "The Monarch O' The Glen"
Lot 20
English bank notes, mint, uncirculated and used, comprising £20 J B Page., £10 J B Page, G M Gill and J B Page earlier issue., £5 J S Fforde L K O'Brien J B Page and D H Somerset., £1 J S Hollom including three consecutive C35W720310 - 312., J S Fforde., J B Page and D H Somerset., Isle of Man £1 and Royal Bank of Scotland £1., ten shillings H O Peppiatt., J S Fforde and Jasper Hollom face value £38 - 120 shillings. (38)
Lot 6
A 'Glasgow School' stained glass window, in the manner of Margaret Macdonald Mackintosh, rectangular depicting a stylised woman offering up a large Glasgow Rose, inside simple geometric border, coloured glass panels, wooden frame, unsigned, 73 x 41cm. Catalogue notes This window appears to be based on Macdonald Mackintosh's O Ye, All Ye That Walk in Willowwood, a gesso panel circa 1903.
Lot 257
RARE US SOUL 7" COLLECTION. A killer selection of around 8 rare US pressed soul/ funk 7" singles. Artist/ titles include Joe Matthews ?– Sorry Ain't Good Enough (T-107, Vg+, Disc Jockey Advance Sample copy, Small sticker on A side label), Patti Austin - Music To My Heart/ Love' Em & Leave 'Em Kind O' Love (11104, Ex, labels have some rippling, small sticker on A side label), The Autographs ?– I Can Do It/ I'm Gonna Show You How To Love Me (4-7293, Ex, Mono, Small sticker on A side label), George Carrow ?– Angel Baby (Don't You Ever Leave Me)/ Bring Back My Heart (4-44161, Mono '73 reissue, Ex, small sticker on A side label), Edwin Starr ?– Way Over There / If My Heart Could Tell The Story (G-7078, Ex, price drilled through label, small sticker on A side label), The Showmen ?– In Paradise / Take It Baby (S-4213, Ex, price drilled through label, small sticker on A side label), Knight Brothers ?– Ghetto Joe / Tried So Hard To Please Her (72829, Ex, price drilled through label, small sticker on A side label), Lorenzo Manley ?– (I'm Gonna) Swoop Down On You/ To Prove My Love (OS-60, Ex, small sticker on B side label).
Lot 373
A diamond two stone ring, the old brilliant cut stones claw set in a yellow and white metal mount with the white metal shoulders encircling the stones, yellow metal shank marked JM 18c, G853, total weight of diamonds approximately 0.45 carat, gross weight approximately 3.4gms, ring size O. Vintage plastic ivory look ring box included, named J R Morton Leek.
Lot 192
A very rare stainless steel British Military Grana wristwatch, most scarce of the so-called 'Dirty Dozen' family of wristwatches produced for the British Military during the Second World War, black dial with luminous sword hands, MOD arrow beneath Grana, subsidiary seconds, Swiss Made at 6 o' clock, fixed lugs, screw-off case back stamped W.W.W. 19004, dust cover within, 15 jewel K.F. 320 calibre movement, case approximately 36mm, associated strap.
Lot 145
FOUR 9CT GOLD RINGS, to include a St.Christopher medallion ring, with a brilliant cut diamond surround, hallmarked 9ct gold Birmingham, ring size V, an opal ring, hallmarked 9ct gold Birmingham, ring size P, a blue topaz and diamond cluster ring, hallmarked 9ct gold London, ring size N, together with a yellow metal amethyst and diamond cluster ring, stamped 9ct, ring size O, approximate gross weight 11.7 grams
Lot 15
TWO WHITE METAL RINGS, the first a large openwork umbrella style ring, set with a central circular cut red stone assessed as paste within a collet mount to a colourless paste surround, with a silver hallmark for Birmingham, ring size O, together with a white metal wide band with a swivel central panel, ring size S, stamped 925, approximate gross weight 16.4 grams
Lot 546
18 BOXED SNOW COVERED LILLIPUT LANE SCULPTURES, all with deeds comprising eight from annual ornament collection 'Mistletoe Cottage' 1992, 'Robin Cottage' 1993, 'Ivy House' 1994, two 'Plum Cottage' 1995, 'Fir Tree Cottage' 1996, 'Evergreens' 1997 and 'Great Expectations' 1998, a Coca Cola 'Santa's Corner' limited edition of 19,960 Christmas ornament and nine from Christmas collection 'St Josephs Church', 'Ring 'o' Bells', 'Partridge Cottage', 'Cranberry Cottage', 'Hollytree House', 'The Vicarage', 'St Joseph's School', 'Chestnut Cottage', 'The Gingerbread Shop' (18)
Lot 813
A 1930's/1940's yellow metal, oval black opal, ruby and diamond set dress ring, size O/P, gross 6.8 grams, (damage/chip to the opal at one end), opal dimensions approx. 20mm by 13mm.CONDITION: One of the rubies has a small chip. There is s chip to the edge rim and underside of the opal at one end. Images recommended!
Lot 176
900-1000 AD, Byzantine. A silver, gilt ring with a circular hoop and a trumpet bezel, bearing an incised depiction of a gryphon within a circular. The griffin, griffon, or gryphon is a legendary creature with the body, tail, and back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet. This item may have belonged to a Byzantine official. Excellent condition; wearable. Size: D: 17.35mm / US: 7 / UK: O; 19.8g; Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.
Lot 228
700-1100 AD. Viking Age. A silver ring with D-shaped hoop with incised hatching decoration on the shoulders, and flattened, elliptical bezel bearing an incised bird motif, perhaps intended to represent either Hugin or Munin. Hugin and Munin (pronounced “HOO-gin” and “MOO-nin”; Old Norse Huginn and Muninn) are two ravens in Norse mythology who are helping spirits of Odin, the god of knowledge, war and battle. Good, wearable condition. Size: D: 17.45mm / US: 7 1/4 / UK: O 1/2 ; 3.9g; Provenance: Private collection of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 243
700-1100 AD, Viking Age. A bronze ring with a heavy, D-shaped hoop with incised hatching decoration on the shoulders, and flattened, round bezel bearing an incised tree motif, intended to represent Yggdrasil. In Norse Mythology, Yggdrasil is an enormous tree that connects the Nine Worlds The first element in Yggdrasil’s name, Yggr (“Terrible”), is one of the many names of the god Odin, while the second, drasill, means “horse.” Yggdrasil’s name therefore means “Horse of Odin,” a reference to the time when the Terrible One hung himself to discover the runes. Good, wearable condition.Size: D: 17.35mm / US: 7 / UK: O; 6g; Provenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1970s.
Lot 270
C. Ca.1070-945 BC Egyptian. Egyptian bronze figure of God Osiris, The god is shown mummiform with a braided divine beard curved out at its tip, an atef-crown notched for plumes that is fronted by a uraeus, and a peaceful, idealized face. He is posed with the arms folded across the chest, holding a crook and flail. Osiris is the most significant and important god in the Egyptians pantheon. He is known firstly as a god of fertility and then as a god of the underworld. He is usually depicted as a gold or green-faced man, to declare his association with the underworld. In his role of lord of the underworld he was associated with a pharaoh and is thus generally portrayed as a deceased pharaoh, as he is depicted on this figurine. Perfect Condition. Size: L:250mm / W:50mm (w/o stand); 490g; Provenance: From the private collection of an London gentleman; previously in an old British Collection, formed in the 1970s on the UK / European art markets.
Lot 271
C. Ca.1070-945 BC Egyptian. Beautiful blueish-green faience ushabti figure wearing a tripartite wig, a striated false beard and holding a two hoes. Shabtis, also known as ushabtis, are Egyptian tomb offerings intended to serve and assist the dead in the afterlife. Ushabtis are usually inscribed with title, names, and sometimes parentage of the individual that dedicated them. Such figurines could also be inscribed with passages from the book of the dead so as to secure safe passage for the deceased on their journey to the underworld. Excellent condition. Size: L:200mm / W:45mm (w/o stand); 170g; Provenance: From the private collection of a Kent gentleman; previously in an old British collection, formed before 2000 on the UK /European art markets.
Lot 274
C. Ca.1070-945 BC Egyptian. Egyptian bronze figure of God Osiris, The god is shown mummiform with a braided divine beard curved out at its tip, an atef-crown notched for plumes that is fronted by a uraeus, and a peaceful, idealized face. He is posed with the arms folded across the chest, holding a crook and flail. Osiris is the most significant and important god in the Egyptians pantheon. He is known firstly as a god of fertility and then as a god of the underworld. He is usually depicted as a gold or green-faced man, to declare his association with the underworld. In his role of lord of the underworld he was associated with a pharaoh and is thus generally portrayed as a deceased pharaoh, as he is depicted on this figurine. Perfect Condition; Size: L:170mm / W:30mm (w/o stand); 115g; Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market before 2000.
Lot 275
C. Ca.1070-945 BC Egyptian. Beautiful light green faience ushabti figure wearing a tripartite wig, a false beard and holding a two elongated objects. Shabtis, also known as ushabtis, are Egyptian tomb offerings intended to serve and assist the dead in the afterlife. Ushabtis are usually inscribed with title, names, and sometimes parentage of the individual that dedicated them. Such figurines could also be inscribed with passages from the book of the dead so as to secure safe passage for the deceased on their journey to the underworld. Good condition. Size: L:220mm / W:45mm (w/o stand); 240g; Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1970s.
Lot 276
664 – 343 B.C. Late Dynastic / Ptolemaic Egyptian. A beautiful wooden mummy mask depicting an individual with a reddish-brown skin tone, a rounded triangular face, full lips, wide, deep-set almond shaped eyes, arching brows, and an aquiline nose. The central portion of a naturalistic monochrome black wig sits upon his head. Masks of this type rose to popularity in the Late Period of Ancient Egypt. Such masks likely had both a decorative and symbolic role as the burial of the dead in Ancient Egypt was an elaborate and ritualised process. Their wide variety of faces makes it likely that these masks were stylised and idealised portraits of the deceased individual. Mummy masks served an elaborate and important role in Egyptian funerary ritual as they served to protect the deceased’s face and head in their travels to the underworld, and in some cases helped to elevate the deceased to a god-like status through adoptions of godly attributes such as blue or gold skin. Good Condition. Size: L:355mm / W:210mm (w/o stand); 1.5kg; Provenance: Property of a London gallery, previously in old German collection formed in the 1970s.
Lot 277
Ca.1070-945 BC Egyptian. Beautiful light blue faience ushabti figure wearing a tripartite wig, a false beard and holding a two elongated objects. Shabtis, also known as ushabtis, are Egyptian tomb offerings intended to serve and assist the dead in the afterlife. Ushabtis are usually inscribed with title, names, and sometimes parentage of the individual that dedicated them. Such figurines could also be inscribed with passages from the book of the dead so as to secure safe passage for the deceased on their journey to the underworld. Good condition. Size: L:160mm / W:35mm (w/o stand); 115g; Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1980s.
Lot 279
Ca.1070-945 BC Egyptian. Beautiful blue green faience female ushabti figure wearing a tripartite wig. Shabtis, also known as ushabtis, are Egyptian tomb offerings intended to serve and assist the dead in the afterlife. Ushabtis are usually inscribed with title, names, and sometimes parentage of the individual that dedicated them. Such figurines could also be inscribed with passages from the book of the dead so as to secure safe passage for the deceased on their journey to the underworld. Good condition.Size: L:105mm / W:20mm (w/o stand); 25g; Provenance: Private collection of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 281
664 – 343 B.C. Late Dynastic / Ptolemaic EgyptianEgyptian. Wooden votive figurine of a woman with a bi-partite naturalistic black wig, arching eyebrows, large almond shaped eyes, a broad flared nose and small smile. She wears a white tunic with red trim and a red necklace painted so as to evoke beadwork. Votive figures such as these were frequently deposited in sanctuaries as a gift to the gods for providing aid, usually healing, help with fertility issues, or for gifts of wealth or status. Alternatively, such votive figures could be included in grave assemblages ase servants for the deceased on their journey to the underworld. Good condition.Size: L:495mm / W:70mm (w/o stand); 1.1kg; Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1980s.
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175434 item(s)/page