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A Slice Cut Glass Pedestal Whiskey Dispenser "McConnell`s Special Irish, Belfast", circa 1880, the conical and slice cut cover with pointed finial, the ovoid body acid etched McConnell`s Special Irish Cromac Distillery Belfast, and with crown and harp trade mark, cylindrical spigot nozzle, on a hollow compressed knopped short stem and circular foot, 70cm high See illustration
A Stourbridge Millefiori Paperweight, circa 1850-60, with cut and angled multicoloured canes in concentric setting, on a low foot, 10.5cm diameter, Provenance: J F Blood & Sons, Antique Dealers, Manchester Applied with the collection label Mrs Applewhaite-Abbott`s Collection and 204. Sold by order of her daughter Lady Dugan of Victoria. Sotheby & Co 24 February 1952, lot 539.
A Matched Pair of Stourbridge Millefiori Paperweights, circa 1850-60, decorated with pink, yellow, white, and green canes, each on a low foot, 10.3cm diameter, Provenance: J F Blood & Sons, Antique Dealers, Manchester, Both with original collection labels Mrs Applewhaite-Abbott`s Collection and 534/4. Sold by order of her daughter Lady Dugan of Victoria. Sotheby & Co, 24 February 1953, lot 534.
A Matched Pair of Stourbridge Millefiori Paperweights, circa 1850-60, each with pale pink, green, blue and white cut canes, each on a low foot, 9.2cm and 9.3cm diameter, Provenance: J F Blood & Sons, Antique Dealers, Manchester Each bearing original collection label Mrs Applewhaite-Abbott`s Collection and 539. Sold by order of her daughter Lady Dugan of Victoria. Sotheby & Co, 24 February 1953, lot 539.
A Stevenson & Hancock Derby Porcelain Foxhound Head Stirrup Cup, circa 1865, realistically modelled and painted, the hound`s gilded collar inscribed Tally Ho!, puce painted crown, crossed swords, dots, SH and D mark, 13cm high, sold together with an old letter gifting the piece to a friend See illustration
A Prattware Pottery Pen Holder Modelled as a Shoe, circa 1810, the blue lady`s "slipper" shoe edged in mustard trimmed with a flower, black lace detail around the double pierced pen apertures, 11cm; and A Saltglaze Pottery Small Mug, circa 1750-70, engine turned with reeded horizontal bandings and incised with a foliate flourish rubbed with blue, S scroll handle, 6.7cm high (2)
A Chinese Monochrome Blue Glazed Figure of a Seated Confucian Scholar, 19th century, holding a fly whisk in his right hand, tea bowl in his left, on a canted flat integral plinth (pierced on the reverse with a rectangular aperture), 27cm high An old ink written on the base Old Chinese turquoise blue Mrs Goddard`s Collection 799A
Tosa School, 19th century: Daimyo and Attendants, in a pavilion by a waterfall, ink, colours and gold leaf on paper, 23cm by 16.5cm, with pasted label and inscription below The Genuineness of this painting is guaranteed by S M Shiba Miyanoshita as atested by his seal: similar to that on the back lower corner of this print, genuine Tosa 150 years old See illustration
A Suite of Arts and Crafts Silver and Green Paste Jewellery, by Arthur & Georgie Gaskin, comprising a necklace, a brooch and a pair of drop earrings, the foil backed faceted green pastes held in rubover settings on floral and bead frames, brooch signed ÔG` to the reverse, brooch measures 4.9cm by 1cm, necklace measures 38.5cm in length, catch panel 1.3cm by 1.3cm and pendant 1.8cm by 3.5cm, earring drops measure 4.5cm. See illustration 2, Provenance: By descent from the vendor`s great-great-grandfather- Laurence Hodson of Compton Hall, patron of the Arts & Crafts movement, and godfather to Joscelyne Gaskin., Illustrated in Arthur and Georgie Gaskin, Birmingham Museums and Art Gallery publications, 1981, item reference G60, p.90, sold with exhibition label.
An Arts and Crafts Silver and Green Paste Pendant, by Arthur & Georgie Gaskin, the foil backed faceted green stones held in a rubover setting on a fine scrolling wirework frame, signed ÔG` to the reverse, pendant measures 3.5cm by 8cm, chain length 46cm. See illustration , Provenance: By descent from the vendor`s great-great-grandfather- Laurence Hodson of Compton Hall, patron of the Arts & Crafts movement, and godfather to Joscelyne Gaskin., Illustrated in Arthur and Georgie Gaskin, Birmingham Museums and Art Gallery publications, 1981, item reference G61a, p.90.
An Arts and Crafts ÔPhyllida` Pendant on Chain, by Arthur & Georgie Gaskin, circa 1930, the pendant of silver and gold floral and leaf motifs and beading, set with cabochons of chalcedony and pink and green tourmalines with signature ÔG` to the reverse, pendant measures 2.8cm by 6.8cm, chain length 56cm, in a case with printed interior ÔMrs. Arthur Gaskin Jeweller Chipping Campden`. See illustration, Provenance: By descent from the vendor`s great-great-grandfather- Laurence Hodson of Compton Hall, patron of the Arts & Crafts movement, and godfather to Joscelyne Gaskin., Illustrated in Arthur and Georgie Gaskin, Birmingham Museums and Art Gallery publications, 1981, item reference G85, description p.93, photograph p.64.
A Victorian Amethyst and Diamond Pendant, the large oval mixed cut amethyst overlaid with diamonds in the form of a snake`s body wrapping around it, the snake with emerald eyes suspends a baroque pearl from the end of its tail, total diamond weight 0.70 carat approximately, measures 3cm by 6.5cm. See illustration
A Lady`s Platinum and Diamond Set Wristwatch, circa 1935, nickel finished lever movement, bimetallic balance, silvered dial with Arabic numerals, the engraved case with diamond set bezel and a single line of graduated diamonds set throughout the bracelet, total diamond weight 3.00 carat approximately, hinged back numbered Ô4334`, 12mm by 24mm, bracelet length 16.5cm. See illustration
A Lady`s Diamond Set Wristwatch, retailed by Benson, circa 1935, nickel finished lever movement, bimetallic balance with blued overcoil hairspring, silvered dial with Arabic numerals, case with baguette and round brilliant cut diamond set bezel and lugs, on a double black cord strap with diamond set loops, total diamond weight 1.30 carat approximately, hinged case back with engraved inscription, 10mm by 25mm, bracelet length 16.5cm. See illustration
A Lady`s Stainless Steel and Gold Automatic Calendar Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual, Date, Ref:6517, circa 1980, (calibre 1161) 26-jewel self-winding lever movement, adjusted to five positions and temperature, silvered dial with applied baton markers, date aperture beneath magnifying glass, centre seconds, case with screw-down winding crown, screw back, case serial number 2072769, Rolex steel and gold Jubilee bracelet with deployant clasp, 25mm wide See illustration
A Japanese Mixed Metal Cigarette Box, circa 1920, rectangular, the white metal mounted copper lid worked with a view of the flanks of Mount Fuji, incised signature and gilded character mark inset, (also marked on the base), 14cm wide; A Group of Five Japanese White Metal Condiments and Small Ornaments, comprising a palanquin, a temple drum, a water bowl, a paper lantern on stand, and a drink vendor`s box, the lantern 8.8cm high; and Four Graduated Japanese White Metal Sake Bowls, with moulded or engraved decoration (10)
A Silver Teapot, probably Rome, 19th century, of compressed oval section, with bud finial to the gently domed cover, the spout with bird head terminal, C scroll wood handle, crossed keys and mitre mark within a shield, and PS1 within a lozenge, 10cm high; A French Provincial Double Lipped and Two-Handled Sauceboat, circa 1798-1809, with acanthus sheathed S scroll handles and grooved rims to the shallow vessel, mark indistinct, 13.6cm long; and An Augsburg Silver Gilt Fiddle and Thread Pattern Dessert Spoon, 1763/65, 18cm long, 14oz gross (3)
A Russian Silver Gem Set Kovsh, bearing marks for Faberge, workmaster`s mark Karl Gustav Hjalmar Armfelt, St Petersburg, circa 1899-1903, assay master`s mark A Riktera, scratch engraved stock number 13936, the everted tab handle issuing from an oval bowl with a cockerel head prow, inset with garnet and green cabochon stones amongst hooked strapwork, 15.8cm high See illustration, Ex Collection: Brian Ledbrooke
A George V Caster, maker`s mark RS, Edinburgh 1935, the stepped square base with foliate capped corners rising to a plain baluster body with an angular scroll handle and pierced domed cover, 14.5cm high; and A French Silver Beaker, circa 1800, of bell form, 10.5cm high, 11oz 12dwt
A George V Six Piece Tea and Coffee Service, maker`s mark E&Co, Birmingham 1920, each piece of compressed lobed cushion form, comprising tea kettle (34.5cm high over handle), stand and burner, coffee pot, teapot, two-handled sugar basin, sugar basin with cover, and milk jug, 167oz
A Pair of Edward VII Adam Style Two-Branch Three-Light Table Candelabra, maker`s mark HE Ltd, Sheffield 1904, with square section candlestick stems with husk draped paterae embossed weighted bases, supporting a campana nozzle with removable swept cap with vase finial, flanked by whiplashed S reeded branches slightly upraised, numbered 10828, 40cm high See illustration
A Late Victorian Silver Mounted Cut Glass Claret Jug, Harry Atkin, Sheffield 1901, of shaft and globe form, cut with diamonds, squares and stars, with large lozenge motifs to the neck, the mounts repousse with flowers, satyr mask spout, hinged and domed cover, with acanthus sheathed S scroll handle, 28cm high
A Pair of Late Victorian Three-Branch Four-Light Table Candelabra in Adam Style, Thomas Bradbury, London 1900, each candlestick stem with weighted square base, tapering stem and campana nozzle, repousse with classical motifs including pendant paterae, curtain swags, anthemion and gadrooning, supporting octagonal panelled upraised centre lights flanked by three S scroll reeded branches, 38.3cm high See illustration
A Victorian Spirit Kettle on Stand with Burner, Richard Martin & Ebenezar Hall, London 1876, the compressed cushion shape kettle with fixed and scrolled arched overhead handle, richly repousse with scrolls and flowers, presentation inscription relating to John Easton Esq of Layton Manor, on ogee sided stand on four S scroll legs with shell feet, supporting a burner, 39.5cm high, 65oz gross See illustration
A Set of Four George IV Salt Cellars, Joseph Craddock, London 1825, formed as shells upon periwinkle feet, interiors gilt, crested, 10cm long; and A Set of Four Victorian Salt Cellars, Mary & Richard Sibley, London 1838, retailer`s mark Makepiece, London, en suite, crested, 10cm long, 53oz 6dwt (8) See illustration
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922924 item(s)/page