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Lot 1049

* Benjamin Thomas Pouncy, 18th century- "Chinese Military drawn out in Compliment to the British Embassador" and "Chinese Barges of the Embassy passing through a Sluice on the Grand Canal", after W. Alexander, publ April 12 1796 by G Nicol, London; hand-coloured engravings, two, 27.5x35.5cm., ea: After John Frederick Lewis 1805-1876- Village street scene in the Near or Middle East; hand-coloured lithographs, two, both signed with initials, one dated 1837 within the plate, 26.5x36.5 and 25x36.5cm: After Thomas Shotter Boys 1803-1874- "Board of Trade from Whitehall & from Downing Street", "Westminster Abbey Hospital", "Regent Street Looking Towards the Quadrant" and "Regent Street Looking Towards the Duke of York`s Column"; hand-coloured lithographs, 43x33 33x45, 31x43 and 32x43cm., respectively, (8)

Lot 1108

A late 19th/early 20th century laminated mahogany builder`s half block hull, of a sailing vessel, the deck with traces of hand written measurements, mounted on a rectangular wall hanging board, length overall 106 cm, (A/F).

Lot 1110

* Karin Szekessy, German b. 1939- `Behind The Curtain`, bromide print, signed, 59.5 x 49.2cm. Note:The above artist is the partner of the well known German painter and print maker Paul Wunderlich b.1927. This photo is the inspiration for Paul Wunderlich`s best known print of the same title, no 243 Brusberg, dating from 1967. Purchased by the current owner direct from the artist`s studio circa 1971. (may be subject to Droit de Suite)

Lot 1116

* Milton H. Greene (1922-1985), A Vintage gelatin silver print, `Marlene Deitrich`s Legs`. With authenticity studio stamp to the rear in black ink and signed in pencil, dated 9 -17- 80. 50x40cm.

Lot 1121

* Attributed to T. Rogers - an albumen print -a portrait of `The Scottish Arts Council c.1890`s, 19.7x18.4cm; also two `Photographic Institution New Bond Street`, albumen prints of statuary, each mounted on board, both stamped on the boards. (3)

Lot 1125

His Highness Mahindra Maharaja Yadvendra Singh sahib Bahadur, c1915. An important collection of photographs and dress ornaments associated with the official investiture of `Panna state with ruling powers on 14th February 1915`. To include an official hard-bound album, the inside front page with black ink dedication `To Mr Walker from Yadvendra Singh 1915`. The album containing 38 official albumen prints and text documenting the Maharaja`s investiture. Also a collection of 5 various gold and silver thread `Durbar` dress ornaments that would have been worn by Indian & British officials attending the investiture. Another hard-bound album titled `A Souvenir of Panna C.I` containing approx 50 albumen prints by Lawries Art Studio Jubbulpore, C.P. documenting views of Panna State. Also a further collection of albumen prints various subjects in association with The Maharja and Panna. (a collection) Catalogue Note: the modern state of Panna was founded in 1731, becoming the capital of Maharaja Chhatar Sal. Champat Rai, a descendant of Raja Rudra Pratap of Orchha, rebelled against the Mughals, later his fourth son, Maharaja Chhatar Sal, became the most prominent Bundela leader, as well as being a good administrator and a brave warrior, who led a revolt in 1671 against the Mughal Empire and soon captured Naugaon in present-day Chhatarpur District. In 1680 he conquered Mahoba, and went on to control much of Bundelkhand, ruling from Panna. He formed an alliance with the Maratha Peshwa Baji Rao I, who was challenging the Mughals for control of central India, and in 1729, Baji Rao sent a Maratha army to aid Chhatar Sal against the Marathas. Upon his death in 1731, his kingdom was divided amongst his sons, with one-third (including Mahoba, Banda, and Jhansi) going to his ally, the Maratha Peshwa Baji Rao I. The portion containing Panna went to Harde Sah, the eldest son of Chhatar Sal, other descendants ruled the states of Panna, Ajaigarh (founded 1765), Charkhari (founded 1765), Chhatarpur (went to the Ponwar Rajputs in 1785), and Jaso. In the early 19th century, Panna became a princely state of British India, and gained control of the states of Sohawal and Nagod. Raja Nirpat Singh assisted the British in the Revolt of 1857, and the British rewarded him with the title of Maharaja. Maharaja Mahendra Yadvendra Singh acceded to the Government of India on 1st January 1950, and the former Princely State became Panna District of the new Indian state of Vindhya Pradesh. Vindhya Pradesh was merged into Madhya Pradesh on 1st November 1950.

Lot 1128

* Attributed to Hugh Cecil (XX). A black and white photograph portrait of `Joyce Barbour`. Mounted on wove paper bearing pencil signature Cecil and titled in ink `Joyce Barbour photograph by Hugh Cecil`. The rear of the paper with Sotheby`s Beaton Studio ink stamp. 23.7x18.3cm.

Lot 569

An unusual heavy Bronze Doorstop, modelled a lady’s foot and ankle in a shoe, the shoe embossed with a rosette, also with further traces of neo-classical detail, 10” long

Lot 573

A polished Bovine’s Horn, with base metal cap, length 13”

Lot 837

A late 18th Century Old Sheffield Plate Chamber Stick, the circular saucer base with applied gadrooned border, scrolling thumb piece fitted with a dowsing cone and central sconce, with Maker’s Mark for M Boulton & Co, width 7”

Lot 842

A late 19th Century Electroplated three bottle Cruet, the trefoil shaped base with engraved borders, and raised on four ball feet, to a cast ram’s mask frame containing an open oval salt with cylindrical pepper and mustards, and central ring handle, height 5 ¼”

Lot 857

A mid 20th Century American Naval part Flatware Service for six, Kings Pattern, comprising: six each Dinner Forks, Soup Spoons and Dinner Knives, each stamped with a ships anchor and further marked “U S N”, (18)

Lot 885

Two George V Britannia standard Cauldron Salts, each of circular form with rolled rim, plain collar and baluster body, raised and three cast and applied leaf feet, width 3 ¼”, London 1913, Maker’s Mark H&Co (2) (ILLUSTRATED INSIDE FRONT COVER)

Lot 886

A George V Cream Jug, of helmet form, the oval baluster body with applied reeded rim and handle, width 4 ¼”, Birmingham 1929, maker’s mark rubbed

Lot 887

An Edward VII Christening Mug, of cylindrical form, with engraved floral and foliate swag detail, and hollow cast and applied “C” scroll handle, height 2 ½”, Sheffield 1908, Maker’s Mark RR

Lot 888

Two Edward VII small Trumpet Vases, each with flared and shaped rims, to plain polished tapering bodies, and raised on spreading circular bases (loaded), height 4 3/8”, Sheffield 1904, Maker’s Mark JDWD (2)

Lot 889

A George V Water Jug, of plain circular and baluster form, with applied rim and reeded handle, to a polished collar and body, height 4”, London 1913, Maker’s Mark C&Co, with further retailer’s mark for Carrington & Co, 130 Regent Street, London W

Lot 890

A pair of Silver mounted glass Table Coasters, each of circular form, with applied pierced Silver mounts of radiating arcaded form, diameter 6”, Birmingham 1923, maker’s mark rubbed (2)

Lot 891

An Elizabeth II Table Top Cigarette Box, of rectangular form, the hinged cover with all over engine-turned decoration and centred with a vacant cartouche, to a cedar-lined interior, width 4 ¼”, Birmingham 1958, Maker’s Mark S&M

Lot 892

An Edward VII Lidded Sugar Bowl, the hinged and domed cover with cast and applied finial, to a cut card rim and plain polished cylindrical body, raised on three cast and applied feet, height 4 ½”, Sheffield 1905, Maker’s Mark RMEH

Lot 893

A George VI two-handled Quaich, of polished shallow circular form, with cast and pierced applied side handles, with contemporary engraved detail, and raised on a flared circular foot, width 6 ¼”, London 1936, Maker’s Mark W&W

Lot 894

Two Victorian Cauldron Salts, each of compressed circular form, with embossed floral and foliate decoration, to a vacant cartouche, and raised on three cast and applied lion’s mask and paw feet, width 2 ¾”, Birmingham 1876, Maker’s Mark George Unite

Lot 895

An Edward VII Cream Jug, of compressed circular form, with cast and applied beaded rim and “C” scroll handle, raised on a spreading circular foot, width 4 ¼”, Birmingham 1904, Maker’s Mark WHS

Lot 896

An Elizabeth II Pepper Grinder, of typical waisted cylindrical form, to a steel mill, height 3 ¾”, Birmingham 1979, Maker’s Mark JBC&S Ltd

Lot 897

An Elizabeth II Pepper Grinder, of typical waisted cylindrical form, to a Peugeot steel mill, height 4”, London 1972, Maker’s Mark IF & Son Ltd

Lot 898

Two George V Britannia standard Pepper Casters, each with pierced pull-off covers, with cast and applied finials to baluster bodies, and raised on spreading circular bases, height 4 7/8”, London 1913, Maker’s Mark H&Co (2)

Lot 903

A George V Sauceboat, of typical polished form, with cut card rim, cast and applied “C” scroll handle, and raised on three further cast feet, width 6”, Birmingham 1923, Maker’s Mark MH & Co Ltd

Lot 904

A George V presentation inscribed two-handled Trophy Cup, of polished circular form, with hollow cast and applied “C” scroll handles, and raised on a spreading circular foot, with presentation inscription “Banstead Hall, Athletic Sports, Easter 1921, Aggregate Prize, Presented by Captain W M Moir CBE, RN, Won by J C Wyper”, height 5 ½”, weight 8 oz, London 1919, maker’s mark rubbed

Lot 905

A George V Trumpet Vase, the cast and applied mount to the flared rim and inverted baluster body with applied fruiting vine decoration, and raised on a spreading circular domed foot, height 7 ¼”, weight 9 oz, London 1912, maker’s mark rubbed

Lot 906

An Edward VII part Flatware Service for six, Old English pattern, comprising six each Tea, Dessert and Tablespoons; together with Dessert and Dinner Forks, weight combined 52 oz, Sheffield 1906/07, Maker’s Mark Joseph Rodgers (one dinner fork and one dessert spoon non-matching) (36)

Lot 907

Six George III Dinner Forks, Old English pattern, length 8 1/8”, weight 13 oz, London 1780, Maker’s Mark JW (6)

Lot 908

Two George IV Tablespoons, Fiddle pattern, initialled, length 8 7/8”, weight 4 ½ oz, London 1822, Maker’s Mark TD (2)

Lot 909

Two Victorian Tablespoons, Fiddle pattern, initialled, length 1 7/8”, London 1841, Maker’s Mark WE (2)

Lot 910

Six Victorian Dessert Forks, Fiddle pattern, length 7”, weight 10 oz, London 1865, Maker’s Mark HH

Lot 911

A Mixed Lot comprising: five Victorian Fiddle pattern Dessert Forks, crested verso, London 1840, Maker’s Mark CS; together with a sixth matching example, London 1826, Maker’s Mark WE, various dates and makers (6)

Lot 912

Five Victorian Teaspoons, Fiddle pattern, initialled, length 5 7/8”, London 1837, Maker’s Mark CS (5)

Lot 913

Six Victorian Dessert Spoons, Fiddle pattern, length 7”, weight 8 ¼ oz, London 1859, Maker’s Mark CB (6)

Lot 914

Five Victorian Teaspoons, Fiddle pattern, initialled, length 5 ½”, London 1891, Maker’s Mark James Wakely & Frank Wheeler (5)

Lot 915

Six Victorian Dessert Spoons, double struck Fiddle Thread and Shell pattern, with standard diamond heel, crested, length 7”, weight 12 oz, London 1852, Maker’s Mark Joseph & Albert Savory (6)

Lot 916

An early 20th Century American Silver part Flatware Service for six, comprising Dinner and Dessert Forks, and Dinner and Side Knives, of double struck form and decorated with stylised floral and foliate detail, to an initialled cartouche, and marked with a stag’s head RM&S, Sterling, weight of forks 16 ½ oz, (knives with stainless steel blades) (24)

Lot 917

A George VI part Flatware Service, comprising eleven Dessert Spoons; together with twelve Dessert Forks and six Teaspoons, in a double struck pattern with stepped terminals, and bearing registration number RD789621, weight combined 44 oz, Sheffield 1940, Maker’s Mark Mappin & Webb (29)

Lot 919

A Mixed Lot comprising: two matching Fiddle pattern Dessert Spoons, London 1827, Maker’s Mark CB; together with two further examples (all with matching initials), various dates and makers (4)

Lot 933

An Elizabeth II Pin Tray, of plain circular form, with rolled rim and presentation inscribed centre, diameter 3 ¼”, 1973, Maker’s Mark C&Co

Lot 934

A George V three piece Cruet, comprising Open Salt, Lidded Mustard and Pepper Caster, each of square baluster form, and raised on four cast and applied feet, Birmingham 1923, Maker’s Mark Adie Bros Ltd; together with two various Spoons, various dates and makers (5)

Lot 937

Two George V Ashtrays, of plain circular form with glass inset bases, set with colour images of a basset hound and border terrier, width 4 ½”, Birmingham 1932, Maker’s Mark OT&BD (2)

Lot 938

An Edward VII two-handled Basin, of plain polished circular form, with stylised side handles and later presentation inscription, on a plain rim base, width 7”, weight 6 1/4 oz, Sheffield 1907, Maker’s Mark RMEH

Lot 939

A George VI two-handled Sugar Basin, of circular form with cast and applied rim, to a polished body and cast and applied “C” scroll side handles, and raised on a spreading circular foot, width 5 ½”, Chester1938, Maker’s Mark RJA Co Ltd

Lot 940

A Victorian Silver mounted easel backed Photograph Frame, the rectangular mount of pierced floral and foliate form (A/F), to a blue velvet-covered easel back, height 4 ¾”, London 1887, Maker’s Mark JRSJ, height 4 ¾”

Lot 941

A George V large Table Caster, the pierced, pull-off, domed cover with cast and applied baluster finial, to a further girdled baluster body, with applied scrolling detail, and raised on a spreading circular foot, height 8”, weight 7 oz, Birmingham 1927, Maker’s Mark Elkington & Co, with further retailer’s stamp for Elkington & Co

Lot 942

An Elizabeth II Table Caster, the plain, tapering, cylindrical body with presentation inscription, with domed and pierced pull-off cover, and raised on a spreading circular base, height 6 1/8”, Birmingham 1960, Maker’s Mark AC Co Ltd

Lot 947

An Edward VII Sugar Basin, of oval form, with cast and applied gadrooned border to a waisted throat and half fluted body, with applied side handles, width 6 ¼”, Birmingham 1909, Maker’s Mark Williams Ltd

Lot 948

A George V Hot Water Pot, the hinged and domed cover with gadrooned border, and cast and applied wrythen finial to a plain polished baluster body, and further raised on a spreading circular foot, with composite handle, height 9 ¼”, weight 11 ½ oz all in, Chester 1929, Maker’s Mark SB&S Ltd

Lot 949

An Edward VII Ink Stand, of shaped square form, with pierced and embossed foliate border, to a central square reservoir and applied pen rest, centred with a cut glass reservoir with plain polished collar (lacking lid), base marked for Sheffield 1901, Maker’s Mark FH, width 5 ¼”

Lot 950

A near pair of Elizabeth II Squat Candlesticks, each with cast and applied Celtic style rims to tapering sconces, and raised on domed and spreading circular bases (loaded), and with contemporary inscriptions, height 4”, Birmingham 1961/63, Maker’s Mark Adie Bros Ltd (2)

Lot 953

An Edward VII Coffee Pot, of baluster form, the hinged and domed cover with hardwood finial, to a polished body with half-wrythen fluted detail, and further stylised fruit and foliage, and raised on a spreading circular foot with ebonised handle, height 9”, weight 17 ½ oz, London 1909, Maker’s Mark possibly CE

Lot 954

Two Elizabeth II Sauce Boats, of typical heavy gauge form, with cast and applied gadrooned rims, and further hollow cast flying “C” scroll handles, and raised on three leaf and hoot feet, length 6 ½”, weight combined 12 oz, London 1971, Maker’s Mark AC&S Ltd (2)

Lot 956

A George V Bon-Bon Dish, of shaped oval form, the embossed and pierced rim and gallery with latticework, mask and floral detail to a plain polished centre, length 5”, Birmingham 1914, maker’s mark obscured

Lot 958

An Elizabeth II Silver cased resin Model of an African Elephant with calf at foot, on a naturalistic base (one tusk snapped, the other loose); together with a further Model of an Elephant Calf, and bearing sculptor’s initials CA, Birmingham 1996/98 (2)

Lot 959

An Elizabeth II Half-Pint Tankard, of plain tapering cylindrical form with hollow cast and applied handle and raised on flared foot, height 3 ¾”, London 1972, Maker’s Mark AC&S Ltd

Lot 960

Six Elizabeth II Goblets, each with plain tapering cylindrical bowls, with gilt liners, to inverted baluster knopped stems and raised on spreading circular bases, height 5”, weight combined 30 oz, London 1972, Maker’s Mark JHO (6)

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