A Pablo Picasso hand signed limited edition etching, 29/50. From the Erotica Series catalogued Bloch 1512. 15/4/68 No II. "The Old Man and His Tonkinese Hat". 56 cm x 46 cm (image only). Frame dimensions 99 x 84 cm. Sold with original receipt dated 2003 for £7700 (see illustration). CONDITION REPORT: This etching is in first class condition with no issues. It is well framed and under glass. There is no fading, foxing, tears or creases. The etching was originally bought at an auction on a P&O cruise in 2003.
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Herbert BöttgerFallendes Blatt Öl auf Leinwand 50 x 40,2 cm Gerahmt. Unten rechts in Schwarz mit dem ligierten Signum monogrammiert und datiert 'HB 32'. - Rahmungsbedingt längs der Kanten minimal berieben; stellenweise mit schwachen Druckspuren, sonst in guter Erhaltung.Jacobs 66ProvenienzDr. Rolf Funken, Köln; Lempertz Auktion 718, 10.6.1995, Los 186; Sammlung Dr. Herbert Jacobs, MeerbuschAusstellungenDüsseldorf 1953 (Kunstverein Düsseldorf), 25 Jahre Rheinische Sezession Düsseldorf, Kat. Nr. 73; Düsseldorf 1960 (Kunstverein für die Rheinlande und Westfalen, Kunsthalle), Herbert Böttger, Gedächtnisausstellung, Kat. Nr. 13; Sinsteden 1998 (Kulturzentrum), Herbert Böttger, o. Kat. Nr.LiteraturKathrin Wappenschmidt, "Spielende Schmetterlinge", Herbert Böttger und die Malerei der Neuen Sachlichkeit, Bd. 1, Meerbusch 1998, S. 40 Herbert BöttgerFallendes Blatt Oil on canvas 50 x 40.2 cm Framed. Monogrammed and dated 'HB 32' in black with the joined signum lower right. - Minimal frame-related rubbing along the edges; in some places with weak pressure marks, otherwise in fine condition.Jacobs 66ProvenanceDr. Rolf Funken, Cologne; Lempertz Auktion 718, 10 June 1995, lot 186; Collection Dr. Herbert Jacobs, MeerbuschExhibitionsDüsseldorf 1953 (Kunstverein Düsseldorf), 25 Jahre Rheinische Sezession Düsseldorf, cat. no. 73; Düsseldorf 1960 (Kunstverein für die Rheinlande und Westfalen, Kunsthalle), Herbert Böttger, Gedächtnisausstellung, cat. no. 13; Sinsteden 1998 (Kulturzentrum), Herbert Böttger, no cat. no.LiteratureKathrin Wappenschmidt, "Spielende Schmetterlinge", Herbert Böttger und die Malerei der Neuen Sachlichkeit, vol. 1, Meerbusch 1998, p. 40
Bernhard HeiligerKopf Karl Hofer II Zementguss Höhe 41 cm. Auf Zementsockel (12 x 34,3 x 15,7 cm) montiert Unbezeichnet. Einer von drei Zementgüssen dieser Variante, daneben existieren zwei Bronzeexemplare. - Auf dem Nasenrücken mit einer alten Restaurierung.Nicht bei Flemming. Nicht bei Salzmann. Wellmann 139ProvenienzSammlung Pachen, Mainz/RockenhausenAusstellungenMainz 1962 (Gemäldegalerie), Sammlung Pachen. Gemälde - Graphik - Plastik, Kat. Nr. 38; Berlin 1996 (Haus am Waldsee), Der Diskurs findet hier statt: 50 Jahre Haus am Waldsee; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, Kat. Nr. 26 mit Abb.; Goslar 2002 (Rammelsberghaus der Sparkasse Goslar), Bernhard Heiliger. Die Köpfe, o. Kat.; Bremen 2003 (Haus der Bremischen Bürgerschaft), Bernhard Heiliger, o. Kat.Geringfügig variierte Fassung des Porträts "Kopf Karl Hofer" (Wellmann 138). Bernhard HeiligerKopf Karl Hofer II Cement cast Height 41 cm. Mounted on cement base (12 x 34.3 x 15.7 cm) Unsigned. One of three cement casts of this variant; apart from them, two bronze exemplars exist. - Old restoration on nasal bridge.Not recorded by Flemming. Not recorded by Salzmann. Wellmann 139ProvenanceCollection Pachen, Mainz/RockenhausenExhibitionsMainz 1962 (Gemäldegalerie), Sammlung Pachen. Gemälde - Graphik - Plastik, cat. no. 38; Berlin 1996 (Haus am Waldsee), Der Diskurs findet hier statt: 50 Jahre Haus am Waldsee; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, cat. no. 26 with illus.; Goslar 2002 (Rammelsberghaus der Sparkasse Goslar), Bernhard Heiliger. Die Köpfe, no cat.; Bremen 2003 (Haus der Bremischen Bürgerschaft), Bernhard Heiliger, no cat.Slightly varied version of the portrait "Kopf Karl Hofer" (Wellmann 138).
Otto ModersohnÜberschwemmung Öl auf Leinwand 49 x 70 cm Gerahmt. Unten rechts schwarz signiert und datiert 'O Modersohn 43'. - Im Randbereich und in der Bildmitte mit Retusche.Mit einer Fotoexpertise des Otto Modersohn Museums, Fischerhude. Wir danken Reiner Noeres für freundliche Informationen; das Werk, das ihm bislang unbekannt war, ist höchstwahrscheinlich identisch mit dem im Atelierbuch des Künstlers unter der Werknummer "WV-OM-SW 1943, Nr. 17 Überschwemmung (Kordes)" dokumentierten Gemälde.ProvenienzIn den 1940er Jahren erworben, seitdem in Familienbesitz; Privatbesitz SüddeutschlandDie Ansicht des Motivs ist bestimmt von einem Standpunkt, zu dem Modersohn in seinem Atelierbuch des Jahres 1943 notierte: "Überschwemmung (Kordes)", wobei es den Eigennamen des Anwohners nennt, "von dessen Haus aus das Bild gemalt wurde" (Rainer Noeres). Otto ModersohnÜberschwemmung Oil on canvas 49 x 70 cm Framed. Signed and dated 'O Modersohn 43' in black lower right. - Retouch in the marginal area and in the centre of the picture.With a photo-certificate by the Otto Modersohn Museum, Fischerhude. We would like to thank Reiner Noeres for kind information; the work, hitherto unknown to him, most probably is identical to the painting documented in the artist's studio book under the works number "WV-OM-SW 1943, Nr. 17 Überschwemmung (Kordes)".ProvenanceAcquired in the 1940s, since then in family possession; Private possession, South GermanyThe view of the motif is defined by a certain vantage point, regarding which Modersohn noted the following in his studio book from 1943: “Flood (Kordes)”, giving the name of the resident, “from whose house the picture was painted” (Rainer Noeres).
Fred ThielerO-4-57 Öl auf Leinwand 70 x 100 cm. Gerahmt. Signiert 'Thieler'. Rückseitig auf der Leinwand signiert, datiert und betitelt 'Fred Thieler 1957 "O-4-57"'. - Mit geringfügigen Altersspuren.Andrea Firmenich u.a. (Hg.), Fred Thieler, Monographie und Werkverzeichnis, WVZ-Nr. 5/163 (Werkverzeichnis von Sigrid Melchior)ProvenienzSammlung Varick Steele, London; Lempertz, Köln, 28.11.1995, Lot 958; Hauswedell & Nolte, Hamburg, 06.07.1996, Lot 438; Privatsammlung, Rheinland-Pfalz Fred ThielerO-4-57 Oil on canvas 70 x 100 cm. Framed. Signed 'Thieler'. Signed, dated and titled 'Fred Thieler 1957 "O-4-57"' verso on canvas. - Minor traces of age.Andrea Firmenich et al. (ed.), Fred Thieler, Monographie und Werkverzeichnis, cat.rais.no 5/163 (catalogue raisonné by Sigrid Melchior)ProvenanceVarick Steele collection, London; Lempertz, Cologne, 28.11.1995, Lot 958; Hauswedell & Nolte, Hamburg, 06.07.1996, Lot 438; private collection, Rhineland-Palatinate
Otto NagelBerliner Humboldthain Öl auf Karton 65,7 x 50,5 cm Gerahmt. Unten rechts schwarz signiert und datiert 'O. NAGEL 19'. - Die Ränder zum Teil rahmungsbedingt berieben und mit partiellem Farbverlust.Schallenberg-Nagel/Schallenberg 12ProvenienzSammlung Pachen, Mainz/RockenhausenAusstellungenMainz 1962 (Gemäldegalerie), Sammlung Pachen. Gemälde - Graphik - Plastik, Kat. Nr. 69; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, Kat. Nr. 57 mit Abb.LiteraturHans Hofstätter, Sammlung Pachen. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Mainz 1960, S. 50 mit Abb. S. 51 Otto NagelBerliner Humboldthain Oil on card 65.7 x 50.5 cm Framed. Signed and dated 'O. NAGEL 19' in black lower right. - The margins with partial frame-related rubbing and losses of colour.Schallenberg-Nagel/Schallenberg 12ProvenanceCollection Pachen, Mainz/RockenhausenExhibitionsMainz 1962 (Gemäldegalerie), Sammlung Pachen. Gemälde - Graphik - Plastik, cat. no. 69; Mainz 1978 (Mittelrheinisches Landesmuseum), Sammlung Pachen. Eine Auswahl, cat. nor. 57 with illus.LiteratureHans Hofstätter, Sammlung Pachen. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Mainz 1960, p. 50 with illus. p. 51
Ludwig KasperWeiblicher Torso Bronze Höhe 114,8 cm Auf der mitgegossenen Plinthe rückseitig links monogrammiert 'K' und mit dem Gießerstempel "GUSS BARTH RINTELN" versehen. Posthumer Guss einer Auflage von vermutlich insgesamt 6 Exemplaren. - Mit grünlich-bräunlicher Patina.Haftmann 88ProvenienzEhemals Privatsammlung Westfalen; seitdem in FamilenbesitzAusstellungenZell an der Pram 1979 (Landes-Bildungszentrum), Ludwig Kasper 1893 - 1945. Ein Innviertler Bildhauer, o. Kat. Nr. mit Abb. (Marmorzement)LiteraturRegina Maria Hillert, "Gebaute Figur" - Studien zu Leben und Werk des Bildhauers Ludwig Kasper, Hamburg 2017, S. 393 mit Abb. 139a, b (Marmorzement) Ludwig KasperWeiblicher Torso Bronze Height 114.8 cm Monogrammed 'K' on the cast-with plinth back left and foundry mark "GUSS BARTH RINTELN". Posthumous cast of a total edition of presumably 6. - Greenish brown patina.Haftmann 88ProvenanceFormerly private collection, Westphalia; in familiy possession sinceExhibitionsZell an der Pram 1979 (Landes-Bildungszentrum), Ludwig Kasper 1893 - 1945. Ein Innviertler Bildhauer, without cat. no. with illus. (marble cement)LiteratureRegina Maria Hillert, "Gebaute Figur" - Studien zu Leben und Werk des Bildhauers Ludwig Kasper, Hamburg 2017, p. 393 with illus. 139a, b (marble cement)
A lapis lazuli and diamond ring by Geoffrey Rowlandson, the abstract carved lapis lazuli mounted with two gold straps set with round brilliant-cut diamonds in 18ct gold, maker's mark, London hallmarks for 2001, size O Geoffrey Rowlandson was born in 1931 into a family of fashion and jewellery designers. The Rowlandson Company began as a means to create bespoke classic jewellery and twenty years ago the Rowlandson Unique Collection was established to create original and innovative pieces of jewellery. Geoffrey's talents were recognised by the Worshipful Company of Goldsmith, earning him 'Jewellery Designer of the Year' twice, 1998-9 and 2002-3, as well as numerous commended awards including 'Me and My Shadow' in 2002 and 'The Royal Christening' in 2014. The Victoria & Albert Museum exhibited his 'Fire and Ice' Tiara (Lot 676) in 2002. Three of his pieces including 'Grand Jetι' were again selected for their 2013 Pearl exhibition. More recently in 2014 The Royal Christening brooch was awarded a commendation by The Worshipful Company of Goldsmiths.
A sapphire and diamond cluster ring, centred with a cushion-shaped sapphire within a surround of graduated old cushion-shaped diamonds, in foil-back closed setting in silver on gold, with lobed decoration the reverse and scroll decoration to the gold band, size O approximately Accompanied by report number 80273-50 dated 26 August 2020 from GCS stating that the cushion-cut sapphire 15.9 x 12.3 x 5.0mm approximately and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon). Comment: the colour has been modified by the setting.
C B SCOTT KESTIN "St. Mary's Harbour, Isles of Scilly" miniature study, watercolour, signed lower right, REX TRAYHORNE "Winter Morning" a miniature study of thatched cottage and Friesian cattle" watercolour, signed lower left, RUPERT HUGHES "Studland Bay" a beach scene with figures, miniature oil on board, signed lower right, DIANE BRANSCOMBE "Autumn vegetables" a miniature study, watercolour, signed lower right, PAULINE GYLES "Fruit in a trug" watercolour on ivorine, miniature study, JUNE LOUISE PILLINGER "Wells" study of a castle watercolour on stripper board, JANET SHEATH "Ten glass bottles" a miniature study, watercolour on ivorine, JOE DOLLEMORE "Winter sunshine" a landscape study miniature, acrylic on a Bristol board, EVELYN R O GRIFFITHS "An English lane" watercolour on ivorine, CLAUDIA MYATT "Caskelot" study of a three masted ship, watercolour on paper, ANN SMITH "My Grandmother, Minnie Herbert nee Lewis 1878-1960" a miniature study, enamel on porcelain, painted from a photograph taken in 1949 by Ann Smith 1997 etc
A modern 9ct gold sapphire and diamond buckle ring, setting height 11.7mm, size O, 4.1gGood overall condition although buckle catch is loose and will need reattaching, all stones present with no damage, settings nicely polished and slightly wearing thin on back of shank, marks clear, stamped 9k
3 pieces of jewellery, including 14ct gold aquamarine ring, 14ct pink glass ring, and a small 14ct locket pendant, ring sizes Q and O respectively, 6.6g total (3)All in good overall condition, stones have light abrasions on facet edges, settings also lightly abraded, rings stamped 585, pendant unmarked
A modern 9ct gold diamond cluster dress ring, setting height 13.4mm, size O, 6gVery good original condition, all stones present and are quite heavily included with fractures, ring has an added part of back of shank which is polished whilst all other settings are slightly textured, hallmarks clear, stamped 375
A large 18ct gold "ruby" solitaire ring, ruby measures: diameter - 8.16mm, depth - 5.28mm, size approx O/P, 4.7gGood overall condition, ruby is a very vivid pinkish red with clean facet faces and very slightly abraded facet edges and no obvious internal inclusions, settings are lightly abraded all over and slightly wearing thin on back of shank, marks rubbed, stamped 18ct
A 5.37ct solitaire diamond ring, the round brilliant-cut stone in plain 4-claw platinum setting, colour approx F/G, clarity approx SI1/SI2, stone measures approx: diameter - 11.35mm, depth - 6.55mm, size O, 4.8g. Prov: ex Lawrences Silver, Jewellery and Objects of Vertu Sale, 5th July 1990, Lot 278. Insurance value - £30,000 Excellent overall condition, diamond is bright white and fiery with clean facet faces and sharp facet edges, there are a couple of black mineral inclusions under the table along with a small feather bearding around the girdle, girdle is bruted, settings are abraded all over through general use and slightly worn on back of shank, marks are rubbed, stamped platinum
A large oval emerald and diamond cluster ring, central oval mixed-cut emerald approx 6.75ct, surrounded by round brilliant-cut diamonds, in unmarked 18ct gold settings, total diamond content approx 1.4ct, setting height 22.4mm, size O/P, 9.3g. Prov: Burstow & Hewett Antique Sale, 20th June 2018, Lot 487 Very good overall condition, all stones present, previously certified by Anchor Cert Gem Lab Report No. 238133/20038734, central stone has mostly clean facet faces, slightly rubbed facet edges with a few tiny abrasions, with a pale green colour saturation, with typical internal inclusions including large fracture, diamonds all bright white and fiery with no obvious damage, settings very lightly abraded all over, unmarked settings test as 18ct gold
An unmarked white gold graduated 3-stone diamond ring, total diamond content approx 1.1ct, setting height 5.6mm, size O, 2.1gExcellent overall condition, all stones present, diamonds are extremely bright white and fiery, central stone has a few feathers under the table, one flanking stone has a small upper girdle chip only visible through a loupe and other stone has small chips and nicks on the girdle, settings lightly abraded and slightly worn on the back of the shank, unmarked
A modern Gothic style sterling silver knight's leg armour design finger ornament, size approx S, and a similar unmarked finger ornament, size approx O, 51.7g total (2)Ring with spiked front in good original condition, no damage, engraved 925, other ring has a slightly bent pointed end and is unmarked
A box containing various items including commemorative coinage, 1970 LSD coinage of Great Britain and Ireland, Britain's First Decimal Coins x 4, 2007 Diamond Wedding Crown, Icelandic 1100th Anniversary of the Settlement of Iceland coins 1974, 500 Kronur and 1000 Kronur, two silver pocket watches, silver cross, mother of pearl and silver bladed fruit knife, small quantity of various plated cutlery and corkscrew, other coin of the realm, various pens, etc., including rolled gold Yard o' Lead pencil, two ivory handled clothes brushes, various other pens including Conway Stewart, Sheaffer, etc
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175434 item(s)/page