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Dean's Bears and others -4 bears and 1 plush dog. 2 x Dean's bears. 1 x Limited edition "Horace" 1997 membership bear from the Dean's Rag Book Company. The jointed bear is in mohair pile, with stitched nose, suede paws and wears a "Dean's" ribbon. Label to the base of the foot "Dean's Rag Book" and a rear label marked No 1059. Also attached is a swing label/certificate of authority also showing No 1059. Approx 27cm tall. 1 x jointed Dean's bear with stitched nose, suede paws, and wearing a blue ribbon. The bear has a flat label stitched to its foot and a rear Dean's label. This label shows some signs of soiling. Approx 33cm.1 x military bear from the History Bear Collection, wearing a military jacket and hat, with swing tag attached, approx 33cm long. 1 x Royal Air Force bear in jacket and hat, approx 23 cm long. 1 x Spaniel puppy by Real Soft Toys, approx 25 cm tall. Also included in the lot is a Fisher Price music box teaching clock and a quantity of plush animal stuffing. (This does not constitute a guarantee)
Cusco School, Viceregal period, 19th century."Saint Raphael the Archangel".Oil on canvas.No signature.Measurements: 70 x 49 cm; 80 x 60 cm (frame).In the viceregal tradition, the representations of angels and archangels were differentiated between those of the European catholic tradition and the archangels of the colonial mestizo tradition, imaginative fusion of the Inca and catholic religion, inspired by Dutch engravings.Colonial paintings of the so-called "Arcabucero Angels", descendants of the biblical archangels, were for centuries very popular in much of the western side of South America, i.e. the former Peruvian viceroyalty (1542 - 1824). These androgynous angels in the Spanish Baroque style, dressed in 17th century costumes of the Andean aristocracy, were depicted in poses inspired by early 17th century engravings of the Dutch artist Jacob de Gheyn II with large harquebus guns. Paintings depicting these mysterious military angels were created in the second half of the 17th century for missionary purposes in the New World.Popular mestizo devotion during the viceroyalty led to the production of these winged deities from the original cultures. Thus, the so-called arcabuceros, originally from Cuzco, were represented as young men with idealised features, elegantly dressed in the manner of musketeers and carrying weapons in their hands, usually the arquebus, hence their name.Posing from the front, we find Saint Raphael the Archangel holding a sword, a large fish at his feet and wearing a Van Dyck-style collared suit with short sleeves, a long shirt, leggings and high shoes, complete with the characteristic feathered hat.This painting is inspired by the "Arcabucero Angel" in the Museo Pedro de Osma in Lima (Peru), a work belonging to the 17th-century Cuzco School.
Coke's Rifles Frontier Force - Major OEB Macleod - an early 20th Century military hat tin, with notation to top for Major OEB Macleod of Coke's Rifles Frontier Force. Hand painted 'camouflage' tin, with remnants of various labels to all sides. No contents. Supplied with a later but presumed related feather plume. Tin measures approx; 40cm tall.
China - - Joseph Marie Amiot u.a. Mémoires concernant l'Histoire, les Sciences, les Arts, les Moeurs, les Usages, &c. Des Chinois. Par les Missionnaires de Pekin. 15 Bde. Mit insgesamt 190 tls. gefalt. Tafeln und 3 Frontispizes. Paris, chez Nyon, 1776-1791. 4°. Marmoriertes HLdr. im Stil der Zeit mit reicher RVergoldung und montierten goldgeprägten RSchildern, gesprenkelter Schnitt (Einbände tls. leicht berieben und wurmstichig). Erste Ausgabe dieses monumentalen und wichtigen Werks über China. - Chadenat, 375. - Cordier, B. s. I, 37. - Boucher de La Richarderie, V, 284. - Mit Exlibris des Comte de Larodde. - Die prachtvolle Reihe Memoires concernat les Chinois war eine wichtige Quelle für die europäische Wahrnehmung des chinesischen Weltreiches, seiner Kultur, Wissenschaft, Religion, Gebräuche und Landeskunde (u.a. Musik, Essen, Astronomie, Botanik, Tael-Währung, Pferde, das Leben des Konfuzius, Leben am Hof und im Land, sowie zahlreiche weitere landeskundliche Informationen). Es bildete eine wichtige Grundlage der französischen Sinologie. Die Bände versammeln wichtige Berichte französischer und chinesischer Missionare in Peking. Zu den Missionaren, die zu diesem Werk beigetragen haben, gehören Amiot, Cibot, Bourgeois, Poirot, Ko und Yang. Das Werk gilt zweifellos als das beste Werk, das die Jesuiten über China veröffentlichten. Mit einer mandschu-tartarischen Grammatik, Porträts berühmter chinesischer Persönlichkeiten etc. Bd. 9 enthält eine Parallelübersetzung Französisch-Italienisch von Poirot von Briefen, die der Kangxi-Kaiser (1654-1722) an seine Söhne in Tartar geschrieben hat. Band VII ist ein Nachdruck von Amiot's Art militaire des Chinois (Paris, 1772), der als die erste Übersetzung der alten chinesischen Militärstrategie in eine europäische Sprache gilt. Bis 1814 erschienen noch zwei Nachträge, die u.a. chinesische Chronologie behandelten. - Bd. 1 mit fehlerhafter Paginierung am Ende. Bd. 3 mit tlw. restauriertem Titel. Bd. 9 mit einigen wasserrandigen Bll. - Insgesamt eindrucksvolle und wohlerhaltene Ausgabe in attraktiven Einbänden. First edition of this monumental and important work on China. 15 vols. Marbled half calf in the style of the time, richly gilt and mounted gilt labels, speckled edges (bindings partly slightly rubbed and minimally worm-holed). - With bookplate of the Comte de Larodde. - The magnificent series Memoires concernat les Chinois was an important source for the European perception of the Chinese world empire, its culture, science, religion, customs and regional studies (including music, food, astronomy, botany, tael currency, horses, the life of Confucius, life at court and in the country, as well as numerous other regional studies). It formed an important foundation of French sinology. The volumes bring together important accounts of French and Chinese missionaries in Beijing. Among the missionaries who contributed to this work are Amiot, Cibot, Bourgeois, Poirot, Ko and Yang. The work is undoubtedly considered the best work published by the Jesuits on China. Includes a Manchu-Tartar grammar, portraits of famous Chinese personalities, etc. Vol. 9 contains a parallel French-Italian translation by Poirot of letters written by the Kangxi Emperor (1654-1722) to his sons in Tartary. Volume VII is a reprint of Amiot's Art militaire des Chinois (Paris, 1772), considered the first translation of ancient Chinese military strategy into a European language Until 1814, two more supplements were published, dealing with Chinese chronology, among other things. - Vol. 1 with incorrect pagination at the end. Vol. 3 with partly restored title. Vol. 9 with some waterstained leaves. - Overall impressive and well preserved edition in attractive bindings.
A late 19th or early 20th century child's 'Napoleon' dressing up outfit with a peaked hat by L & H Nathan of 17th Coventry Stree, London, tail jacket with military lapels and a pair of breaches; together with a ladies bonnet by Nathan; a child's grass skirt intertwined with shells; a Victorian outfit with lined material embroidered with coloured floral sprays consisting of a skirt, underskirt and jacket with lace trim; a further early to mid 20th century dress with blue flowers; and with a grey top hat by Lock & Co Hatters of St James's Street, London, the hat almost certainly having belonged to The Hon. Ewen Montagu of Operation Mincemeat fameThe Napoleon outfit with stains and marks particularly to the lining, some repaired holes and further moth holes to the breaches. The hat with minor marks and losses particularly to the leather liner at the back, otherwise good condition. The Victorian dress with stains and marks. The early 20th century dress with stains and marks, some loose threaded joints etc. The ladies bonnet in need of some repair and the top hat with minor marks otherwise good condition.
HERBERT JOHNSON CRASH HELMET SUPPLIED BY PATEY (LONDON) LTD. Herbert Johnson were one of the preferred purveyors of bash-hats to racing’s elite up to the early-mid 1960’s era. The company, founded in 1889, made its name for its silk-velvet top-hats. By the outbreak of World War 1 its output was dominated by the demands of the military. Goldie Gardner was the first racer to commission a ‘protective hat’ from then proprietor, Geoffrey Glazier. Stirling Moss was a later customer as demand for the firm’s race products grew. This restored Herbert Johnson crash helmet was purchased in 2008 from renowned supplier Patey (London) Ltd. The helmet is constructed of shellac with cotton webbing and leather/suede side straps. Presented a bespoke carrying case with previous bill of sale, this is a fine piece of racing memorabilia.
A RARE ALBUM OF TWELVE BODHI LEAF PAINTINGS, 19TH CENTURY 十九世紀菩提葉彩繪人物圖冊頁十二幅China. Each bodhi leaf skillfully hand-painted with exceptional detail depicting individual portraits of Qing court members, including a royal couple, each seated on a dragon throne, dressed in opulent robes decorated with a dragon emblem, and holding a ruyi scepter. Another bodhi leaf with an imperial bodyguard wearing a hat with peacock feather, holding arrows in his left and a bow in his right.Provenance: From the collection of Dr. S.R.S. Laing, Hampshire, United Kingdom. A copy of an original letter from Christie, Manson and Woods Ltd., dated 19 November 1976, addressed to Dr. S.R.S. Laing, dating the present lot to the 19th century, and signed by hand with 'Christie, Manson + Woods', accompanies this lot. In this letter, Christie's thanks the potential consignor for sending in his album (the present lot) and offers to put it up for auction. Condition: Very good condition with some old wear, the dried Bodhi leaves with very minor age-related losses and tears, the paper with foxing, the pages loosened. The fabric on the album cover with minor old wear, soiling and loose threads.Dimensions: Size 24.3 x 17.5 cmFurther depictions include a diplomat dressed in blue robes and an official's hat, a military official in armor, noble ladies, and courtiers. Mounted within a silk cover decorated with bands of wan symbols within hexagons. (2)The bodhi tree, also known as the ficus religiosa, is one of the most sacred trees in Buddhism. Special religious significance is given to this form of leaf painting because the Historical Buddha Shakyamuni (circa 563-483 B.C.E.), also known as Siddhartha Gautama, obtained enlightenment under the bodhi tree at Bodhgaya in India. Many temples throughout China planted Ficus religiosa, a tree known for its great size and longevity, and a tradition of leaf art emerged for copying sutras or painting Buddhist images.Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 29 May 2019, lot 2702Price: HKD 250,000 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: An Album of Bodhi Leaf Paintings, 18TH-19TH century Expert remark: Compare the exceptional quality of the bodhi leaves. Note that the paintings depict Buddhist motifs.十九世紀菩提葉彩繪人物圖冊頁十二幅中國。此畫冊以菩提樹葉為繪製素材媒介,設色描繪清朝官員、將軍及宮婦肖像。 來源:英國漢普郡Dr. S.R.S. Laing收藏。隨附1976年11月19日佳士得、Manson和Woods公司寫給Dr. S.R.S. Laing的信,上面注明此冊頁來自十九世紀。在信中,佳士得還感謝Dr. S.R.S. Laing把冊頁寄給他們,並提出將其拍賣。 品相:品相良好,有一些磨損,乾燥的菩提葉有非常輕微的老化損失和撕裂,紙張有褐變,頁面鬆散。專輯封面上的面料有輕微的舊磨損、髒污和鬆線。 尺寸:24.3 x 17.5厘米菩提樹是原生於印度的一種大葉棕櫚科樹木,2500年前因釋迦摩尼在菩提樹下證道,故被視為智慧之樹,在佛教中被稱為聖樹。菩提葉呈心形,葉脈紋理精美,是“大徹大悟”的象徵。古印度每個寺院都種有菩提,落下的葉子被僧侶視為聖物,在造紙技術還未普及前,印度僧人將其與貝葉樹的葉子一起,製成梵夾(即用貝葉重疊,以板木夾兩端,用繩串結)用於寫經,後世將菩提樹和貝葉樹葉子所書寫和繪製的佛教經籍和圖像統稱為“貝葉經、貝葉畫”。拍賣結果比較: 形制:相近 拍賣:香港佳士得,2019年5月29日,lot 2702 價格:HKD 250,000(相當於今日EUR 32,500) 描述:十八至十九世紀貝多羅葉羅漢冊 專家評論:比較菩提樹葉的特殊品質。請注意此畫冊描繪的是佛教圖案。
Early 20th century Velvet Court Dress, consisting of black velvet frock coat and waistcoat with steel buttons, black velvet breeches with steel buttons and buckles, black patent leather shoes with steel buckles, cocked hat with loop and button in steel, Court Sword with steel hilt, held in leather scabbard, all held in a black jappaned uniform trunk with a brass plaque to the top engraved 'The Hon. G. Waldegrave' (the breeches also have a tailors label attached marked 'Waldegrave Hon. G. 5/6/02', this type of court dress was worn by all men not entitled to wear a court uniform or Military uniform on occasions of state and is still worn by High Sherrifs of counties and most notably by Black Rod in the House of Commons, a letter, dated 1999 is also in the trunk and is apparently from a High Sherrif who had borrowed the court dress for an event
Various military collectibles to include an army camouflage hard hat, green ear defenders, a bronze sculpture of a plane, raised on aerial bomb column, gun belt, various cloth badges to include 'SAS' examples, shoulder straps for 'Queen's Lancashire', 'CCF', etc, an officer's Army cap, an artilleries projectile and a spent cartridge with bullet.
Cumann na mBan: [Dublin] A collection to include a War of Independence Medal with Celtic design suspension bar and black and amber ribbon in original presentation box; together with a metal 'Cumann na mBan Brooch modelled as a rifle with letters / initials; also a Ladies Army issue Military Hat with gilded 'Oglaigh na hEireann Badge, as a lot, w.a.f. * Recipient Unknown. (3)
Victorian Royal Navy Officers Cocked Hat, of black beaver skin body with bullion twist wire and black rosette with gilt Victorian crowned naval button. Bullion decoration to each end of the cap. Brown leather sweatband and white satin cloth lining with gilt tooled retailers details. Cap shows heavy service wear. Accompanied by a South American? Military cocked hat with brocade decoration and gilt metal button; Austrian Military officers cap with knotted front cockade and metal edelweiss insignia to the side; French Artillery officers kepi in worn condition; British Hussars busby scarlet cloth bag; British white over red feather plume in a metal storage case; Prince of Wales Own Leinster regiment officers swagger stick plus other items. (Quantity)
Mid 12th-13th century A.D. A well-balanced iron long sword of Oakeshott Type Xa-XI with double-edged blade, gently tapering profile with round point, fitted with well-formed fullers running down to within a few centimetres from the point, cutting edges with evidence of use; parallel-sided straight lower guard (cross style 1a), expanding in the écusson to accommodate the medium tang, cocked-hat pommel of type C or D. Cf. Oakeshott, E., The sword in the Age of the Chivalry,Woodbridge, 1964(1994); Oakeshott, E., Records of the Medieval Sword, Woodbridge, 1991; the sword finds good parallel with a sword preserved in Museum fur Deutsche Geschichte, Berlin (Oakeshott, 1991, p.48) fitted with a same style pommel. 1.2 kg, 93 cm (36 1/2 in.). Acquired 1971-1972. From the collection of the vendor's father. Property of a London, UK, collector. Accompanied by an academic report by military specialist Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 114443-196036. The sword belongs to Oakeshott Type XI of “war sword” or more probably to a transitory type between type Xa and type XI. Type XI has generally been held to belong to the period of c. 1120-1200/1220, but since 1964, research has given it a much earlier dating, going back to Anglo-Saxon times (Oakeshott, 1964/1994, p.32). A beautiful sword of this type was found in a Suffolk ditch at Fornham, on the site of a battle fought in 1173 A.D. between Henry II and the Earl of Leicester.
A 19th Century Napoleonic interest decorative bronze bust depicting Emperor Napoleon Bonaparte I. Depicts the French Naval Military leader in typical hat and stern expression. The bust signed JV Chemin. Raised on a black and white veined marble circular plinth. Measures approx; 38cm x 18cm x 16cm.
Alexej von Jawlensky (1867 Moskau - 1941 Wiesbaden)'Meditation', Öl auf leinenstrukturiertem Papier auf Karton montiert, 17,5 cm x 12,5 cm, Unterlagekarton 30,5 cm x 25 cm, monogrammiert, 36 datiert, verso auf dem Unterlagekarton A. Jawlensky bezeichnet, IX. 1936 datiert, N. 20 nummeriert, I.A bezeichnet, in den Ecken Stecknadellöcher, Kante unten rechts mit minimalem Papierabriss (durch das Stecknadelloch), Unterlagekarton mit Montierungsrückständen. Das Gemälde wurde im Oktober 2022 dem Alexej von Jawlensky-Archiv S.A. vorgelegt, Bestätigung der Aufnahme in das Werkverzeichnis folgt.Der deutsch-russische Maler Alexej von Jawlensky absolvierte zunächst die Militärakademie in Moskau und studierte anschließend an der St. Petersburger Kunstakademie und mit Künstlerkollegen, wie Wassily Kandinsky, in München. Er war Gründungsmitglied der Neuen Künstlervereinigung München und stand somit der weltbekannten Künstlergruppe "Blauer Reiter" nahe. Seine Farbpalette besteht aus leuchtenden Farben und markantem Pinselduktus mit dunklen Umrisslinien, die stets dem figurativen verhaftet blieben. Doch bewegte er sich mit den Jahren durch seine Arbeiten zu den Zügen des menschlichen Gesichts hin zur Abstraktion. Zur Werkreihe "Meditation" gehört unser vorliegendes Werk von 1936 ebenso, wie jenes Gesicht auf Goldgrund im Museum Lenbachhaus München. Seit 1929 litt Alexej Jawlensky an Arthritis, die ihn während seiner letzten Werkphasen in eine fast vollständige Lähmung zwang, die Malerei ganz aufzugeben. "So gingen die Jahre in großer Arbeit. Und dann wurde ich krank und konnte wohl weiter arbeiten, trotzdem meine Hände immer mehr und mehr steif wurden. Ich konnte den Pinsel nicht mehr in einer Hand halten, musste beide Hände dazu nehmen, immer mit großen Schmerzen. Mein Format wurde ganz klein, auch musste ich eine neue Technik finden. Drei Jahre malte ich diese kleinen abstrakten Köpfe wie ein Besessener. Da fühlte ich, dass ich bald ganz aufhören musste zu arbeiten. Und so kam es auch!" Der Kunsthistoriker Armin Zweite hat sich mit den drei Arbeitsjahren des Künstlers zwischen 1934 - 1937 beschäftigt und die Variationen von über Hunderten von Arbeiten des Künstlers analysiert. Das Kopfmotiv zeigt "[.] schwere Balken in tiefem Schwarz das griechische Kreuz, das auf der waagrechten Markierung des Mundes ruht und oben durch die stirnbegrenzenden Brauen überfangen wird. Aufgrund der parallelen Pinselspuren gewinnen die dazwischen liegenden Flächen eine eigene Struktur. [.] An der Nasenwurzel leuchtet das zum Abschluss aufgetragene Weisheitszeichen in hellem Ton und unterstreicht den religiös-meditativen Charakter der Bilder zusätzlich." Dieser Charakter wirkt auch in unserem Werk wie der einer Ikone. Das malerische Antlitz wird hier in blau, rot, grün und gelblichen Tönen in Farbfelder aufgeteilt und wirkt trotz der starken Abstraktion äußert emotional und tiefgründig. Selbst wenn dieses betrübt gefasste Gesicht nicht auf Goldgrund gesetzt wurde, ist es doch von starker Spiritualität durchzogen. Literatur: Friedel, Helmut; Hoberg, Annegret: Der Blaue Reiter im Lenbachhaus München, Prestel Verlag, 2007Alexei von Jawlensky (1867 Moscow - 1941 Wiesbaden)'Meditation', oil on linen-texturedpaper mounted on cardboard, 17.5 cm x 12.5 cm, backing board (dimensions) 30.5 cm x 25 cm, monogrammed, dated 36, inscribed on verso of backing board A. Jawlensky, dated IX. 1936, numbered N. 20, inscribed I.A, pinholes in corners, edge lower right with minimal paper tear (through pinhole), backing board with mounting residues. The painting was submitted to the Alexej von Jawlensky Archive S.A. in October 2022, confirmation of inclusion in the catalogue raisonné follows.The German-Russian painter Alexej von Jawlensky first graduated from the military academy in Moscow and then studied at the St. Petersburg Art Academy and with fellow artists, such as Wassily Kandinsky, in Munich. He was a founding member of the Neue Künstlervereinigung München and was thus close to the world-famous ''Blauer Reiter'' group of artists. His colour palette consists of bright colours and a striking brushstroke with dark outlines that always remained figurative. However, over the years he moved towards abstraction through his works on the features of the human face. Our present work from 1936 belongs to the ''Meditation'' series, as does the face on a gold background in the Lenbachhaus Museum in Munich. Since 1929, Alexei Jawlensky had suffered from arthritis, which forced him into almost complete paralysis during his last phases of work, forcing him to give up painting altogether. ''So the years went by in great work. And then I fell ill and I suppose I could go on working, even so my hands became more and more stiff. I could no longer hold the brush in one hand, I had to use both hands, always with great pain. My format became very small, and I also had to find a new technique. For three years I painted these little abstract heads like a man possessed. Then I felt that soon I would have to stop working altogether. And so it came to pass!'' Art historian Armin Zweite has studied the artist's three working years between 1934 - 1937 and analysed the variations of over hundreds of the artist's works. The head motif shows ''[...] heavy bars in deep black the Greek cross resting on the horizontal marking of the mouth and overlaid above by the brows bordering the forehead. Due to the parallel brushstrokes, the intervening areas gain a structure of their own. [.] At the root of the nose, the wisdom sign applied at the end shines in a light tone and further underlines the religious-meditative character of the paintings.'' This character also appears in our work like that of an icon. Here, the painterly countenance is divided into colour fields in blue, red, green and yellowish tones and, despite the strong abstraction, appears extremely emotional and profound. Even if this sorrowful face was not set on a gold ground, it is still permeated by a strong spirituality. Literature: Friedel, Helmut; Hoberg, Annegret: Der Blaue Reiter im Lenbachhaus Munich, Prestel Verlag, 2007
A quantity of Militaria, including a French Commando's Marine Hat Badge, marked on the reverse A.B. Paris, M. Chauvet 1943', a quantity of British Royal Marines uniform badges and pins, an American military issue hat, Shell case from the Falklands conflict, 1980's survival knife in leather scabbard etc., (a lot)
Military Interest: Items relating to Lt Col W E Harrison and Major W B Harrison: 1. British Officers General Service cap with George V Royal Engineers cap badge 2. Hawkes & Co Ltd Savile Row W silver braid peak cap 3. Peal & Co 487 Oxford Street London leather spurs case with spurs therein. 4. Bicorn silk hat, with feather plume, in toleware case, with “Cart W B Harrison” inscribed on lid, 46cm wide 5. Pair epaulettes, in tole tin, 24cm wide 6. Large dress toleware tin trunk the lid painted “ Lt Col W E Harrison, R.E (T) North Midland Divn RE” 109cm wide 7. Two pigskin cased “The Gannochy rapid load cartridge case”, one with embossed initials W H H. 26.5cm wide 8. Another tin trunk with brass plaque inscribe “Captn W B Harrison” 9. A leather pistol holster 10. A leather sword case, chamois lined, containing only a scabbard 11. A military “Cushy” pad, miscellaneous leather straps/belts, pair khaki cloth panels, a damaged Japanese wakizashi sword a.f, a small cow horn trumpet. 12. A pair of Barr & Stroud x15 binoculars in leather case, and a spare smaller empty binocular case 13. A Grenadiers Mess Dress scarlet outfit ( jacket and trousers) 14. A Ceremonial Parade Scarlet tunic, and an overcoat/cloak, white kidskin gloves, and two belts 15. A dinner jacket and trousers OBJECT LOCATION: THE OFFICE
A Early British Military Tricorne Hat of Late 18th Century Style, very interesting untouched black felt tricorn pattern hat with gold wire braid to the edges. The interior with a cloth lining which has remains of a Sheffield paper label. To the underside rear of the headdress is a relic small Georgian crowned button. The headdress shows considerable age and wear, with some areas of damage to the felt.
A small quantity of military equipment, insignia, etc, including 3 pairs of nickel spurs with straps; pair of iron spurs dated 1915; 3 ball tops for Royal Marines helmets; 5 bullion shoulder cords; pair Merchant Navy shoulder boards and slip on epaulettes; feather plume for Australian slouch hat; a few bullion arm badges; over 60 reproduction Victorian GS buttons on cards, etc. Generally GC £40-50
Palitoy, Action Man - A collection of approximately 36 Action Man hats and helmets. Lot includes Fireman's Helmet; German Stormtrooper helmet, Military policeman Red Cap (with red armband); Red Devil helmet, Commando hat' British Infantryman helmet and similar. Items show age and play related wear ranging Fair - Good overall and are unchecked for completeness. (This does not constitute a guarantee)
SIX CAPODIMONTE BRUNO MERLI FIGURES OF SOLDIERS IN HISTORICAL COSTUME OF 1798-1844 AND A GOEBEL MILITARY FIGURE, soldiers modelled as standing with metal swords at their sides and on gilt bases moulded with royal crests, heights approximately 30cm to 32.5cm, together with a Goebel Bochmann figure of a French woman in military style coat, marked LF12 to base, height 20cm (7) (Condition report: generally good condition, 1815 in blue and red coat has a glued repaired finger, the 1833 figure has a re-painted restored? area to base, all six have some re-painting and/or paint loss to the swords, Goebel figure has paint spatters, is missing part of her hat and has a reglued stopper in beer barrel)
WW1 Fantastic Royal Engineer (Officer) Green Military Hat Made by Bates of London. A Fantastic Piece of Memorabilia. A Must Have. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A BOX OF ASSORTED JEWELLERY ITEMS, to include imitation pearls, two yellow metal articulated bracelets, a boxed yellow metal collar necklace with openwork square pendant unmarked, brooches, a 'Basis' watch ring, two watch heads, a boxed 'Westclox' travel clock, a boxed 'Boyzone' wristwatch, military hat pins, two small metal tins depicting members of the Royal family, a boxed set of six 'Taylors' tea knives each fitted with an ivorine handle etc
A BOX CONTAINING SEVERAL ITEMS OF MILITARY INTEREST, as follows, a metal hat box for fitting a Bicorne style Military Hat, nice condition with a nameplate fitted to front W.J.H? Ewwen? bottom clasp locking plate, Type P8 liquid filled Flying Compass, two x Pioneer Flying instruments, (clocks), a copy of Reeds Nautical Almanac 1975, two small shell cases and a tin containing a red shoulder flash for the Pioneer Corps and what appears to be an exploded bullet
A BOX OF MILITARY ITEMS WITH IRISH/UDR INTEREST, as follows, large camo painted metal Ammo box, British 80s period Army Kevlar? helmet with attached Riot see through face protector, complete with Camo cover etc, Army style green 'shemagh' RAF Beanie hat, black scarf, a 14th Btn Royal Irish Regiment bullion blazer badge, framed, a 11th (Craigavon Btn) UDR Wall plaque, a further 11th Btn wall plaque and three small arm patches, crossed rifles and 11 UDR
China - - Joseph Marie Amiot u.a.. Mémoires concernant l'Histoire, les Sciences, les Arts, les Moeurs, les Usages, &c. Des Chinois. Par les Missionnaires de Pekin. Mit insgesamt 190 tls. gefalt. Tafeln und 3 Frontispizen. A Paris, Chez Nyon, 1776-1791. 15 Bde. d. Reihe. 4°. Marmoriertes HLdr. im Stil der Zeit mit reicher RVergoldung und montierten goldgeprägten RSchildern, gesprenkelter Schnitt (Einbände tls. leicht berieben und wurmstichig). Erste Ausgabe dieses monumentalen und wichtigen Werks über China. - Mit Exlibris des Comte de Larodde. - Chadenat, 375 - Cordier, B. s. I, 37 - Boucher de La Richarderie, V, 284. - Die prachtvolle Reihe Memoires concernat les Chinois war eine wichtige Quelle für die europäische Wahrnehmung des chinesischen Weltreiches, seiner Kultur, Wissenschaft, Religion, Gebräuche und Landeskunde (u.a. Musik, Essen, Astronomie, Botanik, Tael-Währung, Pferde, das Leben des Konfuzius, Leben am Hof und im Land, sowie zahlreiche weitere landeskundliche Informationen). Es bildete eine wichtige Grundlage der französischen Sinologie. Die Bände versammeln wichtige Berichte französischer und chinesischer Missionare in Peking. Zu den Missionaren, die zu diesem Werk beigetragen haben, gehören Amiot, Cibot, Bourgeois, Poirot, Ko und Yang. Das Werk gilt zweifellos als das beste Werk, das die Jesuiten über China veröffentlichten. Mit einer mandschu-tartarischen Grammatik, Porträts berühmter chinesischer Persönlichkeiten etc. Bd. 9 enthält eine Parallelübersetzung Französisch-Italienisch von Poirot von Briefen, die der Kangxi-Kaiser (1654-1722) an seine Söhne in Tartar geschrieben hat. Band VII ist ein Nachdruck von Amiot's Art militaire des Chinois (Paris, 1772), der als die erste Übersetzung der alten chinesischen Militärstrategie in eine europäische Sprache gilt. Bis 1814 erschienen noch zwei Nachträge, die u.a. chinesische Chronologie behandelten. - Bd. 1 mit fehlerhafter Paginierung am Ende. Bd. 3 mit tlw. restauriertem Titel. Bd. 9 mit einigen wasserrandigen Bll. - Insgesamt eindrucksvolle und wohlerhaltene Ausgabe in attraktiven Einbänden. 15 vols. of the series. 4°. Marbled half calf in the style of the time, richly gilt and mounted gilt labels, speckled edges. (Bindings partly slightly rubbed and minimally worm-holed). First edition of this monumental and important work on China. - With bookplate of the Comte de Larodde. The magnificent series Memoires concernat les Chinois was an important source for the European perception of the Chinese world empire, its culture, science, religion, customs and regional studies (including music, food, astronomy, botany, tael currency, horses, the life of Confucius, life at court and in the country, as well as numerous other regional studies). It formed an important foundation of French sinology. The volumes bring together important accounts of French and Chinese missionaries in Beijing. Among the missionaries who contributed to this work are Amiot, Cibot, Bourgeois, Poirot, Ko and Yang. The work is undoubtedly considered the best work published by the Jesuits on China. Includes a Manchu-Tartar grammar, portraits of famous Chinese personalities, etc. Vol. 9 contains a parallel French-Italian translation by Poirot of letters written by the Kangxi Emperor (1654-1722) to his sons in Tartary. Volume VII is a reprint of Amiot's Art militaire des Chinois (Paris, 1772), considered the first translation of ancient Chinese military strategy into a European language Until 1814, two more supplements were published, dealing with Chinese chronology, among other things. - Vol. 1 with incorrect pagination at the end. Vol. 3 with partly restored title. Vol. 9 with some waterstained leaves. - Overall impressive and well preserved edition in attractive bindings.
3 British Eebee Toys die cast motorcycle toys. Ice cream seller, dressed in white coat and hat with black trousers and bag, riding his bike with ice cream fridge to the front in cream with red lid. A Police motorcycle with sidecar, the rider is detachable, and the passenger is fixed, red motorcycle and sidecar with spoked metal wheels. Also a military motorcycle with side car, detachable rider with fixed sidecar passenger, Motorcycle and sidecar finished in military green, with metal spoked wheels, has the remains of a windup mechanism in the sidecar. conditions are G. £40 - £60
A 19th century Naval collection belonging to Paymaster In Chief Edwin Rose Maill R.N. Comprising, Medals in oval framed and glazed display, Indian General Service Medal with Pegu clasp, Crimea Medal with Sabastapol clasp and Turkish Crimea Medal (Sardina issue) complete with minatures, Bicorne Naval Hat with original metal case, Pair of Gold Naval Epaulettes in fitted metal case, British Naval Officers Sword 1827 pattern with leather and brass scabbard (af), scabbard marked Seagrove & Son, Naval & Military Outfitters 21/23 Hard Portsmouth and a Silver Cream Jug marked London 1798 inscribed E R Maill from Mattie Starcke

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