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An Edward VIII Coronation Commemorative Condiment Spoon, the oval bowl to a facetted stem marked “Crowned May 12th 1937”, to a portrait finial also inscribed “King Edward VIII” with a blue enamel background, in its original fitted box of issue, Birmingham 1936, Maker’s Mark WHH
An Edward VIII Coronation Commemorative Condiment Spoon, the oval bowl to a facetted stem marked “Crowned May 12th 1937”, to a portrait finial also inscribed “King Edward VIII” with a red enamel background, in its original fitted box of issue, Birmingham 1936, Maker’s Mark WHH
A George V Continental enamelled and ivory mounted Powder Bowl, the pedestal bowl with applied ivory rims to engine-turned fields decorated with lemon yellow enamel, to a pull-off cover with silver rim and similar decoration to the cover, also with violet and gilt highlighted swags and turned ivory button finial and mirror lining, diameter 3”, and bearing import marks for London 1914, sponsor’s mark RB
A Victorian Tortoiseshell mounted Silver Table Vesta Case, modelled in the form of a tortoise, the naturalistically modelled tortoise shell hinged to one side to reveal a raised body with opposed striker and oval match holder, and raised on naturalistic legs and raised head, with inscription to the base “Xmas 1883” (slight losses and repair), length 3 3/8”, London 1881, Maker’s Mark Thomas Johnson
A late 19th Century Russian Silver and Nephrite Spill Vase, by Karl Fabergé, Workmaster Michael Perchin, the polished and tapering conical body with a plain collar (probably originally with an insert), and contained within a classical styled frame with guilloche borders and set with three rams head masks on spreading supports, with scrolling bases united by platform base with central rosette and raised on three button feet (with traces of original matt gilt finish), and marked with the Workmaster’s Punch, Russian assay mark with female mask 88 and thirdly the mark for Fabergé (incomplete), height 3”, width 2”
A George IV large presentation inscribed Salver, of shaped circular form, with cast and applied “C” scroll and foliate border, to a heavily chased and engraved floral foliate and shell field, centred with a later presentation inscription “Presented to Robert Smith Esqr, MRCS and C, by his Friends on his leaving Whitechurch, Oxon after a Residence of Many Years, in Token of their Personal Esteem and, Appreciation of his Long and Zealous Professional Services, June 1861”, and raised on four heavily cast “C” scroll and foliate feet, diameter 23 ¾”, weight approx 156 oz, London 1823, Maker’s Mark William Eley & Fearn
An Edward VII hallmarked Silver Model of the “Warwick Vase”, of typical form, and raised on a presentation inscribed square base “Presented to Reginald J N Neville Esqr, Conservative Candidate, Wigan General Election, 1910, by 5428 of his Admirers in Recognition of his Gallant Fight and in Proof of their Abiding Regard and Affection”, height 12 ½”, width 16”, weight approx 185 oz, London 1909, Maker’s Mark Mappin & Webb
An Elizabeth II three light Candelabra, each with waisted and girdled sconces over drip pans and scrolling arms to a central light, removable upper section to a single waisted and girdled sconce on a tapering and knopped column, raised on a spreading circular base (loaded), height 13 ¾”, London 1962/63, Maker’s Mark RC
A late 19th Century French four piece Bachelors Tea Set, comprising Teapot, Hot Water Pot, Lidded Sugar Basin and Milk Jug, each of compressed baluster and wrythen fluted form, with applied reeded rims and further embossed and chased naturalistic detail, to vacant cartouches entwined with bull rushes, and all with cast and applied leaf capped scrolling handles, all marked for France 950/1000 with further Maker’s Mark of a rampant lion beneath a star and flanked by EM
A Victorian Scottish three piece Tea Set, comprising Teapot, Sugar Basin and Milk Jug, each of inverted baluster form, the former with hinged and domed cover with cast and applied finial, all with chased and engraved floral and foliate decoration on lattice background to vacant cartouches, the latter both with gilt interiors and each raised on a spreading circular foot, Edinburgh 1855, Maker’s Mark M&S (3)
A Victorian composite three piece Tea Set, comprising Teapot, Sugar Basin and Milk Jug, the teapot and sugar basin each of compressed circular form, the former with flush fitting lid and concealed hinge with ball finial, the latter both with gilt interiors, and all with scroll capped handles and with engraved latticework and floral bodies, and engraved and monogrammed cartouches, teapot and sugar basin London 1871, Maker’s Mark DH,CH; the milk jug London 1878, Maker’s Mark TW (3)
A pair of Elizabeth II Silver mounted and cut glass Decanters, each of tapering square form, with moulded and cut floral design and facetted necks, to plain and polished flared silver mounts with further cut spherical stoppers, height 11”, Birmingham 1972, Maker’s Mark PP Ltd (2)
A Victorian four piece Tea and Coffee Set, comprising Teapot, Coffee Pot, Sugar Basin and Milk Jug, each of baluster form, the former each with hinged covers and floral cast finials, the latter with gilt interiors, and all decorated with floral and foliate sprigs and “C” scroll initialled cartouches, and each raised on cast and applied scrolling feet, London 1842/43, Maker’s Mark Edward Edward Jun, John & William Barnard (4)
A William IV large Teapot, of compressed circular form, the plain polished body with hinged and domed cover surmounted by a cast dog finial, to a capped scrolling handle and raised on a spreading circular base, width 12 ½”, London 1834, Maker’s Mark Joseph Angell Sen & Joseph Angell Jun
An early George III Silver Salver, of shaped circular form with cast and applied gadrooned border, to a polished field with re-engraved centre and raised on three cast and applied scrolling feet, width 12”, London 1764, Maker’s Mark TH,RM (unidentified Grimwades No 3836)
A Victorian Continental Trumpet Vase, of flared cylindrical form with rolled rim and embossed with a castled landscape with medieval dressed figures to the foreground, with applied eyes to the mid-body and acanthus leaf decorated and flared base, height 10”, and with import marks for Chester 1898 and sponsor’s mark BM, together with original continental duty marks
A George V cased three piece (of four) Dressing Table Set, comprising Hand Mirror, Hairbrush and Clothes Brush, each in the Art Deco manner with black and translucent white enamel detail over engine-turned decoration, and with further applied marcasite decoration, Birmingham 1930, Maker’s Mark Adie Bros Ltd, in a fitted morocco covered case
A cased set of Victorian Silver Gilt Serving Spoons, comprising a pair, each with cast figural finials and engraved cylindrical stems, to further cast mounts and polished oval bowls with foliate decorated backs, London 1874, Maker’s Mark HH; together with a matched Sifter Spoon marked for London 1878, Maker’s Mark HJL, in a silk and velvet-lined morocco covered case with retailer’s label for Henry Hands & Son, Norwich
A Cased Set of Twelve Edward VIII Silver Gilt and Enamelled Coffee Spoons, with polished oval bowls, with green and white enamelled stems terminating in a blue and yellow forget-me-not, Birmingham 1936, Maker’s Mark Walker & Hall, in a fitted Walker & Hall blue fitted case (some enamel losses)
A Cased Set of Six Elizabeth II Silver and Enamelled Coffee Spoons, each with oval bowls, decorated with enamelled backs depicting English wildflowers, and with round seal finials, Birmingham 1964, Maker’s Mark rubbed, in a fitted Winsor Bishop case with gilt highlights
A George V Cased Communion Dish, fashioned from a mother-of-pearl shell, of polished form with attached silver handle modelled in the form of a patée cross, length 6 ½”, in a purple silk and velvet lined morocco covered case, London 1931, Maker’s Mark ARM & Co Ltd, with further retailer’s mark AR R Mowbray, London and Oxford
A Cased George V Café Au Lait Set, comprising Coffee Pot, Milk Jug and Sugar Basin, of polished baluster form with hinged and domed covers, girdled bodies and raised on spreading circular bases, Birmingham 1929; together with six Coffee Spoons and matching Sugar Tongs, marked for Sheffield 1928, Maker’s Mark CB&S, in a silk and velvet lined morocco type covered case
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892386 item(s)/page