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Click here to subscribeHenry Moore (1898-1986) Two Reclining Figures (Cramer 466) etching, 1977-78, from the album Requiem pour la fin des temps, on Arches paper, signed in pencil, numbered II/XLVI (Cramer calls for an edition of 100 copies and other 45 numbered with Roman numerals), the full sheet, with the vertical fold (as issued) and text on the other sheet, in excellent condition P. 305 x 225 mm., S. 675 x 520 mm. View on Christie's.com
Henry Moore (1898-1986) Two Reclining Figures (Cramer 467) etching, 1977-78, from the album Requiem pour la fin des temps, on Arches paper, signed in pencil, numbered II/XLVI (Cramer calls for an edition of 100 copies, plus 45 numbered with Roman numerals), the full sheet, with the vertical fold (as issued) and the tile page on the other sheet, in excellent condition P. 303 x 225 mm., S. 674 x 520 mm. View on Christie's.com
Henry Moore (1898-1986) Mother and Child XVIII (Cramer 688) etching printed in colours, 1983, on Arches paper, signed in pencil and numbered 52/65 (there were also 15 hors commerce impressions), published by the Henry Moore Foundation, the full sheet, in excellent condition P. 222 x 165 mm., S. 521 x 440 mm. View on Christie's.com
Victor Pasmore (1908-1998) Green Darkness (Lynton G35) screenprint in colours, 1986, on Arches paper, signed and dated in pencil, numbered 11/70, published by Marlborough Fine Art Ltd., some minor handling creases, a soft crease lower left corner S. 670 x 730 mm. View on Christie's.com
Victor Pasmore (1908-1998) Untitled 7 (Lynton G 59) etching and aquatint in colours, 1989, on Fabriano paper, signed and dated in pencil, numbered 58/90 (there were also 15 artist's proofs), published by Marlborough Graphics, London, in collaboration with 2RC Edizione d'Arte, Rome, with the printer's blindstamp, apparently in very good condition, unexamined out of the frame S. 315 x 1890 mm. View on Christie's.com
Victor Pasmore (1908-1998) The Cloud (Lynton G 45) etching and aquatint in colours, 1986, on Fabriano paper, signed and dated in pencil, numbered 22/90, published by Marlborough Fine Art Ltd. and 2RC, Rome, in good condition S. 700 x 560 mm. View on Christie's.com
Victor Pasmore (1908-1998) Sunrise (Lynton G 74) etching and aquatint in colours, 1992, on Fabriano paper, signed and dated in pencil, numbered 18/90, published by Marlborough Graphics Ltd. and 2RC Edizioni d'Arte, Rome, with their blindstamps, apparently in good condition, unexamined out of the frame, S. 870 x 640 mm. View on Christie's.com
Pablo Picasso (1881-1973) Les Saltimbanques, from: La Suite des Saltimbanques (Bloch 7) drypoint, 1905, on Van Gelder paper, from the edition of 250 (there were also 27 or 29 impressions on Japan paper), published by A. Vollard, Paris, unevenly trimmed margins, hinge mounted, remains of old tape verso, faint mount staining S. 366 x 400 mm. View on Christie's.com
After Pablo Picasso (1881-1973) One plate, from Les Portraits Imaginaires lithograph in colours, 1969, on Arches watermarked paper, a proof with registration marks, aside from the total edition of 500, the full sheet, with minor time staining, otherwise in good condition L. 740 x 540 mm., S. 750 x 560 mm. View on Christie's.com
Camille Pissarro (1830-1903) Crepuscule (avec Meules) (Delteil 23) etching and aquatint, 1879, on J Whatman watermarked laid paper, a very good impression of the third, final state, from the posthumous edition of 50 printed in 1920, with the artist's monogram stamp (Lugt 613) and numbered 36/50, with wide margins, in very good condition P. 104 x 177 mm., S. 462 x 291 mm. View on Christie's.com
Camille Pissarro (1830-1903) Sente de Pouilleux, à Pontoise (grande planche) (Delteil 32) drypoint, 1880, on laid paper, an impression of the second, final state, with the monogram stamp, numbered 25/30, from the posthumous edition, with wide margins, some scattered foxing, predominately on the reverse, time staining and small tear to the lower right extreme sheet edge, backboard staining verso P. 270 x 215 mm., S. 375 x 280 mm. View on Christie's.com
Camille Pissarro (1830-1903) Vielle Rue à Rouen, Rue Malpalue (Delteil 41) etching with drypoint and aquatint, 1883, on laid paper, the second, final state, from the posthumous edition printed in 1923, pale light staining, otherwise in good condition; with Self-portrait with pipe, by Rolf Nesch, drypoint, 1921, on thick wove paper, signed and annotated in pencil, time staining, scattered foxing and remains of old glue in the margins recto and to all four corners verso P. 120 x 120 mm., S. 240 x 174 mm. (2) View on Christie's.com
Camille Pissarro (1830-1903) Cours Boiëldieu à Rouen (Delteil 46) etching, 1884, on laid paper, with the blue artist's stamp, numbered 15, from the edition of 30, bearing signature and title in pencil, with wide margins, light and backboard staining, remains of adhesive tape along the sheet edges verso, a few scattered foxmarks and soiling in the margins, a small moisture stain to the right lower corner, framed P. 150 x 195 mm., S. 275 x 360 mm. View on Christie's.com
Camille Pissarro (1830-1903) La Vache (Delteil 58) etching and aquatint, 1885, on laid paper, third, final state, from the posthumous edition with the artist's stamp, numbered 5/7 (there were also 12 lifetime impressions), with margins, in generally good condition P. 110 x 116 mm., S. 137 x 223 mm. View on Christie's.com
John Piper (1903-1992) Garn Fawr (Levinson 327) lithograph in colours, 1981, on Arches paper, signed and titled in pencil, numbered 24/75 (there were also 8 artist's proofs), the full sheet, foxing throughout, some skinning to the top left corner verso, otherwise in generally good condition L. 390 x 540 mm., S. 503 x 640 mm. View on Christie's.com
John Piper (1903-1992) Canons Ashby, Northamptonshire (Levinson 350) screenprint in colours, 1983, on Arches paper, signed in pencil, numbered 95/150, published by CCA and the National Trust, apparently in good condition, unexamined out of the frame S. 456 x 679 mm. View on Christie's.com
Odilon Redon (1840-1916) Christ (Mellerio 71) lithograph, 1887, on Chine appliquée, signed in pencil, from the edition of 25, with wide margins, a repaired tear at the upper sheet edge (well outside the subject), some minor surface soiling recto and verso, a few unobtrusive creases in the margins L. 330 x 270 mm., S. 512 x 371 mm. View on Christie's.com
Odilon Redon (1840-1916) Les Ténèbres, frontispiece (Roger-Marx 121) lithograph, 1892, on simili Japon paper, signed in pencil, from the edition of 150, with margins, light staining, scattered foxing, a few creases at the top left corner; with Le Mouvement Idealiste en Peinture, frontispiece (Roger-Marx 159), lithograph, 1896, on simili Japon paper, a proof before the book edition of 350, with margins, pale foxing and time staining, both in good condition; and Charles Maurin (Wittrock 242), by Henri de Toulouse-Lautrec, drypoint printed in sanguine, 1898, on wove paper, from the second edition of 350, published by Henri Floury, 1926, with margins, foxing to the top sheet edge, creasing mainly at the left margin, otherwise in good condition L. 200 x 123 mm., S. 298 x 219 mm. (3) View on Christie's.com
Pierre-Auguste Renoir (1841-1919) Richard Wagner (Delteil 33) lithograph, circa 1900, on Arches paper, from the edition of 150, the full sheet, a flattened crease running along all four margins from previous folding, with associated 20 mm. tear at the lower right corner, otherwise in generally good condition (L. 432 x 317 mm.; S. 664 x 503 mm.); together with Trois visages (esquise) (Leymarie & Melot 55), lithograph, circa 1908, on wove, from an unknown edition size, not listed in Delteil, with time staining to the extreme sheet edges, in generally good condition (L. 273 x 205 mm., S. 440 x 326) (2) View on Christie's.com
Frank Short (1857-1945) Modern British prints including Mount Rigi at Dawn, Sunrise o'er Whitby Scaur, A timber raft on the Rhine and two others; together with six etchings by William Strang, The Wedding of Camacho, The Stone Cutters, Donald Campbell, The traffic and two others, all with margins, on various papers and sizes, some with time staining and other minor surface defects, otherwise all in generally good condition S. 400 x 484 mm. and smaller (11) View on Christie's.com
James Jacques Joseph Tissot (1836-1906) Histoire ennuyeuse (Wentworth 32) etching with drypoint, 1878, on laid paper, signed in pencil, from the edition of about 100, with margins, mount and time staining, scattered foxing throughout, remains of glue and tape from previous hinging, otherwise in good condition, framed P. 314 x 203 mm., S. 405 x 271 mm. View on Christie's.com
Lill Tschudi (1911-2001) Wald in Dammerung linocut printed in colours, 1959, on wove paper, signed and numbered 3/50 in pencil in the image, also titled and inscribed Orig linolschuitt, handdruck in the margin, further inscribed, taped at the top and right sheet edge, otherwise in good condition; together with Der Schatten, Menhir, Rocking Stone I & II and Die Mondsuchtige each signed, titled and numbered in pencil, generally in good condition S. 413 x 310 mm. (6) View on Christie's.com
Jacques Villon (1875-1963) Devant un guignol (Ginestit & Pouillon 241) drypoint in black and sepia, 1909, on laid paper, fifth (final) state, signed in pencil and inscribed 'No. 5', from the edition of approx. 50, with the blindstamp of the publisher Ed Sagot, Paris (Lugt 2254), the full sheet, in very good condition aside from some pale unobtrusive foxing P. 398 x 301 mm., S. 505 x 361 mm. View on Christie's.com
A Collection Contemporary European Prints including three lithographs by Pierre Alechinsky, each signed and numbered from the edition of 100, two by Bram van Velde each signed and numbered from an edition of 300, two by Roberto Matta signed and numbered from an edition of 100 and one by Corneille, on various papers, generally with some faint time staining S. 760 x 565 mm. (and smaller) (8) View on Christie's.com
Elizabeth Blackadder (b. 1931) Orchidaceae Masdevallia Coccinea etching in colours, 1993, on wove paper, signed in pencil, numbered 38/40, in good condition, S. 637 x 590, together with three others by the same hand Orchidaceae Bulbophyllum (Cirrhopetalum) Rothschindidnum, Orchidaceae Dendrobium Atroviolaceum and Orchidaceae Masdevallia Houtteana Colombia, each signed in pencil and numbered, some faint time staining otherwise in generally good condition (4) View on Christie's.com
Gillian Carnegie (b. 1971) Ponoka the complete portfolio, 2003-4, including title, justification and 9 etchings, in colours, on Hahnemuhle paper, each signed in pencil, numbered 8/37 (there were also 8 artist proofs), published by Paragon Press, in the original cloth board box, some creasing to the sheet edges, otherwise in good condition S. 695 x 580 mm. (and smaller) View on Christie's.com
Jim Dine (b. 1935) Red Dancer on the Western Shore (Carpenter 23) woodcut and spit bite etching in colours, 1988, on two sheets of Arches Cover paper, signed and dated in pencil, numbered 1/14 (there were also 2 artist's proofs), published by Graphic Studio, University of South Florida, Tampa, the full sheets, apparently in very good condition, unexamined out of the frame S. 1996 x 1206 mm. View on Christie's.com
Richard Hamilton (b. 1922) Three Studies of Bloom (Lullin 37. 1-3) three etchings printed on one sheet, 1973, on Hosho paper, signed and titled in pencil, numbered 16/28 (there were also 3 artist's proofs), published by Petersburg Press, New York and London, the full sheet, in excellent condition S. 347 x 470 mm. View on Christie's.com
David Hockney (b. 1937) The Princess in her Tower 2 from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 68) etching, 1969, on Hodgkinson handmade paper, signed in pencil, numbered 95/100 (there was also the unsigned book edition of 600 copies), published by Petersburg Press, New York and London, the full sheet, with a deckle edge at left, with very pale time staining in margins, generally in good condition P. 450 x 323 mm., S. 620 x 450 mm. View on Christie's.com
David Hockney (b. 1937) Peter (MCA Tokyo 107) etching, 1969, on J Green mould paper, signed and dated in pencil, numbered 53/75 (there were also 16 proofs), published by Petersburg Press, London, some time staining, predominately to the extreme sheet edges, some creasing to the left margin and other minor surface defects, in generally good condition P. 680 x 540 mm., S. 933 x 705 mm. View on Christie's.com
David Hockney (b. 1937) An erotic (Scottish Arts Council 172) etching, 1975, on English handmade paper, signed and dedicated to 'Mike Rand', aside from the published edition of 100, printed by Maurice Payne and Michael Rand, published by Secker and Warburg, in good condition, S. 213 x 153 mm. together with two erotic etchings by John Buckland Wright and an erotic woodcut by Eric Gill (4) View on Christie's.com
David Hockney (b. 1937) The Poet, from The Blue Guitar (MCA Tokyo 190) etching in colours, 1976-77, on Inveresk paper, signed in pencil and numbered 86/200 (there were also 37 artist's proofs), published by Petersburg Press, New York, and London, the full sheet, very pale time staining to the extreme sheet edges, in very good condition P. 348 x 430 mm., S. 460 x 530 mm. View on Christie's.com
David Hockney (b. 1937) Paper Pools (MCA Tokyo 234) the book comprising one loose lithograph in colours, 1980, with title, text and justification, signed by the artist on the justification in red ink, inscribed and numbered A.P. XV, an artist's proof aside from the edition of 1000, published by Thames & Hudson, London and New York, the lithograph Pool made with Paper and blue Ink for Book (T. 234), on wove paper, signed and dated in pencil, inscribed and numbered A.P. XV, printed close to the edges of the full sheet, loose, apparently in very good condition apart from some pale time staining, unexamined out of its frame, the book in the original blue canvas binding, lacking the original card slipcase (book) L., S. 265 x 229 mm. View on Christie's.com
David Hockney (b. 1937) Igor Stravinsky, Metropolitan Opera, New York screenprint in colours, 1981, on wove paper, signed in pencil, published by Petersburg Press, fox marks top left corner, further foxing left margin, unexamined out of the frame S. 894 x 335 mm. View on Christie's.com
Howard Hodgkin (b. 1932) Welcome, from Art and Sport (Heenk 71) lithograph in colours, 1983, on BFK Rives paper, printed to the sheet edges, signed with initials and dated in pencil, numbered 20/150 (there were also 45 artist's proofs, two printer's proofs and 1 B.A.T.), published by Visconti Art, Vienna and Lazo Vuji, apparently in excellent condition, unexamined out of the frame S. 850 x 620 mm. View on Christie's.com
Howard Hodgkin (b. 1932) Lotus (Heenk p 222) screenprint in colours with embossing, 1980, on Arches paper with margins, signed in pencil, one of 15 artist's proofs inscribed 'AP', (the numbered edition was 100, plus a few printer's proofs), published by Bernard Jacobson Ltd, some handling creases in the margins, particularly lower left corner and lower sheet edge, green printers ink left margin S. 800 x 1070 mm. View on Christie's.com
Friedensreich Hundertwasser (1928-2000) Plates 2-5, from Look at it on a Rainy Day (Kertész 45-48) four screenprints in colours with metallic embossing and mix media, 1971, on various papers, all with stamped signatures as published and numbered 02279/3000, (there was also a signed deluxe edition of 300), published by Ars Viva, Zurich, all with margins and apparently in good condition, unexamined out of their frames, with the original wooden box, with the list of plates printed inside the portfolio box and signed in green chalk, numbered '2279' in pink chalk, in generally good condition S. 550 x 725 mm. (overall) (5) View on Christie's.com
Ellsworth Kelly (b. 1923) Bleu and Orange (Axsom 8) lithograph in colours, 1964-5, on BFK Rives paper, signed in pencil, numbered 38/75 (there were also 6 artist's proofs), published by Maeght Editeur, Paris, the full sheet, pale time staining and occasional foxing, some short creases L. 416 x 693 mm., S. 600 x 890 mm. View on Christie's.com
Richard Mortersen (1910-1993) Suite de Six the portfolio, including the complete set of 6 silkscreens in colours, with preface by Michel Seuphor, numbered 43 on the justifiaction page, 1961, on wove paper, each plate signed and dated in pencil, numbered 43/100, published by Éditions Denise Renè, the full sheets, all in good condition with the exception of minor time staining to the extreme sheet edges, loose in the original cream linen-covered boards, some soiling to the covers, otherwise in good condition; together with Sept a Venice, portfolio by the same hand and five screenprints by Kim Lim (2 portfolios and 5 framed) S. 680 x 514 mm. (7) View on Christie's.com
Julian Opie (b. 1958) Imagine you are driving (fast) the complete set of six lambda prints, 2002, mounted on PVC, signed in black felt-tip on the reverse, numbered 9/50, published by the Alan Cristea Gallery, London, the full sheets, all in excellent condition, framed L., S. 560 x 1250 mm. (6) View on Christie's.com
Joe Tilson (b. 1928) Ho Chi Minh (Rylands 63) screenprint in colours, on J Green paper, with a wooden fish attached with string, signed and dated in pencil, numbered 25/70, published by Marlborough Graphics, apparently in good condition, unexamined out of the frame, S. 1020 x 700 mm.; together with two others, by the same hand, Jan Palache (R p 62) and Transparency, Vallegrande Bolivia, October 10th (R p56), each signed (3) View on Christie's.com
Bridget Riley (b. 1931) Firebird (Schubert 9) screenprint in colours, 1971, on wove paper, signed in pencil, dated and numbered 38/75, published by the artist, some faint handling creases, faint time staining at sheet edges S. 760 x 1010 mm. View on Christie's.com
Bridget Riley (b. 1931) Going Across (Schubert 45) screenprint in colours, 2001, signed, titled and dated in pencil, numbered 42/90 (there were also 10 artist's proofs), published by Parkett magazine, New York and Zürich, the full sheet, apparently in excellent condition, unexamined out of the frame I. 420 x 730 mm., S. 615 x 913 mm. View on Christie's.com
Antoni Tapies (b. 1923) Arc blau (Galfetti 288) etching and carborundum in colours, 1972, on Garro paper, signed in pencil, an hors commerce impression aside from the numbered edition of 75, published by La Poligrafa, Barcelona, time staining predominantly at sheet edges S. 589 x 770 mm. View on Christie's.com
Antoni Tapies (b. 1923) Camisa (Galfetti 301) etching and carborundum in colours, 1972, on wove paper, signed in pencil, an hors commerce impression aside from the standard edition of 75, published by Editions Poligrafa, Barcelona, time staining, stuck down at sheet edges S. 580 x 760 mm. View on Christie's.com
Antoni Tapies (b. 1923) Creu Decormada (Galfetti 713) etching, aquatint, resins and carborundum in colours, 1979, on Garro paper, signed in pencil, numbered 40/75, published by Editions Poligrafa, Barcelona, taped at sheet edges, handling creases in the margins, unexamined out of the frame S. 560 x 730 mm. View on Christie's.com
Antoni Tapies (b. 1923) 740 (Galfetti 715) etching with aquatint and carborundum in colours, 1979, on Guarro paper, signed in pencil, one of 10 hors commerce impressions (there were 75 numbered impressions and 10 artist's proofs), published by Editions Poligrafa, Barcelona, a few dirt spots right margin, remains of tape verso S. 560 x 730 mm. View on Christie's.com
Antoni Tapies (b. 1923) Carmi 1 etching with carborundum in colours, 1993, on heavy wove paper, printed to the sheet edges, signed in pencil, numbered 31/75, float mounted, apparently in excellend condition, unexamined out of the frame S. 570 x 760 mm. View on Christie's.com
William Turnbull (b. 1922) Untitled screenprint in pink, 1968, on wove paper, signed and dated in pencil, 24/100, the full sheet, with margins, unobtrusive time staining to the extreme sheet edges, otherwise apparently in good condition, unexamined out of the frame, I. 488 x 488 mm., S. 540 x 540 mm.; with Fugue I, ,screenprint in colours printed to the edges of the full sheet, 1971, on wove paper, signed, dated and numbered out of 75 in pencil on the reverse, printed by Kelpra Studio, apparently in very good condition, unexamined out of the frame, I., S. 585 x 795 mm.; together with Kim Lim four plates from Interval Series 1 and six further works (12) View on Christie's.com
Victor Vasarely (1906-1997) Untitled screenprint in colours, on white card, signed in pencil, numbered 123/225, published by Edition Denise René, Paris, with their blindstamp, the full sheet, some minor soiling and other surface defects, otherwise in good condition, I. 756 x 500 mm., S. 886 x 645 mm.; together with one other screenprint in colours, on white card, signed in pencil, numbered 62/200, with margins, a few pinholes to the upper right of the image, some soiling in the margins, I. 607 x 607 mm., S. 680 x 680 mm. (2) View on Christie's.com
Victor Vasarely (1906-1997) Composition screenprint printed in colours, on wove, signed in pencil, from an unknown edition size, apparently in good condition, unexamined out of the frame, S. 590 x 495 mm.; together with four further similar works, each signed in pencil (5) View on Christie's.com
Andy Warhol (1928-1987) After the Party (Feldman/Schellmann 11.183) screenprint in colours, 1979, on Arches paper, signed in pencil, numbered 564/1000, there were also 30 artist proofs, 3 printer's proofs and 10 HC impressions, published by Grosset and Dunlap, Inc., New York, float mounted, apparently in good condition, unexamined out of the frame S. 546 x 775 mm. View on Christie's.com
Andy Warhol (1928-1987) Committee 2000 (Feldman & Schellmann II.289) screenprint in colours, 1982, on Lenox Museum Board, signed in pencil, numbered 1065/2000 (there were also 200 artist's proofs), published by Committee 2000, Munich, Germany, the full sheet, with the printer's blindstamp and the Andy Warhol copyright red stamp on the reverse, in very good condition, framed S. 762 x 510 mm. View on Christie's.com
Andy Warhol and Jean Michel Basquiat Warhol Basquiat Paintings offset lithographic poster in colours, 1985, on coated wove paper, from an unknown edition size, published by Tony Shafrazi, New York and Bruno Bischofberger, Zurich, the full sheet, handling creases, unexamined out of the frame S. 485 x 304 mm. View on Christie's.com
Wang Guang Yi (b. 1957) lithograph in colours, 2006, on BFK Rives paper, signed in pencil, numbered 116/199, published by Idem, Paris, with their blindstamp, the full sheet, with a deckle edge lower sheet, in good condition, unexamined out of the frame S. 900 x 768 mm. View on Christie's.com
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