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Workshop of Robert Mouseman Thompson (Kilburn): A Burr Oak Kidney Table, the 4cm thick bur top, on two octagonal legs, joined by a chamfered floor stretcher, with carved mouse trademark, 96cm by 56cm, 73cm highFrom the estate of Peter Dalby (1936-2022).Post 1960's, In good order, Natural grain split in the floor stretcher, top has been varnished, only reapirs are to the burr at manufacture, mouse in good condition.
Sidney (Sid) Pollard (1914-1994) of Thirsk: An English Oak Stool, with leather lattice top, on four octagonal legs joined by stretchers, unmarked, 34cm by 26cm, 36cm highSidney Pollard did not use a carved "critter", instead his work is unmarked. He was a Thompson apprentice in the 1950's. Then worked from Bagby, Thirsk.Grain cracks and a joint crack. Splash marks. Dirty and dry.
An Émile Gallé Cameo Glass Vase, circa 1900, the milky white glass overlaid with purple and acid-etched with flowers, cameo signature Gallé, engraved 17 to the base, 11cm highProvenance: Given as a gift to the current vendor by Miss Edith Wyville. She received it as a thank you token for her work and devotion to the Camondo family in Paris before WWII. She was in service to the family as a nanny. She gave this piece of Gallé glass to the present vendor as a thank you for taking her back to the family home, now the Musée Nissim de Camondo, on a special journey of remembrance in the early 1970's. The top has been cut down/ground down.
A Pilkington's Royal Lancastrian Lustre Vase, decorated by William S Mycock, with motto FRANGAS NON FLECTES and coat of arms, on a blue ground, artist's monogram and 1919, impressed factory marks and 3022, 20cm high (restored chip to rim)Restored chip to rim. Damage to foot rim with hairlines. Crazing. See extra images.
Eight 1960's LP records, Moody Blues, The Magnificent Moodies, mono LK471, XARL 6869 1A runout, The Dave Clark Five, Return, BN26104, The Byrds, Mr Tambourine Man, SBPG 62571, with flipback sleeve, The Animals, The Most of The Animals SX6035, with flipback sleeve, The Troggs, Cellophane, German release, Wild Thing, SRF67556, Trogglodynamite, POL001, flipback sleeve, POL001 1Lx1 runout and Best of The Troggs
Konvolut Fachbücher, Porzellan, 7-tlg.,Klaus-Peter Arnold, Dresdner Porzellan, Verlag der Kunst, Dresden, o.J., Hans Lanz, Porzellan im Kirschgarten, Historisches Museum, Basel, 1977, Porzellan-Manufaktur Herend AG (Hrsg.), Herend, eine Manufaktur an der Jahrtausendwende, 1999, H. Wiewelhove (Hrsg.), Biedermeier-Tassen, Arnoldsche, Stuttgart, 2005, S. Ducret, La porcelaine des manufactures européennes du 18e siecle, Edition Silva, Zürich, 1971, Hugh Tait, Porzellan, Paul Hamlyn, London, 1962, D.J. Ponert, Berlin Museum, Kunstgewerbe I, Keramik, Berlin, 1985, nicht kollationiert
Großes Konvolut Fachbücher, Porzellan, 16-tlg.,R. Müller-Krumbach, Porzellan des 18. Jahrhunderts - Die Sammlung in Schloss Belvedere, Kunstdruckverlag, Weimar, 1973, G. Ehret, Porzellan, Battenberg Verlag, München, 1979, H.D. Grospietsch, Vom Zauber alten Porzellans, Rombach Verlag, Freiburg im Breisgau, 1981, D.Gielke, Europäisches Porzellan - Im Museum des Kunsthandwerks Leipzig „Grassimuseum“, Messedruck Leipzig, 1984, G. Meier, Porzellan aus der Meißner Manufaktur, Henschelverlag, Berlin, 1985, H. Reber, Höchster Porzellan aus drei Jahrhunderten (Kat. Ausst.), Museum der deutschen Porzellanindustrie, Hohenberg a. d. Eger, 1988, H. Guttmann, Fürstenberg - Die Porzellanmanufaktur, Verlag Porzellanmanufaktur Fürstenberg, 1990, K.P. Arnold/U. Heise/M. Ropers, „Ey! wie schmeckt der Coffee süße“ - Meissener Porzellan und Grafik (Kat. Ausst.), hrsg. v. Staatliche Kunstsammlung Dresden, Eduscho Verlag, Bremen 1991, R. Möller, Porzellan - Von Meißen bis zur Gegenwart, Deutscher Kunstverlag, München/Berlin, 1995, T.A. Stahlbusch, Figürliches Porzellan - Vom Barock bis Art Deco, Battenberg Verlag, Augsburg, 1995, M. Kunze-Köllensperger, Idylle in Porzellan - Kostbare Tischdekoration aus Meissen, E.A. Seemann, Leipzig 1996, N. Schreiner, Porzellan - Auktionspreise, Battenberg Verlag, Augsburg, 1997, T. Forrest, Antiche porcellane e argenterie - Come riconoscerle, datarle, valutarle, Idealibri S.r.l., Rimini, 1998, C.L. Fuchs, Die Vasen der Manufaktur Frankenthal (Kat. Ausst.), Kurpfälzisches Museum Heidelberg, Klaus Brecht Verlag, Heidelberg, 2006, D. Syndram/U. Weinhold (Hrsg.), Böttgersteinzeug - Johann Friedrich Böttger und die Schatzkunst, Staatliche Kunstsammlung Dresden/Deutscher Kunstverlag, Berlin/München, 2009, S. Riegler, Dish - 813 colorful, wonderful dinner plates, Artisan, New York, 2011, z.T. Gebrauchsspuren und kleine Defekte, nicht kollationiert
Jugendstil-Zuckerdose, 800er Silber, Franz Albrecht, Wien, um 1905/10 rechteckiger, konisch zulaufender Korpus auf 4 floralen Füßen, scharnierter Deckel mit durchbrochenem Griff, auf Wandung und Deckel reliefplastischer Ornamentdekor, Innenvergoldung, Meistermarke "FA" im Oval sowie Dianakopfmarke mit Feingehaltsziffer "3" und Ortsbuchstabe "A", ca. 542,2g, H 14,5x16,5x14cm, leichte Alters- u. Gebrauchsspuren, rücks. Kante leicht gedellt, Schlüssel ergänzt Lit.: Waltraud Neuwirth, Wiener Gold- und Silberschmiede und ihre Punzen 1867-1922, S. 73/74
Harald Duwe (1926, Hamburg-Rothenburgsort - 1984 in Tremsbüttel) Öl/Hartfaser, Strandszene mit liegender bzw. stehender Frau, über den Fluß schauend, u.r. monogr. "h.D" und dat. (19)64, ca. 27,5x36cm, gerahmt (42,5x50,5cm), Farbspuren am oberen Rand Vgl.: Ausstellungskatalog, Harald Duwe zum Gedächtnis, Kloster Cismar, 1994, S. 35/36
Konvolut Fachbücher, Porzellan, 9-tlg., B. Flügel/U. Schmidt-Ibach, Meissner Manier, Bd. 1, Frech-Verlag, Stuttgart, 1990, S. v. Carolsfeld/E. Köllmann, Porzellan, Bd. III, Klinkhardt & Biermann, Braunschweig, 1956, Gloria Ehret, Porzellan, Battenberg, München, 1979, Bettina Schuster, Meissen, Orbis Verlag, München, 1996, I. Handt/H. Rakebrand, Meissner Porzellan des 18. Jahrhunderts, Verlag der Kunst, Dresden, 1956, Günther Sterba, Meissner Tafelgeschirr, DVA, Stuttgart, 1889, Livia Nekam, Meissner Porzellan, Corvina Kiado, Budapest, 1980, 2x Sammlungführer, Dresden, nicht kollationiert
Konvolut Fachbücher, Porzellan, 6-tlg., Bundesministerium für Wissenschaft und Forschung (Hrsg.), Meissner Porzellan von 1710 bis zur Gegenwart, MAK, Wien, 1983, K. Klemp/K. Weber, Fragile, die Tafel der Zaren und das Porzellan der Revolutionäre, Schnell & Steiner, 2008, Heremitage Amsterdam, Dining with the Tsars, o.J., S. Ducret, Porzellan der europäischen Manufakturen im 18. Jahrhundert, Rheingauer Verlagsgesellschaft, 1971, Katalog, Porzellanfigurenwerk Gräfenthal, Tierfiguren, o.J., Fritz Löffler, Der Zwinger zu Dresden, Staatliche Kunstsammlung Dresden, 1981, nicht kollationiert
César Klein (1876, Hamburg - 1954, Pansdorf, Kreis Ostholstein) Gouache auf Papier, "Nachtphantome", u.r. sign. "Cesar Klein" u. dat. 1945, 31,5x23cm (Sichtmaß), hinter Glas gerahmt (52x41,5cm), ungeöffnet Lit: Rudolf Pfefferkorn, Cesar Klein, Die Kunst unserer Zeit Bd.14, Rembrandt-Verlag, Berlin, 1962, Abb. S. 68 Provenienz: norddeutsche Privatsammlung
Carl Magnus (1943 in Getinge- Halmstad - lebt in Lund, Schweden)2 Farb-Serigraphien- Elegie (Dreiecke), 1988, u.m. bleistiftsign. u. dat., Ex. 46/75, ca. 12x36cm, Blattmaß ca. 74x63cm, ungerahmt- Harg (Faltung), 1989, u.m. bleistiftsign. u. dat., Ex. 51/60, ca. 30x23cm, Blattmaß ca. 78x53cm, ungerahmt
"Lesendes Mädchen", Entwurf 1904 von Konrad Hentschel für Meissen, Fertigung nach 1972 Porzellan, polychrom bemalt, auf Runddeckeltruhe mit Floraldekor sitzendes Mädchen mit schleifengebundenem Haar einen Brief lesend, den Kopf auf die linke Hand gestützt, im Boden unterglasurblaue Schwertermarke, Modellnummer "13444" und Malerzeichen"2825", H ca 16cmLit.: Staatliche Porzellanmanufaktur Meissen, Meissener Manuskripte, Sonderheft 3, S. 21/ 22, Nr. 16
HEILIGER JOHANNES Süddeutsch/Franken, um 1500, Holz, rückseitig summarisch geschnitzt, mehrere polychrome Fassungsschichten, auf Vordersicht gestaltete Ganzfigur des auf einem kleinen Erdhügel stehenden Apostels, der in seiner linken Hand als kennzeichnendes Attribut den Kelch hält, stark gefältelter Umhang mit kontrastreichen Knick- und Parallelfalten, leichter S-Schwung im Körper, H: ca. 85 cm. Normale Altersspuren, rest. und teilw. besch.| SAINT JOHNSouth Germany/Franconia, c. 1500, wood, summarily carved on the back, several polychrome layers of paint, a full figure of the apostle standing on a small mound, holding the chalice in his left hand as characteristic attribute, strongly pleated cloak with contrasting folds and parallel pleats, slight S-shaped curve in the body, h: approx. 85 cm. Normal signs of age, rest. and partly dam.
MAMIYA RB67 PRO-S MIT VIER OBJEKTIVEN UND ZUBEHÖR, 70er Jahre, Kamera (C118599), vier Objektive Mamiya-Sektor 1:4,5 f=50mm, Mamiya- Sektor C 1:3,8 f=90mm, Mamiya-Sektor NB 1:3,8 f 127mm und Mamiya-Sektor C 1:4,5 f=65mm, Zubehör: Polaroid Back, Prismensucher, Wechselmagazin und zwei Drahtauslöser. Alle Teile mit Alters- und Gebrauchsspuren, Kamera löst aus, optische Teile in gutem Zustand. Anbei Transportkoffer und Bedienungsanleitung.| MAMIYA RB67 PRO-S WITH FOUR LENSES AND ACCESSORIES, 70s, Camera (C118599), Four lenses Mamiya Sector f/4.5 f=50mm, Mamiya Sector C f/3.8 f=90mm, Mamiya Sector NB f/3.8 f127mm and Mamiya Sector C 1:4.5 f=65mm, accessories: Polaroid back, prism viewfinder, interchangeable magazine and two cable releases. All parts show signs of age and wear, camera triggers, optical parts in good condition. Enclosed transport case and operating instructions.
Fairport Convention, Chart Topping 1960's Band Signed 2007 Concert Programme. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]
Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Woman Into Man, French Vogue, Paris [standard format]". Medium: Original photolithograph. Date: Composed 1979. Printed 1992. Dimensions: Image size: 11 x 7 1/4 in. (279 x 184 mm).Lot Note(s): Signed "Helmut" in black marker, lower right. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Through the photographer Henry Talbot; from an extensive private collection, Sydney, Australia. Comment(s): “Featuring Gia Carangi, arguably the world’s first supermodel, along with Robin Osler (for Yves St, Laurent). Androgyny was a favorite theme for Newton's fashion work, particularly for Vogue in the 1970s and 80s. Newton had become close friends with David Bowie and it is suggested that some of Newton's work on the theme stemmed from that friendship. This image was shot at the George V Hotel, Paris. Newton included this highly recognizable image in his "Private Property Portfolio" in 1984. He also selected it as one of 10 images for a series of posters to publicize the portfolio and exhibitions in Paris and London.” Image copyright © The Helmut Newton Foundation. [30467-3-600]
Artist: Robert Frank (Swiss/American, b.1924). Title: "Butte, Montana". Medium: Original photogravure. Date: Composed 1956. Printed 1969. Dimensions: Overall size: 5 1/16 x 7 11/16 in. (129 x 195 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $146,500 realized at Sotheby's, New York, 4/13/2010, lot #160. Image copyright © Robert Frank. [29718-1-300]
Artist: Keith Haring (American, 1958 - 1990). Title: "Lucky Strike: Blue". Medium: Original color lithograph. Date: Composed 1987. Dimensions: Overall size: 39 5/16 x 27 9/16 in. (999 x 700 mm). Image size: 38 x 25 3/4 in. (965 x 654 mm).Lot Note(s): Signed in black marker, lower left; signed and dated in the plate. Edition of 100?. White wove paper. Full margins. Fine impression with vibrant colors. Very good condition. Literature/catalogue raisonne: Gundel/von der Osten 51. Comment(s): Image copyright © The Keith Haring Foundation. [26511-6-1200]
Artist: Mexican School (Ex-Voto Artist) 20th Century. Title: "Vintage Ex-Voto/Retablo: Lucrecia Perez". Medium: Oil on tin. Date: Composed c1940. Dimensions: Overall size: 8 x 12 1/2 in. (203 x 317 mm).Lot Note(s): Extensive explanatory annotations as part of the image. Good condition. Provenance: Private collection, Mexico City, from a noted and scholarly collector of ex-votos/retablos. Comment(s): An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow or gratitude or devotion. A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. [30303-2-300]
Artist: Charles Sheeler (American, 1883-1965). Title: "Ford Plant, River Rouge, Criss-Crossed Conveyors". Medium: Original vintage photogravure. Date: Composed 1927. Printed 1930. Dimensions: Image size: 9 7/16 x 7 9/16 in. (240 x 192 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: Stebbins (2002) pg.145. Provenance: Estate of Seymour Hacker, Hacker Art Books/Gallery, NYC (his personal collection). Comment(s): We could not find a record of this photograph at auction. Image copyright © Estate of Charles Sheeler. [23208-3-600]
Artist: Keith Haring (American, 1958 - 1990). Title: "The Paris Review [1988 poster]". Medium: Original color silkscreen. Date: Composed 1988. Printed 1988. Dimensions: Overall size: 24 x 32 in. (610 x 813 mm).Lot Note(s): Signed and dated in black marker, lower right; signed and dated in the plate, lower left. Edition size unspecified, presumed extremely small - perhaps a few proofs?. White wove thick paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition. Literature/catalogue raisonne: Gundel/von der Osten "Keith Haring - Short Messages: Posters" #66. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This is a very rare poster. Haring created this image for the famous periodical "Paris Review" in 1988. An editioned silkscreen with virtually the same image was printed in 1989. Based on auction records the poster appears far more uncommon than the print. According to 'Gordon's Art Reference' the auction record for the print is $11,250 at Sotheby's, New York, October 30, 2014, lot #239. Gordon's records 51 offerings of the print at auction from 1990 to 2019. During the same period Gordon’s records only a single offering of the poster, at $4,493 (€4,000) by Van Ham Kunstauktionen, Cologne, Germany, 5/31/2017, lot #179. Both the poster and the print are silkscreens. They differ only in the color of the face (green in the poster, blue in the print), and the elimination of the plate signature and date in the print, both present in the poster. Please note our example is the first printing of the silkscreen poster in 1988 and not the offset lithograph later printing by the Haring estate in 1995. Image copyright © The Keith Haring Foundation. [29156-6-2400]
Artist: Manuel Alvarez Bravo (Mexican, 1902 - 2002). Title: "Muchacha Viendo Pajaros". Medium: Original photogravure. Date: Composed 1931. Printed later. Dimensions: Overall size: 6 7/8 x 8 3/8 in. (175 x 213 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition size unspecified, presumed small. High-grade archival paper. Wide margins. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, San Miguel de Allende, Guanajuato, Mexico. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this very scarce image is $52,580 realized at Sotheby's, New York, 4/17/2002, lot #130. Image copyright © Colette Urbajtel / Archivo Manuel Alvarez Bravo, SC. [29771-2-400]
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892386 item(s)/page