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A Queen Anne porringer and cover,+ part swirl fluted with a ropework band around the cover, two cast S-scroll handles and a turned, knop ficial, the body engraved on one side with a lozenge-shaped, later cartouche, initioalled by William Keatt London 1711 5.75" (14.5cm) high oreal-10oz.
A group of medals to D-9205 Private D. Taylor:+ 1914-1918 war medal-named "D9205 PTE D. Taylor 2-DNS" -named "D9205 PTE D. Taylor 2-DNS" 1914-15 Star-named "D9205 S. STH D. Taylor 2nd GDS" Long Service & good conduct medal, India bar-named SJT. Instr. D.K. Taylor I.U.L. ATTD. AFI" Set of matching miniatures and the Royal Scots Greys badge (all mounted on a velvet pad)
An Edwardian embossed photograph frame,+ of shaped oblong outline, decorated with a scene from H W Longfellow's "HIAWATHA" with a kneeling Indian brave outside his tipi, bordered by drying pelts and spears above the stamped inscription "Feed the Fire of Friendship and the winds will fan the flames", probably by C S Green & Co, Birmingham 1905, 11in (28cm) high.
Richard Gilson Reeve (1803-1889), after Henry Thomas Alken (1785-1851) "LONDON ROYAL MAIL"; "A FOUR-IN-HAND"; "A STAGE COACH"; "A STAGE COACH". Inscribed and originally published on 1st December 1827, by S & J Fuller, at their Sporting Gallery, 34 Rathbone Place, London, four images on one sheet, coloured aquatinted engravings, each 9.5cm by 13.5cm (3 3/4in by 5 1/4in), overall size 27.5cm by 37.5cm (103/4in by 143/4in) pl
After Sir William Russell Flint (1880-1969) "VARIATIONS ON A THEME". Reproduction in colours, from an edition of 850, signed in pencil, with the blindstamp for the Fine Art Trade Guild, published by Frost & Reed Ltd of Bristol and London, 1966, 47cm by 62.5cm (181/2in by 243/4in *The picture also contains a label attached to the reverse taken from a book with a small article written by Sir William Russell Flint concerning some remarks made by commentators of the day in the 1950/60's concerning some of his subject matter.
Neapolitan School (19th/20th century) A VIEW OF THE BAY OF NAPLES WITH FIGURES MERRYMAKING IN THE FOREGROUND, FISHING BOATS AND OTHER SHIPPING NEARBY, VESUVIUS IN THE DISTANCE; THE BAY OF NAPLES WITH VESUVIUS ERUPTING, FIGURES IN THE FOREGROUND, FISHING BOATS AND OTHER SHIPPING NEARBY; BAY OF NAPLES WITH FISHERMEN GATHERING IN THEIR NETS IN THE FOREGROUND, BUILDINGS AND MOUNTAINS BEYOND, Gouache, each 30cm by 49.5cm (12in by 191/2in) (a set of three) (3) s
A Set of Four Cut Glass Mounted and Gold Painted Metal Three-Branch Wall Appliques, each as a stylised vase with tall central stem forming the backplate, the flowerhead composed of facet cut almondine beads, and with leafage below, the S branches with further floret and leaf mounts, 61cm high (A/F)
A Rare George I Black and Gold Japanned Desk and Bookcase, the double-arched cornice over two arched doors with conforming mirrors, enclosing a fitted interior with shelves and pigeon hole about a central concave cupboard, the base having a slope with fitted interior and well, over two short and two long drawers, on (reduced) ball feet. 215cm by 100cm by 58cm s
1959 A.J.S. 500c.c. Model 20 Twin Reg.No. 936 UXC. During the 1950's all the big manufacturers followed the trend started by Triumph in 1938 of having parallel twins in their range. Always renowned for the high quality of finish and engineering A.M.C. were no exception, continually improved rather than restored, this example has had recent improvements to the paintwork and is described by the vendor to be in good mechanical condition.
A Pair of Emerald Glass Wines, circa 1800, drawn trumpet bowls on circular feet, 12.8cm high; A Similar Knopped Wine Glass, 12.9cm high; A Continental Parcel Gilt Jug, circa 1900, with S strap handle and cut with diamond and waved patterns, scroll decoration in gilt (partly worn away), 17cm high; and Two Other Crizzled Glass Examples, similar, 18cm and 16.5cm high respectively (6)
A Pilkington's Royal Lancastrian Lustre Vase, by William S Mycock, the ovoid body with flared neck and foot rim, decorated with a formal foliate and floral design and the inscription "FORTEM POSCE ANIMUM", within key fret borders in lustre on a green ground highlighted in iron-red, impressed and painted marks, 29cm
A Flared Pottery Cockerel Vase, Robert Heron & Son, Fife, circa 1900, with blue glazed seeded flowerhead side knobs, moulded in high relief on one side with a cockerel looking to peck a fly, decorated in colours, the opposite side with a spray of red flowers, with claret edge lining and trellis motifs to the side panels, script mark in red "RH & S, Fife Pottery", 39cm high
A Royal Crown Derby Porcelain Imari Ewer, 1905, of neo-classical semi-ovoid pedestal shape, with S handle, with fluted gilt painted decoration upswept to a beaded swollen collar, the main body painted in typical colours with a foliate design, upon a conforming swept circular foot and integral square plinth, red printed crown, interlaced D mark and year mark, 27cm high
A Pair of Wedgwood Majolica Three-Branch Candelabra, circa 1870, each with a concave sided triangular base sheathed in acanthus to a knop applied with three ram masks, knopped upper stem with ovoid finial supporting three S scroll acanthus branches with petalled nozzles, in rich coloured enamels throughout, each impressed "Wedgwood", one with "BUX", the other with "MIV", date letters probably for 1868 and 1871, 31.5cm high (A/F)
A Royal Worcester Porcelain Fruit Painted Vase and Cover, of compressed quatre-lobed form, with bud finial (cracked) to the scroll pierced cover, painted with two peaches, green grapes, two cherries, two redcurrants, brambles and two apples on a mossy bank, signed "S Roberts", black printed crown and wheel mark, year letter for 1884 and "H278", 13cm high
A Royal Worcester Porcelain Fruit Painted Two-Handled Pedestal Vase and Cover, with bud finial to the domed cover, classical female masks to the handle terminals, painted with two apples, brambles, two peaches and green grapes, signed "S Roberts", black printed crown and wheel mark, numbered "2363", 21.5cm high
A Worcester Gilliflower Pattern Tea Bowl and Saucer, the bowl with "W" script mark, the saucer with open crescent, circa 1780; A Cannonball Pattern Tea Bowl and Saucer, the saucer with "eyebrow" mark in underglaze blue, the saucer with open crescent, circa 1780; A Lowestoft Blue and White Tea Bowl, painted in blue with peonies on a veranda, circa 1780; A Caughley Fisherman Pattern Tea Bowl and Saucer, transfer printed, "S" mark in underglaze blue, circa 1780; and Two Caughley Dessert Plates, shaped circular form, painted in blue with scattered sprigs in the French manner, "S" mark in underglaze blue on latter, circa 1790, 21.2cm and 21cm diameter (6)
A Caughley Blue and White Transfer Printed Porcelain Asparagus Server, circa 1790, in the "Fisherman" pattern, blue printed "S+" mark; A Creamboat, circa 1780, transfer printed with a "fruit and wreath" type pattern in blue, with wrythen fluted decoration and leafage to the basal rim, 10.7cm long; and A Caughley Egg Separator, circa 1780, transfer printed in blue with the "Fisherman" pattern, circular, with rustic twig handle, 8.5cm (3)
A Pair of Dutch Delft Pottery Blue and White Moon Flasks and Covers, early 20th century, with S scroll shoulder handles attached to the cylindrical necks with domed covers, painted with canal and windmill landscapes to one side, a solitary gentleman and mother and child to the opposite face, with scroll and floret borders, domed feet, script painted "N" and "45", 35cm high
A Meissen "Hausmaler" Porcelain Coffee Pot and Cover, circa 1735, of bulbous form with S scroll handle, the domed cover with seeded bud finial, decorated in underglaze blue with chinoiserie flowers issuing from stylised rockwork with birds, outside decorated in enamel colours and with a frontal scene of two musicians and flowerheads, crossed swords mark in underglaze blue, 18.5cm high (cover extensively damaged)
A Meissen "Hausmaler" Porcelain Tea Bowl and Saucer, circa 1740, painted in underglaze blue, iron red and colours externally with birds amongst flowers issuing from rocks, seated figure in a townscape to the interior of the chinoiserie tea bowl, the saucer with birds amongst flowering blossoms, with figurative and topographical vignettes to the outer border, enriched in gilt, underglaze painted blue crossed swords mark, the saucer impressed "23" and "N97"(?) in underglaze blue to the inside of the foot rim, the tea bowl with indistinct impressed "S" (five small chips to the tea bowl rim); A Pair of Dresden Porcelain Hexagonal Panelled Dwarf Candlesticks, in 18th century style, the nozzles and bases alternately painted with Watteauesque couples and profusions of roses, with triple knopped stems, "AR" (Augustus Rex) mark in underglaze blue, 13.5cm high (one with repaired stem); and A Volkstedt Cabinet Cup, Cover and Saucer, in 18th century style, painted in puce en camiaeu with putti in landscapes, within canary yellow borders, enriched with gilt, crossed hay-fork mark in underglaze blue (finial chipped) (4)
An Ode Loosdrecht Porcelain Coffee Pot and Cover, circa 1780, of baluster form with S scroll handle, the domed cover with acorn finial picked out in gilt, amongst puce and green enamel swags and undulating laurel and sprigs, a similar collar to the neck, the body painted with three main sprays of flowers, incised "M:OL, L49", and "M:OL" in underglaze blue/grey, 23cm high
Beer (Andrew, 1862 - 1954). Racing Pigeon, 'Blue Cock. N. U. H. P. 20. M. 7181. N. U. R. P. 20. P. 5543. Winner of Oil Painting Special for W. B. Average. Pontnewynydd H. S. 1920. Presented by Andrew Beer. Bred & Flown by Albert Jones.', oil on card, with hand - written caption to lower margin, approx. 295 x 395 mm (11.5 x 15.5 ins), contemp. stained wood frame (1)
English School. A 19th c. folio album of prints and drawings, c. 1840 - 70s, including twelve mounted b&w engs. from C. C. Henderson's Road Scrapings (1840), three etched plts. of animals by Edwin Landseer, seven orig. watercolour studies of Turkish costume, including two females, and one Greek soldier (each with pencil caption and dated 1854), a large pencil drawing of a hunting scene, attributed to Henry Alken, and dated 1822, a mid - 19th c. pencil study of a boy and dog, with watercolour detail to the face, two pen, ink & wash drawings of horses by Bourganoni, several watercolours and drawings of hunting scenes, each initialled 'B. B. R.', dated 1841 and 1871, four original sketches of hunting scenes by John Frederick Tayler, P. R. W. S. (1802 - 1889), etc, all mounted in contemp. morocco - backed album, rubbed and frayed, some wear to spine and outer corners, large folio (1)
Prout (Samuel, 1783 - 1852, School of). Street scene in Norwich, early 19th c. pencil drawing, with monogram 'S P', approx. 193 x 297 mm, together with two other early 19th c. English School drawings, including a watercolour view of a pool with figures in a boat, and a pen & wash drawing of boats and figures beside the sea, approx. 120 x 165 mm and 140 x 200 mm respectively (3)
Hooghe (Romeyn de, 1645 - 1708). No Monarchy, No Popery. Herstelling der Waere Godstienst en Grondwetten in G: Brittanien. Door S. K. H. Met Weguluchten van het hof ende familie van de K: Jacob de II en Koningin van Engeland, pub. L. Tangena, 1689, b&w etching, showing the progress of James II in England and France, in 1689, contained in eleven sequential narrative scenes, with decorative top margin, approx. 480 x 570 mm, mounted on backing paper (1)
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899314 item(s)/page