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An Edwardian inlaid mahogany tubular bell quarter chiming eight-day longcase... An Edwardian inlaid mahogany tubular bell quarter chiming eight-day longcase regulator, unsigned, early 20th century, the substantial triple train movement chiming the quarters on eight tubular gongs and stiking the hour on an additional gong, the going train with deadbeat escapement, Harrison`s maintaining power and fine beat adjustment for the large lenticular bob pendulum, the 12.5 inch brass break-arch dial with matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and cast winged cherub head spandrels to angles, the arch with subsidiary STRIKE/SILENT and WHITTINGTON/WESTMINSTER selction dials within conforming brass mount infill, the swan neck pedimented case with urn-centred foliate scroll decorated infill above Corinthian columns and rectangular side frets to hood, shallow-arch bevel glazed front door with crossbanded borders and full-height rectangular glazed side windows to trunk, the plinth with inlaid urn motif to front and moulded skirt base, 242cm (95.5ins) high.
Edward Turner (fl. 1800) - Study of the statue of Marcus Claudius Marcellus, Louvre Black chalk, on wove paper Signed and dated 1803 lower left 72 x 37 cm. (28 1/4 x 14 1/2 in) With a study after Michelangelo`s Dying Slave attributed to Kenneth Wootton, black chalk on laid paper, initalled ESK lower left, with contemporary label attached lower right recto, inscribed "Kenneth Wootton, age 17", 76 x 55 cm. (29 7/8 x 21 5/8 in), (2).
Eduard Hildebrandt (1818-1869) - View of a street with Gothic Church in the background, Black chalk, watercolour, bodycolour B ears inscription Hildebrandt verso 25 x 17 cm. (9 7/8 x 6 3/4 in) Provenance: Nicos Dhikeos (not in Lugt); Christie`s London, 21st November, 1996, part of lot 47; Private collection, UK.
Eduard Hildebrandt (1818-1869) - Coastal landscapes with fishermen and children, A pair, watercolour over black chalk, bodycolour Each c.17 x 25 cm. (6 3/4 x 9 7/8 in), (2) Provenance: Nicos Dhikeos (not in Lugt); Christie`s London, 21st November, 1996, part of lot 47; Private collection, UK.
Thomas Goldsworth Dutton (d.1891) - H.M.S. Agamemnon, 91 Guns, Getting under weigh from Spithead, after O.W. Brierly, with Messrs Money Wigram & Sons Australian Steam Ship "Durham" 2 tinted lithographs with hand-colouring 1853, Ackermann & Co., and 1874, William Foster, respectively 460 x 625mm. (18 x 24 5/8 in), and 350 x 465mm. (13 3/4 x 18 1/4 in), respectively Unframed (2) Launched in 1852, Agamemnon was the navy`s first screw-propelled battleship. She saw action in the Crimean War, in 1854 and was employed in laying the first trans-Atlantic cable, in 1857-58.
A collection of Stoke City match programmes from the 1960's, Port Vale football programmes from the 1970's, Football league revues from the 1970's and Manchester United home game official programmes from the 1960's and 70's, Soccer star magazines from the 1950's and 60's and A collection of Speedway magazine and programmes from the 1950's-1980's (3 trays)
A RUSSIAN ICON OF HOLY MARTYR PARASKEVA WITH LIFE SCENES, NORTHERN SCHOOL, LATE 16TH-EARLY 17TH CENTURY, the figure of Saint Paraskeva, venerated as the healer of the blind as well as the patron saint of trade and commerce, stands in a field of flowering plants, she holds her martyr`s cross in one hand and an open scroll in the other, a pair of angels places a crown upon her head, surrounding the central image are fourteen scenes from the saint`s life, including the many tortures she endured under Emperor Antoninus Pius and the Roman governor Tarasius. Egg tempera, gold leaf and gesso on wood panel with kovcheg. Two insert splints on the back, one missing, one-half of the other present. 103 x 80 cm (40 ½ x 31 1/2 in.)PROVENANCESotheby`s, New York, June 10-11, 1981, lot 541.Collection of Bernard Winters, Armonk, New York (acquired at the above auction)Bernard J. Winters was a philanthropist and art collector who was captivated by Russian icons. Over a fifty-year period, he worked closely with Sotheby`s, Christie`s, and private collectors to cultivate his collection. His monumental icons, as well as those purchased from Natalie Hays Hammond, daughter of John Hays Hammond, diplomat, were some of his favored items.
A RUSSIAN ICON OF THE MOTHER OF GOD OF KYKKOS (THE MERCIFUL), STROGANOV SCHOOL, 17TH CENTURY, a variant of Mother of God Eleousa (Virgin of Tenderness or ""Umilenie"") - the Playful Child, representing one of the copies of the ancient wonderworking icon of the Mother of God from Cyprus that had been located in a monastery on Mount Kykkos; the Child Christ depicted in Mother Mary`s arms, with his swinging legs turned to one side and the body and the head to the other; shown holding an unfolded scroll inscribed with a quotation from Isaiah`s prophesy ?The Spirit of the Lord is on me, because he has anointed me? in Old Slavonic. Egg tempera, gold leaf and gesso on wood panel with double kovcheg. Two insert splints on the back, both missing. 31.7 x 28 cm (12 1/2 x 11 in.)PROVENANCEWilliam Doyle Galleries, New York.Collection of Bernard Winters, Armonk, New YorkBernard J. Winters was a philanthropist and art collector who was captivated by Russian icons. Over a fifty-year period, he worked closely with Sotheby`s, Christie`s, and private collectors to cultivate his collection. His monumental icons, as well as those purchased from Natalie Hays Hammond, daughter of John Hays Hammond, diplomat, were some of his favored items.
PAVEL IVANOVICH DOLGOV (RUSSIAN 1871-AFTER 1918)Design for a Porcelain Tea Set , 1892watercolor on paper66 x 42 cm (26 x 16 1/2 in.)signed and dated lower centerRELATED LITERATURETatiana Faberge, et al, Faberge: A Comprehensive Reference Book, (Geneva: Slatkine, 2012), p. 149, 158.LOT NOTESPavel Dolgov is primarily remembered as an associate of the house of Faberge, and a supplier of exceptionally finely crafted furniture to the Russian Court. This particular porcelain design was completed during his final months of study at the celebrated Baron Stieglitz Central School of Technical Design in Saint Petersburg, where he would later become an instructor. In 1908 Dolgov designed the famed Imperial eagle mounts used in Faberge vases, produced by the firm`s head silversmith, Julius Rappoport. After the collapse of the Russian Empire, Dolgov was one of the few people ?in possession of the well-kept secrets of fabrication? that Eugene Carlovich Faberge rallied to continue to the legendary luxury brand as Faberge & Cie.
PAIR OF PAINTINGS BY GENRIKH GENRIKHOVICH SCHMIDT (RUSSIAN 1861-1922)The Exterior Gates of the Pechorsky Monastery and the Church of Archangel Michael, Kostroma, 1910oil on canvas laid on board67.5 x 45.7 cm (27 x 18 in.) eacheach signed, titled and dated lower rightPROVENANCEThe Dore Galleries, LondonSotheby`s, London, December 2, 2004, Lot 38
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892386 item(s)/page