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Two mid-1960's black and white photographs of Graham Hill taken in Monte Carlo, one showing him being presented with a trophy by Prince Rainier, the other holding the trophy aloft, 19.5 x 30cm, sold together with autographs of Graham Hill and Innes Ireland on an autograph book page, obtained at the same race.
A Gothic Revival walnut bench or armchair, the wide cushioned seat below a pierced back of S quatrefoil cartouche flanked by foliate trefoil and lappet decoration, the arms with quatrefoil roundels, on turned column legs and X friezes, 71cm high to back, 67.5cm wide, 45cm deep, 37cm high to seat
Quantity of books on fishing including:-Shipley, Williams & Fitzwilliam "A True Treatise on the Art of Fly-Fishing, Trolling, etc....", edited by Edward Fitzgibbon, Simpkin Marshall & Co 1838, frontis, name inscribed on title page and on ffep dated 1849, blindstamped cloth with gilt titles on backstrip, top of backstrip chipped Gallichan, Walter M (Jeffrey Mortimer)"Fishing and Travel in Spain, a guide to the angler", F E Robinson & Co 1904, photographic frontis with tissue guard, photographic plates, hinges cracked, inscription on ffep dated 1909, gilt titles and decorations on red clothThe New Naturalist LibraryFront, W E & Brown, M E "The Trout", Collins 1967, inscription on ffep, green cloth, dj not price clippedStoddart, Thomas Tod"The Angler's Companion to the Rivers and Lochs of Scotland", 2nd edition, William Blackwood & Sons 1853, engraved frontis, illustrations, stitched pocket in back board with a folded map and various other related volumes, also "The Trout and Salmon Magazine" dating from the 50's, 60's, etc. in green bindings
Herschel Levit (American 1912-1986) - Male nude Gouache, ink and charcoal Signed, lower right Image 75.5 x 50cm (29 3/4 x 19 5/8in.) Born in Philadelphia in 1912, Levit studied at the Pennsylvania Academy of Fine Arts and at the Art Institute of Chicago. Levit was an influential teacher who developed the careers of his students including Peter Hirsch, Martin Lipsitt and Tom Courtos amongst others. Levit s artistic output extended beyond his paintings into design and illustration. His work has been exhibited at the Metropolitan Museum of Fine Art, The Whitney Museum of American Art and the Chicago Institute of Fine Art.
Circle of Frans Francken III (Flemish 1607-1667) - The Deposition Oil on copper 17 x 13.5cm (6 7/8 x 5 1/4in.) Held in a later 19th century tabernacle style frame. The overall style and type of the painting point to a likely execution date of sometime during the mid-late 17th century. The work can be compared on stylistic grounds to the Francken studios and most notably the hand of Frans Francken III (1607-1667). Although the precise identity of the author has yet to be resolved, a plausible attribution to Circle of Frans Francken III and studio has been suggested. A comparison between the present lot with other works from Frans Francken III s (1607-1667) oeuvre, highlights similarities in the characterisation of the figures and treatment of light.
Richard Joyce for Pilkington’s Royal Lancastrian, an ovoid lustre vase Richard Joyce for Pilkington s Royal Lancastrian, an ovoid lustre vase, painted with a continuous broad band of three leopards stalking beneath trees, on a dark blue ground, impressed and painted marks, year marks for 1910, 28cm high Provenance: Hall Place, Kent, sold on the instructions of the Executors of Sonja, Lady Hollenden (nee Sundt)Please Note: The provenance for these lots should read: Provenance: Hall Place, sold on the instructions of the Executors of Sonja, Lady Hollenden
A matched set of seven silver wine labels, by S. Mordan and Co, Chester 1907-09, modelled as playing card suits comprising: two of spade form, titled 'SCOTCH', and 'SHERRY', two of heart form, titled 'WHISKY' and 'BRANDY', two of club form, titled 'PORT' and 'IRISH' and one of diamond form, titled 'SHERRY', approx. weight 2.8oz. (7)
A Charles II provincial silver Trefid spoon, by Marmaduke Best, York, 1665, the oval bowl with a rudimentary rat-tail, the reverse of the terminal with scratch initials 'T*S', length 18.8cm, approx. weight 1.4oz. Provenance: Constable Collection, Nicholas Shaw Antiques, This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 782-783, spoon no.118. This is an important York spoon as it is made to the new design outside of London, indicating the mobility of goldsmiths and journeyman and their wish to produce the latest fashions. The goldsmith had not quite shaken off the earlier style of spoon-making - he struck a mark in the bowl, unusually for a trefid. Also, you would expect to see a reeded rat-tail but this spoon has a rudimentary rat-tail.
A pair of Edwardian novelty silver owl menu card holders, by S. Mordan and Co, Chester 1909, modelled in standing positions, set with glass eyes, on circular bases, plus an Edwardian single novelty silver owl menu card holder, by Crisford and Norris, Birmingham 1907, modelled in a standing position, red eyes, on a domed base, heights 5cm and 3cm, approx. weight 2oz. (3)
An Elizabeth I silver Seal-top spoon, maker's mark of C or G enclosing an S, London 1588, fig-shaped bowl, tapering faceted stem, the finial with traces of gilding and scratch initialled 'E.W', length 16.2cm, approx. weight 1.3oz. Provenance: purchased from Barrington and Barrington, 55 Castlegate, Newark, 27 July 2002.
A Victorian Regimental silver-gilt two-handled trophy cup with an associated cover, over-stamped with maker's mark of Gibson and Langman, London 1893, the cover London 1803, vase form, with cast bifurcated snake handles above an acanthus leaf girdle, foliate borders, the pull-off cover with a knop finial, engraved '10 Royal Hussars 1871 Hunter's Cup', with the cipher of The Prince of Wales and the initials A. E for Albert Edward within an applied oak leaf wreath, the reverse inscribed 'Presented by H.R.H The Prince of Wales', 'Facsimile of cup won by H. S. Gough presented by him to The Officers' Mess 10th Royal Hussars on his leaving the Regiment, 19th August 1889', height 36cm, approx. weight 76.4oz.
A collection of four George II and George III silver marrow spoons, comprising: a George II one, by Benjamin Godfrey, London date letter worn, the reverse of the bowl with a shell heel, plus one London 1753, the stem initialled 'S', one London 1766 and one 1758, the reverse of the bowl with a plain rat-tail, approx. weight 6.4oz. (4)
A collection of eleven antique silver 'Cut-out' letter wine labels, comprising: a Scottish 'K', by James and William Marshall, Edinburgh circa 1850, a large 'C', London 1815, plus other letters 'R', 'I','W', and 'S' x2, 'G', 'H', 'A' and an electroplated label 'IW', approx. weighable 3.3oz. (11)
A Victorian silver-gilt and glass scent bottle / vinaigrette, probably by S. Mordan, plain circular form, the hinged glass front opens to reveal a pierced foliate scroll grille, the push button is stuck, so cover does not close, with a chain and ring attachment, length 8.8cm.
A George III provincial silver tankard, by John Langlands, Newcastle 1769, baluster form, central girdle, domed hinged cover with a pierced thumb-piece, scroll handle with a heart-shaped cartouche, the handle with scratch initials 'S' over 'I*S', on a raised circular foot, height 20.2cm, approx. weight 25.8oz. Purchased from J.H. Bourdon Smith Ltd, London, September 1997.
An American silver Severn pattern canteen for eight, by S. Kirk and Son, comprising: eight small table / dessert forks, eight table knives, eight dessert spoons, eight soup spoons, eight coffee spoons, eight fish forks, eleven teaspoons, eight oyster forks, three tablespoons, sauce ladle, two butter knives, six silver-handled side knives, in a fitted wooden case, approx. weighable 77oz. (qty)
A collection of six novelty silver menu card holders, comprising: a set of three modelled as an English rose, a Scottish thistle and an Irish shamrock, by Horace Woodward & Co Ltd, Birmingham 1905 and 1906, on hexagonal bases, plus a pair of shield form, Birmingham 1905, and one pierced 'MENU', by S. Mordan and Co, Chester 1908, approx. weight 4.5oz. (6)
Please note: this lot is silver, not silver-gilt as previously stated.A George III silver beaker, by S. Godbehere and Co, London 1805, tapering circular form, gilded interior, with an upper and lower fluted girdle, engraved with a crest, height 9cm, approx. weight 7.3oz. The arms are those of George III, used between 1 January 1801 and 8 June 1816.
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892280 item(s)/page