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Lot 301
AN EMERALD AND DIAMOND CLUSTER RING, the oval facet cut emerald claw set to a border of twelve round brilliant cut diamonds each of approximately 0.06cts, to a plain 18ct gold shank, Birmingham 1981, size O (Illustrated) (Est. plus 21% premium inc. VAT)5.6g gross, sponsor's mark CRF, also stamped PLAT, good
Lot 378
A FAMILY OF MEDALS FOR THE FIRST & SECOND WORLD WAR AWARDED TO A FATHER & SON, comprising Victory Medal, British War Medal and 1914-15 Star for Serjeant R Hatfield of the King's Own Yorkshire Light Infantry, and War Medal 1939-45, Defence Medal and Exemplary Police Service Medal for Constable Robert Hatfield, together with an Atlantic Star Medal, Identity card, clothing book, field dressing and other associated items (qty) (Est. plus 21% premium inc. VAT)Generally good condition. First set of medals named as follows: 4058 PTE R. HATFIELD YORKS. L. I. (to the star) and 4058 SJT. R. HATFIELD. K O. Y. L. I.Second set only names on police medal: CONST. ROBERT HATFIELD
Lot 1732
A GOLD AND PLATINUM DIAMOND SET FIVE STONE RING AND THREE FURTHER GOLD AND GEM SET RINGS (4)The diamond ring detailed 18ct pla, gross weight 2.2 gms, a 9ct gold, green and colourless gem set oval cluster ring, a 9ct gold and gem set solitaire ring and a gold ring, claw set with an oval cut smoky quartz. Combined gross weight of the last three rings 7.1 gms.Condition Report:Size of rings - Diamond ring: ring size O. Green and colourless gem set oval cluster ring: ring size J and a half. Gold and gem set solitaire ring: ring size O. Smoky quartz ring: ring size Q and a half. All rings would benefit from cleaning.
Lot 1740
A 9CT WHITE GOLD AND DIAMOND THREE STONE RING AND TWO FURTHER GOLD AND GEM SET RINGS (3)The diamond ring mounted with a row of circular cut diamonds, ring size N, a gold ring claw set with a cushion shaped amethyst, detailed 9K, ring size P, and a 9ct gold ring claw set with a rectangular mixed cut smoky quartz, Birmingham 1975, ring size O and a half, gross combined weight 14.6 gms.
Lot 1794
A GOLD OPAL AND DIAMOND CLUSTER RING AND FOUR FURTHER GEM SET RINGS (5)The opal and diamond ring mounted with the principal circular cut diamond at the centre, in a surround of six opals and with six small circular cut diamonds to the border, detailed 18 CT, the shank cut, gross weight 3.7 gms, a 9ct gold and diamond cluster ring, detailed 0.25, ring size O and a half, a 9ct gold, blue and colourless gem set half hoop ring, combined gross weight of these two 3.7 gms, a silver gilt and garnet cluster ring and a silver gilt and gem set oval cluster ring
Lot 1810
THREE 9CT GOLD RINGS (3)Comprising; a three colour gold, triple band, Russian style gentleman's wedding ring, ring size O, a three colour gold, triple band, Russian style lady's wedding ring, ring size H and a half, and a 9ct gold wedding ring, ring size M and a half. Combined weight 9.2 gms.
Lot 1854
TWO CABOCHON AMETHYST SINGLE STONE RINGS (2)Comprising; a gold ring mounted with a cushion shaped cabochon amethyst, between floral decorated pierced shoulders, detailed 14 K, ring size J and a half, gross weight 2.5 gms and another cabochon amethyst ring, mounted with a circular stone, between scroll pierced shoulders, unmarked, ring size O
Lot 1863
AN OPAL RING AND THREE FURTHER PIECES OF JEWELLERY (4)The gold ring mounted with an oval opal, ring size O and a half, a silver graduated curb link watch Albert chain, fitted with a South Africa one shilling 1895, a lapis lazuli panel link bracelet and an opal doublet oval brooch with foliate decoration.
Lot 196
JUGENDSTIL FEDERSCHALEO. Götsch Deutschland um 1900 Patinierte Bronzeschale mit Frauenbildnis im Relief. Verso signiert und datiert: O. Götsch 1900. 22x9,3cm AN ART NOUVEAU PEN TRAY O. Gotsch Germany circa 1900 Patinated bronze bowl with a portraitof a woman in relief. Signed and dated verso: O. Gotsch 1900. 22 x 9.3 cm. Keywords: decorative art, design, Jugendstil, dishes, containers, basins, vessels, female, lady
Lot 45
Patek Philippe. A platinum and diamond set keyless wind open face pocket watch with Hollywood inscriptionDate: Manufactured 1928, Sold 26th September 1929Movement: 18-jewel Swiss lever, adjusted to 8 positions, signed Brock & Company, Los Angeles, Calif, No.821149Dial: Brushed silvered, diamond set Arabic numerals, outer silvered dot minute divisions, subsidiary seconds at 6, diamond set platinum syringe handsCase: Polished round, diamond set bezel, crown and bow, black enamel rim, snap on back engraved 'To my first talkie director Frank Borzage, token of admiration and sincere friendship from John McCormack, Jany.1930', No.415118Signed: Case, dial & movementSize: 44mm Accompaniments: Extract from the ArchivesFootnotes:John Francis McCormack (1884-1945) was a celebrated tenor from Ireland known for his operatic and popular song performances. With appearances in Hollywood movies such as 'Song O' My Heart' and 'Wings of the Morning' and credited with creating the first recorded rendition of 'Its a long way to Tipperary', McCormack was one of the most successful tenors of his day. The current lot is a highly attractive Patek Philippe pocket watch with diamond set bezel and bears a personal inscription from John McCormack to Frank Borzage who was the producer on the film 'Song O' My Heart'. The film focuses on a retired opera singer who has returned to his small Irish village with the subtle hope of reuniting with his childhood love who is now living in difficult circumstances with her two children. It is believed that McCormack used the salary he earned for this movie to purchase the Runyon Canyon Estate in Hollywood.McCormack was also known for his dedication to supporting Catholic charities and the Red Cross and was bestowed the title of Papal Count from Pope Pius XI in recognition of his work.For further information on this lot please visit Bonhams.com
Lot 1149
Mechanical Computing. An Exactus Business Machines Mini-Ad Currency Calculator, c1960, a Continentale Buroreform Correntator Patent Calculating Machine, in wallet, c1930, a Kingson aluminium pocket calculator, a Holman Currency Calculating Machine O J Adder, c1950 and a Bowler Products Limited Countess Currency Calculator, c1960 (5) All showing signs of use and wear to finish, much dust and dirt from long term storage or display, some minor surface rust. Sold as seen. Mechanisms untried and sold without warranty, not subject to return
![A pierced gold ring, marked [1]4k, 8g, size O Light wear scratches](https://cdn.globalauctionplatform.com/aa84427c-27b9-4840-b506-ad9100fccf90/5d8f99ea-fa9a-4e5a-81d4-ad9101068114/468x382.jpg)
Lot 298
Gemporia - A blue sapphire and white zircon gold ring, the three blue sapphires (total 0.990 carats) with eight white zircon (total 0.060 carats), in a 9 carat yellow gold shank; a Songea green sapphire and white topaz silver ring, the eleven Songea green sapphires (total 1.240 carats) with four white topaz (total 0.130 carats); a green sapphire and white topaz silver ring, the three green sapphires (total 3.360 carats) with two white topaz (total 0.090 carats); a Sri Lankan sapphire and white topaz gold-plated silver ring, the fourteen sapphires (total 1.650 carats, treated) with six white topaz (total 0.130 carats); and a Songea green sapphire ring, with fourteen Songea green sapphires (total 2.460 carats); all claw set, ring sizes L to O 1/2, with Ltd Ed Certs.
Lot 302
A 9 carat yellow gold 4.7mm gauge circular belcher link chain with T bar drop, 46cm, 8.4g, a 9 carat 3.7mm gauge oval belcher link chain, 48cm, 6.9g, a 9 carat figaro link bracelet and a two strand bracelet, 3.3g, a spinel eternity ring size O, a yellow metal broken signet ring marked 9ct, 4.6g.
Lot 109
1981 Nelson Piquet and Brabham F1 team RAC International Competition Licences,comprising an RAC Motorsports Association International Racing Driver Grade A, signed by him beneath a small b&w photo and stamped 01991, MR N.PIQUET, C/O MRC, 11 GLOUCESTER ROAD, LONDON SW7; two similar Entrant International licences, one stamped 00208, PARMALAT RACING, ROEBUCK HOUSE, COX LANE, CHESSINGTON, SURREY, KT9 1DG and signed by M.A. Blash, the other 03386, MOTOR RACING DEVELOPMENTS with the same address and unsigned, each 8 by 15cm, 3 by 6in and held in a clear plastic wallet: together with Nelson Piquet's RAC International Medical Form, a folded card with the cover stamped similarly to his Racing Driver licence and bearing O+ written in ballpoint pen, his signature and medical details inside dated 4/2/81; sold with a Brabham magazine 1981 marked Nelson Piquet's first Drivers World Championship when he took the title at the Caesars Palace GP in Las Vegas. It was also Bernie Ecclestone's first championship success as the Brabham team owner.
Lot 541
13th-15th century AD. A gold finger ring with D-section hoop, floral designs in raised relief at the shoulders, 'pyramidal' bezel set with a dark green glass or emerald cabochon at the apex. Cf. Chadour, A.B., Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994, for comparable examples; cf. Portable Antiquities Scheme Database, KENT-5DD1D6, for a comparable ring. 2.00 grams, 23.82mm overall, 17.13mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14) (3/4"). Property of an English collector; acquired from John Moor, York, UK, in the late 1990s; accompanied by an independent specialist report and valuation by graduate gemmologist and jewellery expert Anna Rogers, GIA GG, BA, Gem-A, ref. no.168701/07/12/2020; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10463-168701. This form of finger ring rose to popularity in the middle of the 12th century and continued to be produced into the 15th century. [A video of this lot can be viewed on the Timeline Auctions website] Very fine condition.
Lot 586
Late 16th century AD. A carved marble head of a youthful woman, possibly a muse, with her sensual mouth slightly open, perfectly proportioned Greek nose and wide forehead; her curly hair divided into two and held in place with a taenia, the hair pulled back and secured to a bun by a ribbon bow with three locks falling on her neck, traces of gilding to the hair; the bust mounted on a square pedestal decorated with a realistically sculpted ram head flanked by foliate ornaments. See Meller, P., ‘Marmi e bronzi di Simone Bianco’ in Mitteilungen des Kunsthistorisches Institutes in Florenz, 21.Bh.H.2, 1977, pp.199-210; Schulz, M., ‘Simone Bianco’, in Saur Kunstlerlexikon, 1995, 10, pp.445-47; Luchs, A., Tulio Lombardo and Venetian High Renaissance Sculpture, exhibition catalogue, National Gallery of Art, Washington, 4 July - 31 October 2009, pp. 63-65, fig.4, for the portrait of an idealised woman ‘all’antica’; Schulz, M., ‘Simone Bianco, the Grimani Collection of Antiquities and Other Unexpected Findings’, in Jahrbuch des Kunsthistorischen Museums Wien, 2015-2016, 17/18, pp.36-37, fig.8, for girl portrait; Schulz, M., The History of Venetian Renaissance Sculpture, ca. 1400-1530, London and Turnhout, 2017, p.360. 34.3 kg, 50cm including stand (19 3/4"). From an important English collection; accompanied by an archaeological expertise by Dr Raffaele D’Amato; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10767-177464. This important Tuscan artist, who used to sign his works with the Greek name of SIMON LEVKOS O VENETOS (Simon the White, the Venetian), was known as a great marble sculptor, working between 1519 and 1553, although he enjoyed great posthumous success. Pietro Aretino, writing to his colleague in 1548, praising him for the portrait of the young bride of a Venetian patrician, said that the artist 'gave the spirit to marble with such antiquity of grace that nature itself could confess that in no way it diverges from a living thing'. The publication by Ursula Schlegel of numerous busts of young women made by Simone shows his great technical skill. This virtuosity can also be seen in this sculpture, probably made by a disciple who seems to have been one of the direct collaborators of the master. The girl's hair moves sinuously along her neck, in a delicate but decisive waving movement. Her face, surrounded by these vigorous modelled curls, is rendered with a sophisticated naturalism that evokes that of ancient portraiture. Although few of his commissions are recorded, and much of his oeuvre is made up of attributions, Simone has emerged through recent scholarship as a unique artistic personality in early 16th-century Venice, celebrated for his idiosyncratic in the busts all’antica, which are distinguished by both artistic flair and technical refinement. [A video of this lot can be viewed on the Timeline Auctions website] Fine condition.
Lot 628
19th century AD. A vellum text comprising circa 100 folios bound between plain wood boards, blind tooled leather spine; handwritten script in black ink in double-column format, key phrases and words highlighted in red; content covers an unidentified collection of homilies relating to Takla Haymanot and Michael, along with miniatures showing Ezra, Raphael, Mercurious, Eustatius and Takla Haymanot; seven consecutive full-page polychrome devotional illuminations at the front; nine consecutive full-page polychrome devotional illuminations at the back. See for iconography Jäger, O., Deininger-Englhart, L., ‘Some notes on illuminations of manuscripts in Ethiopia’in Rassegna di Studi Etiopici, Vol. 17 (1961), pp.45-60; Choinacki, S., Wiesbaden, 1983. 1.7 kg, 25.7cm (10 1/4"). Ex central London gallery; previously in the collection of Sir Alistair McAlpine; accompanied by a collector's catalogue information page. The seven devotional miniatures of the front represent in the order the Saints to which the Homilies are dedicated, among them Saint Mikhail (Saint Michael), Bet Gorgis (Saint George), Takla Haymanot with the donor. The nine consecutive full-page polychrome devotional illuminations at the back continue the series by representing the Holy Trinity surrounded by the four Cherubims, Saint Raphael, Saint Gabriel and the three Holy Children in the fiery furnace, Saint Michael and the heavenly host, again Saint George killing the dragon, Gabra Manfas Qeddus, A saint, Saint Samuel of Waldebba horsing a lion, a pair of saints. Other two pages with miniatures inside the book represent Joshua and the Archangel Michael, and Takla Heymanot. [No Reserve] Text darkened at edges; binding with broken board detached.
Lot 1
Æthelred II (978-1016), Penny, First Hand type, London, Æthelweard, æderd m¯o lvndoni, Southern B style, pellet above hand, 1.51g/9h (Dolley & Talvio 57; SCBI Mack 822, this coin; SCBI Copenhagen 703, same dies; BEH 2200; BMC 190; N 766; S 1144). Neat and round, better than very fine, dark patina £300-£360 --- Provenance: R.P. Mack Collection [from Spink 1928]; bt Spink April 1982
Lot 11
Æthelred II (978-1016), Penny, CRVX type, Totnes, Ælfstan, ælfstan m¯o tota, 1.33g/9h (SCBI Mack 883, this coin; dies not in Brettell; SCBI West Country Museums 474 and DNW 160, 120, same dies; SCBI Copenhagen 1252; BEH 3832; BMC 334; N 770; S 1148). Nearly very fine, dark tone, rare £400-£500 --- Provenance: R.P. Mack Collection [from Seaby August 1956]; bt Spink May 1985
Lot 12
Æthelred II (978-1016), Penny, CRVX type, Worcester, Durand, dvrant m¯o pihra, 1.30g/3h (SCBI Copenhagen 1302; BEH 3968; BMC –; N 770; S 1148). Minor crimping to flan, peckmark on neck, otherwise nearly very fine and toned, rare £300-£360 --- Saleroom Notice Correct Provenance: G.V. Doubleday Collection, Glendining Auction, 6 October 1987, lot 583; bt B.J. Dawson --- Provenance: G.V. Doubleday Collection, Glendining Auction, 6 October 1987, lot 583; bt B.J. Dawson
Lot 1416
GERMANY, Einweihung des Reichstagsgebäudes in Berlin [Inauguration of the Reichstag, Berlin], 1894, a bronze medal by O. Schultz for Loos, conjoined busts of Wilhelm I, Friedrich III and Wilhelm II right, crown above and wreath around, rev. elevation of the Reichstag, 80mm (Müller 4; Slg Marienburg 6994). Extremely fine £100-£150
Lot 18
Æthelred II (978-1016), Penny, Long Cross type, Warwick, Beorhtsige, byrhsige mωo pæri, 1.71g/3h (Ebsworth, BNJ 1965, pl. v, dies 14-O; SCBI Copenhagen 1269, Midland Museums 257-9, Mack 960 [recté Warwick] and Hermitage 923, same dies; BEH 3870; BMC –; N 774; S 1151). Usual flaw behind head and weak on nose, otherwise better than very fine and toned, rare £400-£500 --- Provenance: G.V. Doubleday Collection, Glendining Auction, 6 October 1987, lot 545; bt B.J. Dawson
Lot 2
Æthelred II (978-1016), Penny, Second Hand type, London, Leofstan, leofstan m¯o lvnd, 1.23g/9h (SCBI Mack 844, this coin; SCBI Copenhagen 879; BEH 2718; BMC 207; N 768; S 1146). Lightly peckmarked, otherwise very fine, grey tone with light iridescence £240-£300 --- Provenance: Duke of Argyll Collection; H.A. Parsons Collection, Part II, Glendining Auction, 11-13 May 1954, lot 155 (part); R.P. Mack Collection [from Spink July 1962]; SNC September 1982 (6640)
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175434 item(s)/page