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Unbekannter Künstler des 18./19. Jh., Ansicht von Venedig mit Brücke und Gondoliere, Feder in Braun auf Büttenpapier, unsign., o. re. num. 86., fleckig, 14 x 22 cm, hinter Glas u. Pp. ger- 28,5 x 34 cmUnknown artist of the 18th/19th century, view of Venice with bridge and gondolier, pen-and-ink drawing in brown on handmade paper, unsigned, o. r. numbered 86th, stained, 14 x 22 cm, behind glass a. passepartout ger- 28,5 x 34 cm
Edward Barnard Lintott (1875-1951), griechische Skulptur mit Obst, Öl auf Malkarton, re. o. sign. ''Lintott'', rückseitig vom Maler bez. ''Greek Sculputure & Fruit E Barnard Lintott'', 28 x 35 cm, ger. 43 x 49 cmEdward Barnard Lintott (1875-1951), Greek Sculpture with Fruit, oil on painting board, signed ''Lintott'' at upper right, inscribed ''Greek Sculputure & Fruit E Barnard Lintott'' by the painter on the reverse, 28 x 35 cm, framed 43 x 49 cm
O. Noah, Landschaftsmaler um 1910, sommerliche Landschaft mit Birken, Aquarell auf Papier, u. re. sign. u. dat. ''O. Noah (19)11'', 54 x 39 cm, hinter Glas ger. 64 x 50 cmO. Noah, landscape painter c. 1910, summer landscape with birch trees, watercolor on paper, signed u. r. and dated ''O. Noah (19)11'', 54 x 39 cm, framed behind glass 64 x 50 cm
Lukas Pfaff (1902-1963), badischer Maler aus Karlsruhe, Blumenstillleben, Öl auf Lwd., o. li. sign. u. dat. ''L. Pfaff (19)27'', 61 x 44 cm, ger. 77 x 59 cmLukas Pfaff (1902-1963), Baden painter from Karlsruhe, still life of flowers, oil on canvas, signed and dated o. l. ''L. Pfaff (19)27'', 61 x 44 cm, framed 77 x 59 cm
Hans Busse (1867-1914), Berliner Maler, verbrachte mehrere Jahre in Sizilien, Kalabrien und Florenz. Nachdem er einige Jahre in München lebte, dort Mitglied der Münchner Secession und der Luitpold-Gruppe wurde, stellte er ab 1899 mehrmals im Glaspalast aus. Impressionistische Ansicht eines Landhauses, Öl auf Karton, u. re. sign. ''H. Busse'', reinigungsbed., am o. Rand etwas Farbverlust, 35 x 42 cm, ger. (besch.), 64 x 70 cmHans Busse (1867-1914), Berlin painter, spent several years in Sicily, Calabria and Florence. After living in Munich for several years, where he became a member of the Munich Secession and the Luitpold Group, he exhibited several times in the Glass Palace from 1899. Impressionistic view of a country house, oil on cardboard, signed at lower right ''H. Busse'', needs cleaning, at upper margin some loss of color, 35 x 42 cm, framed (damaged), 64 x 70 cm
José Wolff (1885-1964), belgischer Maler, Volksfest mit Musikern auf einem Hinterhof, Öl auf Lwd., o. li. sign. u. dat. (19)12, 85 x 98 cm, ger. 100 x 115 cmJosé Wolff (1885-1964), Belgian painter, Folk festival with musicians in a backyard, oil on canvas, signed & dated (19)12 o. l., 85 x 98 cm, framed 100 x 115 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. Zwei Netzflicker bei der Arbeit. Impressionistische Arbeit Leysings in der für ihn typischen Malweise mit Pinsel, Spachtel und teils gekratzen Konturen, Öl auf Holzplatte, o. re. sign., 47 x 67 cm, ger. 63 x 83 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy under Julius Paul Junghans and Peter Janssen. Two net tinkers at work. Impressionistic work of Leysing in his typical painting style with brush, palette knife and partly scratched contours, oil on wood panel, signed o. r., 47 x 67 cm, framed 63 x 83 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. Bauer bei der Zeitungslektüre. Öl auf Leinwand, o. re. sign., 46 x 36 cm, ger. 62 x 73 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy under Julius Paul Junghans and Peter Janssen. Farmer reading the newspaper. Oil on canvas, signed o. r., 46 x 36 cm, framed 62 x 73 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. Interieur mit Bauernpaar am Kamin. Öl auf Lwd., unsign., Abplatzer o. re., 75 x 85 cm, ger. 93 x 103 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy with Julius Paul Junghans and Peter Janssen. Interior with peasant couple at the fireplace Oil on canvas, unsigned, chipping upper right, 75 x 85 cm, framed 93 x 103 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. Interieur mit Fischer bei der Zeitungslektüre, Öl auf Lwd., o. re. sign. u. dat. 1910, 50 x 47 cm, ger. 65 x 61 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy with Julius Paul Junghans and Peter Janssen. Interior with fisherman reading the newspaper, oil on canvas, signed and dated 1910, 50 x 47 cm, framed 65 x 61 cm
Otto Kirberg (1850-1926), studierte an der Kunstakademie Düsseldorf u. a. bei Oswald Achenbach und Wilhelm Sohn, gefördert von seinem Lehrer Sohn verließ Kirberg 1879 dessen Atelier und unternahm eine längere Studienreise durch die Niederlande. Junge Frau beim Lautespiel, Öl auf Lwd., o. re. sign., 35 x 26 cm, ger. 50 x 41 cmOtto Kirberg (1850-1926), studied at the Düsseldorf Art Academy with Oswald Achenbach and Wilhelm Sohn, among others, encouraged by his teacher Sohn Kirberg left his studio in 1879 and undertook a long study trip through the Netherlands. Young woman playing the lute, oil on canvas, signed o. r., 35 x 26 cm, framed 50 x 41 cm
Piet Leysing (1885-1933), niederländischer Landschafts- u. Genremaler der Düsseldorfer Schule, studierte a. d. Kunstakademie Düsseldorf bei Julius Paul Junghans u. Peter Janssen. Ölstudie eines Fischer auf stürmischer See, Öl auf Karton, o. re. sign. u. dat. ''Januar 1920'', 23 x 32 cm, ger. 34 x 43 cmPiet Leysing (1885-1933), Dutch landscape and genre painter of the Düsseldorf School, studied at the Düsseldorf Art Academy with Julius Paul Junghans and Peter Janssen. Oil study of a fisherman on a stormy sea, oil on cardboard, signed u. r. dated ''January 1920'', 23 x 32 cm, framed 34 x 43 cm
Max Volkhart (1848-1924), dt. Genremaler der Düsseldorfer Schule. frz. Soldat mit seiner Angebeteten auf einer Récamière, Öl auf Lwd., o. li. sign. u. dat. 1923, rest. u. retusch., 63 x 52 cm, ger. 70 x 60 cmMax Volkhart (1848-1924), German genre painter of the Düsseldorf school. French soldier with his beloved on a récamière, oil on canvas, signed a. dated 1923, restored a. retouched, 63 x 52 cm, framed 70 x 60 cm
O. Elsner, Mitte 20. Jh., große, expressive Ansicht von Venedig, Öl auf Lwd., u. li. sign. u. dat. ''O. Elsner (19)64'', 80 x 100 cm, ger. 94 x 114 cmO. Elsner, mid-20th century, large expressive view of Venice, oil on canvas, signed u. l. and dated ''O. Elsner (19)64'', 80 x 100 cm, framed 94 x 114 cm
Leo von König (1871-1944), Bildnis eines Jungen in rotem Pullover, in einem Sessel sitzend. Öl auf Platte, o. li. monogrammiert u. dat. ''L.v.K. 31'', 52,5 x 48 cm, ger. 61 x 56,5 cmLeo von König (1871-1944), Portrait of a boy in red sweater, sitting in an armchair. Oil on panel, monogrammed a. dated ''L.v.K. 31'' on the left, 52,5 x 48 cm, framed 61 x 56,5 cm
Olga Potthast von Minden (1869-1942), Vareler Künstlerin, Blick über die Heide, Öl/Lwd./Hartfaser, u. li. sign. O. Potthast v. M., Farbabplatzer. Kratzer, verschmutzt, 70,5 x 92 cm, ungerahmt.- Aus dem Nachlass der Künstlerin.Olga Potthast von Minden (1869-1942), Varel artist, View over the heath, oil/canvas/hard fiber, u. li. signed O. Potthast v. M., paint chipping. Scratches, soiled, 70.5 x 92 cm, unframed.- From the estate of the artist.
Olga Potthast von Minden (1869-1942), Vareler Künstlerin, Konvolut aus 3 Gemälden, 1) Sommerliche Landschaft mit Bäumen, Öl/Lwd./Hartfaser, u. li. sign. O. Potthast v. Minden, 58 x 88,5 cm 2) Blick über die Heide, Öl/Lwd./Hartfaser, unsign., Lwd. 54 x 86,5 cm, Hartfaserplatte 54,5 x 91 cm, Lagerspuren, 3) Fehnlandschaft, ÖL/Lwd., Hartfaser, u. li, sign. O. Potthast v. Minden, 47 x 70 cm, jew. ungerahmt.- Provenienz: Aus dem Nachlass der KünstlerinOlga Potthast von Minden (1869-1942), Varel artist, group of 3 paintings, 1) Summer landscape with trees, oil/canvas/hardboard, signed on the left O. Potthast v. Minden, 58 x 88,5 cm 2) Blick über die Heide, oil/canvas/hardboard, unsigned, canvas 54 x 86,5 cm, hardboard 54,5 x 91 cm, storage traces, 3) Fehnlandschaft, oil/canvas, hardboard, u. li, signed O. Potthast v. Minden, 47 x 70 cm, each unframed. Provenance: From the estate of the artist
Ernst Müller-Gräfe (1879-1954), spielende Geschwisterkinder, Pastellkreide auf Papier, o. li. monogrammiert, o. re. undeutlich bez., 82 x 53 cm, hinter Glas u. Pp. ger. 97 x 68 cmErnst Müller-Gräfe (1879-1954), playing siblings, pastel chalk on paper, monogrammed on the left, indistinctly inscribed on the right, 82 x 53 cm, framed behind glass and mount 97 x 68 cm
G. Favre, Bildnismaler des 19. Jh., 3/4-Figur einer Dame nach rechts, Öl auf Lwd., u. re. sign. u. dat. ''G. Favre 1889'', rest.-bed., Löchlein o. re., 150 x 80 cm, ger. 165 x 95 cmG. Favre, 19th century portrait painter, 3/4 figure of a lady to the right, oil on canvas, signed u. r. dated ''G. Favre 1889'', restored-marked, small hole upper right, 150 x 80 cm, framed 165 x 95 cm
Eugen Jussel (1912-1997), österreichischer Maler, stud. 1931-1938 an der AdBK Wien. Großes, expressives Blumenstillleben, Mischtechnik auf Hartfaserplatte, u. re. sign., farbbedingte Abplatzer an der weißen Blüten o. re., 100 x 80 cm, ger. 107 x 87 cmEugen Jussel (1912-1997), Austrian painter, studied 1931-1938 at the AdBK Vienna. Large, expressive floral still life, mixed media on hardboard, signed u. r., color-related chipping on the white flowers o. r., 100 x 80 cm, framed 107 x 87 cm
Horst Janssen (1929-1995), Liselotten-Land, 1987, Radierung/dünnes Japan, u. re. mit Blstft. sign. sowie in der Platte betitelt und dat., Platte 29,1 x 20,6 cm, Blatt 43,5 x 30,5 cm, an o. Ecken auf Untersatz mont., lichtrandig, unter Pp. hinter Glas ger. 66 x 51,2 cmHorst Janssen (1929-1995), Liselotten-Land, 1987, etching/thin Japan, signed u. r. with blstft. as well as titled and dated in the plate, plate 29.1 x 20.6 cm, sheet 43.5 x 30.5 cm, mounted at o. corners on backing, light-margined, framed under passepartout behind glass 66 x 51.2 cm
Unidentifizierter Maler des Informel der 1960er Jahre, Komposition in Blau, Öl auf Lwd., o. re. undeutliche Ritzsignatur ''F. Roewer'' (?) o.ä., u. li. dat. (19)66, in Atelierleiste 62 x 101 cmUnidentified painter of the Informel of the 1960s, composition in blue, oil on canvas, upper right indistinct incised signature ''F. Roewer'' (?) or similar, u. li. dated (19)66, in studio molding 62 x 101 cm
André Krigar (*1952), Berliner Maler, studierte an der dortigen HdK, gehört der Künstlergruppe der Norddeutschen Realisten an. Knabenbildnis ''Colin Baba'', Öl auf Lwd., o. li. bez., o. re. sign., 50 x 50 cm ger. 54 x 54 cmAndré Krigar (*1952), Berlin painter, studied at the HdK there, belongs to the artist group of the North German Realists. Portrait of a boy ''Colin Baba'', oil on canvas, inscribed on the left, signed on the right, 50 x 50 cm framed 54 x 54 cm
Aloys Wach (1892-1940), Exlibris E. Wertheimer, Linolschnitt, handkoloriert, u. re. handsign., an o. Blattkante mont, 14,5 x 7,5 cm, hinter Pp. 39 x 33 cmAloys Wach (1892-1940), bookplate E. Wertheimer, linocut, hand-colored, signed on the right, mounted on the upper edge of the sheet, 14,5 x 7,5 cm, behind passepartout 39 x 33 cm
Erich Heckel (1883-1970), ''Zirkus'', Farbholzschnitt auf Bütten, unsigniert, mittig hinterlegter und restaurierter vertikaler Riss, o. re. kleiner Eckabriss (vorhanden) an der ehemaligen Montierung, 23,5 x 31 cmErich Heckel (1883-1970), ''Circus'', color woodcut on laid paper, unsigned, restored vertical tear at center, small corner tear (present) at former mount at upper right, 23,5 x 31 cm
Porzellanplatte, Fischer & Mieg, Pirkenhammer bei Karlsbad, Marke seit 1857, Handmalerei, Fuchs am Ufer, Enten im Schilf auflauernd, re. u. sign. O. Bauer, 1896, 32 x 39 cm, im Holzrahmen, 46 x 54 cmPorcelain plate, Fischer & Mieg, Pirkenhammer near Karlovy Vary, brand since 1857, hand painting, fox on the bank, ducks in the reeds ambushing, r. u. signed O. Bauer, 1896, 32 x 39 cm, in wooden frame, 46 x 54 cm
Frz. Miniaturmaler des 18. Jh., Mutter mit Tochter bei der Lektüre, wohl Tempera auf Bein (ungeöffnet), o. re. undeutlich sign. (?)., hinter Glas gefasst, 5,5 x 8 cmFrench miniature painter of the 18th century, mother with daughter reading, probably tempera on bone (unopened), signed (?) indistinctly on the right, mounted behind glass, 5,5 x 8 cm
Georgi Dimov, zeitgenössischer bulgarischer Künstler, studierte seit 1976 in Kardschali, ab 1996 in Sofia und schließlich an der School of Fine Arts in NY, tätig aktuell in Florida, große Komposition mit zwei Elefanten vor städtischer Kulisse, Acryl auf Hartfaser, u. re. sign. u. dat. (20)04, ein Nagelloch am o. Rand, 125 x 85 cm, ger. 128 x 88 cmGeorgi Dimov, contemporary Bulgarian artist, studied since 1976 in Kardzhali, from 1996 in Sofia and finally at the School of Fine Arts in NY, currently working in Florida, large composition with two elephants in front of urban scenery, acrylic on hardboard, u. r. signed u. dated (20)04, a nail hole at the upper edge, 125 x 85 cm, framed 128 x 88 cm
A Victorian 10ct, bloodstone and sardonyx set swivelling fob, 38mm and a similar yellow metal and intaglio carnelian ring carved with a stag, size O, gross 16.1 grams.CONDITION: Ring- Some minor nicks and chips around the edge of the stone and some tiny scratches to the centre of the stone.Fob- One hook on the barrel now missing. A few very minor nicks around the edge of the sardonyx.
PUNK / POST PUNK / MOD REVIVAL / POWER POP NEW WAVE UK 1ST PRESSING LP ALBUMS - 14 RARE UK PUNK / POST PUNK / MOD REVIVAL / POWER POP / NEW WAVE UK 1ST PRESSING LP ALBUMS including: 1. FLUX OF PINK INDIANS - STRIVE TO SURVIVE (1982, UK 1ST PRESSING, SPIDERLEG RECORDS), ORIGINAL 1ST pressing, in GATEFOLD SLEEVE + 12 PAGE BOOK STAPLED !!! VINYL is VG+++/ EX, GATEFOLD SLEEVE + BOOK in EX condition. 2. THE PURPLE HEARTS - BEAT THAT ! (1980, UK 1ST PRESSING, FICTION RECORDS), VINYL is MINT- (UNPLAYED), P/S is EX++/ EX+++. 3. SECRET AFFAIR - GLORY BOYS (1979, UK 1ST PRESSING, I-SPY RECORDS) WITH 2 ORIGINAL INSERTS !!!, VINYL is MINT- (UNPLAYED), P/S is EX+++, plus 2 RARE INSERTS in EX/ EX+ . 4. HAPPY REFUGEES - LAST CHANCE SALOON (1984, UK 1ST PRESSING, GYMNASIUM RECORDS) Very RARE private pressing album includes ex- members of PENETRATION !!!, VINYL is EX+++ / NEAR MINT, P/S is VG+ / VG++, plus PROMO INFO INSERT !!! 5. EMPIRE - EXPENSIVE SOUND (1981, UK 1ST PRESSING, DINOSAUR DISCS RECORDS), EX - GENERATION X members. VINYL is EX++/ EX+++, DIE CUT P/S is VG+/VG++ (band name sticker on it) + PRINTED INNER SLEEVE is VG+. 6. GIRLS AT OUR BEST - PLEASURE (1981, UK 1ST PRESSING, HAPPY BIRTHDAY RECORDS), VINYL is EX++/ EX+++, P/S is VG+/VG++, plus DOUBLE SIDED LYRICS INSERT in EX condition. 7. LITTLE BO BITCH - LITTLE BO BITCH (1979, UK 1ST PRESSING COBRA RECORDS) EX+++/ VG++. 8. AND 9. - 2 copies of DEMENTIA - DEMENTIA (1984, UK 1ST PRESSING, SKYSAW RECORDS) BOTH RECORDS ARE MINT- / EX+++ (UNPLAYED, UNUSED !!!). 10. SPEED-O-METORS - DAY IN THE LIGHTS (1979, UK 1ST PRESSING, ACROBAT RECORDS) VINYL is EX+++ / MINT-, P/S is VG+, INNER SLEEVE is VG+++, 11. REV COUNTA & THE SPEEDOZE - LIFE BEGINS AT THIRTY (1980, UK 1ST PRESSING, DUFF RECORDS), VINYL is VG++ / VG+++, P/S is VG+, plus LYRICS INNER. 12. TOY - BAD NIGHT (1980, UK 1ST PRESSING, LOGO RECORDS), VINYL is EX+++ / NEAR MINT, P/S is VG/VG+. 13. THE PREDATORS - THE PREDATORS (1982, UK 1ST PRESSING, MARSHALLS RECORDS), VINYL is EX++/ EX+++, P/S is VG+, plus PRINTED INNER SLEEVE in VG+++ condition. + ELVIS COSTELLO AND THE ATTRACTIONS - ARMED FORCES
1968 INTERCONTINENTAL CUP Estudiantes de la Plata v Manchester United (1st Leg) played 25/9/1968 at La Bombonera, Buenos Aires. Very rare 12-page newspaper style issue ''Gaceta La Plata'' published in La Plata, Buenos Aires and dated the day of the Final 25/9/1968. Titled ''LA COPA ESPERA NUEVO DUENO: ESTUDIANTES O MANCHESTER?'' The front cover is dedicated entirely to previewing the match and also features full team line-ups in programme style format and a history of the previous Intercontinental Club Cup matches 1960-1967, also details how Estudiantes obtained the Copa Libertadores & Manchester United the European in 1968 to reach the Intercontinental Cup Final. Inside there are further match previews with pictures of some United players including George Best. Generally good
Johnstone, C,L., The British Colony in Russia, published 'The Roxburge Press', blue cloth and four other volumes, Galton F., The Art of Travel or Shifts and Contrivances, 1872, green cloth, 12mo, Schreiner, O., The Story of an African Farm, green cloth, Social Life in Old Virginia, 1897, binding weak and Roberts, M., The Western Avernus, 1896.Qty: 5
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175434 item(s)/page