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Lot 254
Auction Catalogue for the Vente Lalique, Collection de Madame D. et a divers amateurs, Art Nouveau & Art Deco held by Boigirard & Associes on 22 September 2006 at the Hotel Drouot, Paris. Includes perfume bottles, glass objects, jewelries, matrixes, and drawings. 88 pages. Published by Boigirard & Associes. Artist: Boigirard & AssociesIssued: 2006Dimensions: 8.25"W x 10.50"H x 0.20"DCountry of Origin: FranceProvenance: Collection of Marie-Claude Lalique Condition: Age related wear.
Lot 189
A folio of music, opera and the Arts related posters, prints, cuttings, newspapers, magazines and ephemera to include 2x 1920 'The National de L'Opera-Comique' advertising posters A/F mentioning Madame Butterfly and an 1875 South Bucks Free Press partial newspaper dated 6th August, Trombinoscope pamphlets.
Lot 11
Pierre Le-Tan (French, 1950-2019)Madame D avait une valise... circa 1990encre noire, aquarelle et collage sur papierblack ink, watercolour and collage on paperView: 29.5 x 22.5 cm (11 5/8 x 8 7/8 in)Footnotes:ProvenancePierre Le-Tan studioThence in the family by descentExhibited & PublishedPierre Le-Tan, Museo Nacional Centro de Arte Reina Sofia, Madrid, 19 February to 3 May 2004, illustrated in the catalogue p.54.I draw, D Museum, Seoul, 14 February to 1 September 2019This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 78
Hand decorated set including Betty Bitters The Barmaid D6716, Alderman Mace The Mayor D6766, Mike Mineral The Miner D6741, Madame Crystal The Clairvoyant D6714, Captain Prop The Pilot D6812, and Len Lifebelt The Lifeboatman D6811. Royal Doulton backstamp. Tallest measures: 2.25"L x 2.5"W x 4.5"H. Shortest measures: 2.25"L x 2.25"W x 4"H. Artist: William K. HarperIssued: 1984-1990Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 56
Olivier DEBRÉ (1920-1999)Les musiciens, 1948Huile sur toile, signée et datée en bas à gaucheContresigné et daté en haut à droite au verso, titré en haut à gauche au version “Les Musiciens” O.Debdré Debat Ponsan ,1948130 x 195,5 cmUn certificat de Sylvie Debré-Huerre en date du 25 mai 2022 accompagne l’oeuvre.Provenance : Collection de Madame de N. Paris.Vente ADER, Paris, 29 mai 2013, sous le n.39
Lot 7534
Film Publicity Photographs - a group of eleven photographs, mostly black and white, includes, Singin' in the Rain, Signed by Debbie Reynolds and Gene Kelly in black and blue ink; Dirty Harry, colour photograph Signed by Clint Eastwood in black marker pen: John Barry, Signed in blue ink; 007 white card, Signed by Madelaine Smith, Caroline Munro, Eileen Roberts, and others, 25.5 x 20cm; Nigel Patrick depicted in the role of the Science Master in The Browning Version, with printed label and J. Arthur Rank ink stamp on reverse; Katherine Kath depicted in the role of Madame Parfait, with printed label on reverse; Phil Silvers depicted in the role of Sergeant Bilko; with others including Dirk Bogarde, Joanna Lumley, Charles Bronson, various sizes, the largest 10 x 8 inches. (12) £50-80100% of the proceeds of this sale will go to Your Sanctuary Domestic Abuse Charity (www.yoursanctuary.org.uk)
Lot 7965
Large Collection of theatre and concert programmes, music related books and framed posters - includes, The Royal Film Performance Madame Sousatzka (with 1989 ticket and windscreen sticker), 84 Charing Cross Road (with 1987 ticket and windscreen sticker), White Nights (with 1986 ticket and windscreen sticker), Empire Of The Sun (with two 1988 tickets and windscreen sticker); They're Playing Our Song, theatre programme Signed by Tom Conti; a group of music related concert programmes, including Rolling Stones, Bon Jovi, Shania Twain, Bruce Springsteen (x3) The Beach Boys, Abba, Paul McCartney, and others; 10+ music related books, includes, Bon Jovi, The Clash, Rolling Stones Interviews, Queen Biography and others; together with four framed Kodak Eastman film posters, including Full Metal Jacket, The Mission, Out of Africa, and James Bond: The Living Daylights, 11 x 14 inches. (qty).Provenance: The vendor worked for Kodaks Motion Picture Division in the mid-late 80s
Lot 206
NO RESERVE French soldier and scientist.- Courtanvaux (François César Le Tellier, Marquis de, Count of Tonnerre, Duke of Doudeauville, French aristocrat, military officer, and scientist, 1718-81) Letter signed, in French, 1p., 8vo, no place, 21st April 1776, "I saw Madame Lateur on December 16 concerning your claim on my land", folds, slightly browned; and a small quantity of documents, all but two in German, 1850-51, v.s., v.d. (sm. qty).⁂ Courtanvaux attended court and was a friend of Madame de Pompadour; he was interested in natural history, chemistry, geography, physics, mechanics and astronomy; was involved in the testing of a French marine chronometer.
Lot 238
A LURISTAN BRONZE 'RAM' WHETSTONE FINIAL, CIRCA 1000-650 BCFinely cast in the form of a recumbent ram, the tubular base is hollowed with two apertures on either side for mounting. The ram naturalistically rendered with a long neck and two large horns which curl around its protruding ears.Provenance: Galerie Persepolis, Brussels, exhibited from 28 October to 13 November 1971. Collection Monsieur H., Brussels, acquired from the above. Collection Madame D.T., acquired from the above.Condition: Good condition, commensurate with age, with wear, signs of weathering and erosion, encrustations, and nicks. The sharpening stone lost.Weight: 93 g (excl. stand) and 164.2 g (incl. stand) Dimensions: Height 7.4 cm (excl. stand) and 12.2 cm (incl. stand)With a modern metal stand. (2)Luristan bronzes are small cast and decorated objects from the Early Iron Age (first millennium BC) which have been found in large numbers in Lorestan province and Kermanshah in western Iran. They include a great number of ornaments, tools, weapons, horse fittings, and a smaller number of vessels including situlae and are characterized by a wide range of idiosyncratic forms and a highly stylized conception of human and animal representation. Those from recorded excavations were generally found in burials. The ethnicity of the people who created them remains unclear, though they may well have been Iranian, possibly related to the modern Lur people who have given their name to the area. Luristan bronze objects came to the notice of the world art market from the late 1920s onwards. They were excavated in considerable quantities by local people and are found today in many of the world's most important museums.Museum comparison:Compare a closely related Luristan wet stone with a bronze ram finial, dated 1000-800 BC, in the Louvre Museum, accession number AO 20866. Compare a related Luristan wet stone with a bronze ibex finial, dated 1000-800 BC, in the Louvre Museum, accession number AO 20864.
Lot 432
* Map Jigsaws. L'Amerique Meridionale, L'Amerique Septentrionale, L'Asie, and L'Afrique, Amsterdam: Covens & Mortier, between 1735 & 1778, a set of 4 (of 5) hand-coloured engraved wooden jigsaw puzzles (lacking the map of Europe), each with title vignette, each defective: L'Amerique Meridionale lacking one small piece (Tierra Del Fuego); L'Amerique Septentrionale lacking a few pieces (Canada and part of North America); L'Asie lacking several pieces (portion of Indochina, part of Indonesia and Malaysia, Persia, Turkey, Korea); and L'Afrique lacking several pieces (Black Sea, Ethiopia, Eastern Egypt, Persian Gulf), and with loss of paper engraving to 2 pieces (Sudan and portion of South Atlantic), L'Afrique toned, L'Asie with some toning and foxing, each map loosely held in original rimmed oak tray (broken and some pieces detached), 22 x 29.8 cm, housed in original oak box with wooden runners to accommodate each jigsaw (32.5 x 25 x 8.5 cm)QTY: (1)NOTE:An exceedingly rare and early boxed set of educational map jigsaw puzzles; we have not seen any other similar.Covens & Mortier was one of the largest and most successful publishing firms in Dutch history. Established by Pierre Mortier (1661-1711) in the late 17th century, the company passed to his son, Cornelius Mortier (1699-1783), and traded for almost two centuries, becoming particularly known for its maps, atlases and globes. In 1721 Cornelius married the sister of Johannes Covens (1697-1774), and his brother-in-law joined him in business. The firm of Mortier and Covens continued until 1778 when it was renamed J. Covens and Son, becoming Mortier, Covens and Son in 1794. As well as publishing their own maps, the firm also purchased plates from other companies. For example, on the death of Dutch publisher Pieter Van Den Aa (1659-1733), Covens and Mortier reissued his much admired Nouvel Atlas, from which these four maps were taken.John Spilsbury is commonly credited with creating the first dissected map around the mid 1760s, although this claim has been disputed (there are earlier references to dissected maps made by French educator and author Madame de Beaumont). Covens and Mortier first advertised that they were sellers of such jigsaws in 1779, but we know from the imprint that this set must date from at least the year before, and possibly earlier, bearing in mind that the firm were in possession of the plates as early as 1733. We can certainly say, therefore, that these are some of the earliest dissected maps, possibly even pre-dating Spilsbury and de Beaumont. Furthermore, in issuing a set of maps Covens & Mortier were tapping into a new market, and undoubtedly aiming at the most affluent, who were surely the only clientele who could afford such a luxury for their children.
Lot 117
NO RESERVE Fine (Anne) Madame Doubtfire, signed by the author on title, light marginal browning, browning to head of boards, dust-jacket, sunning to spine, 1987 § Dahl (Roald) Charlie and the Great Glass Elevator, illustrations by Faith Jacques, light browning to endpapers, light sunning to spine, minor wear to spine tips and corners, 1973 § Gordon (Roderick) and Brian Williams. The Highfield Mole, signed by the authors, illustrations by Brian Williams, 2005, first or first English editions, original boards; and 2 others, children's, 8vo (5)
Lot 395
* Amadeo Modigliani (Italian, 1884-1920) 'Femme Accoudee' Portrait of de Mme Anka Zberowskapencil on paper laid down on boardsigned41 x 25cmPlease note this lot attracts an additional import tax of 5% on the hammer price Provenance: Madame Hanka Zborowska (wife of the artist’s dealer); Galerie Zac, Paris; Ronauld Laaren, The Netherlands; Parke-Bernet, New York, 13th May 1964; Bloomsbury Auctions, London, 12th July 2009;Literature: Oscaldo Patani, Amadeo Modigliani, Catalogue generale; Disegni 1906-1920, Milano 1991. no. 124. Illustrated. A photo-certificate issued by the Wildenstein Institute, Paris was issued for this work.Private Collection Guernsey.The primitive style of this Expressionist painter is perhaps best epitomised by the many portraits he painted of Hanka (Anka). These hang in the major art galleries, such as the New York Museum of Modern Art and the London Tate. In this sketch, as with Klimpt, it has been drawn with a very light pencil, so the positioning of the frame to avoid too much reflection, is critical for easy viewing.Madame Zberwoska was the daughter of a Polish aristocrat who, with her husband, arrived in Paris on 1914 with both becoming very close to the artist, her husband Leo was his main agent whilst she remained his primary model, until his early death aged only 35. It is likely therefore that this drawing was executed only a few years before his death. Other artists who painted her include Utrillo, Derain and Fujita. Modigliani drawings are both uncommon and expensive, so given its excellent Provenance and Literary references this is a rare chance to acquire a work by an artist now eagerly sought.***CONDITION REPORT***Paper evenly discoloured with further darker damp spots, looks very flat so thought to be laid down, signature lower right corner, housed in a later card mount and modern glazed gilt frame, various Exhibition labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1829
Talma, François Joseph,: französischer Schauspieler, Lieblingsschauspieler von Napoleon Bonaparte (1763-1823). Eh. Brief mit Unterschrift, dat. Amsterdam, 5. Jan. (1815). 8°. 2 Bl., 3 S. beschrieb. Mehrf. gefalt. An den Schauspieler (Antoine) Michot am Theatre de la Republique au Theatre Rue de la Loi in Paris. Über Madame van Hove, Aufführungen etc. - Tls. Einr. im Falz u. etw. beschäd. durch Öffnen. D
Lot 3427
Luce, Maximilien: (1858 Paris 1941), zugeschrieben. Le Jardin ensoleillé. Sommerliche Landschaft mit kleinem Gehöft. Öl auf Lwd., ca. 1900-1903. Jh. 73 x 52 cm. Unten re. sign. Doubliert. Gerahmt. Das Gemälde wurde 1986 bei Mes Baron & Ribeyre, Couturier & De Nicolay, Paris für 336,600 Ffr. zugeschlagen (Lot 114). - Nicht im WVZ erfasst. Wir haben bei Madame Denise Bazetoux Bouin-Luce, Herausgeberin des WVZ angefragt, Werk wurde von Ihr nicht als Arbeit von Luce anerkannt. - Dem Künstler zugeschrieben. Sommerliche Landschaft. Öl auf Leinwand. Unten re. sign. Doubliert. Gerahmt. D
Lot 935
Maintenon,(F.d'Aubigne).: Lettres de Madame de Maintenon. Nouvelle ed. 16 Bde. Maastricht, Dufour & Roux 1778. Ldrbde. d. Zt. mit Rsch. u. Rverg. (Berieb., Rsch. tls. fehlend). Barbier III, 242. - Ausgabe "des remarques critiques de Mr. de Voltaire". - Tls. leichte Gebrauchsspuren. - Exlibris.
Lot 442
Antiquarian. Lever, Charles (Harry Lorrequer). A small selection of works. See images for titles. Uniform in half tan calf, gilt. (5) together with Antiquarian miscellany. Includes; The Diary and Letters of Madame D'Arblay. London: 1890. In three volumes.; The Poetical Works of the Rev. George Crabbe. London: 1847. In eight volumes. Plus two others. (13)
Lot 206
DAREDEVIL #101-109, 112-157 (55 in Lot) - (1973/1979 - MARVEL - US & UK Price Variant) - Includes the first full appearances of Bullseye & Angar the Screamer, the first written work by Chris Claremont, Madame MacEvil becomes Moondragon + the first cameo and full appearance of Death-Stalker - Flat/Unfolded
Lot 432
IRON MAN #54 & 55 (2 in Lot) - (1973 - MARVEL) KEY Bronze Age Books with multiple First Appearances - First appearances of Thanos (Avengers), Drax the Destroyer (Guardians of the Galaxy), Starfox (Eternals), Mentor, Kronos, Blood Brothers & Madame MacEvil (later Moondragon) - Gil Kane & Jim Starlin cover art - Flat/Unfolded - a photographic condition report is available on request
Lot 475
Max Ernst 1891 Brühl - 1976 Paris Promenade sous la neige. 1957. Öl auf Papier auf Leinwand montiert, dies auf leinenbezogenem Karton. Links unten signiert. Verso auf der Rückseite der Künstlerrahmung betitelt und mit einer persönlichen Widmung des Künstlers. 24,4 x 18 cm (9,6 x 7 in), blattgroß. • Max Ernst hat mit seinem Œuvre Dada und Surrealismus wesentlich geprägt. • Seit seiner 'Histoire naturelle'' (1926) sind die surrealen Elemente der Natur eines der wichtigsten Themen in seinem Œuvre. • Max Ernst war auf der documenta I, II, III vertreten. • Als zentraler Künstler der deutsch-französischen Avantgarde ist Max Ernst in internationalen Sammlungen vertreten, darunter das Solomon R. Guggenheim Museum, Metropolitan Museum und Museum of Modern Art, New York, das Centre Pompidou, Paris, und die Tate Gallery, London. Mit einer schriftlichen Echtheitsbestätigung von Herrn Dr. Jürgen Pech, Bonn, vom 29. Oktober 2023. Die vorliegende Arbeit ist im Archiv zum Oeuvre-Katalog Max Ernst dokumentiert. PROVENIENZ: Max Ernst, Huismes (Frankreich). Sammlung Madame Floquet, Annecy (Geschenk des Künstlers). Privatsammlung (erworben Hôtel Marcel Dassault 15.12.2000, Los 12). Privatsammlung Schweiz (vom Vorgenannten erworben, Christie's 19.06.2007, Los 468). LITERATUR: Hôtel Marcel Dassault, Paris, Auction Art Moderne, 15.12.2000, Los 12 (m. Farbabb). Christie’s, London, Impressionist and Modern Art Day Sale, (m. Farbabb). Natur ist für Max Ernst eine wesentliche Inspiration, mit der er seine Intuitionen und surrealen Imaginationen erlebbar machen kann. Mit 'Promenade sous la neige' versetzt er uns in einen gleichsam halluzinatorischen Zustand: Das Knirschen der Schritte und die gedämpfte Wahrnehmung der Welt im dichten Flirren des Schnees werden spürbar. Schon mit seiner 'Histoire naturelle'' (1926) macht Max Ernst die surrealen Elemente der Natur zu einem der wichtigsten Themen in seinem Œuvre. Gemälde wie 'La Nymphe Écho' (1936) im MoMA, New York, 'La dernière forêt' (1960/70) im Centre Pompidou, Paris, oder ('La nature à l'aurore') (1936) im Städel Museum, Frankfurt a. Main, geben dafür beispielhaft Zeugnis. Max Ernst nutzt seine Kunst, um der Natur als einem entzauberten Gegenstand der Forschung und des Konsums wieder Überraschung, Irritation Geheimnis zurückzugeben. Das Kunstmuseum Bonn widmete diesem Themenbereich unlängst die Ausstellung 'Max Ernst und die Natur als Erfindung' (13.10.2022-22.1.2023), in der das Werk des Künstlers als Entwurf einer alternativen Naturgeschichte im Kontext der Kunst seiner Zeit bis in die Gegenwart beleuchtet wurde. 'Promenade sous la neige' ist also ein Werk aus einem elementaren Themenkreis der Gedankenwelt von Max Ernst. Besonders ist noch zu erwähnen, dass die leinwandbezogenen Karton, auf der das kleine Bild montiert ist, von Max Ernst selbst ausgewählt, gestaltet und mit einer persönlichen Widmung für die erste Besitzerin versehen wurde. [EH] Aufrufzeit: 09.12.2023 - ca. 19.12 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N), Folgerechtsvergütung fällt an.ENGLISH VERSIONMax Ernst 1891 Brühl - 1976 Paris Promenade sous la neige. 1957. Oil on paper on canvas, on canvas-covered cardboard. Signed in lower left. Titled and inscribed with a dedication on the reverse. 24.4 x 18 cm (9.6 x 7 in), the full sheet. • Max Ernst had significant influence on Dada and Surrealism. • Since his 'Histoire naturelle' (1926), the surreal elements of nature have been one of the most important themes in his oeuvre. • Max Ernst participated in documenta I, II, III. • As a central artist of the German-French avant-garde, Max Ernst's works are at, among others, the Solomon R. Guggenheim Museum, Metropolitan Museum and Museum of Modern Art, New York, the Center Pompidou, Paris, and Tate Gallery, London. Accompanied by a confirmation of authenticity issued by Dr. Jürgen Pech, Bonn, from October 29, 2023. The present work is documented in the archive of the oeuvre catalog Max Ernst. PROVENANCE: Max Ernst, Huismes (France). Collection of Madame Floquet, Annecy (gift from the artist). Private collection (acquired from Hôtel Marcel Dassault, December 15, 2000, lot 12). Private collection Switzerland (acquired from the above, Christie's June 19, 2007, lot 468). LITERATURE: Hôtel Marcel Dassault, Paris, Auction Art Moderne, December 15, 2000, lot 12 (color illu.). Christie’s, London, Impressionist and Modern Art Day Sale, June 19, 2007 (color illu.). For Max Ernst, nature was an essential source of inspiration through which he was able to express his intuitions and surreal imaginations. With 'Promenade sou la neige' he puts us in a quasi-hallucinatory state: the sound of footsteps crunching the snow and the muted perception of the surrounding become palpable. In his 'Histoire naturelle' (1926), Max Ernst made the surreal elements of nature one of the most important themes in his oeuvre. Paintings such as 'la Nymphe Écho' (1936) at the MoMA, New York, 'La dernière forêt' (1960/70) at the Center Pompidou, Paris, or (La nature à l'aurore) (1936) at the Städel Museum in Frankfurt am Main, provide impressive proof thereof. Max Ernst uses his art to restore surprise, irritation and mystery to nature, contrary to its disenchantment through science and the consumer culture. Recently, the Kunstmuseum Bonn dedicated the exhibition 'Max Ernst und die Natur als Erfindung” (Max Ernst and Nature as Invention, October 13, 2022 - January 22, 2023) to this topic. The exhibition examined the artist's work as a draft of an alternative natural history in the context of the art of his time up to the present day. Hence “Promenade sous la neige” is a work that addresses an elementary theme in Max Ernst’s world of thought. It is particularly worthwhile mentioning that the canvas-covered cardboard onto which the small picture is mounted, was selected, designed and inscribed with a personal dedication for the first owner by Max Ernst. [EH] Called up: December 9, 2023 - ca. 19.12 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N), artist´s resale right compensation is due.
Lot 105
RenéBoivin, bague années 1950 or 750 stylisant un décor végétal serti de saphirs ronds surmonté d'une émeraude octogonale, doigt 49-9Accompagnée de son certificat d'authenticité par Madame Françoise Cailles stipulant que ce bijou a été dessiné par Juliette Moutard pour René Boivin dans les années 1950.
Lot 65
EDUARDO ARROYO (1937-2018)Citoyen 1982 signé et daté 1982aquarelle, encre et mine de plomb sur papier teintésigned and dated 1982watercolour, ink and graphite on tinted paper51.9 x 39.8 cm. 20 7/16 x 15 11/16 in.Footnotes:Un certificat de Madame Fabienne Di Rocco sera remis à l'acquéreur. ProvenanceCollection particulière, Paris (acquis en 1998)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 54
PABLO ATCHUGARRY (N. 1954)Sans titre 1986 marbre de CarrareCarrara marble 27 x 47 x 10 cm. 10 5/8 x 18 1/2 x 3 15/16 in.Réalisé en 1986, cette œuvre est unique. Footnotes:L'authenticité de cette œuvre nous a été aimablement confirmée par Madame Silvana Neme. Un certificat de l'Archivio Atchugarry, Lecco, sera remis à l'acquéreur.Provenance Collection particulière, Italie (acquis auprès de l'artiste) Puis par descendance au propriétaire actuelBibliographie Carlo Pirovano, Atchugarry, Catalogo generale della scultura. Volume primo. 1971-2002, Milan 2012, n°1986 4, p. 53, illustré en couleursThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 76
ENRICO BAJ (1924-2003)Specchio 1970 signé miroir, verre de Murano sur tapisserie monté sur panneausigned miror, Murano glass on tapestry mounted on panel 101 x 105.5 cm. 39 3/4 x 41 9/16 in.Réalisé en 1970. Footnotes:L'authenticité de cette œuvre nous a été aimablement confirmée par Madame Roberta Cerini Baj. ProvenanceStudio Condotti 75, RomeCollection particulière, RomePuis par descendance au propriétaire actuelBibliographieEnrico Crispolti, Catalogo generale Bolaffi dell'opera di Enrico Baj, Turin 1973, p. 225, illustré en noir et blancThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 24
JEAN-PIERRE RAYNAUD (N. 1939)Construction-Destruction I 1988 carreaux de faïence, matériaux de construction, bois et verre dans cadre d'artiste ceramic tiles, building material, wood and glass in the artist's frame81 x 81 x 12.7 cm. 31 7/8 x 31 7/8 x 5 in.Réalisé en 1988.Footnotes:Nous remercions Madame Denyse Durand-Ruel des informations qu'elle nous a aimablement communiquées sur cette œuvre.Cette œuvre est répertoriée dans les archives de Madame Denyse Durand-Ruel sous le numéro 3238.ProvenanceCollection Andrée Putman, France (offert par l'artiste)Puis par descendance au propriétaire actuelExpositionsJapon, Mito Art Tower, Contemporary Art Gallery, Jean Pierre Raynaud, 18 avril - 31 mai 1992Paris, Galerie Daniel Templon, Jean Pierre Raynaud, 12 février - 14 mars 1992Bibliographie François-Olivier Rousseau, Andrée Putman, Paris 1989, p. 98, illustré en noir et blancAbraham M. Hammacher, Jean Pierre Raynaud, grands peintres et sculpteurs, Paris 1991 , n°105, p. 146, illustré en noir et blancJanviers en Bourgogne, Andrée Putman, Chalon-sur-Saône 1993, p. 15, illustré en noir et blancBeaux Arts Magazine, n° 56, IV, texte de Guy Tosatto, J.P. Raynaud, l'amateur de carreaux, p. 33Donald Albrech, Andrée Putman Complete Works, New York 2009, p. 320, photo in situ Bureau d'Andrée Putman, illustré en couleursDenyse Durand-Ruel, Jean-Pierre Raynaud, Catalogue Raisonné tome 2, 1974-1997, Paris 2021, n° 776, p. 131, illustré en couleursThis lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 42
ROGER-EDGAR GILLET (1924-2004)Sans titre 1958 signé et daté 58huile sur toile de jute signed and dated 58oil on burlap130.5 x 89 cm. 51 3/8 x 35 1/16 in.Footnotes:L'authenticité de cette œuvre nous a été aimablement confirmé par Madame Marion Gillet-Guigon. Un certificat d'authenticité pourra être obtenu à la charge de l'acquéreur. ProvenanceCollection Carlo Monzino, ItalieAcquis auprès de celle-ci par le propriétaire actuelThis lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU.TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 47
RAOUL DUFY (1877-1953)Etude de Roses signé 'Raoul Dufy' (en bas à droite)mine de plomb sur papier contrecollé sur toile de coton signed 'Raoul Dufy' (lower right)graphite on paper laid down on cotton canvas46.7 x 70.3 cm. 18 3/8 x 27 11/16 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Fanny Guillon-Laffaille et Monsieur David Guillon. ProvenanceCollection particulière, France.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 45
RAOUL DUFY (1877-1953)Étude de robe pour Paul Poiret cachet des initiales de l'artiste 'R.D' (en bas à droite) encre et lavis d'encre sur papier Exécuté circa 1917stamped with the artist's initials 'R.D' (lower right)ink and wash on paper Executed circa 191731.2 x 20.1 cm. 12 5/16 x 7 15/16 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Fanny Guillon-Laffaille et Monsieur David Guillon. ProvenanceCollection particulière, France.Bibliographie Galerie Fanny Guillon-Laffaille, Galerie Neffe- Degandt, Raoul Dufy-Paul Poiret, Modèles, aquarelles & dessins, 1917-1919. Paris, Londres, 1998, illustré p. 45This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 46
RAOUL DUFY (1877-1953)Etude de Coquillages signé 'Raoul Dufy' (en bas à droite)mine de plomb sur papier contrecollé sur toile de coton signed 'Raoul Dufy' (lower right)graphite on paper laid down on cotton canvas8.1 x 109.6 cm. 3 3/16 x 43 1/8 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Fanny Guillon-Laffaille et Monsieur David Guillon. ProvenanceCollection particulière, France.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 2
LÉONARD TSUGUHARU FOUJITA (1886-1968)L'Acteur Ichikawa Danjuro dans la Pièce de Kabuki YA-NO-NE signé 'L. Foujita' (en bas au centre) encre de Chine sur papier Exécuté circa 1955signed 'L. Foujita' (lower centre)India ink on paper Exécuté circa 195527.5 x 18 cm. 10 13/16 x 7 1/16 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Sylvie Buisson.ProvenanceCollection Madeleine Renaud et Jean-Louis Barrault.Vente, Blanchet & Associés, Paris, 23 mars 2022, lot 264.Acquis dans cette vente par le propriétaire actuel.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 3
LÉONARD TSUGUHARU FOUJITA (1886-1968)Homme au poisson signé 'L. Foujita' (en bas à droite)Encre de Chine sur papier calquesigned 'L. Foujita' (lower right)India ink on tracing paper 12.7 x 8.9 cm.5 x 3 1/2 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Sylvie Buisson et Monsieur Casimir Buisson. ProvenanceSuccession Kimiyo Foujita;Sa vente, Cornette de Saint Cyr, Paris, 15 décembre 2020, lot 64.Acquis dans cette vente par le propriétaire actuel.Saleroom notices:Veuillez noter que le titre de cette oeuvre est La pêche miraculeuse et est daté circa1965. Please note that the title of this work is La pêche miraculeuse and is dated circa1965.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 40
RAOUL DUFY (1877-1953)Nature morte aux fruits cachet de l'atelier de l'artiste (en bas à droite)aquarelle, gouache et fusain sur papier stamped with artist's atelier stamp (lower right)watercolour, gouache and charcoal on paper39.5 x 56 cm. 15 9/16 x 22 1/16 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Fanny Guillon-Laffaille et Monsieur David Guillon. ProvenanceCollection particulière, France.Collection particulière, France (acquis auprès de celle-ci). Raoul Dufy a apporté une contribution significative au monde de la mode et des textiles à travers ses collaborations avec des maisons de couture renommées. A partir de 1905, Dufy chercha à transposer depuis la peinture, son esthétique à différents supports. Il élargit alors son éventail de techniques avec une maîtrise virtuose : gravure, illustration, céramique, décors de théâtre, décorations murales, tapisserie, ou encore textile, soulignant un attrait particulier pour les arts décoratifs. A ce titre, la création textile constitua une partie importante dans sa production artistique qui fut marquée par des collaborations prestigieuses avec le célèbre couturier Paul Poiret et avec la maison de soierie Bianchini-Férier. C'est à partir de 1910 que Paul Poiret et Raoul Dufy s'associèrent et fondèrent ensemble « La petite Usine », un modeste atelier artisanal boulevard de Clichy où l'artiste réalisait l'ensemble des étapes de la création : le dessin, la gravure sur bois puis l'impression sur tissu. Cette collaboration fut un tremplin pour Dufy qui poursuivit ses créations textiles à l'échelle industrielle avec la manufacture Bianchini-Férier. Il s'exprima « Me voilà donc amené à la décoration et à la mode, non par délassement ou par amusement mais pour une expérience sérieuse. Que d'échos cette période de ma vie ne réveille-t-elle pas en moi ! Grâce à Poiret et à Bianchini-Férier, j'ai pu réaliser cette relation de l'art et de la décoration, surtout montrer que la décoration et la peinture se désaltèrent à la même source. » Ses motifs floraux aux couleurs audacieuses transposées sur des tissus imprimés, contribuèrent à la création de textiles luxueux et élégants. Le style de Dufy, reconnaissable à ses couleurs vives, ses lignes fluides et des motifs inspirés de la nature, a été particulièrement bien adapté au monde de la mode. Ses œuvres ont été intégrées dans la conception de robes, foulards et accessoires, marquant une influence artistique dans ce domaine. Son esthétique joyeuse, vibrante et sa capacité à capturer le mouvement ont ajouté une dimension artistique aux vêtements et aux textiles, faisant de lui un artiste prisé dans le contexte de la haute couture.Raoul Dufy made a significant contribution to the world of fashion and textiles through his collaborations with renowned couture houses.Starting from 1905, Dufy sought to translate his aesthetic from painting to various mediums. He expanded his range of techniques with virtuoso mastery, including engraving, illustration, ceramics, theatre set design, murals, tapestries, and textiles, emphasising a particular attraction to decorative arts. In this regard, textile creation played a significant role in his artistic production, marked by prestigious collaborations with the famous fashion designer Paul Poiret and the silk house Bianchini-Férier.It was from 1910 that Paul Poiret and Raoul Dufy partnered and together founded 'La petite Usine', a modest artisan workshop on Boulevard de Clichy where the artist carried out all stages of creation: drawing, wood engraving, and fabric printing. This collaboration served as a stepping stone for Dufy, who continued his textile creations on an industrial scale with the Bianchini-Férier manufacture. In his own words: 'So here I am led to decoration and fashion, not for relaxation or amusement, but for a serious experience. What echoes this period of my life awakens in me! Thanks to Poiret and Bianchini-Férier, I was able to realise this connection between art and decoration, especially to show that decoration and painting draw from the same source.'His bold, colourful floral motifs transposed onto printed fabrics contributed to the creation of luxurious and elegant textiles. Dufy's recognisable style, characterised by vibrant colours, fluid lines, and nature-inspired motifs, was particularly well-suited to the world of fashion. His works were integrated into the design of dresses, scarves, and accessories, marking an artistic influence in this field.His joyful, vibrant aesthetic and ability to capture movement added an artistic dimension to clothing and textiles, making him a sought-after artist in the context of haute couture.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1
LÉONARD TSUGUHARU FOUJITA (1886-1968)Fillette signé et inscrit 'L. Foujita mes hommages' (en bas au centre)encre de Chine et rehauts d'aquarelle sur papier Exécuté circa 1960signed and inscribed 'L. Foujita mes hommages' (lower centre)India ink and watercolour highlights on paperExecuted circa 196035. 2 x 28 cm. 13 7/8 x 11 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Sylvie Buisson. ProvenanceVente, SVV Bérard-Péron, Lyon, 23 novembre 2022, lot 121. Acquis dans cette vente par le propriétaire actuel.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 41
RAOUL DUFY (1877-1953)Opera signé 'Raoul Dufy' (en bas à droite)encre sur papier signed 'Raoul Dufy' (lower right)ink on paper 51 x 65.3 cm.20 1/16 x 25 11/16 in.Footnotes:L'authenticité de cette œuvre a été confirmée par Madame Fanny Guillon-Laffaille et Monsieur David Guillon. ProvenanceCollection particulière, Paris.Collection particulière, Paris (acquis auprès de celle-ci).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 507
A Napoleon III brass, ivory and mother-of-pearl inlaid ebonised breakfront cabinet, third quarter 19th century, gilt bronze mounted, marble top above door, on plinth base and toupie feet, with paper label for Rue de la Roquelle 21 SCHAMBER FABRIQUE & MAGASIN DE MEUBLES DE LUXE Genre Boule & Bois de Rose PARIS, 110cm high, 146cm wide, 45cm deepIvory submission reference: FEYN9YND Provenance: Property from the apartment of Madame Dewi Soekarno, Avenue Montaigne, Paris.Condition Report: some splitting to the lacquer, some lifting to brass inlay, split to the left side panel, structurally sound
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