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PILKINGTON'S ROYAL LANCASTRIAN LUSTRE GLAZED POTTERY JAR AND COVER by William S Mycock, of squat form with slightly domed cover, painted in red and blue with a galleon on rough seas at sunrise, the cover with chained anchor, on a scroll work ground, 3 1/4" (8.3cm) high, 3 1/2" (8.9cm) diameter, impressed mark and mould no. 3154, painted artist monogram
TWO PIECES OF CARLTON WARE POTTERY, comprising, SHALLOW BOWL with moulded claw and ball feet, painted in bright tones with stylized floral design,s 3 1/4" (8.3cm) high, 9 1/2" (24.1cm) diameter and a CREAM COLOURED JUG decorated in brown with stylized leaves, 8 1/4" (21cm) high, printed marks (2)
IMPRESSIVE VILLEROY AND BOCH METTLACH MOULDED POTTERY EWER, of pedestal form with 'S' scroll handle to the waisted neck, decorated in colours with a central band of musicians and figures dancing, set between geometric and stylized borders, 18" (45.7cm) high, impressed marks and No. 1159
An early 18th century Dutch manuscript catholic benediction, painted in watercolour and gouache with the Annunciation of Our Lady, within a baroque frame of intersecting C and S-scrolls, inscribed with Christian blessing and maxims, flanked by springs of naive roses, cornflowers and other country flowers, 46cm x 34cm, c.1720
A late 19th century ormolu mounted table lamp, blush ivory vasular neck and reservoir, painted with roses and other country flowers, the mounts cast with irises, C and S-scrolls, knopped baluster, scrolling cartouche supports, 55.5cm high, c.1890 (later fitted for electricity)
A silver-gilt menu holder or name-place holder, by S. Blanckensee & Sons Ltd., Birmingham, 1932, applied to front with yellow ceramic rose and four buds, 4.5 cm. highThere appear to be a couple of minuscule chips to top edge of leaf but these are really only visible under magnification
A Victorian silver "berry" sugar sifter spoon, London, 1847; a silver pickle fork; five silver coffee spoons with matching tongs; a silver-handled combination nail file and cuticle depressor, Birmingham, 1916; three scroll-end coffee spoons and another lacking top section; a dog-nose jam spoon; a Norwegian silver teaspoon with spiral-twist stem; a Danish silver spoon by W. & S. Sorensen Brothers, Horsens, active 1939/50; and four plated items, weighable silver 229 gm. Overall good condition apart from the aforementioned broken coffee spoon.
Four groups of Chinese carved mother-of-pearl gaming counters, 34 piece in total, finely carved with flowers, birds and patterns in various form. Well polished high shine surface, 19th century, in good condition. Property from an English lady purchased in 1960’s in China.
A single stone diamond ring, the central brilliant approx. 0.68 carat, claw set within a coronet mount, diamond set shoulders, finger size S, 3.1gms CONDITION: the central stone with dark mineral inclusion beneath girdle facets to one side, bright and lively to the naked eye, Shank solid
Marti a Paris, a marble, bronze and ormolul mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, with an outside countwheel, the backplate stamped with the movement maker's trademark for Marti et Cie, Paris along with the serial number 8288, the round white enamel dial having black Roman hour numerals, Fd. Viteau, 7 Rue Vivienne, and with gilt-brass trefoil hands, the substantial white marble case inset with two tablets to the front and a further two to the sides depicting classical scenes involving an army of soldiers with horses and chariots, with ormolu mounts to the front and sides and female-head masks to the top four corners, surmounted by a bronze and ormolu figure of a boy playing a game of knuckle-bones, height 48cms.* Biography; Samuel Marti was one of the prolific French makers of the 1800's and was known to be working circa 1860 at Le Pays de Montbeliard, Paris making roulant blancs. Along with Japy Freres and Roux they set up a business in 1863 with an address in rue Turenne to market their movements to such firms as L'Epee. Their own Paris address was Rue Vieille-du-Temple from 1870.
Thomas Savidge, Exeter, a brass lantern clock: the thirty-hour weight driven movement striking the hours on a bell with an outside countwheel, the five and a half inch dial having a raised silvered chapter ring engraved with black Roman hour numerals and wheat-ear half-hour markings, the centre engraved with tulip decoration and the name Thos. Savidge, Exeter, with engraved floral decoration to the four corners and a single steel hand, the brass case with pillars to the four corners surmounted by cast finials, with engraved front cresting and further cresting to the sides and surmounted by four bell-straps beneath which sits the bell, with a further finial to the top, height 37.5 cms. (with restorations)*Biography Thomas Savage is recorded as working in Exeter from the mid-1670's having possibly been apprenticed in London to Joseph Quash on the 1st of March 1659. He held Jacobite sympathies and was gaoled in May 1691 and again in May 1692, after which he may well have left Exeter and returned to work in London.
A 1920's carved and ebonised frame settee in the Georgian taste:, with an upholstered stuff-over serpentine back, scroll arm supports with blind fret and paterae decoration, the upholstered stuff-over seat with loose cushions and gadrooned seat rail on acanthus decorated cabriole legs, terminating in claw and ball feet, 211cm (6ft 11in) long.
F H Danmark - A 1960's Danish rosewood circular dining table: on four grey metal splayed legs, together with a set of four ebonised dining chairs of shaped outline on tripod metal splayed legs. The table stencilled to the underside 'F.H. Danmark', 120cm ( 3ft 11in) diameter.
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922933 item(s)/page