We found 256 price guide item(s) matching your search

Mauboussin signed ring in white gold (18 carat) with a central 1 carat brilliant cut diamond surrounded by ca 0,15 carat small high quality brilliant cut diamonds - with its box with a IGI certificate for the one carat stone and a certificate of Mauboussin||MAUBOUSSIN ring met een karakteristiek design met bloemvormig sierstuk in witgoud (18 karaat) centraal bezet met een witte (H) kwaliteitsbriljant (Si2) van 1 karaat omringd door ca 0,15 karaat witte (G/H) kwaliteitsbriljant (Si) - met originele doos met certificaat van IGI voor de karater en certificaat van Mauboussin (winkelprijs in 2019 : 13775 euro) getekend

Mauboussin marked ring in white gold (18 carat) with ca 0,40 carat of brilliant cut diamonds - with its box and certificate||MAUBOUSSIN zgn alliance à l'américaine met ring in witgoud (18 karaat) rondom bezet met ca 0,40 karaat witte (F/G/H) briljant (Si) - met doos getekend en met certificaat winkelprijs in 2014 : 1995 euro

Mauboussin marked ring in white gold (18 carat) with a topaz surrounded by brilliant cut diamonds - with box and certificate||MAUBOUSSIN ring met entouragemodel, genaamd "Vraiment de Toi", in witgoud (18 karaat) centraal bezet met een lichtblauwe aquamarijn, omringd door kwaliteitsbriljant - met doos getekend en met certificaat winkelprijs dd 2014 : 2835 euro

pair of Mauboussin marked earrings in white gold (18 carat) - with their box||MAUBOUSSIN paar oorbellen met zgn creools model, genaamd "Le Premier Jour", met drie banden in witgoud (18 karaat) - gewicht : 10,3 gram - met originele doos getekend winkelprijs dd 2014 : 2100 euro

matching Mauboussin marked ring in white gold (18 carat) - with its box and certificate||MAUBOUSSIN bijhorende ring met vier banden - model "Le Premier Jour" - in witgoud (18 karaat) - gewicht : 5,7 gram - met originele doos getekend en met certificaat winkelprijs dd 2014 : 995 euro

MAUBOUSSIN, AN AMETHYST AND DIAMOND MES COULEURS A TOI RING in 18ct white gold, set with a round cut amethyst of 12.95 carats accented by round brilliant cut diamonds, signed Mauboussin and numbered, stamped 750, size N1/2 / 7, 11.3g. 

MAUBOUSSIN: DIAMOND AND GEM-SET NECKLACE AND BRACELET SUITE, CIRCA 1965Of fancy-linking, set with a graduation of quatrefoil clusters composed of circular-cut emeralds, rubies and sapphires, accented by single-cut diamonds, on a backchain set with similarly-cut diamonds and circular-cut sapphire clusters, the bracelet similarly-set throughout with brilliant-cut diamond accents, signed Mauboussin Paris, necklace numbered 15701, bracelet numbered 15391, maker's marks for Heissler, French assay marks, lengths: necklace 41.0cm, bracelet 18.5cm (2)For further information on this lot please visit Bonhams.com

MAUBOUSSIN: ART DECO ROCK CRYSTAL, DIAMOND AND ENAMEL BROOCH, CIRCA 1925Of geometric design, the openwork plaque set with old cushion-shaped and rose-cut diamonds, carved rock crystal corners, accented with black enamel, diamonds approximately 1.95 carats total, signed Mauboussin, maker's mark, numbered 025327, French assay mark, length 4.5cm, maker's caseFor further information on this lot please visit Bonhams.com

Mauboussin, a gold ginkgo leaf brooch, in textured and plain yellow gold, signed, with French control marks and maker's lozenge, length 8.5cm

A late 20th century French 18ct white gold round cut emerald, sapphire and graduated baguette cut diamond cluster set 'Yin-Yang' dress ring, by Mauboussin, Paris, signed and numbered 6268, size D, the shank with two sizing spheres, gross weight 13.2 grams.***CONDITION REPORT***Four of the emeralds have small chips and two others have a surface scratch. Some minor chips to the facet edges of a few of the sapphires. Overall condition is otherwise good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A French Mauboussin Paris platinum and diamond cluster ring. The ring set with a  central round brilliant cut diamond 6.1 x 6 x 3.4mm framed by eight further round brilliant cut diamonds. Estimated total diamond weight approx 1.37 Ct. Size L. Weight 4.68g

A LADY'S 18K, DIAMOND-SET AND MOTHER-OF-PEARL WRISTWATCH, BY MAUBOUSSIN, of quartz movement, circular greyish-blue dial within a mother-of-pearl frame with Roman numerals for 12, 3 and 9, magnified date aperture at 6, the bezel pavé-set with brilliant-cut diamonds, four screws on back, dial, case, buckle and bracelet signed, with rose satin strap, with maker's mark for Mauboussin, Swiss assay mark, European convention mark for 750, case no. 255W, ref. no. R.64680  case 25mm, length 20.5cmCondition Report: Glass: no scratches observedDiamonds: bright and livelyCase: normal signs of wearBracelet: normal signs of wearNo box - no papersIn running condition at the time of inspectionNormal signs of wear, overall in good conditionTotal gross weight approx. 38.40g

18K. White gold Mauboussin earrings set with approx. 0.16 ct. diamond and approx. 0.12 ct. natural sapphire. Hallmarks: AU750,. Serial number: CW2648. Maker's mark: Mauboussin, Paris, 20 Place Vendôme, France, since 1827. Set with 2 brilliant cut diamonds of approx. 0.16 ct. in total (VS1/E-F) and 24 faceted natural sapphires of approx. 0.12 ct. in total (Ø approx. 0, 8mm). In very good condition, poussettes are not original. LxW: 0.7 x 0.7 cm. Weight: 1.78 grams.

A PAIR OF DIAMOND EARRINGS, BY MAUBOUSSIN, CIRCA 1970Each textured gold hoop with brilliant-cut diamond highlights, mounted in 18K gold and platinum, signed Mauboussin Paris, numbered, with maker's marks for 'VF' for Verger Frères, French assay marks, length 3cmCondition Report: Diamonds: unable to assess colour due to yellow mount, estimated clarity VSBoth signed Mauboussin ParisWith eagle's head for French 18K gold and dog's head for French platinumNormal signs of wear, overall in good conditionFor pierced earsTotal gross weight approx. 20.9g

A RUBY AND DIAMOND BRACELET, BY VAN CLEEF & ARPELS, CIRCA 1960Of openwork design centring a line of circular-cut rubies and brilliant-cut diamonds within foliate and ropetwist detailing, mounted in 18K, signed VCA, numbered, with maker's mark 'AV' for André Vassort, French export marks, length 18cmAndré Vassort set up his workshop at 34 Rue Sainte Anne, Atelier Vassort. He registered his business and maker’s mark in December 1955.  He quickly became one of the most recognised and famous craftsmen of high-quality French jewellery in the mid-20th Century.  World renowned jewellery houses such as Van Cleef & Arpels, Boucheron and Mauboussin, trusted him not only with creating their own fine jewels but also gave him special commissions for their clients.  Frequently these clients would include Royalty of both the East and West as well as legends of Hollywood.  One of his most famous creations is the spectacular emerald, ruby, pearl and diamond crown made on behalf of Van Cleef & Arpels for the coronation of Empress Farah of Iran.Condition Report: Rubies: of pinkish-red hue, medium tone, good saturation, good transparency, overall well matched in colourDiamonds: Bright and livelySignature 'VCA' located on the reverse of the tongue - numbered - very difficult to identify the numbers, possibly: 2V116-1 ?? and marked 'Made in France'French export marks: located on the front of the clasp - Mercury head for French made, exportedNormal signs of wear, overall in good conditionTotal gross weight approx. 66.30g

TRABERT & HOEFFER-MAUBOUSSIN: DIAMOND DRESS RING, MID-20TH CENTURYPavé-set throughout with brilliant-cut diamonds, signed T&HM, diamonds approximately 0.75 carat total, ring size MFor further information on this lot please visit Bonhams.com

A French gem-set combination necklace, circa 1970, the triple strand of polished ruby beads and cultured pearls leading to a detachable frontispiece, set with a pear-shaped turquoise cabochon within a tiered wraparound surround set with brilliant-cut diamonds, the clasp further set with a turquoise bead, French assay marks, maker’s mark ‘Sté E’, total diamond weight approximately 3.25 carats, length 45cm, frontispiece length 32mm. £1,200-£1,500 --- The lozenge-shaped maker’s mark, ‘Sté E’ featuring a snowflake between, is seen on jewellery retailed by both Van Cleef & Arpels and Mauboussin amongst others.

A GENTLEMAN'S SIZE 18K SOLID WHITE GOLD MAUBOUSSIN BRACELET WATCHCIRCA 1990s, REF. R. 11863 WITH PARTIALLY SKELETONISED DIAL Movement: Manual wind.Case: Diameter approx. 34mm, exhibition case back, signed Mauboussin, numbered, 18k hallmarks.Bracelet: Original Mauboussin 18k solid white gold bracelet.CONDITION REPORTDial: Original dial in excellent condition.Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed.Case: In excellent condition.Strap/Bracelet: In excellent condition.

Große prächtige Brosche in Form eines Schmetterlings, sogenannter „Butterfly Clip“Paris, Maison Mauboussin, um 196010 x 7 cmNaturalistisch gestaltete Brosche mit feinster transluzider Emaille - Plique-á-Jour in 750/000 Gelbgold (Feingehaltspunzen und Firmenmarke) ca. 76 Diamanten im Brillantschliff ca. 4,00ct TW/VVS-VS, Rubine im Cabochonschliff und als Blätter geschnitzt ca. 6,5ct - geschätzt, Smaragde im Cabochonschliff und als Blätter geschnitzt ca. 9,5ct. - geschätzt, Saphire calibriert geschliffen, die Steine sind individuell eingeschliffen worden zus. ca. 6,00ct.Gewicht ca. 56,0g. Originales Etui.Privatsammlung Köln, erworben auf der Westdeutschen Kunstmesse 1990, Galerie Blaues Palais Düsseldorf.Im Jahre 1827 gründeten die Vettern Rocher und Noury ihr gemeinsames Schmuckgeschäft in Paris. Der Schmuck wird nach eigenen Entwürfen ganz in der jeweiligen Mode der Zeit gefertigt.1883 tritt ihr Neffe Gorges Mauboussin in das Unternehmen ein. 15 Jahre später übernimmt er die Firma und ab 1922 firmiert er unter seinem eigenen Namen. 1924 eröffnet er eine erste Filiale in New York. In den folgenden Jahren nimmt man an unzähligen Ausstellungen teil, was den Ruf des Hauses noch mehr steigerte.Mauboussin zählte zu den besten Juwelieren der Welt. Internationale Anerkennung erlangte das Haus durch seine prachtvollen Art-Déco und Retro Schmuckstücke.Der Maharadscha von Indore zählte ebenso wie das Ägyptische Königshaus zu den erlauchten Kunden des Hauses. Aber insbesondere Hollywood Größen wie Greta Garbo, Marlene Dietrich oder Paulette Goddard, die Ehefrau von Charly Chaplin begründeten den legendären Ruf von La Maison Mauboussin. Der französische Schmuckdesigner René Sim Lacaze (1901-2000) entwarf erstmals eine Butterfly Clip für Mauboussin, eine Entwurfszeichnung aus dem Jahre 1941 hat sich erhalten.

A MAUBOUSSIN DIAMOND SET WRISTWATCH with leather strap. No. 0264 R 529.

Four Gentleman's Wrtistwatches, comprising of: bi-metal Automatic Wristwatch signed Mauboussin, with boxes, bi-metal quartz wristwatch signed Bulova, with Bulova box, automatic limited edition Barkers of Kensington wristwatch, with box, and a Citizen Eco-Drive wristwatch, (4)

DIAMOND TRIPLE-CLIP BROOCH/NECKLACE, MID 20TH CENTURYOf asymmetrical scroll design, pavé-set throughout with brilliant and old brilliant-cut diamonds, accented by baguette-cut diamonds, on a detachable snake-link chain, French assay mark, maker's mark, principal diamond approximately 1.60 carats, remaining diamonds approximately 16.50 carats total, lengths: brooch 6.0cm, necklace 41.0cmFootnotes:For a similar example by Mauboussin, see de Cerval, M., 'Mauboussin', Editions du Regard, 1992, ill.p.134.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

CHAUMET: EMERALD AND DIAMOND CUFF BRACELET, CIRCA 1935-40The hinged openwork bangle embellished with voluminous scroll motifs, set with two graduated rows of step-cut emeralds at the centre, the shoulders pavé-set with old brilliant-cut diamonds, maker's mark, French assay marks, internal diameter 5.5cmFootnotes:Many of the major houses, including Cartier, Chaumet, Mauboussin and Tiffany produced gem-set bangles in this style. For a similar example by Boucheron from circa 1938, see Raulet, S., Jewelry of the 1940s and 1950s, New York, 1988, ill.p.133.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

MAUBOUSSIN: SAPPHIRE AND DIAMOND COLLAR, CIRCA 1980The latticework of articulating links pavé-set throughout with brilliant-cut diamonds and circular buff-top sapphires, diamonds approximately 17.00 carats total, signed Mauboussin Paris, numbered 48024, maker's mark, French assay mark, length 41.0cmFor further information on this lot please visit Bonhams.com

CARTIER: GEM-SET BEAD AND DIAMOND NECKLACE, CIRCA 1925The front set with three rows of graduating turquoise beads alternating with ruby spacers, continuing to a double-row backchain of similar design, connected each side via an old brilliant and single-cut diamond geometric plaque with lily-of-the-valley terminals, signed Cartier, indistinctly numbered, length 38.5cm, Cartier caseFootnotes:Please note, lots 206 - 216 are from a Private Collection of 20th Century Jewels.Provenance:Mrs Alice Lurcy (1906-1980)Sotheby's New York, 14th April 2011, lot 179In 1957, Sotheby's Parke-Bernet sold the collection of French investment banker Georges Lurcy. The collection comprised 65 Impressionist paintings, 18th century furniture and objets d'art and totalled $2,221,355. Time Magazine described the historic sale as 'The Greatest Auction'. The ticketed event was limited to 1700 people seated in three salerooms and for the first time closed-circuit television was used to relay live proceedings. The auction was attended by some of the wealthiest, most consequential people in the world who included Eleanor Roosevelt, Helena Rubenstein, Mr and Mrs Winthrop Aldrich, Mrs Stavros Niarchos, the agent for Paul Mellon, James Rorimer, Director of the Met, Charles Durand-Ruel, Mr and Mrs Robert Lehman, plus members of the Rockefeller, Ford and Vanderbilt families. The auction was followed 24 years later by the sale of Georges' wife's magnificent jewellery collection that included pieces by Lacloche, Mauboussin and Cartier. The present lot was kept by the family until it was sold on 14 April 2011, at Sotheby's New York, 'Magnificent Jewels', lot 179.Georges Lurcy (born Levy, the son of a modest Jewish family in Alsace), made his fortune in banking and investments and in developing hydroplanes during World War One. Generous to a fault, he installed his mother and brother in the best quarter of Paris and constantly entertained friends in his homes in Paris and Deauville. In 1937 he married Alice Snow Barbee, an American from High Point, North Carolina, whom he described as 'the only luxury in my life I do not share'. At the advent of World War Two, the couple fled to the USA, eventually settling in New York's Fifth Avenue with an estate on Long Island. The Lurcy's loved to surround themselves in opulence with Georges adding to his art collection, of which he was very proud, as well as showering Alice in exquisite jewels. He saw the acquisition of art as 'money reaping paradise'. Alice writing in 1945 told him 'you are the dearest, most exquisite little husband in the whole wide world; I love you so tenderly, and I want you to know that you have been the only happiness, love and pleasure in my whole life.'For further information on this lot please visit Bonhams.com

MAUBOUSSIN: PAIR OF NATURAL PEARL AND DIAMOND PENDENT EARRINGS, CIRCA 1930Of chandelier design, each set throughout with square and single-cut diamonds in pavé, collet and calibré settings, and a fringe of baguette-cut diamonds, terminating in a single pearl drop of either white or grey tint, capped by rose-cut diamonds, unsigned, numbered, length 4.0cmFootnotes:Provenance: A Private Collection of 20th Century Jewels (Lots 206 - 216)Accompanied by a report from GCS stating that the pearls are natural, saltwater. Report number 5782-2880, dated 22nd August 2022. Accompanied by a photocopy of a document from Marguerite de Cerval, dated 15th October 2004, stating the earrings are by Mauboussin.Accompanied by a report from Laboratoire Français de Gemmologie, stating both pearls are natural, the grey pearl of natural colour. Report number 164701, dated 15th June 2004.For further information on this lot please visit Bonhams.com

Piaget. A lady's 18K gold manual wind bracelet watchReference: 924 D1Date: Circa 1980Movement: 18-jewel Cal.9P manual wind, No.664204Dial: Sunburst champagne, applied gilt baton hour markers, gilt pointed baton hands Case: Brushed and polished round, textured bezel, back secured by 2 screws, No.125200Strap/Bracelet: Integral woven linkBuckle/Clasp: Signed 18K gold folding claspSigned: Case, dial & movementSize: 24mm Accompaniments: Mauboussin caseFor further information on this lot please visit Bonhams.com

A lipstick holder by William Ruser, circa 1950, the polished holder with modelled cherub to one side, winged and with blue gem-set eyes and textured hair, the end with engraved initials ‘JGS’ for Jean Granger Simmons, signed ‘Ruser’ and ‘14K’, length 5cm. £2,000-£3,000 --- The American jeweller William Ruser (1908 - 1994) became famous for his whimsical and sculptural designs during Hollywood’s Golden Age in the mid 20th century. Having trained with Trabert & Hoeffer – Mauboussin, Ruser set up his own firm in Beverly Hills in 1947 and soon established a loyal clientele including stars such as Joan Crawford and Marlene Dietrich. Ruser produced jewels for stars both on and off the screen and is credited in a number of movies for his designs. Ruser enjoyed huge success during his career and employed up to forty staff during the 1950s. He retired in 1969 and sold his shop to Van Cleef & Arpels. Jean Merilyn Simmons (1929 – 2010) was a British actress and singer. Her career started in London during World War II and became a household name in Britain following her role as Estrella in David Lean’s 1946 production of Great Expectations. In 1948, at the age of nineteen, she was nominated for her first Academy Award for Best Supporting Actress in Laurence Olivier’s Hamlet in which she played Ophelia. The film was a huge international hit and propelled Simmons in to Hollywood stardom. Having married the British actor Stewart Granger in Arizona in 1950, Simmons relocated permanently to Hollywood, later becoming a full time US citizen. In 1955 she won a Golden Globe Award for Best Actress for her role as Sister Sarah Brown in Guys and Dolls, starring alongside Marlon Brando, Frank Sinatra and Vivian Blaine. Simmons continued to work in film throughout the 1950s and 60s and was nominated for her second Academy Award, this time for Best Actress, in the 1966 film The Happy Ending. The film was directed by her second husband, Richard Brooks, whom she married in 1960. Simmons had one daughter from her marriage to Stewart Granger and went on to have a second daughter with Brooks in 1961. Later in her career Simmons focused her attentions to television and stage productions and in 2003 was awarded an OBE for her services to acting. Simmons passed away at her home in Santa Monica in 2010. This lipstick holder, and the matching scent bottle, can be seen in photographs of Jean Simmons at a dinner in Los Angeles in 1954 and again in 1955 at the premiere of Guys and Dolls. Simmons was known for her style and sense of fashion and on both occasions accessorised her outfits with clear acrylic handbags.

A rare and collectable MAUBOUSSIN 18 K yellow gold watch with diamonds. Swiss made, 34 mm dial. black face, gold hands, manual movement, window at back, excellent condition and working order.

ATO, circa 1930Skeleton clock from the Léon Hatot workshop with and dial in plexiglass or beveled glass, staircase base in bakelite Applied bezel with cut-out chromed Arabic numerals. Stylized hands in blackened steel.The ATO workshops have worked for manufacturers as prestigious as Van Cleef & Arpels, Boucheron, Mauboussin, Blancpain, Lalique etc..Movement : Calibre with electric winding ATO.Diameter: 18.8 × 21 cm

MAUBOUSSIN: BOITE A CIGARETTES ARGENT, OR, EMERAUDES ET RUBIS, VERS 1950De forme rectangulaire, le dessus en résille d'or ornée de motifs de fleurs rehaussés d'émeraudes gravées et de cabochons de rubis, signée Mauboussin, poinçon français pour l'argent (800°/00), trace de poinçon de maître, dimensions 15.0 x 10.6 x 2.5 cm, poids brut 490.13 g.Footnotes:MAUBOUSSIN: SILVER, GOLD, EMERALD AND RUBY CIGARETTE BOX, CIRCA 1950Of rectangular design, the lid decorated with gold lace and flower motifs accented with carved emeralds and cabochon rubies, signed Mauboussin, French assay mark for silver, indistinct maker's mark, measuring 15.0 x 10.6 x 2.5 cm, gross weight 490.13 grams.For further information on this lot please visit Bonhams.com

A pair of Mauboussin Nadja Tahitian pearl ear clips, each consisting of a Tahitian pearl approximately measuring 8.3 mm in diameter, on a yellow gold mount with clip fittings, stamped '18K', total weight of items 9.8 grams.

A CORAL AND DIAMOND COCKTAIL RING, BY CARTIER, CIRCA 1955The oval-shaped corallium rubrum cabochon coral within an openwork mount of textured wire, highlighted with brilliant-cut diamonds, mounted in 18K gold and platinum, diamonds approximately 1.50ct total, signed Cartier Paris, numbered, with maker's mark 'P&Fils' for Péry & Fils, French assay marks, with maker's case, ring size KPlease note that this lot contains coral and might be subject to CITES regulations when exporting outside the EUMaison Péry was established in 1875 by Lucien Péry, whose elegant gold chains attracted the attention of the jewellers housed in the place Vendome. The company was run by four generations of Péry's, from Lucien’s son Albert to his grandson Bernard who was the father of the great Brigitte Péry who went on to manage the business for four decades.Albert's work at during the first half of the 20th century was prolific, producing new designs almost every week. However, when the WWII broke out, Albert was taken prisoner and the workshop was closed for six years. Once the conflict ended, the production started again slowly, increasing in the 1950s, during which time Péry created some of Van Cleef & Arpels’s most iconic pieces, including the Domino jewellery sets and Ludo bracelets.Bernard Péry began to make connections with other jewellery houses and started collaborations, first with Paolo Bulgari, which lasted for two decades, followed by Cartier, Boucheron, Mauboussin, Templier and Tiffany. Indeed, it seems there is no major jewellery house of the 20th century the Péry workshops did not produce for.Bernard’s daughter Brigitte was of similar business acumen and when she took over, she continued to pursue this strategy. Amongst her collaborators were Graff, Dior, Fabergé and Mikimoto. In 2008 she launched a large-scale training program for the workshops in order to promote innovation and modernise the production techniques of the company. Adopting new design processes ensured versatility and allowed Maison Péry to compete on an international stage. In 2011, she finally decided to sell her family's company to the then President of the Richemont Group, Stanislas de Quercize, thus officially combing Maison Péry into the fold of Van Cleef & Arpels.‘Jewellery always makes you dream,’ Brigitte explained in an interview with Olivier Bachet for IAJA, ‘To dream of those who wear them, what a pleasure and what a chance to be able to do so. And to dream of those who always make them with real passion.’Condition Report: Diamonds: approx. 1.50cts total, unable to assess colour due to yellow mount, estimated clarity: a majority of VS and a couple of SINumbered: (Difficult to identify the number): possibly: 0 (or 9) 18185 and signature Cartier Paris, located on the reverse of the galleryFrench assay marks: dog's head for French platinum and eagle's head for French 18K gold, both located on the outside of the hoopMaker's mark for Pery & Fils located on the outside of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 18.5g

Taschenuhr: einzigartige Cartier Montre "Couteau" mit chargierendem Sonderzifferblatt "La Esmeralda", gefertigt für den Nobeljuwelier HAUSER ZIVY & CIE in Mexiko, ca.1910: Ca. Ø49mm, ca. 57g, 18K Gold, extrem flaches, aber solides Gehäuse mit "Messerklingen-Rand", sog. Montre Couteau, typische Gehäuseform von Cartier, extra flaches Präzisionsankerwerk in Spitzenqualität, vergoldet, einzigartiges Sonderzifferblatt, Silber, guillochiert und mit einer regenbogenartigen Oberflächenveredelung, wodurch je nach Lichteinfall ein Farbwechsel stattfindet, von grünlichen Tönen in Rosétöne, außerdem ein Damenportrait mit Hut, Darstellung einer mexikanischen Frau, signiert mit dem Schriftzug "La Esmeralda Mexico", gebläute Breguet-Zeiger, fantastischer, komplett originaler Erhaltungszustand, Rarität. Obwohl nicht mit Cartier signiert, ist diese Uhr in allen Teilen eine typische Cartier Uhr und vermutlich nur aufgrund dessen, dass sie den Markennamen "La Esmeralda" des mexikanischen Nobel-Juweliers HAUSER ZIVY & CIE. trägt und das sehr speziell gestaltete Sonderzifferblatt hat, nicht auch noch zusätzlich mit Cartier signiert. Die Firma mit Sitz in Mexico City führte die besten europäischen Marken wie Cartier, Breguet und Vacheron & Constantin und gehörte neben Boucheron, Mauboussin, Tiffany, La Cloche, Cartier, Van Cleef & Arpels und Gübelin zu den Top Ten der weltbesten Juweliere um 1900.

Art Déco - - Paul Iribe. Les Robes de Paul Poiret racontées par Paul Iribe. Mit 10 farbigen Pochoir-Drucken. Paris, chez Paul Poiret, 1908. 14 Bll. 4°. Späterer Pp. mit montiertem dekorativen OTitelschild (etwas berieben und angeschmutzt). Eines von 250 Exemplaren. Die Pochoirs je drucksigniert. - 1908 revolutionierte der Modeschöpfer Poiret mit dem vorliegenden Album von leuchtenden Art Déco Mode-Entwürfen das Genre und brachte farbkräftige Pochoir-Drucke und flächig gezeichnete Modelle in Mode. Als Erste ihrer Art beeinflusste diese Sammlung eine ganze Epoche und begründete einen Stil der fortan in den wichtigsten Mode-Publikationen aufgegriffen wurde. Im Erscheinungsjahr sprach Poiret in der Zeitung Le Témoin über seine Zusammenarbeit mit Iribe: "Je confiai à Iribe mon intention de réaliser une très jolie édition, destinée à l'élite de la société: un album de ses dessins représentant mes robes serait adressé à titre d'hommage à toutes les grandes dames du monde entier." Iribe war Pressezeichner, Buchillustrator, Werbezeichner und Dekorateur. Er arbeitete für rund 50 Zeitschriften und entwarf Werbekataloge für Ford, Nicolas, Mauboussin und Poiret. - Papierbedingt etwas gebräunt und braunfleckig. 1 Bl. im unteren weißen Rand beschnitten. Einige wenige restaurierte Einrisse im weißen Rand, 1 Bl. mit restaurierter Fehlstelle. Insgesamt wohlerhalten und farbleuchtend. Art Deco - With 10 coloured pochoir prints. Later hardcover with mounted original cover label (somewhat rubbed and soiled). - One of 250 copies. - In 1908, the couturier Poiret revolutionised the genre with this album of luminous Art Deco fashion designs, bringing boldly coloured pochoir prints into fashion. The first of its kind, this collection influenced an entire epoch and established a style that was subsequently adopted by the most important fashion publications. In the year of publication, Poiret spoke in the newspaper Le Témoin about his collaboration with Iribe: "Je confiai à Iribe mon intention de réaliser une très jolie édition, destinée à l'élite de la société: un album de ses dessins représentant mes robes serait adressé à titre d'hommage à toutes les grandes dames du monde entier." Iribe was an illustrator and decorator. He worked for about 50 magazines and designed advertising catalogues for Ford, Nicolas, Mauboussin and Poiret. - Paper somewhat browned and brown-stained. 1 sheet trimmed in lower white margin. A few restored tears in the white margin, 1 sheet with restored loss. Overall well preserved and brightly coloured.

A gem-set gold bangle by Mauboussin, rubover-set with three cabochon citrines and ten cabochon tourmalines in gold, signed Mauboussin Paris, maker's mark, numbered F2186, 16cm internal diameter approximately

An 18ct gold diamond and sapphire Art Deco target ring. The ring bring prong set with a central round brilliant cut diamond with a halo of trapeze cut blue sapphires. Marked Mre Mauboussin to the band. Weight 4.5g. Size K.5. Diamond estimated 1.10ct, measures 6.8 x 4.0mm. Weight 4.5g. Size K.5. Colour estimated H-J, clarity estimated VS. 

Hallmarks: dog's head (French platinum mark), unclear French maker's mark, Mauboussin - Paris, 05 555 P 55. Set with a faceted natural ruby ​​(Ø approx. 5.9 mm) and 2 marquise cut diamonds of approx. 0.20 ct. in total. Clarity: VS, color: E-F (1x) and G-H (1x). Ring size: 15.5 mm / 49 mm. Weight: 4.72 gram.

MAUBOUSSIN: 'SOFIA' BANGLE AND EARRING SUITEThe rounded square bangle of polished finish, the earrings of matching design, signed Mauboussin Paris, numbered, earrings with maker's mark and French assay marks, lengths: inner circumference approx. 15.5cm, earrings 2.0cm (2)For further information on this lot please visit Bonhams.com

MAUBOUSSIN: MOTHER-OF-PEARL AND DIAMOND PENDENT EARCLIPSEach scrolling surmount pavé-set with brilliant-cut diamonds, suspending a drop inlaid with fluted mother-of-pearl plaques, signed Mauboussin, numbered, French assay marks, length 4.3cmFootnotes:Please note this lot will be subject to USA Fish and Wildlife regulations if imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

A pair of Mauboussin earringsGoldLoops of applied star set with 102 brilliant cut diamonds (ca. 1.50ct)Signed and numbered S2733 750/1000Diam.: 3,4 cm11.8 g

A Mauboussin ringGoldSet with one natural pearl (ca. 7,5 mm) and 24 brilliant cut diamonds (ca. 0.48ct)French assay-marks 750/1000, 19th / 20th century and Mauboussin marks numbered A 5495 50Size: 9 (EU)6.3 g

MAUBOUSSIN - ANNEES 1940BAGUE CHEVALIERE DIAMANTSLe plateau à pans coupés est rehaussé de deux diamants taille brillant (TA) en châton à griffes carrées et deux plus petits. Monture en or jaune 18K et platine. Numérotée. Poids brut : 10,98 gr. Tour de doigt : 54.A diamond, platinum and 18K yellow gold ring, by MAUBOUSSIN, circa 1940. Numbered. Gross weight : 10,98 gr. Size : 54.

MAUBOUSSINBAGUE JONC DIAMANTSElle est ornée d'une ligne de diamants baguettes encadrée par des motifs de nacre. Monture en or jaune 18K. Signé MAUBOUSSIN et numéroté.Poids brut : 6,32 gr.Tour de doigt : 49,5.A diamond, mother of shell and 18K yellow gold ring by MAUBOUSSIN. Signed MAUBOUSSIN and numbered. Gross weight : 6,32 gr. Size : 49,5.

MAUBOUSSIN: ONYX CUFFLINKS; LONGMIRE: WHITE OPAL CUFFLINKS; CULTURED PEARL CUFFLINKS1st: Each onyx cabochon within a crossover setting, 2nd: The head and tail of a sheep carved in white opal, the head with circular-cut sapphire eyes, T-bar terminals, mounted in 18 carat white gold, 3rd: Each concave disc issuing a 6.0mm cultured pearl of grey tint, T-bar terminals, 1st: signed Mauboussin Paris, numbered, maker's marks, French assay marks, 2nd: signed Longmire, partial UK hallmarks and European convention marks, plaque lengths: 1st 1.3mm, 2nd 1.7mm, 3rd 1.6mm (3)For further information on this lot please visit Bonhams.com

A sapphire and diamond ring, in the style of Mauboussin, the oval-shaped sapphire weighs 1.77cts and is set within a surround of ten circular-cut diamonds, with fluted shoulders and shank in gold, size L Accompanied by report from Gubelin dated September 2021 stating that the cushion-shaped sapphire weighs 1.77cts and is a natural sapphire with no indications of heat treatment. Origin: Kashmir

Composed of textured openwork hexagonal links, interspersed with brilliant-cut diamond-set square plaques and cabochon rubies; together with a bracelet and pair of earrings en suite, post and clip fittings, signed M. Gerard, numbered, French assay and maker's marks AV for Andre VassortLengths: necklace 57.5cm, bracelet19.5cm, earrings 2.4cmFootnote: André Vassort set up his workshop, Atelier Vassort in December 1955. He quickly became one of the most recognised and sought after manufacturers of French jewellery, working for Van Cleef & Arpels, Boucheron and Mauboussin, amongst others. A particularly notable creation is the spectacular crown made for the coronation of Empress Farah of Iran on behalf of Van Cleef & Arpels.When Louis Gérard left Van Cleef & Arpels to start his own company M. Gérard in 1968, he chose to use his former employer’s workshop to create his jewellery. Over the next twenty years, Vassort would produce some spectacular jewels for Gérard whose pieces are often noted for their superb manufacture. The Atelier closed in the early 1990s but not before establishing itself as one of the most important manufacturers of French jewellery of the mid-late 20th Century.

MAUBOUSSIN: CULTURED PEARL AND DIAMOND PENDENT EARRINGSEach brilliant-cut diamond cluster suspending a detachable cultured pearl and brilliant-cut diamond drop, diamonds approximately 3.80 carats total, signed Mauboussin Paris, numbered 31737, additional rubbed numbers, rubbed French assay marks, length 3.90cmFor further information on this lot please visit Bonhams.com

GÜBELIN AND GEORGES LENFANT: BELLE ÉPOQUE ENAMEL, SEED PEARL AND DIAMOND WATCH/PENDANT NECKLACE, CIRCA 1910The detachable oval pendant set with a circular dial with Arabic chapters and blackened hands, decorated on both sides with a rising sun design in cornflower blue guilloché enamel, issuing a border of seed pearls and a rose-cut diamond crown, suspended from a seed pearl ribbon, with similarly-cut diamond rosettes, accented by brilliant and trilliant-cut diamonds, via a rose-cut diamond bow link, mounted in gold, dial signed E. Gübelin/ Lucerne, clasp with maker's mark for Georges Lenfant and French assay marks, lengths: pendant 5.4cm, necklace 56.0cmFootnotes:The Georges Lenfant workshop was originally founded in 1899 under the name Duparc, Lenfant & Compagnie. At the beginning of the 20th century, they supplied watch chains to Cartier, Boivin, Bulgari, Fred, Gübelin, Hermès, Mauboussin, Mellerio, Sandoz, Tiffany and Van Cleef & Arpels amongst others.For further information on this lot please visit Bonhams.com

MAUBOUSSIN: TWO DIAMOND CLIP BROOCHES, CIRCA 1930Each of swirling circular design, claw and pavé-set with brilliant cut diamonds, accented by a channel-set baguette-cut diamond ribbon, mounted in platinum, one clip signed Mauboussin Paris, both numbered 9309, length 3.5cmThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

MAUBOUSSIN: CULTURED PEARL, SAPPHIRE AND DIAMOND COLLAR, CIRCA 1980The triple row of cultured pearls connected via three geometric plaques, pavé-set with brilliant-cut diamonds and pear-shaped sapphire accents, diamonds approximately 4.00 carats total, largest sapphire approximately 1.75 carats, signed Mauboussin Paris, numbered 36049, French assay marks, length 39.0cm, fitted case by Mauboussin, 26 Place Vendome, Paris, additional pearls also suppliedFor further information on this lot please visit Bonhams.com

A PAIR OF DIAMOND PENDENT EARCLIPS, BY MAUBOUSSINOf chandelier design, each brilliant-cut diamond surmount suspending a cascade of brilliant-cut diamonds, with ropetwist detailing throughout, mounted in 18K gold, diamonds approximately 6.50cts total, signed Mauboussin Paris, maker's mark 'Sté M', French assay marks, length 5.2cmCondition Report: Diamonds: approx. 6.00cts total, estimated colour G/H, estimated clarity VSSignature, French assay marks, maker's mark located on reverse of both clipsMinor signs of wear, overall in good conditionTotal gross weight approx. 33.26g

MAUBOUSSIN ÉPOQUE ART DÉCO PAIRE DE BOUTONS DE MANCHETTE ONYX, Ils sont de forme carrée à décor sinueux sertis de petits diamants et d'onyx calibrés. Monture en or gris 18K. Travail français, non signés. Poids brut : 8,42 gr. Dimensions : 1,1 x 1,1 cm. Ecrin à la forme de la Maison MAUBOUSSIN., An Art Deco onyx, diamond and 18K white gold pair of cufflinks by MAUBOUSSIN. French assay mark. Not signed. Gross weight : 8,42 gr. Dimensions : 1,1 x 1,1 cm. Case in the shape of Maison MAUBOUSSIN.

Diamond, Enamel, Gold Jewelry Suite, Mauboussin ParisThe 'Harlequin' suite consists of a necklace, a pair of earrings and a ring; all featuring blue, green and white enamel applied on brightly polished 18k gold. Both the necklace and earrings have additional full-cut diamond accents weighing a total of approximately 5,00 carats. Mauboussin reference #9129# necklace, #628# earrings, and #18210 ring. Gross weight 258,03 grams. Necklace measure: 45,53 cmEarrings measure: 28,0 mmRing Size: 6-1/4 (sizeable)

Feiner Ring, Mauboussin, Paris, mittig Brillant links und rechts daneben Brillanten im Baguette-Schliff, zusammen um ca. 0,1ct, 1,9g, Größe 55

A French gold and turquoise broochdesigned as a bird, the body mounted with an oval turquoise and with a circular cut diamond mounted to the eye, detailed Mauboussin, Paris 7390, length 5.2cm, gross weight 14.8 gms.Condition report: The end of the beak is slightly bent upwards. Otherwise in good condition. When viewed from the back, below where the hinge pin fits there is a tubular construction. We do not know what purpose this serves. Maker's mark is detailed 'Mauboussin, Paris 7390' to the back of the brooch. 

VINTAGE CHRYSOPRASE AND DIAMOND RING, MAUBOUSSIN in 18ct yellow gold, in toi et moi design, set with polished chrysoprase to one end and textured wirework to the other, accented by round cut diamonds, signed Mauboussin Paris, French marks for 18ct yellow gold, size M / 6, 7.0g.

RUBY AND ENAMEL SNAKE RING, MAUBOUSSIN designed as a snake coiled around itself, set with green enamel and round cut ruby eyes, signed Mauboussin Paris, stamped 750, size K / 5, 7g.

A collection of jewellery boxes by R. Lalique, Bulgari, Mauboussin, Cartier, S.J. Philipps, Cameo Corner and various other jewellers

AN ART DECO MULTI GEM-SET AND DIAMOND PENDANT, CIRCA 1925 AND LATERThe pentagonal plaque pierced and decorated with highly stylised floral and foliate motifs, set with single-cut diamonds, ruby, sapphire and emerald cabochons, onyx and green hardstone leaves with scalloped enamel borders, the outer plaque set with onyx cabochons, suspending diamond-set tassels terminating in fluted and polished emerald beads, the fountain surmount with similarly-set diamonds and a central sugarloaf ruby, on a cord set with green paste beads, between old brilliant-cut diamond and engraved foliate spacers, mounted in platinum, diamonds approximately 3.25 carats total, lengths: pendant 10.7cm, cord 65.0cmFootnotes:This flat, highly stylised design of flowers and leaves in diamonds, rubies, sapphires, emeralds, jade and onyx of various cuts and shapes, is similar in taste to the jewels produced by Mauboussin in their Rue de Choiseul workshop in Paris from 1925 to 1928. During this period Mauboussin moved away from the 'cold stiffness' and 'dry formulae of the Cubists' towards curves and colour. For similar examples, see De Cerval, Marguerite, 'Mauboussin', Paris, 1992, chapter 'The 1920s A Burst of Colour', and Garbardi, Melissa, 'Art Deco Jewellery 1920-49', Antique Collectors Club, 1989, pp 98, 100-101, 106, 111. It is also interesting to compare this jewel to the boldly coloured, naïve floral dress fabrics by Atelier Martine for Paul Poiret in 1919. Examples may be seen in the Victoria & Albert Museum London, accession number T.540-1919For further information on this lot please visit Bonhams.com