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A collection of mostly Silver costume jewellery, to include a 1920`s Egyptian Revival necklace, bracelet and brooch set with blue stone scarabs and mummy figures, a white metal mounted Scottish agate circular pendant, a pair of Silver enamel leaf earrings, a Silver gate bracelet and other items. (lot)
A collection of jewellery to include a white metal and diamond set wishbone ring, (tests as 14ct white gold) a 9ct gold child`s flat curb link bracelet (AF) a 9ct white gold crossover ring set with 9 small diamonds, a 9ct gold ruby and diamond cluster ring, a silver filigree dress ring, a pair of silver filigree drop earrings and a pair of gold hoop earrings. (7)
A collection of Ordance Survey Maps and Railway Maps of Great Britain including Crunchley`s County Maps Showing Railways & Names of Stations, examples include Bedford, Surrey and Kent, and 20th century examples of Ordance Survey Maps of parts of England and Wales, (a lot), (a/f), (unframed)
Alan Boyson RCA, British mid-late 20th/early 21st century- "Tree No 2"; ceramic sculpture, signed, titled and dated 1977 on the underside, height 34cm, (may be subject to Droit de Suite) Notes: Trained in ceramics at the Royal College of Art in the 1950`s Alan Boyson is an artist and designer of murals, windows and other architectural decorations in addition to producing smaller scale ceramic pieces. He is best known for his architectural ceramics which include a now grade 2 listed mural called the `Tree of Life` in Salford erected in 1962.
Lots 401-409 are a collection of works by the artist Reginald Brill (1902-1974). They come direct from the artist`s studio. Reginald Brill was an English Realist Painter. He was principal of Kingston School of Art from 1934-1962, he then went on to establish the Landscape School of Art in Lavenham, Suffolk. In his time he exhibited at the Royal Academy; The Tate also showcased his work. A book of his life and works was published in 1999. Reginald Brill, British 1902-1974- Portrait Study of a Young Woman with Red Hair; pen, brush and black ink with gouache on buff, squared, 55.5x37.5cm, (may be subject to Droit de Suite) Note: this is a preparatory study for a completed oil, sold at Sotheby`s lot 56, 18/03/2008 Provenance: from the studio of the artist
AMENDMENT: Please note that the artist’s dates should read 1874-1952 and not 1873-1956 as described. The painting is also dated 1935 and not 1955 as described. - William Henry Barribal, British 1873-1956 exh 1919-1938- "Study for a portrait of Sir Frank Brangwyn RA"; gouache on paper laid down on panel, signed and dated 1955, bears inscription on the reverse, 47x57cm., (unframed) (may be subject to Droit de Suite)
Janusz Olszewski, Polish b.1954- "Landscape at the End of the Twentieth Century", Hunter`s Plant, 1990; c-print, from an edition of 30, 48x38cm: Ann Hickmott, British late 20th/early 21st century- "Shaking Hands with Time", 1989; c-print, from an edition of 40, 22x28cm: together with another c-print by the same artist entitled "Snail, Snail Leave Your Trail", 1989, 22x28cm, (3) (may be subject to Droit de Suite)
William Strang RA RE RP, Scottish 1859-1921- "The Cottar`s Family"; etching, signed and dated `85 within the plate, 17.5x23cm: together with a collection of further etchings and prints including examples by and after Paul Rajon, William Wise, La Guillermie, Leon L`Hermitte, (13), (unframed)
Marit Guinness Aschan, Irish 1919-2004- Untitled; enamel on copper panel, 41x51cm: Marit Guinness Aschan, Irish 1919-2004- Landscape; watercolour, bears label for Abbey Framers, New Street, Penzance attached to the reverse of the frame, 40x59cm: together with a sketchbook containing pencil drawings and watercolours of flowers by the same hand, some variously dated 1934, 50x35cm., (3) (unframed). (may be subject to Droit de Suite) Note: A catalogue on the artist`s work titled `Marit Guinness Aschan, Enamellist of our Time`, by Graham Hughes, publ Starcity, 1995, accompanies this lot
Richard Henry Wright, British 1857-1930- "Oxford- Distant View"; watercolour, signed and dated 1907, 17x25cm Provenance: with Walker`s Galleries Ltd, London, according to label attached to the reverse: George Richmond, British 1809-1896- "La Belle Ferronnière", after Leonardo da Vinci; black chalk and pencil heightened with white on buff paper, 26x19cm Provenance: Given to E M Bigg-Wither by Miss Irene Farrer, grand-daughter to George Richmond, according to inscribed label attached to the reverse of the frame: British School, 19th century- Portrait of Sir Thomas Moore, after Hans Holbein the Younger; black crayon on buff paper, 43x35.5cm: Alan Hughes Burgoyne, British b.1880-1929- A dreadnought; gouache, signed and dated April 1907, 19x24cm., (4)
Victor Askew ROI FIAL PS, British 1909-1974- "The Artist`s Cottage (The Old Ale House), Green Tye, Herts"; oil on canvas, signed, bears inscription on the salvage, 63.5x76cm: Derek Brown, British, mid-late 20th century- "Roman Road- Winter", 1980; oil on canvas, signed, 20.5x25.5cm: British School, mid 20th century- Portrait of a lady, head and shoulders turned to the right; oil on canvas, 48x41cm: Jacqui Newman, British, mid-late 20th century- Untitled, inspired by cave paintings at Lascaux; oil on board, signed, bears artist`s own label attached to the reverse, 30.5x92cm: British School, mid 20th century- Portrait of a pianist; black conté crayon on laid, signed and dated 1945, bears Rowley Gallery label attached to the reverse, 42x32cm., (5) (may be subject to Droit de Suite)
Thomas Goldsworthy Dutton, British 1819-1891- "H M Screw Steam Ship Marlborough 131 Guns", publ. Wm Foster, 114 Fenchurch St; hand coloured lithograph, 49x67cm: After W Jefferson, British mid 19th century- "Peninsular and Oriental Steam Navigation Company`s Steam Ships at Sea"; hand coloured lithograph, 31x43cm: After Oswald Walter Brierly, British 1817-1894- "HMS Royal Adelaide, 104 Guns", "H M Brig Pilot", and "Clipper Schooner, Hellas", Day and Haghe, publ., Edmund Fry & Son, London; hand coloured lithographs, three, ea. 33x42cm, 35x49.5cm, 30x40.5cm, (5)
A gilt metal Rococo style swing dressing table mirror, 20th century, the mirror with shaped top and of oval form, with `u` shaped support leading to baluster stem and shaped circular foot, 50cm high; with a gilt metal oil lamp style table light and a gilt metal three branch table light, (3). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A three arm clear glass chandelier, 20th century, central column with inverse domed base supporting three `s` shaped arms, circa 30cm high; together with a further clear glass chandelier, (2), (a/f). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A pair of gilt metal three branch wall lights, 20th century, central light flanked by two floral decorated lights, central diamond shaped wall plate decorated with flowers and foliage, 59 cm high, (2), (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
Christie, Agatha, The Mirror Crack`d from Side to Side, 1st ed Crime Club Choice, c.1962, hardback, green dust jacket, published by Collins, St James`s Place, London, 19cm high; Christie, Agatha, 4-50 From Paddington, 1st ed Crime Club Choice, c.1957, hardback, grey/ red stylised dust jacket, Collins, St James`s Place, London,19cm high; together with an extensive collection of miscellaneous books, to include world books, political books, fiction and so on, (a lot).
A collection of Scottish themed items, to include Valentine`s Snapshots of Loch Lomond, 12.5cm wide; a further similar album of Inveraray Loch Fyne, a pair of gilt metal mounted brass tartan cufflinks, a hardback volume of poetry by Robert Buchanan and a Scottish framed and glazed picture, (5).
An Arts and Crafts copper, iron and gilt metal mounted standing floor lamp, central column with wrought iron scrolling tripod support, 120cm high; a gilt metal standing floor light, mid 20th century, flaring shade leading to central column and stepped circular base, 165cm high. (2). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A carved pine lamp, 20th century, of faceted baluster form, carved with stylised acanthus leaf detail to the base, 68cm high; together with a modern pair of leather mounted rectangular table lamps, 45cm high, (3). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
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892386 item(s)/page