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![* Marianne de Trey [1913-2016] stoneware part service: comprising five tea cups, six coffee cups, four saucers and two plates](https://cdn.globalauctionplatform.com/77e39e34-bc64-4c86-bf0c-a98c00d37319/bad3c46b-f570-4860-91d8-a99000d3f880/468x382.jpg)
![* Marianne de Trey [1913-2016] a group of studio pottery: comprising a celadon glazed footed porcelain bowl, a porcelain ovif](https://cdn.globalauctionplatform.com/77e39e34-bc64-4c86-bf0c-a98c00d37319/5e6aed4b-af56-4983-850c-a99000d40e67/468x382.jpg)
Lot 238
* Marianne de Trey [1913-2016] a group of studio pottery: comprising a celadon glazed footed porcelain bowl, a porcelain oviform vase with blue and red brushwork decoration and a small shallow bowl with red washed decoration together with a stoneware side handled bottle under brown glazes, impressed personal seals, bottle 19 cm high.
Lot 657
MARIANNE DE TREY (1913-2016); a three-sided porcelain pot, blue and grey stripes, impressed mark, gallery label, height 8cm, and a Tessa Fuchs bowl and Rob Whelpton vase (3). (D)Provenance (Whelpton): Purchased from The Montpellier Gallery, Cheltenham, 1992. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 658
MARIANNE DE TREY (1913-2016); a pair of prints depicting bouquets of flowers, signed lower right, 20 x 20cm, framed and glazed (2). (D) CONDITION REPORT: Frames scuffed in places, otherwise appears good with no further obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 659
MARIANNE DE TREY (1913-2016); a cut-sided stoneware bottle covered in tenmoku glaze, impressed mark, height 25.5cm, and a square vase incised 'YAMURA' (2). (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 660
MARIANNE DE TREY (1913-2016); two prints depicting tress and leaves, signed lower right, 16.5 x 20cm, 10.5 x 25cm, framed and glazed (2). (D) CONDITION REPORT: Scuff marks to frames, otherwise appears good with no further obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 188
Attributed to Marianne De Trey (British 1913-2016), a studio porcelain vase of flared petal form, cream matt glaze with brown highlights, 16cm high Condition Report: ARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 195
Marianne De Trey (British 1913-2016), a conical porcelain bowl on tapering foot, the interior with white flower and circular motif to a blue and green ground, impressed mark to foot, 23cm diameter Condition Report: ARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.ukCondition report: In good condition. No chips, cracks or restoration
Lot 405
‡ Marianne de Trey CBE (1913-2016) a reduction fired porcelain vase, shouldered form with cylindrical neck and everted top rim, painted with red geometric decoration, and a footed bowl by Marianne de Trey, sold with a copy of Marianne de Trey Richard Dennis Publications, 2007 impressed seal mark, 16.5cm. high (3) Literature Marianne De Trey Richard Dennis Publications, 2007 page 40 this actual vase illustrated.
Lot 188
JANINA EMERY (born 1941); a lobed stoneware vase, impressed JE mark, height 20.5cm, a Marianne de Trey mug and small rectangular dish, and a Lowerdown mug (4) (D). CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 29
MARIANNE DE TREY (1913-2016); a small porcelain footed bowl, copper red decoration on pale blue ground, impressed dTe mark, diameter 11cm (D). CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 59
Ray Finch (born 1914) a stoneware jug, ovoid form with waisted cylindrical neck, covered to the foot with a tenmoku glaze, with brushed iron red scrolling band, a Trevor Corser stoneware vase covered in a tenmoku glaze, a Leach Pottery jug covered in a green glaze and a collection of thirty pots by various artists including Marianne de Trey, Emily Myers, Philip Wadsworth and Derek Clarkson, unsigned, 26cm. high (33) Provenance St Ives Pottery, Cornwall, 11th June 1994 (Ray Finch jug) Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September - 8th November 2009, catalogue number 33 (Ray Finch).
Lot 30
MARIANNE DE TREY (1913-2016) for Shinner's Bridge Pottery; a porcelain bowl with blue and grey swirling decoration, impressed dTe mark, and a fluted bowl covered in celadon, impressed shell mark, largest diameter 21.5cm (2). (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 31
MARIANNE DE TREY (1913-2016) for Shinners Bridge Pottery; a porcelain vase with floral decoration, impressed dTe mark, height 14cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 32
MARIANNE DE TREY (1913-2016) for Shinner's Bridge Pottery; a square stoneware dish, polychrome decoration, impressed dTe mark, 31 x 30cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 62
§ Thomas 'Sam' Haile (British, 1909-1948), a rare slipware dish, the elongated formdecorated with a fish, impressed seal mark to underside 44½cm (17in), together with accompanying publication 'Sam Haile, Potter and Painter 1909-1948, edited by Barry Hepton Other Notes: Had Sam Haile lived, he would arguably have become one of the leading figures in 20th century ceramics. Born in 1909, he studied ceramics at the Royal College of Art under William Staite Murray, a hugely influential potter. Murray was known to be a casual - bordering on disinterested - teacher who often completely ignored his pupils. Haile, however, attracted his attention, and Murray would go so far as to silently point with his stick at those few pots he felt should be saved from the soak bin. Haile and Murray continued a sporadic correspondence throughout Haile's short life. Haile painted alongside his ceramics and was hugely influenced by the Surrealist movement. His pots were decorated with symbolic figures and dream characters more than a decade before Picasso began working with clay. In 1938, he married Marianne de Trey (see lot 63) and introduced her to pottery. She became a recognised and important potter in her own right; being awarded the CBE in 2006, and died at the age of 102 in 2016. As Sam was a pacifist, they moved to the United States at the outbreak of war, returning to England towards the end of the war where he joined the British Army as a non-combatant. He left an indelible impact on the American potters. After the war, he and Marianne moved to Suffolk and started work at the Bulmer Brickyard where he had a period of making slipware. Eventually, on the advice of Bernard Leach, they settled in Dartington, where tragically after only one year, Haile was killed in a road accident. The critic, A C Sewter, wrote of Haile: '….confronted by pottery such as Haile has been making during the last ten years, even a person not normally interested in the crafts is forced to realise that pottery is an art with a range and power of expression not less than that of painting. In his hands, in fact, pottery seems to become at once painting and sculpture…here is an artist whose hands speak eloquent and varied poetry'. The Victoria and Albert Museum, London holds an extensive collection of Haile's work.
Lot 30
MARIANNE DE TREY (1913-2016) for Shinners Bridge Pottery: a stoneware slab vase covered in tenmoku glaze, impressed shell mark, height 24cm. (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 31
MARIANNE DE TREY (1913-2016) for Shinners Bridge Pottery; a large stoneware tankard, impressed shell mark, height 14cm, and a pot and mug by Colin Kellam (3). (D) CONDITION REPORT: Tiny glaze chip to Kellam pot rim, otherwise appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 32
MARIANNE DE TREY (1913-2016) for Shinners Bridge Pottery; a porcelain bowl with altered rim covered in off white glaze with iron trailing and green spots, impressed mark, diameter 16.5cm, and another de Trey porcelain bowl (af) and a stoneware bowl, probably Dartington Pottery but with C mark (3). (D) CONDITION REPORT: Second de Trey bowl has large reglued piece to rim/body, otherwise the other bowls appears good with no further obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 68
SEVEN PIECES OF STUDIO POTTERY COMPRISING; MARIANNE DE TREY LARGE MUG PATTERN VASE, painted in tones of blue with a band of stylized flowers on a speckled off-white ground, 5 1/2" (14cm) high,COLIN KELLAM SMALL BEAKER VASE AND MILK JUG and FOUR PIECES OF KEN EDWARDS MEXICAN POTTERY, SLEEVE VASE, 8" (20.3cm) high, ANOTHER SMALLER and two DISHES, various marks (7)
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338 item(s)/page