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Click here to subscribeAn 18ct gold diamond single stone ring, the brilliant cut diamond weighing approx. 0.45ct within a six claw setting, estimated colour K-L, estimated clarity P1-P2, hallmarks for Birmingham, ring size O, gross weight 2.7g.Qty: 1Condition report: Overall condition good to fairScratches and discolouration in keeping with wearDiamond drawing a bit of colour face upDiamond with scattered dark inclusions throughout, visible with magnificationSponsors mark HM
Sander, August (1876 Herdorf - Köln 1964), nach Sieben Photographien mit Künstlerportraits aus dem Nachlass, dabei "G. Brockmann, R. Hausmann, O. Dix, A. Räderscheid, W. Seiwert, J. Adler, H. Hoerle portraitiert den Boxer H. Domgörgen", je li. u. mit Prägestempel "AUG. SANDER KÖLN LINDENTHAL". Auf Unterkarton verso aufgeklebte Schwarzweiß-Abbildung mit typographischer Bez. "AUGUST SANDER MENSCHEN DES ZWANZIGSTEN JAHRHUNDERTS", "Copyright 1986 AUGUST SANDER ARCHIVE, 51 GREENE ST. NEW YORK N.Y. 10013". Griffelkunst 247. Wahl, III. Quartal 1987. Je ca. 25x 18,5 cm, auf Unterkarton montiert, ca. 43,5x 34 cm.
Zeitgenössische Ansicht der Schlacht bei Waterloo, 1815 Aquatinta, koloriert. Unten bezeichnet "View from Mont St. Jean of The Battle of Waterloo, at the commencement of the grand Charge made on the French about 7 o Clock in the Evening of the 18th June 1815. Published by R. Bowyer, Pall Mall, 1816." Riss, Altersspuren. Unter Glas, in vergoldetem Profilrahmen (nachgestrichen). Rahmenmaße 59 x 81 cm. Zustand: II A contemporary view of the battle of Waterloo, 1815 Aquatinta, koloriert. Unten bezeichnet "View from Mont St. Jean of The Battle of Waterloo, at the commencement of the grand Charge made on the French about 7 o Clock in the Evening of the 18th June 1815. Published by R. Bowyer, Pall Mall, 1816." Riss, Altersspuren. Unter Glas, in vergoldetem Profilrahmen (nachgestrichen). Rahmenmaße 59 x 81 cm. Condition: II
Collection of books on printing, typography, bibliography. To include Contributions Towards a Bibliography of The Taylors of Ongar and Stanford Rivers, by G. Edward Harris, London: Crosby Lockwood, 1965, limited edition numbered 103 of 350, octavo, quarter-cloth; British Modern Press Books, by William Ridler, London: Covent Garden Press, 1971, signed and numbered 2 of 100, small quarto, half crushed morocco; Type Specimen Book, Amsterdam: Typefoundry Amsterdam, 1960, octavo, gilt blue cloth; Manuscript & Inscription Letters, by Edward Johnston, with five plates by Eric Gill, London: Pitman, 1938, card wrap-around folder housing 17 sheets, pasted advertisement in folder; The Daniel Press: Memorials of C. H. O. Daniel, London: Dawsons of Pall Mall, 1974, octavo, worn green cloth, and others, including booklets (46)
Collection of miscellaneous private press, to include Portable Pleasures, by Margot Coates, Marlborough: Libanus Press, 1992, limited edition numbered 142 of 250, quarter-cloth; Letters to Oliver Simon of the Curwen Press, by Paul Nash, Front Street, 2016, numbered 18 of 125, bound in quarter goatskin with slipcase; Tea: An Historical Sketch, by Robert O. Mennell, London: Effingham Wilson, 1926, Kynoch Press, presentation copy signed by the author, paper boards; Four Tales of the Clyde, Greenock: Black Pennell Press, 1983, numbered 119 of 200, hand-bound with glassine wrappers; By the Brook, by Richard Jefferies, London: Eric & Joan Stevens, 1981, Daedalus Press, 112 of 170, quarter-cloth; Smeekelingen, by P. C. Boutens, Rotterdam: 1930, Aischylos, one of 600, quarter-cloth; Kynoch Press Diary for 1940, loosely inserted compliments slip; The Dark, by Leonid Andreev, Richmond: Published by Leonard and Virginia Woolf, Hogarth Press, 1922, loose as found, and others, together with a manuscript list of subscribers, Shrewsbury Technical College, 1941, presented to Arthur Ernest White on his retirement from the Principalship, vellum covers with ties (28)
Morris, Rev. F. O. A History of British Butterflies, first edition, London: Groombridge & Sons, 1857. Octavo, contemporary half crushed morocco lettered in gilt, all page edges gilt, marbled endpapers, illustrated with 71 hand-coloured lithographic plates, plus two uncoloured lithographic plates, bearing bookplates for Thomas W. Daltry and The Daltry Library, plus various pasted ephemera relating to the North Staffordshire Field Club. Plates generally well-preserved and vibrant; intermittent foxing throughout (mostly confined to text pages); binding tight and solid with slight wear to extremities
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