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Lot 1779
Bettina Rheims (Neuilly-sur-Seine 1952 – lebt in Paris). „7 Novembre - Paris“, aus der Serie „Chambre Close“. 1991C-Print. Kodak-Professional-Papier. 35 × 34,9 cm (50,2 × 40,2 cm) (13 ¾ × 13 ¾ in. (19 ¾ × 15 â…ž in.)). Rückseitig mit schwarzem Filzstift signiert, betitelt, Serientitel, bezeichnet und nummeriert. Auf Rahmenrückwand Galerieetikett: „Thaddeuas Ropac" sowie diverse Auktionshausetiketten. Gerahmt. Rahmenmaß: 69,5 x 59,5 x 3,5 cm.Einer von 15 nummerierten Abzügen. [2048]Literatur und Abbildung: Bettina Rheims und Serge Bramly: Chambre Close. München 1992, S. 35 / Bettina Rheims und Serge Bramly: Chambre Close. München 1999, Titel und S. 35 / Bettina Rheims und Serge Bramly: Chambre Close. Eine Fiktion. München 2007, S. 33 / Ausst.-Kat.: Bettina Rheims. Can You Find Happiness. Berlin, C/O Berlin im Postfuhramt, 2008, S. 73Zustandsbericht: In gutem bis sehr gutem Zustand. Glänzendes Papier. Im unteren linken Eckbereich dünne diagonale Kratzlinie, ca. 11,5 cm lang, wovon ca. 7,5 cm im Bild, wahrnehmbar nur aus nächster Nähe im Streiflicht. Etwas unterhalb, ca. 1,5 cm von unten, 3 cm von links (Strumpf) winzige horizontale Kratzspur, ca. 1 cm lang, wahrnehmbar nur aus nächster Nähe im Streiflicht. Am oberen Bildrand mittig, ca. 2,5 cm von oben (Stirn) hauchfeine horizontale Kratzlinie, ca. 5 cm lang, wahrnehmbar nur aus nächster Nähe im Streiflicht. Kanten im weißen Blattrand stellenweise vergilbt. Im oberen weißen Blattrand, ca. 2,5 cm von oben, 11,5 cm von rechts, kleine schwache Knickspur, ca. 1 cm lang, sichtbar nur im Streiflicht.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 359
Ca. 1st-2nd century AD.A silver finger ring featuring a flat-section band that elegantly supports a large bezel. The bezel, in turn, houses a convex carnelian intaglio engraved with the intricate depiction of a shrimp. Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 10g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 369
C. 19th Century AD.A gorgeous agate cameo depicting a more than rare subject, Venus teaching Cupid to use the bow. This is after a drawing by John Gibson (1790 - 1866) titled "O lend me now the succour of thine arm" drawn probably in 1851 and made for the book by Elizabeth Strutt, The story of Psyche. Size: 21mm x 14mm; Weight: 1.5g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.
Lot 379
Ca. AD 600.A gold finger ring composed of a D-shaped hoop with expanded shoulders and a large bezel with a beaded border, set with a red stone intaglio engraved with a depiction of a cross. The intaglio is set in a high carat (20-22ct), possibly later gold ring.Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 8gProvenance: Private London collection, UK art market before 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 390
Ca. 10th-12th century AD.A gold finger ring with a round-section hoop expanding to form a rectabgular bezel embellished with a cruciform monogram - a symbolic representation crafted from one or more letters, frequently sourced from the Greek alphabet. Monogram reads: N-A-]-OU-? -> ?????? ????????? (Narses Spathariou) Narses was, with Belisarius, one of the great generals in the service of the Byzantine Emperor Justinian I during the Roman reconquest that took place during Justinian's reign. Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 12.93g Provenance: Private London collection, acquired on the UK art market pre 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 391
Western Europe, Ca. AD 1500.A gold finger ring with a flat-section hoop and a flattened bezel engraved with an 'IHS' Christogram. The bottom side of the bezel features a low-relief cross. The "IHS" represents the first three letters of the Greek name for Jesus, "??????" (I?sous). Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 9g Provenance: Private London collection, acquired on the UK art market pre 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 419
Ca. AD 1100-1400 AD.A silver finger ring featuring a slender round-section band and a square bezel. The bezel is accentuated by applied flattened bosses at each of the four corners. The face of the bezel is engraved with a cross positioned above the crescent moon. Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 3g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s.
Lot 74
Ca. 4th-3rd century BC.A carnelian scaraboid with distinct anatomical features such as a prothorax and elytra. The flat underside of the scarab is engraved with a depiction of a running dog facing to the right, situated on a baseline and encircled by a decorative hatched band. The scarab is longitudinally perforated and threaded, through with a pin, and connected to a D-shaped gold ring hoop of slender profile featuring wire coils at the shoulders. The intaglio is set in a high carat (20-22ct), possibly later gold ring.Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 4gProvenance: Private UK collection; From an old London collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 82
Ca. AD 100-300.A large oval-shaped bloodstone intaglio showcasing an intricate engraving of the Dioscuri. This intaglio portrays the Dioscuri in standing poses, facing each other, each holding long spears and swords. Above each figure a star is etched, signifying their celestial connection. In Greek mythology, the Dioscuri, or Castor and Pollux, were twin brothers known for their exceptional martial prowess and close fraternal bond. Castor, a mortal, and Pollux, an immortal, were revered as the patrons of horsemanship and protectors of sailors. The intaglio is set in a high carat (20-22ct), possibly later gold ring. For a similar example, see Amgueddfa Cymru, National Museum Wales, Item Number: 55.83.Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 9.5gProvenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 83
Ca. AD 200.A gold finger ring comprised of a round shallow hoop with expanded shoulders and a bezel set with a banded agate intaglio. This charming stone was incised with a left-facing portrait of the god Faunus, known to the Greeks as Pan. In ancient Roman religion and mythology, Faunus is the god of the wild, shepherds and nature. He was associated with rustic music and was a companion of the nymphs. Faunus is depicted with his characteristic hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 14g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 85
Ca. 1st century AD.A black oval-shaped intaglio finely engraved with an image of the standing goddess Minerva (Greek Athena). She is depicted turned to her right, wearing a long robe, and a crested helmet. She is holding a spear in her right hand and a shield lies at her feet. The intaglio is set in a high carat (20-22ct), possibly later gold ring.Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 11.4gProvenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 87
Ca. 1st century AD.A nicolo intaglio depicting the god Mars (Greek Ares). The god is depicted turned to his left, wearing a helmet and holding a shield at his feet. His left hand is raised, while his right hand hangs loosely. The intaglio is set in a high carat (20-22ct), possibly later gold ring. For a similar example, see The British Museum, accession number: 1917,0501.536.Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 11gProvenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 88
Ca. 2nd century AD (intaglio); Ca. late 18th century AD (ring).An ancient Roman red jasper intaglio of Zeus sitting on the throne with the eagle sitting on his right arm. The intaglio is set in a high carat (20-22ct), possibly later neoclassical gold ring (Grand Tour, Italy).Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 12.6gProvenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 99
Ca. AD 1-200.A large, oval-shaped jasper or agate intaglio depicting a nude male figure standing in proximity to an altar. A snake emerges from the altar. The ring itself features a rounded hoop, adorned with three fine spheres on each shoulder, and a gold bezel cell with a flaring profile. The intaglio is set in a high carat (20-22ct), possibly later gold ring.Size: D:17.53mm / US: 7 1/4 / UK: O; Weight: 4.8gProvenance: Private London collection, UK art market before 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 139
Borsdorf, Werner1935 Höchst im Odenwald - "Der Eingebildete" - Farblinolschnitt/Papier. Probe. 7/14. 50,3 x 60 cm, 55,5 x 68,4cm. Sign. und dat. r. u.: W Borsdorf 1992. Betit. l. u. "Der Eingebildete", Bez. m. u.: Linolsch. Probe. Widm. l. o.: Frau Depelmann gewidmet im Juni 1992. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. - Provenienz: Galerie Depelmann, Langenhagen.
Lot 140
Bruni, Bruno(1935 Gradara) - "o. T." 1973 - Farblithografie/Papier. 3/100. 53 x 46 cm, 70 x 50 cm (Blattmaß). Sign. u. dat. r. u.: Bruno Bruni (19)73. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. Voll ansichtig unter Glas gerahmt. - Provinienz: Galerie Depelmann, Langenhagen. - Lit.: Bruno Bruni. Das druckgraphische Werk. 1961 - 1976. Dortmund 1983. Bruni studierte in Pesaro und bei G. Gresco in Hamburg. Erhielt 1977 den Internationalen Senefelder - Preis für Lithografie. Bruni hatte weltweit beachtete Ausstellungen. Eine große Retrospektive seines Werkes fand 2005 in der Wiesbadener Casino - Gesellschaft statt.
Lot 210
Johannes Haider1954 Eisenstadt - 2014 Oslip - O. T. 2003 - Farbige Kaltnadelradierung/Papier. I/III. 98,7 x 33 cm, 122,5 x 53 cm (Blattmaß). Sign. u. dat. r. u.: Johannes Haider 2003. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. - Provenienz: Galerie Depelmann, Langenhagen.
Lot 240
Horst JanssenHamburg 1929 - 1995 - "Vor Holm" - Radierung/Papier. 15 x 22,5 cm, 21 x 27,9 cm (Passepartoutausschnitt). Monogr. und sign. r. u. HJ. Dat. r. o.: 28.10.(19)72. Auf Platte dat. und bet.: 28.10.(19)89 vor Holm. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterkarton. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen - Lit.: Horst Janssen. Schloss Gottorf, Stiftung und Besitz. Schleswig 1989. Janssen studierte von 1946-51 bei Prof. Mahlau an der Kunsthochschule in Hamburg. Er erhielt mehrere Preise für sein grafisches Werk, so 1964 den Kunstpreis der Stadt Darmstadt. Seine Arbeiten wurden international ausgestellt, und im November 2000 wurde das Horst-Janssen-Museum in Oldenburg eröffnet.
Lot 303
Giuseppe Santomaso1907 Venedig - 1990 Venedig - Komposition - Farbige Aquatintaradierung/Papier. P. A. 65 x 49,5 cm, 68 x 53 cm (Passepartoutausschnitt). Sign. und dat. r. u.: Santomaso (19)89. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. Unter Glas gerahmt. Kratzer l. o. - Provenienz: Galerie Depelmann, Langenhagen.
Lot 304
Giuseppe Santomaso1907 Venedig - 1990 Venedig - Ohne Titel - Farbige Aquatintaradierung/Papier. 66/75. 67,3 x 49 cm (Passepartoutausschnitt). Sign. und dat. r. u.: Santomaso (19)86. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. Unter Glas gerahmt. Kratzer l. o. - Provenienz: Galerie Depelmann, Langenhagen.
Lot 305
Giuseppe SantomasoVenedig 1907 - 1990 - o. T. 1984 - Farblithografie, Mischtechnik/Papier. 11/95. 58 x 54,5 cm, 61,5 x 58 cm (Passepartoutausschnitt). Sign. u. dat. r. u.: Santomaso (19)84. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. Voll ansichtig unter Glas gerahmt. - Provinienz: Galerie Depelmann, Langenhagen.
Lot 306
Giuseppe SantomasoVenedig 1907 - 1990 - O. T. 1989 - Radierung/Papier. 102/150. 64,7 x 49,3 cm, 69 x 52 cm (Passepartoutausschnitt). Sign. u. dat. r. u.: Santomaso (19)89. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen.
Lot 307
Giuseppe SantomasoVenedig 1907 - 1990 - o. T. 1989 - Farblithografie/Papier. 130/150. 62 x 47 cm, 68,2 x 50 cm (Passepartoutausschnitt). Sign. u. dat. r. u.: Santomaso (19)89. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen.
Lot 308
Giuseppe SantomasoVenedig 1907 - 1990 - o. T. - Farblithografie/Papier. 83/100. 46 x 36,8 cm, 50,4 x 39,8 cm (Passepartoutausschnitt). Sign. u. dat. r. u.: Santomaso (19)87. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen.
Lot 317
Kurt Sohns1907 Barsinghausen - 1990 Hannover - o. T. - Aquatinta-Radierung/Papier. 27/30. 34,8 x 44,8 cm, 40,4 x 50 cm (Passepartoutausschnitt). Sign. r. u.: Sohns. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Passepartout. Voll ansichtig unter Glas gerahmt. - Provinienz: Galerie Depelmann, Langenhagen. - Lit.: Dehio, Jörg-Michael. Kurt Sohns. Werkverzeichnis. Hannover 1992. - Lit.: Vollmer, Bd. 4; S. 312. K. Sohns studierte an den Kunstgewerbeschulen in Hannover und Stuttgart. Er reiste 1929 nach Paris und in den Folgejahren nach Holland und Norwegen. Seit 1948 war er Professor in Hannover. Präsident der Niedersächsischen Sezession. Auf der 2. Deutschen Kunstausstellung in Dresden 1949 war er mit drei Arbeiten vertreten.
Lot 324
Antoni TàpiesBarcelona 1923 - 2012 - O. T. 1974 - Lithografie/Papier. 73/100. 73,5 x 54 cm, 90.5 x 64 cm. Sign. r. u.: Tapies. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen. Tàpies gilt als der wichtigste spanische Maler und Grafiker des Informel. Sein Werk wurde in vielen internationalen Ausstellungen gewürdigt; z. B. vertrat er 1952 Spanien auf der Biennale in Venedig, er war mehrfach auf einer documenta (1959, 1964, 1968 und 1977) in Kassel präsent. 1984 gründete er eine eigene Stiftung, die Fundació Antoni Tàpies in Barcelona.
Lot 325
Antoni TàpiesBarcelona 1923 - 2012 - O. T. aus Album "St. Gallen" 1965 - Lithografie/Papier. 1/75. 70,5 x 51,6 cm, 76,2 x 56 cm. Sign. r. u.: Tapies. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen. Tàpies gilt als der wichtigste spanische Maler und Grafiker des Informel. Sein Werk wurde in vielen internationalen Ausstellungen gewürdigt; z. B. vertrat er 1952 Spanien auf der Biennale in Venedig, er war mehrfach auf einer documenta (1959, 1964, 1968 und 1977) in Kassel präsent. 1984 gründete er eine eigene Stiftung, die Fundació Antoni Tàpies in Barcelona.
Lot 558
Deckelvase mit Schleifen - Landschaften mit StaffagefigurenStaatliche Porzellan Manufaktur (KPM), Berlin um 1922. Porzellan, weiß, glasiert. Polychrom außerhalb der Manufaktur bemalt. Goldrand. Unter der Glasur blaue Zeptermarke. 1. Wahl. Eingepresstes Jahreszeichen O für 1914. In Schwarz bez.: Aus Dankbarkeit gewidmet 4 October 1922. Helene Steinmann. H. 22 cm, D. 15 cm. Auf dem Deckel Zweig mit grünen, silbernen und goldenen Blättern sowie rosafarbene, silberne und goldene Blüten. - Zustand: Gold angelaufen - silberne Blätter und Blüten angelaufen.
Lot 780
Konvolut 12 Bücher über Porzellan- B. E. Ergert. Höfische Jagd als Tafelschmuck. Nymphenburger Porzellan. 1991. 87 Sn. - L. Altmann. Die Figuren des F. A. Bustelli. Nymphenburger Porzellan. 1993. 84 Sn. - L. Altmann. Tafelgeschirr des 18. Jahrhunderts. Nymphenburger Porzellan. 1994. 84 Sn. - C. Jöckle. Figuren aus Frankenthal. Nymphenburger Porzellan. 1995. 104 Sn. - L. Altmann. Königliche Manufaktur. Nymphenburger Porzellan im 19. Jh. 1996. 96 Sn. - A. Ziffer. Die Künstler des 20. Jahrhunderts. Nymphenburger Porzellan. 1997. 120 Sn. - R. Termolen. Nymphenburger Porzellan. 1997. 88 Sn. - O. Walcha. Meißner Porzellan. 1973. 516 Sn. - J. Divis. Europäisches Porzellan. 1988. 231 Sn. - C. Marusch-Krohn. Meissener Porzellan 1918-1933. Die Pfeifferzeit. 1993. 176 Sn. - J. Schärer. Verschiedene außerordentlich feine Mahlerey... 1996. 243 Sn. - K. A. Möller. Meissener Porzellanplastik des 18. Jahrhunderts. Die Schweriner Sammlung. 2006. 268 Sn.
Lot 93
Antoni TàpiesBarcelona 1923 - 2012 - O. T. aus dem Mappenwerk "Materie der Inspiration" 1989 - Farblithografie, Mischtechnik/Papier. 22/45. 59,7 x 46,8 cm, 65,7 x 49,5 cm (Passepartoutausschnitt). Sign. r. u.: Tapies. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Unterlegkarton. Passepartout. - Provinienz: Galerie Depelmann, Langenhagen. Tàpies gilt als der wichtigste spanische Maler und Grafiker des Informel. Sein Werk wurde in vielen internationalen Ausstellungen gewürdigt; z. B. vertrat er 1952 Spanien auf der Biennale in Venedig, er war mehrfach auf einer documenta (1959, 1964, 1968 und 1977) in Kassel präsent. 1984 gründete er eine eigene Stiftung, die Fundació Antoni Tàpies in Barcelona.
Lot 1431
Deutschland 1939-45 **/O Vordruckalben mit Marken aus dem Dritten Reich, Französische Zone und Aliierte Besatzung. Dabei guter Teil Französische Zone.| Germany 1939-45 **/O Illustrated albums with stamps from the Third Reich, French Zone and Allied Occupation. Including a good part French Zone.
Lot 1442
Türkei */O Sehr gehaltvoller Posten auf 27 Blättern. Dabei sehr gute Anfangswerte wie Michel Nr. 174, Sultanreise Aufdruck Salonique, 229/44, 246/50, 252/58 und weitere gute Ausgaben. Da die Aufdrucke sehr fälschungsgefährdet sind, ist das Angebot ohne Obligo der Aufdrucke. Katalogwert ca. 6000 €. Nicht geprüft auf Zähnungen. Wir bitten um eingehende Besichtigung!| Turkey */O Very rich lot on 27 sheets. Including very good initial values such as Michel No. 174, Sultanreise overprint Salonique, 229/44, 246/50, 252/58 and other good issues. Since the overprints are very prone to forgery, the offer is without obligo of the overprints. Catalog value approx. 6000 €. Not examined for perforations. We ask for detailed inspection!
Lot 1444
Deutsches Reich, Böhmen u. Mähren, AD */O/** Altes Leuchtturm Album mit Deutschem Reich ab 1872 - 1945 meist gestempelt mit guten Sätzen und Blöcken, oft komplette Jahrgänge. Dann Böhmen und Mähren mit Michel Nr. 1-19 gestempelt. Im Anschluss Altdeutschland Baden, Bayern. Bitte unbedingt besichtigen.| German Reich, Bohemia and Moravia, AD */O/**, Old lighthouse album with German Reich from 1872 - 1945 mostly used with good sets and souvenir sheets, often complete years. Then Bohemia and Moravia with Michel No. 1-19 used. In the connection old Germany Baden, Bavaria. Please be sure to view.
Lot 1447
Schweiz 1843-2016 O Gestempelte Sammlung in 5 Leuchtturm Vordruckalben. Anfänge etwas spärlich besetzt, ab ca. 1963 - 2016 wohl fast komplett. Hoher Katalogwert.| Switzerland 1843-2016 O, used collection in 5 lighthouse albums. Beginnings somewhat sparsely occupied, from about 1963 - 2016 probably almost complete. High catalog value.
Lot 1449
Österreich 1850 - 2018 O Gestempelte Sammlung in 4 Leuchtturm Bindern. Anfänge wenig besetzt, ab ca. 1968 - 2018 wohl fast komplett. Hoher Katalogwert.| Austria 1850 - 2018 O, used collection in 4 lighthouse binders. Beginnings little occupied from approx. 1968 - 2018 probably almost complete. High catalog value.
Lot 341
Set of 13 original vintage posters related to Royal Air Force and Navy aviation and shipping. 1-8. Set of 8 aviation posters featuring images of Avro Lancaster 1 with detailed descriptions of each part of the aircraft; Handley Page Halifax in the sky; A History RAF Fighter Aircraft with images of various aircraft supported with short articles on each jet; Boeing B17G Fortress A Bit O Lace of the 409th Bomb Squadron, 447th Bomb Group flying from Rattlesden, Norfolk in 1945; Vickers Armstrong Wellington III, served with RCAF, the aircraft was probably flying from its base at Mildenhall when this photo was taken in mid-1942; Lancaster Mk 1 built at Castle Bromwich early 1945 with Merlin 24 engines. Served with 149 Squadron and 44 Squadron; Avro Lancaster Mk III, Rolls Royce Merlin 28 engines; flight schedule for a year with marking in red ink. Varying conditions, creasing, pinholes, staining, tears, paper skimming, handwriting in ink, some small paper losses, tape on the reverse. Country of issue: UK, designer: Unknown, size (cm): Varying sizes from 45x59cm to 90x63cm, year of printing: 1940s; 9. Royal Navy's largest cruiser HMS Belfast moved up the Thames to her new home in the heart of London. HMS Belfast was launched in 1938 and commissioned in 1939 shortly before the outbreak of World War Two, she struck a German mine and spent more than two years undergoing extensive repairs and improvements before returning to action in 1942, escorting Arctic convoys to the Soviet Union in 1943, played an important role in the Battle of North Cape, assisting in the destruction of the German warship Scharnhorst. In June 1944, Belfast took part in Operation Overlord supporting the Normandy landings. In June 1945, she was redeployed to the Far East to join the British Pacific Fleet, arriving shortly before the end of the Second World War. Belfast saw further combat action in 1950–52 during the Korean War and underwent extensive modernisation in the late 1950s. A number of further overseas commissions followed before she entered reserve in 1963, and turned a museum in 1971. Printed in England for Her Majesty's Stationery Office by UDO Litho LTD, London. Horizontal. Good condition, creasing, tears. staining, small paper loss on top edge. Country of issue: UK, designer: Unknown, size (cm): 52x76, year of printing: 1970s; 10.photograph by the Imperial War Museum depicting German Pocket Battleship Admiral Graf Spee, a Deutschland-class Panzerschiff armoured ship launched in 1934, serving with the Kriegsmarine of Nazi Germany during World War II, until scuttled in 1939. Horizontal. Good condition, creasing, small tears. Country of issue: UK, designer: Unknown, size (cm): 45x59, year of printing: 1970s; 11.Merlin General Information for two-speed two-stage aero-engines with Stromberg injection carburettors, featuring a detailed illustration of the components and servicing of the engine. Prepared by the Ministry of Aircraft Production for promulgation by the Air Ministry. Printed for H.M Stationery Office by Chromoworks LTD. Horizontal. Fair condition, folds, creasing, tears, paper losses, staining, browning. Country of issue: UK, designer: Unknown, size (cm): 74x101, year of printing: 1944; 12. Jaguar jet attack aircraft used by the British Royal Air Force and the French Air Force from 1968. Design features the plane carrying a bomb and performing a turn with the blue sea beneath it. Good condition, creasing, tears, staining, Country of issue: UK, designer: Unknown, size (cm): 41x51, year of printing: 1980s; 13. Jaguar jet attack aircraft used by the British Royal Air Force and the French Air Force from 1968. Design features the plane carrying a bomb and performing a turn with the blue sea beneath it. Fair condition, creasing, staining, tears, tape marks, pinholes, ink on bottom right corner. Country of issue: UK, designer: Unknown, size (cm): 41x51, year of printing: 1980s.
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175434 item(s)/page