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892386 item(s)/page
Matt Bruce RI, British 1915-2000- View of St Paul`s from Embankment; watercolour, signed, bears labels to reverse, 53x73cm: Steven Outram, British b.1953- Woodland Scene; pastel on grey signed and inscribed `80, 46x55cm: together with a watercolour depicting a harbour scene and an acrylic on canvas signed Larson, various sizes, (4) (may be subject to Droit de Suite)
Richard Davies, British b.1944- "Westminster"; lithograph with screenprinting in colours, signed, titled, numbered 68/125 and dated 1988 in pencil, with publisher`s blind stamp, 60x85cm: together with twelve other lithographs with screenprinting in colours by the same hand, each signed, titled and inscribed in pencil, most with publisher`s blind stamp, various sizes, (13) (may be subject to Droit de Suite)
Phyllis Crolla, British b.1962- Untitled figure; oil, mixed media and collage on canvas, signed and dated 1990 on the reverse, 100x72cm., (unframed) (may be subject to Droit de Suite) Note: See Phyllis Crolla, Spazio Club, Academia Italiana, della Arti e Della Arti Applicate, London, text by Bill Hopkins. This catalogue on the artist`s work is available with this lot
French School, 18th century- "Le College de Sidney-Sussex"; engraving, 13x16cm: Parr, British School, 18th century- "The Academical Habits of the Several; engraving, 20.5x24.5cm: British School, late 18th/early 19th century- Children with a bird`s nest in a woodland setting and children playing on a see-saw; stipple engravings, one in sepia, two, ovals, 11.5x15 and 12x15cm: together with two hand-coloured reproduction prints after Le Keux titled `Sidney College` and `The Market Place`, 19x22cm., ea., (6)
Thomas Shotter Boys NWS, British 1803-1874- "Regent Street Looking Towards the Quadrant"; hand-coloured lithograph, 30.5x42cm: together with two other hand-coloured lithographs by Thomas Shotter Boys entitled "Hyde Park Corner" and "The Horseguards from St James`s Park", 31.5x43.5 and 26x36cm: John Harris, British 1811-1865- "Returning Home", after W J Shayer, publ May 30th 1830 by R Ackermann 96 Strand; hand-coloured aquatint, 51x37.5cm., (4)
Ferdinand Gray ARCA, British, early-mid 20th century- "Saint Catherine`s Hill, Winchester"; pen and black ink and watercolour, signed, inscribed and dated 43, bears submission label for the Royal Institute in Water Colours exhibition label attached to the reverse of the frame, 27.2x42cm: Bertram Nevard MBE, British, mid-late 20th century- Ruined wall and steps; watercolour, signed, 54x35.5cm: Paul Smith, British, mid-late 20th century- Seated female nude; tempera/gouache, bears inscription on the reverse of the frame, 51x28.5cm: Cassisa, late 20th/early 21st century- Shoe shine boy; black chalk heightened with white, signed, 52x37cm: British Provincial School, early 20th century- Village scene with figures and a church; watercolour and gouache, 26.5x38cm., (5) (may be subject to Droit de Suite)
A Hornby clockwork Train Passenger Set No.31 by Meccano, 20th century, consisting of a locomotive, two carriages and a quantity of track, (boxed); together with a collection of miscellaneous toys, to include Mousie-Mousie Catch `Em As They Run, a Vulcan Junior Child`s Sewing Machine, a Dinky Supertoys 971 Coles Mobile Crane, further games, an annual and a book, (a lot).
A carved alabaster, ormolu and jasperware mounted six branch chandelier, early 20th century, central carved alabaster baluster column with ormolu band supporting three oval figural jasperware panels with ormolu ribbon surmounts and six foliate `C` scroll arms and lights, 59cm high x 60cm wide. (A/f) (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A pair of Venetian blown glass twin branch wall lights, early/ mid 20th century, central tall glass flower flanked by twisting stylised leaves behind further leaf further flanked by two `s` form and twisting arms beneath candle style lights, the whole supported upon glass platform of bowl form and decorated with stylised lugs, overall of iridescent colour; 44cm wide, (a/f). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A Regency rosewood tea caddy, the shaped hinged cover opening to reveal two fitted tea canisters and glass, raised upon bun feet, 15cm high x 30cm wide x 15cm deep, (a/f); together with a Watson & Sons (Electro Medical Ltd) Sunic Violet Ray Apparatus, (2). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A framed and glazed sailor`s silk needlework panel commemorating the victories of H.M.S. Barham, mid 20th century, surmounted by crown flanked by anchors above text and dates of Barham`s victories, 45cm high. Note: HMS Barham was a Queen Elizabeth-class battleship of the Royal Navy named after Admiral Charles Middleton, 1st Baron Barham, built at the John Brown shipyards in Clydebank, Scotland, and launched in 1914. She was sunk during the Second World War on 25 November 1941 by the German submarine U-331.
A Masonic District of Egypt and Sudan copper and silver inlaid wall plaque commemorating Lord Kitchener`s lodge, late 19th/ early 20th century, of lobed circular form, central silver inlaid design having ribbons reading `Thorough` and ` Lord Kitchener Lodge No. 3402` above `District of Egypt & Sudan` within silver inlaid border, 22cm diam.
A Regency style gilt metal twin branch standard lamp, 20th century, green oval shade enclosing fluted column supporting twin `s` shaped light supports, raised upon circular base adorned with pierced circular gilt metal design, 160cm high. (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A late 19th/early 20th century oak turners armchair by John Starkey, with turned and incised decoration overall, bearing makers label, together with a mahogany serpentine console table, raised on carved cabriole legs, 78 cm high x 138 cm wide x 43 cm deep. (2) John Starkey 60 & 62 Smith Street, Warwick, was an exponent of the revival cabinet makers centred in Warwick. A copy of a 17th century turners chair at Lord Leycester`s Hospital, known as the "Saxon chair". An identical chair, one of a near pair sold at Christies South Kensington 13th November 2002 lot: 274.
A large Royal Copenhagen model of a Dachshund, late 20th century, modelled in the round, seated and with one ear folded back, bearing maker`s mark to underside, 19cm high x 27cm wide; together with a Copenhagen model of an English Bulldog and an Italian group of two dogs with a tortoise, (3).
A glass and white metal mounted lemonade jug, mid 20th century, of baluster form, 24cm high; together with a quantity of further glass items, to include drinking glasses, a ball knop lamp base and a Wedgwood snail ornament, (a lot). (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use).
A Royal Doulton figure of The Poacher HN 2043, c.1948, kneeling and modelled in the round, bearing green Royal Doulton stamp to underside and Rd No`s 855286 / 26358 / 5774 and 13248, 16cm high x 12cm wide x 6.5cm deep; with a Royal Doulton figure of Sweet Dreams HN 2380 modelled by Peggy Davies, c.1970, depicting woman with child in armchair and modelled in the round, 13cm high x 10cm wide x 11cm deep, (2).
A Carltonware hand painted Rouge Royale dish, c.1920`s, of lobed form and red lustre glaze heightened with gilding, 3cm high x 17cm wide; together with further ceramics, to include a Totem pattern Portmeirion Pottery six place coffee service designed by Susan Williams-Ellis, height of coffee pot 32cm and six Royal Doulton Mandarin pottery dinner plates, (a lot).
Of motoring interest. A gold plated half hunter pocket watch by the Illinois Watch Case Co. Elgin, USA, the reverse with the engraved insignia of the Austin Ex Apprentices Association, together with a gentleman`s gold plated wrist watch by the same manufacturer with identical insignia to verso. C.1930`s. (2)
Charles Genge, British 1874-1958 exh 1895-1929- Cottages in the country; oil on paper, signed on the reverse, 25.5x31.5cm: together a further works by the same hand to include an oil on unstretchered canvas depicting a riverside, 22.5x30.5cm, and five watercolours of landscapes, all signed or initialled in pencil, largest 19x29cm, (7), (unframed), (may be subject to Droit de Suite) Note: Genge studied at the Academie Julienne in Paris and subsequently exhibited at The Goupil Gallery, The Royal Society of British Artists, The Royal Institute of Oil Painters and the New English Art Club. He was one of the founders of the Bethnal Green Working Man`s Institute and a leader of the British Post Impressionist Movement. Following his death his studio was handled by Campbell`s of Walton Street, Knightsbridge.
Peter Nutall, British b.1943- Untitled bird form; black and coloured chalk/crayon, signed, 34.5x32.5cm: Ken Howard, British, mid-late 20th century- Cathedral front; etching with aquatint printed in colours, signed, numbered 11/50 and dated 66 in pencil, 60x29cm: Stephen Bicknell, British 1957-2007- "St Chad`s College, Durham"; lithograph, signed, titled, numbered 48/200 and dated 1984 in pencil, 27.5x38cm., (3) (may be subject to Droit de Suite)
Violet Harrison, British, mid-late 20th century- "Opium Poppies"; oil on Daler board, signed, bears artist`s own inscribed label attached to the reverse, in a composition swept frame, 76.5x50.2cm: Pamela Townshend, British b.1920- "Departing Train"; oil on board, 42x61cm., (2) (may be subject to Droit de Suite)
After Jean Jacques I Avril, French, 1744-1798- Bouquet of tulips and roses; after Louis Tessier, engraving printed in colours, publ. A Paris ches J Francois Chereau rue S Jacques aux 2 Piliers d`Or Avec Privilege du Roi, plate 2, 28x21cm: together with plate 3 from the same suite and five further prints after the same hand entitled `Roses Å’illets`, `Grenade, Å’illets`, `Belle de Jour` `Anemones simples, Volubilis` and Untitled, and one further reproduction print entitled `Tuscany`, various sizes, (8)
Nan Goldin, American b.1953- "Clemens at Lunch at Cafe de Sade, Lacoste, Franco 1999"; c-print in colours, signed and numbered 58/500 on the reverse, 33.5x22cm Note: with stamp on the reverse `Special Benefit Edition for Whitechapel Art Gallery produced on occasion of Nan Goldin: Devil`s Playground 26 January-31 March 2002`
French School, circa 1900- "Marthe Brandès, dans Catherine (Comédie Française)"; lithograph printed in colours, 32x16cm19th Century- Calamity in a rocky mountain pass; hand-coloured aquatint, 18x24cm: British School, early 19th century- "The Continuation of the Road from London to Barwick beginning at Tuxford & extending to York"; hand-coloured engraved strip road map, 34x44cm: After James Abbott McNeill Whistler PRBA RP HRSA RSW, American 1834-1903- "St James`s Street June 1878", publ by Vanity Fair 2 July 1878; lithographic transfer print, 39x27cm: Hobakoba, Eastern European School, late 20th century- Surrealistic self-portrait of the artist and view of a church and woodland; etching, signed with monogram `HE` and dated 1989-1990 within the plate, signed, inscribed and dated 1989 in pencil, 33x24cm: European School, late 19th/early 20th century- An old man reading; lithograph in black, red and white on olive brown paper, signed within the plate, 27x27cm., (6) (part unframed)
After Robert Alexander Hillingford, British, 1828-1904- "Wellington at Waterloo The Dawn of Day, June 18th, 1815"; chromolithograph, 52x78.5cm: After Fred Roe, British, 1864-1947- "Bound for Trafalgar`s Bay, Nelson Leaving Portsmouth for the Victory, 1805"; chromolithograph, 52x78cm., (2)
S Jacobs, late 19th/early 20th century- "A Hockey Match in Ancient Greece"; watercolour, signed, 31.5x24cm: British School, mid 19th century- Two children being blessed in a chapel; watercolour, 42x33cm: British School, mid-late 19th century- Church interior with Celtic font; watercolour, 48.5x36.5cm., (3)
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892386 item(s)/page