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Click here to subscribeA VICTORIAN TRAVELLING VANITY SET, the brass bound coromandel case housing a number of silver mounted cut-glass jars and bottles, including a travelling inkwell, a shaving brush, a pair of cologne bottles and other items, with two pull-out tiers, by S. Mordan & Co., London 1841, the silver mounted items with engine-turned and chased decoration, monogrammed and crested, complete with key, and a leather travelling case. See illustration
A PAIR OF LATE 19TH/EARLY 20TH CENTURY ORIENTAL CARVED IVORY VASES, each decorated with traditional figures in a typical outdoor landscape, raised on circular hardwood bases, H 27.5 cm (2) S/DCondition Report:Staining throughout. Splits to the base of both vases with one small hole to one - see image.
A LATE 19TH / EARLY 20TH CENTURY FRENCH CLOCK GARNITURE, the enamel face with Arabic numerals and floral garland decoration, eight day movement striking on a bell, the marble case having classical maiden surmount with musical instrument and bow, the five scone candelabra garniture, overall H 58 cm, S/D
A FRENCH LATE 19TH CENTURY RED BOULLE WORK SIDE CABINET OF SMALL PROPORTIONS, the arched top above twin shaped doors opening to shelves, two short drawers below, gilt metal urn finials to the top and gilt metal metal mounts to the canted corners, the lower section of serpentine outline with single frieze drawer having sliding baize lined writing surface, raised on four shaped slender cabriole supports with gilt metal mask mounts, H 150 cm, W 81 cm, D 49 cm S/DCondition Report:Loose brass to the surface of the desk and to one leg. Also general wear and tear.
Two boxed Dinky Toys, 482 Bedford CA Van 'Dinky Toys', P/F in P box missing one end flap and 968 BBC Roving Eye Vehicle, overall F/G with malformed front N/S hub in G box together with Corgi Toys 417 Land Rover Breakdown Truck F/G but with some grubbiness and corrosion in P box missing one end flap. (3)
1930's walnut veneered side cabinet, central astragal glazed door flanked by two cupboards with cross banding and cock beading, three short drawers below, with brass bale handles all standing on four cabriole legs. 127cm (50in) wide. Condition report: Good, no makers label. Condition report: see terms and conditions
* JAMES MCINTOSH PATRICK LLD RSA ROI ARE (SCOTTISH 1907 -1998), THE HARVEST FIELD, GOWRIE oil on canvas, signed 51cm x 61cm (approx 20 x 24 inches) Framed. Label verso: The Fine Art Society, 148 New Bond Street, London. Inscribed with title, artist's name and dated April 1952. Note: An exceptional example of McIntosh Patrick's work from the early 50's when the artist is generally considered to have produced his finest paintings. After the war Patrick returned to Dundee with his wife and family and began painting outdoors rather than in the studio which he had upstairs in his house. By the 1950's he had perfected his style and technique in outdoor landscape painting and began recording his beloved Angus countryside on canvas, working in all seasons and all weather conditions. His style was traditional and he didn't have much time for "contemporary" interpretations of landscape. "The Tay Bridge from My Studio Window", painted in 1947, is probably the best known of Patrick's works and illustrates the detailed style which he had finally decided upon as suiting his temperament best. He was elected a full member of the Royal Scottish Academy in 1957. His reputation grew throughout the sixties and seventies and by the early eighties he was a giant in the Scottish art world. James McIntosh Patrick was an exemplar in his life and work and imparted his knowledge freely. He was without doubt the most able painter that Scotland has produced in the 20th century and stands on equal terms with most of Europe's best landscape painters of that era.
LEON UNDERWOOD [1890-1975] Restraint, 1963. bronze, unique. Signed. 16 cm high. Literature: 'The Sculpture of Leon Underwood', B. Whitworth, Lund Humphries, 2000, p.143, no.23; Exhibited: Minories Gallery, major one-man retrospective exhibition, 1969, no.107. [good condition]. Underwood is often stated to be the 'father of modern sculpture in the UK' - he taught Henry Moore and Barbara Hepworth and is still very underrated. Buyers premium of 20% [+ VAT] is payable.
BERNARD MEADOWS R.A. [1915-2005]. Study for Sculpture 11, 1977 watercolour and pencil. Signed. 12 x 18 cm [overall, including frame 32 x 38 cm]. Provenance: Taranman Gallery, 1977. Literature: 'Bernard Meadows', A. Bowness, Lund Humphries, pl. 104 [2]. [good condition - unexamined out of frame]. Buyers premium of 20% [+ VAT] is payable.
BERNARD MEADOWS R.A. [1915-2005]. Study for Sculpture 1, 1977 watercolour and pencil. Signed. 11 x 18 cm [overall 32 x 38 cm including frame]. Provenance: Taranman Gallery, 1977. Literature: 'Bernard Meadows', A. Bowness, Lund Humphries, pl.104. [good condition - unexamined out of frame]. Buyers premium of 20% [+ VAT] is payable.
Collection of ten A & C Black, Peeps at Great Railways Series to include; L. M. S and The Southern Railway, both in dust-wrappers; London and North Western, and another copy; London and North Eastern; South Eastern & Chatham and London, Brighton and the South Coast; North Eastern and Great Northern; The Great Western and two copies of The Canadian Pacific, all lacking dust-wrappers (10)
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![LEON UNDERWOOD [1890-1975] Restraint, 1963. bronze, unique. Signed. 16 cm high. Literature: 'The Sculpture of Leon Under](https://cdn.globalauctionplatform.com/7121e8e6-6ff7-47be-9317-a76300a67bc0/081899c3-5916-4ece-fbdf-3ed849c8832e/468x382.jpg)
![BERNARD MEADOWS R.A. [1915-2005]. Study for Sculpture 11, 1977 watercolour and pencil. Signed. 12 x 18 cm [overall, inclu](https://cdn.globalauctionplatform.com/7121e8e6-6ff7-47be-9317-a76300a67bc0/1cd3fc0a-29f3-4418-b11e-1fc0bd7e1568/468x382.jpg)
![BERNARD MEADOWS R.A. [1915-2005]. Study for Sculpture 1, 1977 watercolour and pencil. Signed. 11 x 18 cm [overall 32 x 38](https://cdn.globalauctionplatform.com/7121e8e6-6ff7-47be-9317-a76300a67bc0/da30c6a0-c486-46cb-e562-e2d4303dc429/468x382.jpg)
