We found 892386 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 892386 item(s)
    /page

Lot 1520A

Andy Shaw (bn 1966) Butterfly Effect Spin titled and dated 2006 to verso, spray paint on board, circular, 82cm diam Provenance: The artist`s studio

Lot 1552

William Kip, two-page map, Dorcestriae Comitatus Vulgo Dorsett... (from Camden`s Britannia) hand coloured, 28cm x 39cm

Lot 23

An Hermes white whaleskin `Constance` handbag, delphinapterus leucas, with gilt H lifter-clasp, maker`s stamp to the interior, adjustable shoulder strap, 23cm, 9in long. Please note there are export restrictions on this lot outside the EU.

Lot 25

A rare gentleman`s folding black felted wool hat, circa 1815-20, with pronounced curved brim edged in narrow braid, narrow petersham band to crown, lined in red silk, 33cm, 13in long

Lot 42

A gilt metal bracelet, 1980s, probably Yves Saint Laurent but un-signed, formed from linked mussel shells overlaid with large rhinestones, 8cm, 3in diam; together with an YSL cigarette lighter, (2). One of Saint Laurent`s catwalk models Mercedes, was commissioned to design the bangle by Monsieur Saint Laurent.

Lot 57

A rare appliqued patchwork coverlet depicting the coronation of Queen Victoria, worked by H.C. Simmonds, English, circa 1838, cotton flap attached to one side crudely embroidered in red cotton ÒH.C. Simmonds, near the Mansion House at Weston near Bath, Somerset ShrÓ, the central section with a stylised church and Christ as a boy visiting the temple, the bordering scenes of the Flight into Egypt and the Nativity, often incorporating rather hairy angels, the upper edge with Coronation scene with large throne, three dimensional bishop, and courtiers and raisedwork royal cypher, the lower border with a large thatched cottage, bird in a cage, one of the figures with 1790s block printed cotton gown, the two side panels with scenes from country life including a church, Cross Keys public house, harvest scenes, animals, fine carriages, the outer border of ivy trails in green roller printed cotton, size 237 by 203cm, 93 by 78in. Stylistically the fine robes of the Coronation figures are more 1780s in style than 1830s which suggests that the embroideress was a little out of touch with contemporary fashions and probably didn`t see engravings of Queen`s Victoria`s actual coronation. The cottons are mainly roller-printed dress fabrics of the 1830s. Weston is a small village near Bath. The `Mansion House` may refer to Weston House, which stood in the High Street until demolished in the 1970s. It was built around 1700 and would have been the largest house in the village even in the mid 19th century. The Weston burial church registrar contains several children named Simmonds/Simmons in the 1830s but no earlier records of the name which suggests that the familly may only have been resident in Weston for a few years. We are indebted to Colin Johnstone of the Bath Record Office and Rosemary Harden of the Fashion Museum, Bath for their help in researching the provenance of this piece.

Lot 68

A Wolmerhausen ladY`s riding habit, 1860s, labelled Military Tailors & Habit Makers to her Majesty, the Prince Consort and the Royal Family, no 49 Curzon St, Mayfair, of black facecloth, with lightly boned short high bodice with tail to the back, domed silk covered buttons, padded bodice front, the sleeves lined in striped silk; the skirt with deep pocket and side loop for lifting the hem (2)

Lot 71

A gentleman`s country coat, circa 1800, of beige linen, buttoning from neck to waist with fold-over collar which can be buttoned to the neck or show a small lapel, narrow sleeves, deep pockets inserted at the waistline, two further deep pockets inserted into the faux sword slits at the rear skirt, the upper half of the coat lined in soft flannel, self-covered buttons

Lot 73

Two pairs of Holland cotton gentlemen`s breeches, English, early 19th century, initialled to the inside `EL`, with 5 1/2in deep waistband, button-fastened fall-front, buttons and ties to knees; together with four white cotton Newmarket style lightweight cotton waistcoats, (6). Provenance: These were the property of Edmund Larker, of Bedford Square, a successful `Hong Merchant`.

Lot 81

A Lieberman & Siegel cream wool walking suit, American, circa 1917, labelled, in cream wool gabardine, embroidered detailing to belt, pleats to the skirt, bust 92cm, 36in (2) This collection was purchased in the 1970’s by Steven Gregory from a second hand shop in West Norwood. One of the pieces bore the unusual embroidered name tag ‘Mrs Trummer’. From this small lead Mr Gregory managed to amass a huge amount of information which places the clothes in context with their social history. Mrs Trummer was born in 1837 as Elizabeth Agnes Hodges and was twice married. Her second marriage certificate lists Elizabeth Agnes Coles (widow) marrying Otto Trummer (a Prussian merchant) on 28 March 1863 at Saint Mary, Edge Hill, Lancashire. Her father John James Hodges is listed as an artist. There is a record of Otto Trummer’s application for British Citizenship in The National Archives dated 30th November 1870. The Census of 1871 show them living at 23 Norland Square, Notting Hill. Some time after 1871 they moved to Morland Road, Norwood. Norwood was home of the future Frederick III, Emile Zola and Camille Pissarro. After Otto Trummer sold his business in New London Street, EC3 in the mid 1880’s they moved to 54 Lancaster Gate, Bayswater. The Opera Coat c.1896-7 is a glamorous testimony to visits to the grandest social events. Mrs Trummer died in 1904 aged 67. How the clothes came to arrive in West Norwood remains a mystery but a Miss Elizabeth A.I. Trummer (born in India c.1858) worked as a music teacher at Harcourt in Croydon and lived in West Norwood, she may have been a relation. Some of the later clothes in this collection (some of Indian silk) were presumably hers. These costumes map the rise and prosperity of an émigré and his wife at the end of the 19th century.

Lot 85

A Jay`s of London, black self-striped velvet and satin evening gown, circa 1890, labelled to the bodice waist, the skirt front and cuffs adorned with floss silk embroidered coiling blooms; together with a black lace cape c.1890; and a black satin promenade dress adorned with steel beads, (5)

Lot 86

A group of clothing, circa 1885-90, comprising: satin damask opera coat with, Regent St retailer`s label (indistinct) and Mrs Trummer embroidered inside collar, trimmed with feathers; a pink silk tea gown trimmed with lace and chiffon; a golden yellow silk gown trimmed with cream chiffon flounces; a pale pink bodice with sharply pointed waist; a pink and grey damask gown woven with roundels; together with a folder containing research related to the Trummer collection (qty)

Lot 90

A rare group of Queen Alexandra`s lingerie, circa 1890-1905, all bearing royal cyphers, comprising: two nightdresses adorned with Valenciennes and whitework, two chemises-one with unusual flaps to front and back groin area (possibly for medical examinations); the upper part of a cut-down chemise; and a fine lawn petticoat with large Queenly crown to the bust; together with a lace cap and two cotton towels with red Queenly crowns AA 32 and AA6 motifs, (9)

Lot 98

A fine and rare Coco Chanel couture printed lace cocktail gown, Spring-Summer, 1928, narrow brown on beige woven label, no 77752, comprising: ivory crepe de chine slip with attached skirt panel of lace, the short over-bodice with scarf-like panel to one shoulder, the scarf and hem entirely edged in small lace flowers with tiered petals, bust 79cm, 21in; together with a copy of a Harper`s Bazaar sketch of a similar dress captioned ÒChanel Endorses Silken Lace`, April 1928, (2). Although Chanel often used lace in her gowns-this over-printed lace technique is very rarely seen.

Lot 102

A cape of fine stencilled Mariano Fortuny velvet, 1920s, the russet-pink velvet with gold renaissance style palmettes and tendrils, lined in gold lame with embroidered satin label `Adam`s, 13 Rue Royale, Paris`, the rabbit fur collar and trim is detached

Lot 106

An `Old England` herring-bone tweed lady`s hunting/sporting suit, French, circa 1920, labelled, comprising: tweed jacket with single large pocket (for small game), the matching breeches with leather reinforcements to the inside legs buttoned side flaps, chest 107cm, 42in, waist 72cm, 28in (2)

Lot 116

An early Balenciaga draped black jersey dinner gown, circa 1946, labelled but not numbered, with drooped, padded shoulders, streamlined front with V-pleats at the neck, the back with pleated and draped skirt and large glass cinder-like button, bust 86-92cm, 34-36in, curved waist 66cm 26in. Femina Suisse reported of the 1946 collection ÒBalenciaga`s draped effect is more 1885 than 1900É He possesses that sense of proportion and that ability to adapt which characterize the skillful designer whose audacity always stops at the required pleat. The black crepe dress is heavily draped at the hips, lightly so at the corsage, and pinched in at the waist by a wideish beltÓ.

Lot 120

An H. Harris double-breasted ecru linen summer suit with Royal Yacht Squadron buttons, American, 1941, the jacket with tailor`s label bearing Duke of Windsor`s name and date `3.15.41`, with slightly shaped waist, wide pointed lapels fastened by four cream buttons with the Royal Yacht Squadron emblem etched in gold; the peg-topped trousers with front pleats, turn-ups; together with a grey and white finely checked shirt with royal cypher and a blue and white bow tie, both by Hawes & Curtis, jacket chest 97cm, 38in, trouser waist 71cm, 28in, (7). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2857. In 1948 the Duke was photographed wearing this suit in Havana, Cuba

Lot 121

The Duke of Windsor`s cream silk jacket by Metzel, American, 1944, with tailor`s label dated 7/18/44 and bearing the Duke`s name, double breasted with plain mother of pearl buttons, chest 96cm, 38in; together with Hawes & Curtis grey and red checked bow tie, finely checked grey and white shirt with royal cypher; cotton dress shirt with wing collar, embroidered `E` to the label, a thistle shaped pique bow tie and matching waistcoat, (6). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2857, 2852, 2090

Lot 122

A group of Duke of Windsor Hawes & Curtis shirts and accessories circa 1940-53, comprising: soft beige cotton shirt, another of blue and white plaid, another woven with fine quatrefoils; a white dress shirt with fold-over collar, all with Duke`s cypher embroidered to the breast; together with five white pique waistcoats and a matching thistle shaped bow tie embroidered in red with Duke`s cypher; and a quantity of assorted collars and cuffs, average chest size 97cm, 38in (qty). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2852, 2900, 2924

Lot 123

A group of Duke of Windsor Hawes & Curtis shirts and accessories circa 1940-53, comprising: soft beige cotton shirt, another of fine window pane check, two white dress shirts with fold-over collars, all with royal cypher embroidered to the breast; two white pique waistcoats and two matching thistle shaped bow ties, average chest size 97cm, 38in, (qty). Provenance: Sotheby`s Duke & Duchess of Windsor Auction, September 11-19th, 1997, lot 2852, 2900, 2924.

Lot 137

A Christian Dior London black velvet cocktail dress, late 1950s, labelled and numbered 2214, also bearing Samuels of Manchester retailer`s label, with satin bow to bodice, stiffened petticoats, bust 92cm, 36in; together with Dior Paris silk toque made from silk feathers, (2)

Lot 147

A rare Rudi Gernreich Monokini or topless swimsuit, American, 1964, labelled Rudi Gernreich, Designed for Harmon Knitwear` and with paper shop tag `National Knitted Outerwear Association` with no-return details, of chequered royal blue and white cotton/wool mix, with cross-over blue straps, waist 61cm, 24in; together with `The Evening Star`, 7th February 1964 `Topless Suit is Here- The topless bathing suit has arrived in the Washington area with not a stitch of trouble. No one has been trampled in the crowd. There have been no arrests. The suit on display in a shop window at the Prince Georges Plaza shopping center has black and white checksÉÓI wouldn`t dare put it on a live modelÓ said David Gilbert owner of Shirley`s Fashions and Apparel. He recalled the arrest in Chicago of a girl who wore one on a public beach and the arrest of another girl in South America. The suits, he said are very hard to get. He said he was able to get six from the New York designer because a friend pulled some strings for himÉ No one has bought one yet. Mr Gilbert said he has one customer who wants one very much, but the designer doesn`t make one that will fit her-size no 18Ó; and the Prince George`s County News p.3 for an adverisement of this swimsuit; and two magazines with articles relating to the Monokini, (qty). This swimsuit is one of the six costumes put on sale and display in Mr Gilbert`s shop. Gernreich`s favourite model Peggy Moffitt said of the costume ÒAnd the bathing suit? It was a political statement. It wasn`t meant to be worn in publicÓ

Lot 155

A Chanel couture deep purple tweed suit, mid 1960s, labelled and numbered 45157, the jacket with lion`s mask buttons, box pleated skirt and pink crochet bodice, jacket chest 92cm, 36in, crochet top 86cm, 34in, waist 71cm, 28in (3)

Lot 164

An Yves Saint Laurent couture Russian inspired black wool coat similar, Autumn-Winter 1976-77, numbered 31791, with dark brown ink trimmed lapels and cuffs, replaced Chanel lion`s mask buttons and leather frogging to fasten, lined in scarlet silk, chest 81-86cm, 32-34in

Lot 193

A Bill Gibb black and cinnamon brown moss crepe hooded coat, Autumn-Winter, 1976-77, labelled and with Bo Ross name tag, double-breasted, the pockets embroidered with large stylised bees, tie belt, chest 97cm, 38in; together with a xerox of the Bill Gibb sketch (2). This coat was exhibited at the Fashion Museum, London ÒBilly: Bill Gibb`s Moment in TimeÓ, 24th October 2008-18th January 2009.

Lot 201

Bill Gibb/Kaffe Fassett ensemble, Spring-Summer 1977, comprising: carnation and geometric patterned knits in mainly primrose yellow, brick-red and blue, comprising: full length kimono coat with draw-string waist and wide sleeves, a swimsuit shaped body; plunging bodice also open at the sides; bodice with frilled shoulders and waist, a batwing sweater and two scarves of each knitted design, bodice bust 86cm, 34in, (7). cf `Bill Gibb: Fashion & Fantasy` by Iain R.Webb p.57 for backstage photographs of Gibb`s 10th anniversary show at the Royal Albert Hall, 1977 which shows similar ensembles

Lot 233

A group of Vivienne Westwood clothing, 1980s, the majority with World`s End labels, comprising: Nostalgia of Mud Collection, Autumn-Winter 1982: striped cotton shorts with leather braces, brown lace-knit stockings, splash effect cotton loose weave trousers, plain white top similar, splash-effect cotton long sleeved t-shirt; a pair of Pirate collection blue cotton stockings,1981; a Mini Crini green Harris tweed jacket, 1985, (9)

Lot 239

Two pairs of Patrick Cox for John Galliano girl`s shoes, circa 1985, one pair with Patrick Cox label, of gold leather and piebald goatskin, wide white rubber soles, 26cm, 10 1/2in long (4)

Lot 250

A group of black/steel-grey Azzedine Alaia garments, late 1980s-early 90s, comprising: black knitted dress with broad waistband; elastane body with narrow back-straps; knitted cross-over bodice; gored faggotted skirt; and a simple knitted viscose tunic dress, average size bust 86cm, 34in, M, S, MS; together with a photograph of Marie wearing the body, (5)

Lot 254

Three Azzedine Alaia dresses, late 1980s-90s, comprising: golden brown knitted silk with scooped neck and plunging back; navy wool with zippered pockets and neck opening; black stretch rayon and elastane with ribbed boat neckline; together with an Alaia broad leather belt, approx bust 86cm, 34in, sizes S, M, XS, (4)

Lot 256

An early Stella McCartney bottle green and black lace bias-cut chemise dress, circa 1995, with simple school-style name tag to the interior and size 10;, together with a print by David Downton of Marie Helvin wearing the gown, bust 86cm, 34in (2). This gown was purchased from Stella`s graduation collection, from the small boutique Tokio.

Lot 260

Two Azzedine Alaia cocktail dresses, late 1980s, early 90s, comprising: a black knitted figure-hugging dress, labelled size S; together with a dark brown jersey halter-neck dress with draped bust panels, average size bust 86cm, 34in; together with a photograph of Marie wearing the black dress (3)

Lot 291

Seven letters, a postcard and a telegram from Audrey Hepburn to Tanja Star Busmann (Countess Ferdinand Trauttmansdorff), 1st November 1950- October 1958, including: 1st November 1950 from 65 South Audley St where Audrey mentions Òa new show which opens on Monday at Ciro`s. Yes I only have another three weeks to go before I start on Young Wives Tale, am so thrilled Tanja as it will be my first real part in moviesÉon Tuesday I am going shopping for my clothes, they pay for everything so I am going shopping with our wardrobe mistress for my clothes, they pay for everything so I get a real kick out of choosing thingsÓ; 5th March, 1951 ÒAm well away rehearsing for a new picture, an Ealing comedyÉ Am awfully thrilled at getting the part and it`s wonderful to have a job againÓ; New York, October 22, 1951- on the subject of her love of ice-cream, her opinion of Americans and her concerns over her opening in Gigi on Broadway; New York, 2nd December 1951- the opening of the show ÒAnd what a night it was, you should have seen old Hepburn in the midst of congratulations, flowers and photographers and we have a success!Ó; others giving Tanja career advice, congratulating her on her engagement and agreeing to be a godmother; and two letters from Audrey`s mother describing Audrey`s filming of Roman Holiday with Gregory Peck, 1952 and another dated 1953 describing Audrey`s life in America at the time of making Sabrina, (11)

Lot 292

A group of letters and a telegram related to the betrothal of James Hanson and Audrey Hepburn dated September-November 1952, comprising: four letters from James Hanson to Tanja Star-Busmann relating to the postponement and finally cancellation of the planned wedding; a telegram from Audrey to Tanja dated August 3rd, 1952 sent from Ciampino airport asking her to be a bridesmaid on 30th September; a letter from Audrey dated 6 November sent from Chicago telling Tanja to wear the Òpink dress, (the bridesmaid dress)É I would love to think you`d wear it at some gay party.Ó (6). See lot 333 for Audrey`s wedding gown, designed for her by the Fontana sisters.

Lot 297

A printed crepe de chine informal summer gown, circa 1960, un-labelled, the pale blue ground printed with large floral sprays in lime and turquoise, elasticated waist, bust 86cm, 34in. This gown was probably purchased in Los Angeles when Audrey was making Breakfast at Tiffany`s which was released in October 1961.

Lot 298

A peach slubbed silk informal summer gown, circa 1960, un-labelled, with Chinese-style knots to the shoulders, tie belt, side slit, bust 86cm, 34in (2). This gown was probably purchased in Los Angeles when Audrey was making Breakfast at Tiffany`s which was released in October 1961.

Lot 313

A Givenchy haute couture turquoise cloque silk cocktail gown, Autumn-Winter 1966, labelled and numbered 33517, edged in a tousled band of frayed floss silk, slit back opening with cord to neck, wide sash to waist, bust 86cm, 34in, waist 66cm, 26in; together with a portrait photograph of Audrey wearing the gown, (2). This gown was produced as part of Givenchy`s Winter 1966 collection, model no 461. Audrey wore this dress to promote the film `Two for the Road`, released in 1967.

Lot 318

A Givenchy haute couture black gazar cocktail gown, Autumn-Winter, 1966, un-labelled, the tunic over dress and underskirt edged with diamante, the silk underskirt with hem similarly trimmed, tie belt, bust 82cm, 32in, waist 71cm, 28in; together with a xerox of the Givenchy model book showing the model, (3). This gown formed part of Givenchy`s haute couture collection, model 426, Autumn-Winter, 1966.

Lot 327

An Yves Saint Laurent Rive Gauche empire-line gown with blue velvet sash, 1970, labelled, of white matelasse cotton woven with overall scalloped repeats, broderie anglaise edged petticoat; with a pale blue velvet ribbon sash, bust 82cm, 32in, (2). Audrey wore this gown for her son Luca`s christening in 1970.

Lot 330

The Elizabeth Arden black goffered chiffon cocktail dresss, worn w hen Audrey met her first husband Mel Ferrer in 1953, labelled `Elizabeth Arden, Paris, New York`, with simple boat neckline, black satin binding to edges, full skirt, black silk integral slip, later added satin tie belt, bust 86cm, 34in, waist 61cm, 24in. Audrey returned to London in July 1953 for the British opening of Roman Holiday. Audrey and her mother co-hosted a party with the Star-Busmann family at the Star-Busmann`s family home-Hereford House, North Row, London. They invited guests including Gregory Peck her co-star on the film. He brought along his friend the actor and director Mel Ferrer. Cecil Beaton also met Audrey at this party for the first time and recorded in his diary Ò(She) has a huge mouth, flat Mongolian features, heavily painted eyes, a coconut coiffure, long nails without varnish, a wonderfully little figure and a long neck. She appears to take her wholesale adulation with a pinch of salt, and gratitude rather than puffed-up pride. Without any preliminaries, she cuts through to a basic understanding that makes people friendsÓ. He also met Mel Ferrer whom he says Audrey described to him as ÒThe biggest thing to come down the turnpikeÓ.

Lot 333

The ivory satin bridal gown designed for Audrey Hepburn by the Fontana Sisters for her marriage to James (later Lord) Hanson in 1952 which did not take place, un-labelled, of heavy ivory satin, with wide boat neckline, pleats of fabric to the bodice front converging on a bow at the waist, three quarter length sleeves, zip fastened to the back with trained skirt, bust 92cm, 36in, waist 66cm, 26in; together with a letter of provenance from Amabile Altobella; a quantity of press cuttings relating to the gown; and a photograph of Audrey at a Fontana fitting wearing the original gown, (qty). The Fontana sisters were renowned for their highly romantic ball gowns and bridal gowns. The sisters Zoe, Micol and Giovanna founded their business in Rome in 1944. They counted among their clientele many celebrities including Audrey Hepburn, Ava Gardner, Elizabeth Taylor, Princess Grace of Monaco and Jackie Kennedy. In 1952, whilst Audrey Hepburn was filming `Roman Holiday` with Gregory Peck in Rome, she approached the Fontana sisters to ask them to make her bridal gown. Signora Micol Fontana said that the 23 year old Hepburn was `young, fresh, on top of the world`. She used to slip away from the set to take refuge in the sewing rooms and discuss the dress. "Audrey wanted complete discretion and had lots of fittings". Some weeks later when Audrey called off the planned wedding to James Hanson she asked the eldest of the sisters-Zoe to give the dress away. "I want my dress to be worn by another girl for her wedding, perhaps someone who couldn`t ever afford a dress like mine, the most beautiful, poor Italian girl you can find." Zoe`s search centred on the town of Latina which had been founded by the fascists in 1932. The dress was given to a poverty stricken young Italian girl called Amabile Altobella, which coincidentally was the same Christian name as the Fontana sister`s mother. Amabile visited Rome just once to have the dress adapted by the Fontana sisters for her to wear at her own wedding to farm worker Adelino Solda with whom she remained happily married, producing three daughters and five grandchildren. Amabile said "I have had a happy marriage, so the dress brought me luck". The town council gave the young couple kitchen furniture and even organised a honeymoon for them in Paris. After the event she carefully wrapped the dress in tissue paper and stored it away without disturbing it for decades. It was not until 2002 when Micol Fontana, the last survivor of the three sisters traced the gown for a retrospective exhibition of their work, that it was re-discovered.

Lot 1

LADY`S MOVADO `ERMETO` SWISS SILVER BAG WATCH with oblong silvered dial in an oblong snake skin carved case, slide opening from the centre and incorporating an automatic winding mechanism, corner ring hanger, 2 1/2" wide when extended, 935 mark

Lot 3

`FINE SILVER` CASED POCKET WATCH with keywind movement, white dial with subsidiary seconds dial, inengine turned case and the SILVER HALLMARKED DOUBLE ALBERT with graduated curb pattern links, guard bar and silver coin fob, TWO LADY`S SILVER POCKET WATCHES with keywind movement and 4 WATCH KEYS

Lot 6

BAILEY AND DAVISON, NEWCASTLE ON TYNE, No. 31812, VICTORIAN SILVER POCKET WATCH, with keywind movement, white dial with subsidiary seconds dial, London 1875 and `The Farringdon `C`, LADY`S VICTORIAN SILVER POCKET WATCH, with keywind movement, white dial, engraved case, Birmingham 1886 (2)

Lot 8

EARLY TWENTIETH CENTURY GOLD PLATED CASED WALTHAM OPEN FACE KEYLESS GENTLEMAN`S POCKET WATCH

Lot 9

GEORGE IV SILVER PAIR CASE GENTLEMAN`S POCKET WATCH, the movement by Charles Whyte, London, numbered 3160, the case hallmarked London 1826 (hinge pin absent)

Lot 10

EARLY TWENTIETH CENTURY SILVER (.800) PARCEL GILT CASED OMEGA OPEN FACE KEYLESS GENTLEMAN`S POCKET WATCH, the dial with Arabic numerals for both twelve hour and twenty four hour chapters and subsidiary seconds indicator, the curvette inscribed `Omega Grand Prix, Paris 1900`

Lot 11

9ct GOLD WHITE GOLD CASED OMEGA LADY`S WRIST WATCH with integral bark textured bracelet, gross weight 17gms

Lot 12

LADY`S ART DECO PLATINUM AND DIAMOND WRIST WATCH, with 9ct white gold cord strap, the watch with Swiss movement, narrow oblong silvered dial and case with a baguette diamond along each end, nine small diamonds along each side, the platinum bracelet continuing each side with two oblong links and three strap links, terminiating in a 9ct gold short cord strap, approx 12gms platinum, 6gms gold

Lot 13

LADY`S BENTIMA STAR 9ct GOLD BRACELET WATCH, with small square silvered dial set with a broad textured 9ct gold bracelet, 17 jewel movement, approx 29gms net

Lot 14

LADY`S AVIA 9ct GOLD WRIST WATCH, with 15 jewel Swiss movement, oblong silvered dial in case with embossed fan shaped shoulders and the 9ct gold expanding bracelet, approx 10.5gms net

Lot 17

LADY`S BULOVA 9ct GOLD WRIST WATCH, with 17 jewel movement, small circular silvered dial, integral 9ct gold flexible bracelet, approx 18gms of gold

Lot 20

LADY`S 9ct GOLD WRIST WATCH, with gold dial and the 9ct gold expanding bracelet

Lot 21

LADY`S VICTORIAN 18ct GOLD DEMI HUNTER POCKET WATCH, with keyless movement, white dial, the front of the plain case with pink guilloche enamelled chapter ring with blue Roman numerals, London 1884 and the VICTORIAN UNMARKED GOLD ALBERTINA of three strands with two slides, swivel clip and guard, 13" long

Lot 22

9ct GOLD CASED OMEGA LADY`S WRIST WATCH (no bracelet)

Lot 23

CIRCA 1950`s 9ct GOLD CASED `Fediral` LADY`S WRIST WATCH, in canted oblong case, on a replacement rolled gold bracelet, a SILVER CASED LADY`S KEYLESS FOB WATCH (minus glass etc.) an Ingersoll white metal cased OPEN FACE KEYLESS GENTLEMAN`S WATCH, silver watch chain

Lot 24

GENTLEMAN`S ROLEX OYSTER QUARTZ `DATEJUST` SUPERLATIVE CHRONOMETER, OFFICIALLY CERTIFIED GENTS WRIST WATCH, having circular gold coloured dial with batons, sweep seconds hand and date aperture beneath magnifying glass, in stainless steel case with gold bessel and integral stainless steel and gold bracelet numbered 17013B

Lot 26

GENT`S WALTHAM CIRCA 1915 GENTS SILVER CASED CIRCULAR WRIST WATCH, the Arabic dial with seconds subsidiary (lacks strap and a LADY`S LIMIT SWITZERLAND 9ct GOLD CASED WRIST WATCH, with Arabic circular dial and rolled gold expanding bracelet circa 1919 (2)

Lot 27

LADY`S 9ct GOLD CASED ROTARY WRIST WATCH, the circular dial inscribed incabloc and having Arabic numerals and batons and the 9ct gold gate pattern mesh bracelet

Loading...Loading...
  • 892386 item(s)
    /page

Recently Viewed Lots