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A Copeland parian figure of Egeria, after John Henry Foley, circa 1860, the classical maiden modelled standing, a loosely draped cloak around her waist, holding her curled hair in her right hand and resting against a tree stump, raised on a canted square base, titled Egeria and impressed `Copeland E I`, 58cm high A very similar figure is illustrated in Copeland (Robert): Parian Copeland`s Statuary Porcelain, S45, pg.138. Foley sculptured the original marble statue for The Mansion House in London in 1855, as one of sixteen literary subjects commissioned from contemporary sculptors. They were exhibited at the Royal Academy in 1856. In Roman mythology Egeria was one of the four prophetic divinities known as the Camenae; fountain nymphs belonging to the religion of ancient Italy. Egeria lived beside her fountain which was situated between the old Appian Way and the road to Naples. She was a protector of women in child birth.
A Philip Christian & Co. Liverpool porcelain coffee pot and cover circa 1765-1770, of reeded baluster form and with well moulded acanthus wrapped scroll handle, decorated throughout with sprays of flowers in polychrome enamels, within cobalt and gilt decorated rims, (at fault) 27cm high See Phillips The Watney Collection Pt III, 1st November 2000, lot 1030 for a Christian`s large sauceboat with very similar handle.
A Caughley miniature part tea service, circa 1780, each piece printed in underglaze blue with the Pleasure Boat pattern, within spear head and cell diaper borders, to include; a globular teapot and cover 7.5cm high, three tea bowls 3cm high, a tea bowl/sugar bowl 3.5cm high and four saucers 7.4cm diameter, underglaze blue S mark (at fault) (9)
A collection of 18th century porcelain in the Pleasure Boat pattern, to include; a Caughley circular strainer with stylised foliate handle, painted `S` mark, 8cm diameter, another similar (at fault) 8cm diameter and a scoop with similar handle 5.7cm diameter (at fault) (3)
A collection of 18th century tea wares, to include; A Caughley Island Sampan pattern tea bowl, circa 1785, blue painted S to base, chipped, 8cm diameter, a Worcester coffee cup printed in blue with a river landscape, open crescent mark to base, cracked, 5.7cm high, a Caughley Pleasure Boat pattern saucer, chipped and at fault, 12cm diameter, a Worcester Pinecone pattern small lobed plate, 16cm diameter, a further tea bowl and coffee cup (at fault) (6)
A Worcester Blind Earl pattern dessert plate circa 1770, the circular plate decorated in the workshop of James Giles, moulded in relief with rose buds and leaves and painted in brightly coloured enamels with moths and insects, within a scalloped gilt lined rim, 19cm diameter The design for this plate originated at the Chelsea porcelain factory and was also produced at the Worcester factory from the 1750`s. In the 19th century the pattern was named after the Earl of Coventry who lost his sight in a riding accident. He ordered a service in this pattern so that he could feel the raised decoration.
A black basalt teapot and cover, circa 1810, of hexagonal form, and crisply moulded with classical and tavern views, below a floral finial, impressed `S` to base of handle, inner rim chipped, 14cm high and a serpentine shape black basalt teapot, decorated with classical scenes below a widow finial, (at fault) 15cm high (2) See M. Berthoud and R. Maskell, A Directory of British Teapots, plate 910, where the authors state that this teapot shape is `Possibly Richard Woolley`.
A Maw & Co lustre vase dated 1901 designed by Walter Crane, the ovoid body raised on pedestal base and with tapering neck and red lustre decoration depicting classical figures within art nouveau, pomegranate and scrolling foliate sinuous borders, painted in red to base `Maw & Co Ltd, Jackfield, Shropshire, Octr 1901`, both handles missing neck restored and repaired, heavily crazed throughout, 27cm high George & Arthur Maw set up Maw and Co. in 1850 at Worcester. Two years later they moved to Ironbridge Gorge, Shropshire and in 1882 they expanded, opening another plant, The Benthall Works, at Jackfield, Shropshire. Towards the end of the nineteenth century they started making high quality art pottery and enlisted the help of well known artists such as Lewis Day and Walter Crane to design both art pottery and tiles. Their work was exhibited at the most prestigious fairs including the Chicago World Fair of 1893 and they were chosen for the decorative work on the Maharaja`s palace at Mysore. Another very similar example of this vase in green lustre is held in the collections of The Shrewsbury Museum.
A Clarice Cliff Bizarre, Rhodanthe pattern bowl, shape number 632 L/S, the ribbed bowl with orange, yellow and brown blooms and with yellow drizzled interior (restored) 23cm diameter and a Clarice Cliff lobed, square stand, relief moulded with foliage and basket weave, 27cm wide (2)
A Mason`s Ironstone China toilet set, late 19th/early 20th century, each piece printed in black and picked out in polychrome enamels with a chinoiserie view of a bird perched in the branches of a flowering tree with outstretched wings and within ochre coloured rims, to include; an octagonal jug with lamprey handle, 28cm high, a bowl 40.5cm diameter, a chamber pot with lamprey handle 14cm high, a dressing table tray 30.5cm wide, a pair of candlesticks (at fault) 16.5cm high, a graduated set of three jars and covers, a pin tray, a ring tree and a vase 14.5cm high, black printed marks (12)
A late Victorian bird`s eye maple veneered rectangular humidor with pierced plated mounts, the aesthetic style central handle to the sliding top over a single drawer to the base, opening to reveal a two division sandalwood interior, the drawer stamped R D 225578, 30cm wide, 16cm high, 18cm deep
A Royal Dragoons Guards Officer`s 1847 pattern helmet, the copper gilt scull complete with all laurel oak leaf and acanthus decoration, the crowned Rococo shaped frontal plate overlaid with a diamond cut star and further overlaid with a gilt title strap and VR centre, the broad gilt chin chain at fault along with side rose pattern ornaments, with horse hair bloom, the interior with red Moroccan sweat band and leather peak linings, 31cm high overall
A Victorian walnut hoop and button back ladies` low easy chair upholstered in a later blue plush covering on cabriole front legs, terminating in scroll feet along with an Empire style mahogany lady`s chair with buttoned padded back and overstuffed seat on turned and tapering front legs covered in a matching blue plush (2)
A George III mahogany bachelor`s chest, the rectangular top with moulded edge over a pull-out brushing slide above two short and three long graduated cockbeaded drawers fitted with brass swan neck handles, raised on shaped bracket feet, 92cm wide, 84.5cm high, 49cm deep
A Victorian silver mustard pot and cover with swirled gadrooned decoration. Sheffield 1862. Maker HS. A Victorian milk jug of small proportions. Birmingham 1887. A Victorian silver bowl with swirled lower section. Sheffield 1862. Maker JD & S. A Victorian silver bowl with flared rim. Birmingham 1887. Makers VB & S. Two Victorian silver salts with flared rims. Birmingham 1886. Maker SWS. A Mappin & Webb silver powder pot and cover. Birmingham 1942 and two Victorian silver napkin rings. Sheffield 1862.
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892386 item(s)/page