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Lot 251
1956 Lagonda 3-Litre Drophead Coupé Registration no. 251 UXK (not registered with DVLA)Chassis no. SABTVRO 3295180003 (see text)•Restored and adapted from saloon to drophead configuration circa 2005•Present ownership since 2012•Manual transmission•Offered at No ReserveFootnotes:David Brown's take-over of Lagonda in 1947 allowed production of the latter's W O Bentley-designed all-new model to commence the following year, while simultaneously making Lagonda's 2.6-litre twin-cam 'six' available for the new Aston Martins. An advanced design employing a cruciform-braced chassis with independent suspension all round, the Lagonda was available as a saloon or drophead coupé, both with coachbuilt bodies. The interior with its leather upholstery, plentiful walnut and quality fittings stood comparison with that of the very best in the luxury car class. When the new 3-Litre model was announced in 1953, coachbuilders Tickford assumed sole responsibility for body production. The newly enlarged engine now produced 140bhp, an output good enough for a top speed in excess of 100mph despite the gain in weight over the '2.6'. Expensive to produce and necessarily exclusive, the luxurious Lagondas did not sell as well as their manufacturer had hoped, though high-profile owners included HRH The Duke of Edinburgh (two dropheads) and actor Peter Ustinov (just the one). The accompanying guarantee form copy shows that, chassis number 'LB/290/1/213' (see below) was built as a Series II saloon and supplied new via Charles Sidney Ltd to the Newcastle Chronicle & Journal Ltd. Its first registration number was 'DGB 1'. Various subsequent owners are listed up to September 1972, one of them the News of the World newspaper, while servicing notes record the installation of a service exchange engine in August 1967, by which time the registration had changed to '126 EBB'. In 2005 it is understood that the Lagonda was comprehensively rebuilt and fitted with the body from a Mark 1 saloon ('LB/290/68'), which was converted to drophead configuration during the rebuild. A measure of the restoration's quality at the time may be gained from the fact that the Lagonda won the 'Car of the Show' award at Tatton Park in 2006 and 2007. The current DVLA-issued VIN number dates from 2005, on the chassis plate is also listed LB/290/68/213, which appears to be a combination of the chassis and body used in the restoration. ('SABTVRO' numbers are assigned by a vehicle registration office when the original identity of a bodyshell or chassis frame cannot be determined.) Accordingly, prospective purchasers should satisfy themselves with regard to the originality and correctness, or otherwise, of this vehicle's components prior to bidding. The car appeared at auction with Historics in October 2011 and the current owner acquired the car from Aston Martin Works Service in April 2012. The invoice copy describes the car as finished in Silver with Grey trim and Black hood, and records the mileage as 70,910 (current mileage is recorded as 70,914). Having been stored for the intervening period, the car will require some re-commissioning prior to road use. Now being offered for sale from overseas, the car will attract the low import duty rate of 5% if it is to remain in the UK and require re-registering.Lot to be sold without reserve.This lot is subject to the following lot symbols: * N* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
Lot 162
ROYAL DOULTON FIGURE OF 'ELEANOR', HN 4015, 23cm high, along with another six other Royal Doulton figures including 'Winter Welcome', HN 3611, 18cm high, 'Top 'O the Hill', HN 1834, 18cm high, 'Paula' HN 2906, 18cm high, 'Alexandra', HN 3286, 20cm, 'Happy Birthday, HN 3095, 20cm high, and 'Gail', HN 2397, 20cm high (7)
Lot 200
ROYAL DOULTON FIGURE OF 'FRAGRANCE', HN 3250, 9cm high, along with another seven other Royal Doulton figures including 'Top 'O the Hill', HN 3734, 10cm high, 'Forget Me Not', HN 3388, 16cm high, 'Hello Daddy', HN 3651, 15cm high, 'Quiet They're Sleeping', HN 3657, 15cm high, 'Amanda', HN 3635, 14cm high, 'Welcome', HN 3764, 15cm high and 'First Performance', HN 3605, 16cm high (8)
Lot 190
Goldkette mit verstellbaren Schiebern. Römisch, Nordafrika, 3. - 4. Jh. n. Chr. 66,45g. L ca. 65cm. Aus vier Fuchsschwanzketten aus dünnem Golddraht, deren Enden in zwei vasenförmige Schieber eingehängt sind und zwar so, dass die Ketten vorher durch den jeweiligen Gegenschieber laufen. Auf diese Weise lässt sich die Länge der Kette verändern. Außerdem laufen die Fuchsschwanzketten durch eine geriefelte, bikonische Tülle aus dünnem Goldblech. Die Schieber haben zentral einen quadratischen Querschnitt und sind mit einem Kreisornament sowie Palmetten in den Zwickeln, die gepunzt sind, dekoriert. Gold! Tülle an einem Ende etwas beschädigt und antik repariert. Provenienz: Ex Münzzentrum Rheinland, Solingen, Auktion 191, Juni 2020, Los 346; ehemals Sammlung Klaus Schüller. In Deutschland seit vor 1973. Publiziert in: Antiken aus rheinischem Privatbesitz. Ausstellung Bonn (1973) Kat. 414 mit Taf. 185. Es gibt zwei Parallelstücke zu unserer Kette, die beide in Ägypten gefunden wurden und mit Münzanhängern dekoriert waren. Beide Stücke weisen in Herstellungstechnik und Konstruktion große Übereinstimmungen mit unserem Stück auf. Der jüngste Münzanhänger stammt von Gordian III. (238 - 243 n. Chr.). Siehe dazu: Rudolph Lepke's Kunst-Auctions-Haus Berlin. Katalog 2008, 1929, Los 111 mit Taf. 61 (Sammlung Baurat Schiller); Kette im Kunsthistorischen Museum in Wien (Inv. Antikensammlung VII 813, Lit.: O. Voetter, Sammlung Bachofen von Echt. Römische Münzen und Medaillons [1903] Taf. 46).
Lot 597
Lot Keramik aus dem Meer. a) Spätrömische Transportamphora. Östlicher Mittelmeerraum, 6. - 8. Jh. n. Chr. H 46cm. Aus rötlichem Ton. Benghazi LRA 13. Gebrochen und geklebt. b) Italische Kanne mit hohem und geripptem Henkel mit kleinen Rotellen am Henkelansatz. Aus rotem Ton. 7. - 6. Jh. v. Chr. H 28,6cm. Mehrere Ausbrüche am Gefäßrand. Und c) bauchiger, neuzeitlicher Topf mit kurzen Ösenhenkeln. H 17,5cm. Risse im Corpus. 3 Stück! Amphora mit modernem Ständer! Alle mit Meeresbewuchs. Provenienz: Ehemals in der norddeutschen Privatsammlung O. B., in den 1950er Jahren erworben. Bei Gorny & Mosch, München Auktion 275, 2020, Los 50.
Lot 89
Torso eines Epheben. Römische Kaiserzeit, 1. Jh. n. Chr. H 37,5cm. Weißer, feinkristalliner Marmor. Erhalten ist der Hüft- und Oberschenkelbereich eines zarten Knaben, dessen rechtes Bein vorgesetzt, das linke etwas zurückgesetzt war. Die Hüfte ist stark gebeugt, was insbesondere an den deutlich in der Höhe versetzten Glutäen erkennbar wird. Am linken Oberschenkel ein großer Puntello. Mit Art Loss Register Report! Fragmentarisch. Provenienz: Ex Privatsammlung O. W., Wien, erworben Anfang der 1990er Jahre in der Galerie Socowi, Wien; in Deutschland seit 2017. Die Figur geht typologisch wohl auf Urbilder der polykletischen Schule wie den sog. Epheben Westmacott oder den sog. Narkissos (seitenverkehrt) zurück. Letzerer stützt sich mit einer Hand auf einen Pfeiler, was zu einem ebenso stark versetzten Standmotiv führt. Vgl. H. Beck - P. C. Bol - M. Bückling (Hrsg.), Polyklet - Der Bildhauer der griechischen Klassik. Ausstellung Frankfurt am Main (1990) S. 599 ff. und bes. 699 f. Kat. 169.
Lot 993
1966 FIFA WORLD CUP ENGLAND 84-page tournament programme produced by Esso in Brazil prior to the start of FIFA World Cup. Titled ''O Brasil Na Copa do Mundo'' Includes colour covers, history of the previous FIFA World Cup's, tournament fixture tables, tournament previews, qualification details, history of Brazil in previous World Cup tournaments, many pictures and extensive previews. Generally good
Lot 130
David Lock Misfit, 2021 Watercolour and Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) David Lock's paintings explore men and masculinities in a process of becoming. The paintings utilise a collagist approach. In the process of creating his 'Misfit' paintings, he makes collages culled from advertisements and imagery from mainstream magazines. In their making, the collages and subsequent paintings have a performative quality. Lock is investigating how to create a multitude of subject positions, upon which signifiers are free to float, shifting identification from one fragment to another. In this sense the paintings resist a single reading or viewpoint, and instead any reading is unmoored, fluid and contingent. A sense of vulnerability is reinforced by the paintings being composed from collaged elements. He was a Prizewinner in the 'Creekside Open 2019', selected by Sacha Craddock. In 2018, Lock's painting 'El Muniria' was selected for the 'John Moores Painting Prize', after which, the Walker Art Gallery, Liverpool purchased the painting for its permanent collection. He is a recipient of the prestigious Abbey award at the British School at Rome in 2012 Recent exhibitions include 'RA Summer Exhibition 2021 at Royal Academy of Arts, 'between parts undone - Paintings by David Lock, Gavin Maughfling and J. A Nicholls' at studio1.1, London, and 'Telescope', at Jerwood Gallery Hastings. He is currently working on a commission for 'Hospital Rooms' for 2021. He lives and works in London. Education 00-01 MA Fine Art Goldsmiths, London 99-00 PG (Dip) Fine Art Goldsmiths, London 95-99 BA (Hons) Fine Art University of Reading, Reading 94-95 Art Foundation De-Montfort University, Leicester Exhibitions Solo Exhibitions 2018 'Fragmented Eros', studio.1.1, London 2008 'John Jones Work on Paper Prize', Zoo Art Fair, London 2007 'Misfits & Maladies', FRED London/Leipzig Recent Group Exhibitions 2021 - 'Darkness at Noon', curated by Ruth Callard and Mimei Thompson, APT Gallery, London (forthcoming) 'Summer Exhibition', Rarity Gallery, Mykonos, Greece (forthcoming) 'Stand Close and Breath Me In', curated by Enzo Marra, Oceans Apart, Salford travelling to Pineapple Black, Middlesborough (forthcoming) 'Bare Bones', curated by Ian Thomas, AIRspace Projects, Sydney, Australia 2020 'Miniatures and Masterstrokes', Rye Art Gallery, East Sussex 'Summer (Winter) Exhibition', Royal Academy of Arts, London 'John Lennon is Not Dead', curated by Harry Pye, Stash Gallery at Vout O Reenees, London 'EXH 02', Floorr Magazine, online exhibition. 'between parts undone - Paintings by David Lock, Gavin Maughfling, J.A Nicholls, studio1.1, London 2019 'Creekside Open', curated by Sacha Craddock, APT Gallery, London (Prizewinner) 'Telescope', curated by Nigel Cooke, Jerwood Gallery, Hastings 2018 'Rules of Freedom', curated by Rosalind Davis, Collyer Bristow Gallery, London 'John Moores Painting Prize 2018', Walker Art Gallery, Liverpool 'Creative Rage', curated by Duovision Arts, Stoke Potteries Museum and Art Gallery, Staffordshire 'The Performativity of Painting', curated by Alex Roberts, Stephen Lawrence Gallery, Greenwich
Lot 131
David Lock Misfit, 2021 Watercolour and Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) David Lock's paintings explore men and masculinities in a process of becoming. The paintings utilise a collagist approach. In the process of creating his 'Misfit' paintings, he makes collages culled from advertisements and imagery from mainstream magazines. In their making, the collages and subsequent paintings have a performative quality. Lock is investigating how to create a multitude of subject positions, upon which signifiers are free to float, shifting identification from one fragment to another. In this sense the paintings resist a single reading or viewpoint, and instead any reading is unmoored, fluid and contingent. A sense of vulnerability is reinforced by the paintings being composed from collaged elements. He was a Prizewinner in the 'Creekside Open 2019', selected by Sacha Craddock. In 2018, Lock's painting 'El Muniria' was selected for the 'John Moores Painting Prize', after which, the Walker Art Gallery, Liverpool purchased the painting for its permanent collection. He is a recipient of the prestigious Abbey award at the British School at Rome in 2012 Recent exhibitions include 'RA Summer Exhibition 2021 at Royal Academy of Arts, 'between parts undone - Paintings by David Lock, Gavin Maughfling and J. A Nicholls' at studio1.1, London, and 'Telescope', at Jerwood Gallery Hastings. He is currently working on a commission for 'Hospital Rooms' for 2021. He lives and works in London. Education 00-01 MA Fine Art Goldsmiths, London 99-00 PG (Dip) Fine Art Goldsmiths, London 95-99 BA (Hons) Fine Art University of Reading, Reading 94-95 Art Foundation De-Montfort University, Leicester Exhibitions Solo Exhibitions 2018 'Fragmented Eros', studio.1.1, London 2008 'John Jones Work on Paper Prize', Zoo Art Fair, London 2007 'Misfits & Maladies', FRED London/Leipzig Recent Group Exhibitions 2021 - 'Darkness at Noon', curated by Ruth Callard and Mimei Thompson, APT Gallery, London (forthcoming) 'Summer Exhibition', Rarity Gallery, Mykonos, Greece (forthcoming) 'Stand Close and Breath Me In', curated by Enzo Marra, Oceans Apart, Salford travelling to Pineapple Black, Middlesborough (forthcoming) 'Bare Bones', curated by Ian Thomas, AIRspace Projects, Sydney, Australia 2020 'Miniatures and Masterstrokes', Rye Art Gallery, East Sussex 'Summer (Winter) Exhibition', Royal Academy of Arts, London 'John Lennon is Not Dead', curated by Harry Pye, Stash Gallery at Vout O Reenees, London 'EXH 02', Floorr Magazine, online exhibition. 'between parts undone - Paintings by David Lock, Gavin Maughfling, J.A Nicholls, studio1.1, London 2019 'Creekside Open', curated by Sacha Craddock, APT Gallery, London (Prizewinner) 'Telescope', curated by Nigel Cooke, Jerwood Gallery, Hastings 2018 'Rules of Freedom', curated by Rosalind Davis, Collyer Bristow Gallery, London 'John Moores Painting Prize 2018', Walker Art Gallery, Liverpool 'Creative Rage', curated by Duovision Arts, Stoke Potteries Museum and Art Gallery, Staffordshire 'The Performativity of Painting', curated by Alex Roberts, Stephen Lawrence Gallery, Greenwich
Lot 310
Mona Broschár All Good Things Come From Above, 2021 Charcoal on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Mona Broschár (b. in Bad Säckingen 1985) has a Master in painting and printmaking received at the Academy of Visual Arts, Leipzig, in 2014. She has a diploma in painting and printmaking from, Academy of Visual Arts, Leipzig and a BA in fine Art, Camberwell College of Arts, London. She is a junior lecturer at the Academy of Visual Arts in the classes for painting and printmaking with Prof Schröter, Prof. Ruckhäberle, Prof. Ottersbach and Tilo Baumgärtel. Broschárhas shown her work in galleries, including Gallery Maurer, Frankfurt, (DE), Kunsthall, Darmstadt (DE), Gallery Space Studio Anscharpark, Kiel (DE),Künstler zu Gast in Hamburg (DE), e.V, Hamburg, (DE) A&O Gallery Lab, Leipzig (DE), SATT-ZENTRALE, Berlin (DE), Eve Leibe Gallery, London (UK)
Lot 74
Julie-Ann Simpson Flow, 2021 Gouache, Pencil and Pen on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Lot 75
Julie-Ann Simpson Release, 2021 Gouache, Oil Pastel, Pen and Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Lot 76
Julie-Ann Simpson Snag, 2021 Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Lot 13
Ladies Attractive 18ct Gold - Diamond and Sapphire Set Dress Ring, Excellent Design. Marked to Interior of Shank for 18ct. Ring Size O. Set with 9 Brilliant Cut Diamonds and 10 Blue Sapphires, Diamonds of Excellent Colour / Clarity ( White ) Est Weight 0.45 pts. 4.7 grams. Shank / Setting In Excellent Condition.
Lot 203A
Ruby and Zircon Ring, a square cut, 2.5ct ruby solitaire set to the centre, flanked by round cuts of natural white zircons, one of the earliest gemstones ever to be mined, in a three and two formation to the shoulders of the rhodium vermeil and silver ring; the ruby being a beautiful, rich red; size O
Lot 321
Ladies - Vintage and Attractive 19th Century Style Sterling Silver - Single Stone Amethyst Set Dress Ring, with Solid and Well Made Cast Ornate Setting, Marked 925 Silver to Interior of Shank. The Large Faceted Amethyst of Excellent Colour. Est Size 7.00 cts, Ring Size O - P. Shank / Setting In Excellent Condition.
Lot 60
18ct Yellow Gold - Attractive Princess Cut and Baguette Cut Diamond Set Ring of Excellent Contemporary Design. Diamond Weight 0,85 pts Marked to Interior of Shank, The Princess Cut and Baguette Cut Diamonds of Good Colour and Clarity. Ring Size O. The Shank and Setting In Excellent Condition.
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