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A collection of O gauge Hornby items, to include rolling stock and accessories, comprising LMS wagon, Trinidad Lake Asphalt rotary tipping wagon, two McAlpine No. 1 side tipping wagons, brake van (in incorrect box), water tank, level crossing, buffer stop, and assorted track, all boxed unless noted. (qty)
SCHUCO 4 Modellfahrzeuge Metall, Kunststoffteile, M 1:43, Mercedes Benz O 6600, rot/schwarz, Limited Edition/1000, Mercedes L6600, Esso Tankwagen, rot/schwarz, Volkswagen T2a mit Nachläufer "Assmann", blau/grau, Limited Edition/ 1500, Hanomag L28 Kasten LKW "Fulda Reifen", weiß/rot, Z 1, Okt. teils mit leichten Lagerspuren
NZG MODELLE 10 Baumaschinen Modelle Made in Germany, Metall/Kunststoffteile, M 1:25 & 1:50, verschiedene Ausführungen, darunter Nr. 224 Dampfwalze HAMM DV8, Nr. 412 Kettenbagger O&K RH-30E, Nr. 469 Raupenbagger O&K RH 6,5, Nr. 334 O&K Bagger MH5, u.a., Z 2, teils mit losen Kleinteilen/Fehlteilen
NZG Modelle 11 Modellfahrzeuge Made in Germany, Metall/Kunststoffteile, M 1:43 & 1:50, verschiedene Ausführungen, darunter Mercedes-Benz Container Sattelzug, Nr. 379 Straßenfräse Wirtgen 1900 DC, Nr. 441 Mercedes-Benz Actros Tank Sattelzug, Nr. 440 Raupenbagger O&K Universal L65l, u.a., Z 2, teils mit losen Kleinteilen/Fehlteilen
Sapphire and diamond three stone ring, the central round cut sapphire flanked on either side with an illusion set small diamond, all in 9ct gold, size T; also an aquamarine and diamond seven stone ring, in 9ct gold, size O; an amethyst dress ring, with a heart cut stone set in 9ct gold, size H/I; and an emerald cut blue topaz pendant in 9ct gold, the stone approx. 2cts, gross weight approx. 9g (4)
Robert Salmon (British, 1775-1845)Dumbarton Castle signed, dated and inscribed 'No990/painted by R Salmon/1838/Dumbarton Castle' (panel verso)oil on panel14.6 x 21.1cm (5 3/4 x 8 1/4in).Footnotes:ProvenanceAnon. sale, Christie's, London, 20 May 1997, lot 51.Private collection New York, USA.Private collection, UK.LiteratureThis work is listed in Salmon's personal catalogue of paintings as transcribed in John Wilmerding's Robert Salmon: Painter of Ship & Shore (Boston, 1971). The work's entry reads: 'No 990 September 1838, 8 by 6, 11/2 Day. Dumbarton.'For further information on this lot please visit Bonhams.com
18ct Gold and Platinum Single Stone Diamond Ring. Full Hallmark for 750 - 18ct. The Round Brilliant Cut Diamond of Excellent Sparkle and Good Clarity. Drawing Colour, Diamond Weight 0.90 pts, Ring Size N - O. Excellent Condition Including Shank and Setting - Please Confirm with Photo. Low Estimate.
SAPPHIRE AND DIAMOND-SET FLORAL CLUSTER RING AND EARCLIP SUITEThe carved sapphire petals surrounding a central brilliant-cut diamond, with single-cut diamond accents, the earclips of similar design, diamonds approx. 1.45cts total, ring size approx. O, earclip length 2.0cm (2)For further information on this lot please visit Bonhams.com
A Schoenau and Hoffmeister bisque headed girl doll, with sleep eyes, open mouth showing three teeth, composition jointed body with painted wooden legs (lacking feet) in period clothes, marked S H with PB within a star, 1909 3 1/2 Germany (sleep eyes loose within head, lacking two fingers to each hand), and two other Schoenau and Hoffmeister bisque headed boy dolls, one marked 1923, 4 1/2, the other O. (3)Location: 8:2
WILLIAM DE MORGAN (1839-1917) 9-INCH 'INDIA FRIEZE' TILE, CIRCA 1896 glazed earthenware, made for the P&O India Liner, impressed Sand's End mark, 23cm square; together with a 9-INCH 'PERSIAN' TILE, Merton Abbey period, later framed, 23cm squareFootnote: Note: The India Frieze tile was commissioned from de Morgan by the architect T.E. Colcutt for the P&O ship 'India', built at Greenock in 1896 by Caird & Co. De Morgan supplied eighty-eight of these tiles for the companionway frieze.
bronze, signed and inscribed in the cast M. A. SUZOR-COTE'/ L'ESSOUCHEUR, stamped foundry mark and edition no. to foot rim ROMAN BRONZE WORK NY/ #17, bears gallery label for W. Scott & Sons to the underside, inscribed W. SCOTT & SONS/ No. O/S - 749/ PROPERTY OF SUZOR-COTÉ RCA/ "THE GRUBBER"/ PRICE $385.00(53.3cm wide, 40.6cm high)Provenance: Presented as a gift to Alfred James Towle Taylor, circa 1935-40 and by family descentNote: After studying at the prestigious École des Beaux-Arts in Paris, Suzor-Côté returned to his native Canada and sought to capture the mesmerising mountain landscapes of his homeland. Here, he quickly gained critical acclaim as an artist, breaking away from the rigid academic tradition of studio painting, in favour of Canada's iconic and breath-taking scenery. Heavily influenced by French Impressionism, his works demonstrate a fascination with colour theory and the play of light on snowy mountain tops and icy lakes.In 1907, Suzor-Côté began to develop his talents in sculpting, and by 1919 he had excelled in the medium. His works in bronze are quite rare, as he is thought to have only produced around fifty in his career. As with his painterly approach, the influence of Impressionism remained dominant throughout his experimentation with sculpture.In L’Essoucher, idealised Classical subjects have been abandoned for character studies of rural settlers, representing the essence of country life in Canada. Here, one is immediately drawn to the figure’s body language: his back growing tired and beginning to hunch over; his hands, larger than life, grip onto his tools as his body strains with the hard manual labour he must undertake. Equally, there is a clear attempt to depart from the academic sculptures of his contemporaries, which strive for smooth perfection and beauty. In the present example, Suzor-Côté has sculpted a richly textured surface that is both evocative and captivating. The eye is carried across every fold and crevice, drawing our attention to the physicality of the labourer's task at hand. L’Essoucher typifies Suzor-Côté’s move away from idealism, towards more authentic subjects which celebrate the individual and, above all, captures the essence of rural Canadian life which he loved and cherished.Note: Founded in 1859 as a framing workshop, William Scott and Sons became an important gallery and art dealer in Montreal in the late nineteenth and early twentieth centuries. The firm imported work by British and French painters, and in 1892 became the first gallery in Canada to show work by the French Impressionists. The gallery mainly sold Barbizon School paintings but from 1901 was the dealer for M.A. Suzor-Cote as well as handling the work of Cornelius Krieghoff.
A LATE VICTORIAN OAK EXTENDING DINING TABLE BY W. WALKER & SONS, C.1880-90 the circular moulded edge top with four brass mounted outer leaves, above a lunette carved frieze, on baluster ribbed legs united by an 'X' stretcher, on ceramic castors, the underside with an ivorine trade label, inscribed 'W. Walker & Sons Manufacturers, Bunhill Row, London, E. O.', with four brass clips by William Tonks 76.3cm high, 122cm diameter, 151cm diameter (extended)
A Timor British Military issue gentleman's wristwatch, circa 1940s, signed black dial with broad arrow, Arabic numerals with luminous dot marks, luminous sword hands and subsidiary seconds, 'Swiss Made' at six o' clock, movement with dust cover, nickel plated fixed bar case with stainless steel screw back, with issue markings 'WWW K 6297 36197', case 36mm. CONDITION REPORT: Fully wound and not running. Later strap.
A good gent's 9ct gold Omega automatic calendar centre seconds wristwatch on textured 9ct gold integral bracelet, gold dial with baton numerals, date aperture at 3 o' clock, plain reverse, Omega crown, case 33mm. CONDITION REPORT: Winds and runs. 62.6g gross. No inscription to case reverse. Case and glass with some minor surface scratches, commensurate with use. A very nice example.
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175123 item(s)/page