SILENT FILM: a collection of ephemera including 'The Battle Cry of Civilization', British Press Book, (1916) Equity British Films Ltd., printed Rawlings & Walsh Ltd., 44pp. photo. illus., 56.5cm x 44cm: eight typed autograph letters, 8pp., a total of 83 lines, 1971 - 1972, correspondence between cinema historian Henry Anthony Vaughn Bulleid, and business affairs manager Garth Pedler, The Silent Picture magazine, relating to articles H.A.V submitted for publication including a copy of his 10pp. article for 'Hell's Hinges': Alice Brady, eleven publicity stills, 'The New York Idea', Realart Pictures and 'After Divorce What?', Crest Films, ca. 1920s: 1925 Christie-Ideal Production of 'Charley's Aunt', 2pp. 48 b/w. contact photo. prints, further dated in the negative 3.2.45, the images 4cm x 3cm: sold with a few other technical film pamphlets, publications, cuttings, and twenty five issues of Amateur Cineworld, 1941 - 1946. (qty)Provenance: the property of the late Henry Anthony Vaughn Bulleid (1912 - 2009) writer, railway engineer, and cinema historian specialising in the silent film era, by descent to the vendor. Condition Report variable condition, Amateur Cineworld with some wear to covers, the letters mostly clean condition, The Battle Cry of Civilization - text top r.h. 'In Sound' crossed out and the word 'Silent' written in pencil, fold creases, light creasing overall, small clean edge tears to top and lower centre, a small hole in centre of front page, light wear to page edges o/w. reasonable condition. also includes Cinema Quarterly, 1933: Cinema, Spring, 1934: Pie's Film Book A Hutchinson Pocket Special n.d.: Film Review, Penguin, 1947, Penguin 1947, Filmgoers Review, Forsyth Hardy, Albyn Press, Edinburgh, 1946 -47: and Lulu Brooks, Lulu in Hollywood, Arrow Books, 1982
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A group of three 9ct gold rings, comprising a gentlemen's ring set with an oval red stone, possibly garnet, 11 by 9 by 3mm, size Z, a gentleman's gypsy ring set with a round cubic zirconia, 7 by 4mm, size U, and a wedding band ring, engraved 'Always' internally, size O, total combined weight 13.5g. (3)
A 9ct gold, ruby and diamond three stone ring, the central oval cut ruby of approximately 4.3 by 3.4mm, size O, and a 9ct gold ring set with paste, size M, total gold weight 3.9g, together with a small quantity of further jewellery, including a rolled gold bangle, a string of Isle of Wight grey pearls with matching earrings, a silver medal marked Raglan 1904-5, a silver twist chain, total weight for both 22.9g, and a silver set cameo, two yellow metal half hoop earrings, a 19th century black snuff box set with silver and six costume watches. (1 bag)
An 18ct gold and diamond solitaire ring, the central diamond of approximately 0.3ct, approximately 4.3mm diameter, with three diamond chips to either shoulder, size S, with 9ct gold ring sizer fixed, 2.1g, together with a diamond and sapphire dress ring set with a row of seven diamond brilliants with seven sapphires either side, size O, 2.5g. (2)
A WWII Caterpillar Club 9ct gold brooch, modelled as a silk worm, with inset ruby eyes, engraved to back 'P/O C. Ogilvy, Pres. Irving Co', hinged pin fastening, 0.9g, 4.3 by 19mm long.Notes: The Caterpillar Club badge was an unofficial British award, founded in 1922, and was presented to Royal Air Force personnel who had 'baled out' successfully wearing an Irvin parachute made by the Irvin Air Chute Company, the recipient's name was engraved on the reverse.
ELIZABETH II SERVICE MEDAL AWARDED TO PTE. W. DOCTOR, 23300424, A.& S.H., with Cyprus and Near East clasps and ribbon, along with another with South Arabia clasp inscribed 'Capt. O.S. Frost Acc.', another with Arabian Peninsula clasp insrcribed '23515678 Fus. W. Thompson R.H.F.', and an Elizabeth II Africa medal with Kenya clasp inscribed '2/ Lt. O. S. Frost Green Howards (replacement)' (5)
RED AND WHITE GEM SET RING, the pear shaped red gem surrounded by round white gems, marked 9K, size N, along with a purple gem set and opal cluster ring, in nine carat gold, size O, a purple gem set and opal three stone ring, in nine carat gold, size M, and a purple gem set and diamond ring, in nine carat gold, size R, 10.4g gross (4)
HEART SHAPED BLUE GEM SET RING, the heart shaped blue gem flanked by diamond chips, in nine carat gold, size L 1/2, along with a blue gem set and diamond cluster ring, in nine carat gold, size Q 1/2, a red gem set cluster ring, in nine carat gold, size H and an unmarked shield shaped signet ring, size O 1/2, 7.1g gross (4)
WW2 RAF The Dam Busters Raid W C (Bill) Townsend CGM DFM pilot of Lancaster AJ O (Orange) 617 Squadron on the night of The Dam Busters Raid on 17th May 1943 signed Dronten Allied Airmen Memorial cover Commemorating the 40th Anniversary of the Dam Busters Raid 1983 certified copy no. 14 of 100. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
World War II Lancaster 10x8 colour photo signed by 11 bomber command veterans W O Phil Bates 149 Sqd, W O Ron Brown 218 75 Sqd, W O Charlie Darby 462 466 Sqd, W O James Flowers 50 44 Sqd, Flt Sgt Ron Gard 463 Sqd, W O Reg Payne 50 Sqd, W O William Shaw 37 Sqd, W O Dennis Slack 158 Sqd, W O Frank Tolley 625 Sqd, Flt Lt Rusty Waughman DFC 101 Sqd, W O Harry Winter 427 Sqd. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
World War II 10X8 black and white photo signed by 10 bomber command and army prisoners of war includes W O Phil Bates 149 Sqd, W O David Denchfield 610 Sqd, W O Peter Donaldson 10 Sqd, Sqd Ldr Alfie Fripp 57 Sqd, Flt Lt Eric Hookings 619 Sqd, W O Stan Paddy Hope 540 PRU, PO Tony Monk 76 Sqd, W O Ron Wade 58 Sqd, Trooper Don Walker 147th RAC Hampshires, W O Cal Younger 460 Sqd. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
World War II Lancaster 8x6 black and white photo signed by five bomber command veterans includes Flt Lt Eric Clarke MiD 49 Sqd, W O Colin Cole 617 Sqd, Flt Sgt Ray Grayston on 617 Sqd, W O Jeff Hildreth 170 Sqd, W O Peter Obrien 426 Sqd. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
F O Kazimierz Kozak WWII No 308 City of Krakow Polish Fighter Squadron RAF colour photo. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
World War II Lancaster 8x6 black and white photo signed by seven bomber command veterans includes Flt Lt Eric Foinette 12 Sqd, Flt Lt John Hall DFC 44 106 Sqd, W O Ken Johnson 9 61 Sqd, W O John Pearl 207 Sqd, Sqd Ldr John Rowland DFC* DSO 12 615 Sqd, W O Ron Smith DFC 617 Sqd, Flt Sgt Eric Varney 207 Sqd. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Taylor O. Thomas Untitled, 2020 Oil and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Taylor O. Thomas is an American painter who uses gestural painting as a means of making manifest human tendencies, ways of seeing, and the interconnection between the body and the mind. Her paintings have been exhibited in galleries and private collections across the United States and in Italy, Spain, Singapore, and China. In 2012, Thomas graduated magna cum laude from Davidson College with a BA in Studio Art. She was then awarded a Graduate Fellowship by the University of South Florida and earned her MFA in 2019. Thomas is the recipient of an inaugural Innovate Artist Grant, a Peripheral Vision Publication Fellowship, a two-time role as Publication Juror for Friend of the Artist, a Regional Artist Project Grant by the Arts and Science Council of Charlotte, NC, and residency scholarships to attend Vermont Studio Center (Johnson, Vermont) and Benaco Arte (Sirmione, Italy). Other residencies include MassArt's Art New England and Deli Grocery New York. Thomas currently lives and works in Tampa, Florida. Thomas is represented by Deli Grocery New York (Brooklyn, NY) and Emily Friedman Fine Art (Los Angeles, CA) . A painting may begin with a gesture I have borrowed from a dilapidated wall, cracking tile,scurrying commuter, or draping telephone wire. It continues based on the objects that jolt myattention within my studio walls. I mine for forms that approach "rightness" and "wrongness"simultaneously, gathering references to expand upon and manipulate. Gestural painting is mymeans of creating a tactile language, as I question what it means to live fully into the body.I visualize my environment with a collage mentality- jumping from shape-to-shape and texture-to-texture- cultivating a way of seeing that directs my intuitive way of making. This interactiveresearch that occurs outside of the studio serves as the preface for my work within it. Myphysical marks are embodiments of my being and moving through the world. Materialexperimentation is also a key factor in creative decision-making. Playing with paint's plasticityand ambiguous spaces provides for more interesting routes to each unexpected end. I teeter-totterbetween the compositional "bones" I establish for a painting and the spontaneous actions thatdisrupt those plans. Be it the imprint of an old tool, or the smudgy scrawls made by my faultybrush, I choose to embed such moments in the work. By embracing studio residue andresponding to past and present images at once, I invite new layers of meaning, chance, andauthorship into my paintings.While my practice remains rooted in my attempt to unify self-expression with ongoingdiscovery, the optical and emotive qualities of each surface stretch beyond my singularperspective. The images are altogether thick and flat, direct and obscure, sensitive and markedlydeliberate. Through them, I question: Where do our collective ideas of mind-body connectednessstand today? What is the value of preserving the physical in a digital age? And how mightgestural abstraction be utilized as a mode of contemporary communication?
Taylor O. Thomas Untitled, 2020 Oil and Pastel on Paper Sigend verso 15 x 10cm (5¾ x 3¾ in.) Taylor O. Thomas is an American painter who uses gestural painting as a means of making manifest human tendencies, ways of seeing, and the interconnection between the body and the mind. Her paintings have been exhibited in galleries and private collections across the United States and in Italy, Spain, Singapore, and China. In 2012, Thomas graduated magna cum laude from Davidson College with a BA in Studio Art. She was then awarded a Graduate Fellowship by the University of South Florida and earned her MFA in 2019. Thomas is the recipient of an inaugural Innovate Artist Grant, a Peripheral Vision Publication Fellowship, a two-time role as Publication Juror for Friend of the Artist, a Regional Artist Project Grant by the Arts and Science Council of Charlotte, NC, and residency scholarships to attend Vermont Studio Center (Johnson, Vermont) and Benaco Arte (Sirmione, Italy). Other residencies include MassArt's Art New England and Deli Grocery New York. Thomas currently lives and works in Tampa, Florida. Thomas is represented by Deli Grocery New York (Brooklyn, NY) and Emily Friedman Fine Art (Los Angeles, CA) . A painting may begin with a gesture I have borrowed from a dilapidated wall, cracking tile,scurrying commuter, or draping telephone wire. It continues based on the objects that jolt myattention within my studio walls. I mine for forms that approach "rightness" and "wrongness"simultaneously, gathering references to expand upon and manipulate. Gestural painting is mymeans of creating a tactile language, as I question what it means to live fully into the body.I visualize my environment with a collage mentality- jumping from shape-to-shape and texture-to-texture- cultivating a way of seeing that directs my intuitive way of making. This interactiveresearch that occurs outside of the studio serves as the preface for my work within it. Myphysical marks are embodiments of my being and moving through the world. Materialexperimentation is also a key factor in creative decision-making. Playing with paint's plasticityand ambiguous spaces provides for more interesting routes to each unexpected end. I teeter-totterbetween the compositional "bones" I establish for a painting and the spontaneous actions thatdisrupt those plans. Be it the imprint of an old tool, or the smudgy scrawls made by my faultybrush, I choose to embed such moments in the work. By embracing studio residue andresponding to past and present images at once, I invite new layers of meaning, chance, andauthorship into my paintings.While my practice remains rooted in my attempt to unify self-expression with ongoingdiscovery, the optical and emotive qualities of each surface stretch beyond my singularperspective. The images are altogether thick and flat, direct and obscure, sensitive and markedlydeliberate. Through them, I question: Where do our collective ideas of mind-body connectednessstand today? What is the value of preserving the physical in a digital age? And how mightgestural abstraction be utilized as a mode of contemporary communication?
Rosie Emerson Dreamer, 2020 Photopolymer Etching on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.) Rosie Emerson is an award winning contemporary artist originally from Dorset, she studied and lived in London for 10 years. She now resides on the South Coast and continues to work almost exclusively on representing the female form. Emerson's figures draw reference from archetypes old and new from Artemis to the modern day super model. Inspired by her love of museums, architecture, theatre, silhouettes, shrines and rituals, she uses dramatic lighting, hand made costumes, set and prop making alongside printmaking and painting to create her unique style of work. Her work is widely collected and exhibited both in the UK, as well as internationally, through galleries, art fairs and museums. Emerson was also commissioned by Hackney WickED Arts Festival to create a new Guinness World record and create the world's largest Cyanotype photograph. Emerson has been commissioned by brands including Sony, Triumph Underwear, Redbull, P&O Cruises, Toms, and Annoushka jewelry working with models Amber le Bon, Daisy Lowe and singer Eliza Doolittle. Her work has also been featured in Vogue, Harper's Bazaar, Another Magazine, The Financial Times Magazine and The Sunday Times Style Magazine. Emerson has been commissioned by brands including Sony, Triumph Underwear, Redbull, P&O Cruises, Toms, and Annoushka jewelry working with models Amber le Bon, Daisy Lowe and singer Eliza Doolittle. Her work has also been featured in Vogue, Harper's Bazaar, Another Magazine, The Financial Times Magazine and The Sunday Times Style Magazine. Condition Report: Condition Report Disclaimer
Rosie Emerson Ebony Rose AP, 2020 Photopolymer Etching on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.)Rosie Emerson is an award winning contemporary artist originally from Dorset, she studied and lived in London for 10 years. She now resides on the South Coast and continues to work almost exclusively on representing the female form. Emerson's figures draw reference from archetypes old and new from Artemis to the modern day super model. Inspired by her love of museums, architecture, theatre, silhouettes, shrines and rituals, she uses dramatic lighting, hand made costumes, set and prop making alongside printmaking and painting to create her unique style of work. Her work is widely collected and exhibited both in the UK, as well as internationally, through galleries, art fairs and museums. Emerson was also commissioned by Hackney WickED Arts Festival to create a new Guinness World record and create the world's largest Cyanotype photograph. Emerson has been commissioned by brands including Sony, Triumph Underwear, Redbull, P&O Cruises, Toms, and Annoushka jewelry working with models Amber le Bon, Daisy Lowe and singer Eliza Doolittle. Her work has also been featured in Vogue, Harper's Bazaar, Another Magazine, The Financial Times Magazine and The Sunday Times Style Magazine. Emerson has been commissioned by brands including Sony, Triumph Underwear, Redbull, P&O Cruises, Toms, and Annoushka jewelry working with models Amber le Bon, Daisy Lowe and singer Eliza Doolittle. Her work has also been featured in Vogue, Harper's Bazaar, Another Magazine, The Financial Times Magazine and The Sunday Times Style Magazine.
1966-67, chrome, serial no. 6735225, with Nikkor-O f/4 21mm lens, black, serial no. 220382, body, VG, shutter working, lens, VG, complete with 21mm viewfinderNote: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.
Opera.- Mozart (Wolfgang Amadeus) Cosi fan tutte o sia la scuola degli amanti, 3 vol. in 1, first edition, type-set music, cast list on verso of title to vol.3, small old ink stamp to title of vol.3, lacking engraved frontispiece, some foxing and browning, modern calf-backed marbled boards, oblong 4to, Leipzig, Breitkopfischen Musikhandlung, [1794].⁂ First edition of the piano/vocal score of one of Mozart's most popular operas, his final collaboration with the Italian librettist Lorenzo da Ponte. The full score was not published till 1810.
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176068 item(s)/page