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William Anders The most celebrated image of the Earth rising above the Moon's horizon. This is the first Earthrise witnessed by humans and captured in colour on camera in the original 70mm square format of the Hasselblad frame. The view was observed by the crew of Apollo 8 at 75h 48m and 39s of the mission and during the fourth orbit of the Moon. Taken with a 70 mm Hasselblad camera, 250 mm telephoto lens, colour magazine 14/D Apollo 8, 24 December 1968 16.49 GMT Vintage chromogenic print on resin coated Kodak paper, 25.2 x 20.5 cm (10 x 8 in), [NASA photo No AS8-14-2383], with This paper manufactured by Kodak watermark on verso (printed mid-70's) (NASA/North American Rockwell)Footnote: This full view of the entire 70mm square Hasselblad frame of this most famous image is very rare. "There was nothing in the plan for an Earthrise photo. Indeed, we didn't even see an actual Earthrise until, on our third orbit, we changed the spacecraft's orientation to heads up and looking forward. As we came round the back side of the Moon, where I had been taking pictures of craters near our orbital track, I looked up and saw the startlingly beautiful sight of our home planet 'rising' up above the stark and battered lunar horizon. It was the only color against the deep blackness of space. In short, it was beautiful, and clearly delicate." William Anders (Jacobs, p. 33). North American Rockwell was NASA's prime contractor and manufacturer of the Apollo Command Module. 

Charles Duke and John Young Two views showing the Lunar Rover parked in front of Stone Mountain at the ALSEP site and Charles Duke inspecting Outhouse Rock with his Hasselblad camera well visible, Apollo 16, 16-27 April 1972, EVA 1 and 3 Vintage chromogenic prints on fibre-based Kodak paper, 25,4 x 20,3 cm (10 x 8 in), with A KODAK PAPER watermarks on versos, RED NUMBERED NASA AS16-113-18365 and NASA AS16-116-18648 (NASA Manned Spacecraft Center), (2)Footnotes: AS16-113-18365: The Heat Flow Electronics package is in the foreground of this photograph taken during the deployment of the ALSEP. Deep footprints leading to the Lunar Rover are visible on the rim of a small crater. Stone Mountain, approximately 5 km in the distance and 500 m high, forms the skyline in the background. AS16-116-18648: Charles Duke is pointing to a sample location on the face of Outhouse Rock, a large break-off piece south of House Rock, approximately 5 by 2 by 2.5 m on the southeast rim of North ray Crater. He holds a sample bag in his right hand. The cuff checklist on his left wrist indicates the tasks to be performed at each station. His LMP Hasselblad camera is clearly visible mounted on his chest.Condition Report: Each photo bears filing punchholes in upper margin not impacting the image, the former with a slight diagonal crease in the black sky of space.Condition Report Disclaimer

Neil Armstrong and Buzz Aldrin Two rare views from the CDR and LMP windows of the LM Eagle before liftoff showing footprints, the TV camera, the US flag and craters on the horizon at Tranquility Base, both unpublished after the mission, Apollo 11, 16-24 July 1969 Vintage chromogenic prints on fibre-based Kodak paper, [NASA photos no AS11-37-5503 and AS11-37-5512], 18.5 x 18.5cm, originally trimmed to images, with A KODAK PAPER watermarks on verso, one with 05512 stamp (NASA Manned Spacecraft Center), (2)Footnotes: Extremely rare photographs from colour magazine 37/R taken with the Hasselblad 500 EL camera used for Intra Vehicular Activity (IVA) and equipped with the 80mm lens.

Buzz Aldrin An extremely rare sighting of Neil Armstrong on the Moon walking out at left with the Solar Wind Collector and the Lunar Module in the background, Apollo 11, 16-24 July 1969 Vintage chromogenic print on resin-coated paper, 20.3 x 20.3 (8 x 8 in), [NASA photo No AS11-40-5916], with A KODAK PAPER watermarks on verso Footnotes: one of the very few Hasselblad frames showing Neil Armstrong on the lunar surface as Neil Armstrong had the only lunar surface Hasselblad camera most of the time.    

Buzz Aldrin The pristine surface of another world, being the first photograph taken by Buzz Aldrin on the moon, unpublished after the mission, Apollo 11, 16-24 July 1969 Vintage gelatin silver print on fibre-based paper [NASA photo No AS11-40-5876, originally shot on colour film], 25,4 x 20,3 cm (10 x 8 in), numbered AS11-40-5876 in bottom margin (NASA/USGS)Footnote: This extremely rare unpublished image shows the exact pristine lunar soil where Aldrin would make and photograph a few moments later the most famous footprint in history.Armstrong and Aldrin shared only one Hasselblad camera for use on the lunar surface.After he got the camera for the first time, Aldrin took a series of close-up pictures for the Bootprint Penetration Experiment. He framed this first shot by hand-holding the camera above the ground instead of having it on the RCU (Remote Control Unit) bracket mounted on his chest. This photograph symbolizes the arrival of humanity on another world. "This is the result of six billion years of evolution. Tonight, we have given the lie to gravity. We have reached for the stars." Ray Bradbury (BBC TV, 20 July 1969) 

David Scott Two overlapping panoramic views of the Hadley landing site from the top hatch of the LM Falcon after touchdown during the only stand up EVA performed on the Moon, Apollo 15, 26 July- 7 August 1971, stand up EVA Vintage gelatin silver prints on fibre-based paper, 25,4 x 20,3 cm (10 x 8 in), with NASA captions on versos, BLACK NUMBERED NASA S-71-44698 and NASA S-71-44702 (NASA Manned Spacecraft Center), (2)Footnotes: two very rare overlapping frames from a 360° panorama showing the exceptional beauty of the Hadley-Apennine landing site with in particular the giant Mount Hadley Delta (4,000 m) and St George Crater on its flank. Following touchdown, Scott and Irwin gave the scientists in Houston a thorough description of the surrounding moonscape and, rather than restricting themselves to the views out the forward-facing windows, they donned helmets and gloves for what was known as a Stand-up EV'. They bled all the air out of the cabin then Scott opened the overhead hatch. Standing on the ascent engine cover with his upper body outside the spacecraft and bracing himself in the opening he took a series of pictures all the way round the horizon with the Hasselblad 70-mm camera.  

Alfred Worden, James Irwin or David Scott Two extremely rare views of the first subsatellite deployed by humans in lunar orbit Apollo 15, 26 July - 7 August 1971 Vintage chromogenic prints, the first [NASA photo No AS15-96-13068] on resin-coated Kodak paper, with A KODAK PAPER watermark on verso (NASA/North American Rockwell), the second on fiber-based Kodak paper with A KODAK PAPER watermarks on verso, RED NUMBERED NASA AS15-96-13071 (NASA Manned Spacecraft Center), (2)Footnotes: Before trans-Earth injection, the CSM launched a subsatellite around the Moon containing three experiments: the S-band transponder, the particle shadow/boundary layer experiment, and a magnetometer. As the subsatellite departed, not only the crew filmed it with the DAC 16mm camera, but also with a Hasselblad using magazine Q and a 250-mm telephoto lens. North American Rockwell was NASA's prime contractor and manufacturer of the Apollo Command Module. 

Buzz Aldrin or James Lovell The beauty of Earth: four breathtaking views from space taken with the unrivalled Hasselblad SuperWide camera, Gemini 12, 11-15 November 1966 Four vintage chromogenic prints on heavy fibre-based Kodak paper [NASA photos No S-66-63030: Texas-Louisiana, looking east, Houston, Galveston, M.S.C. area, astrodome, Gulf coast, Matagorda to Vermillion bay, S-66-63435: Florida, Cape Kennedy, S-66-63475: Algeria, Tiffrnine and Irrarene Dune fields, Tassili-N-Ajjer Mountains, S-66-63481: United Arab Republic, Saudi Arabia, Red Sea, Nile Valley, Sinai, looking southeast], 20.3 x 25.4 cm (8 x 10 in), with A KODAK PAPER watermarks on versos, (4)Footnotes: Gemini's wonderful photographs of the Earth marked the birth of our environmental consciousness. The longer missions and perfected photographic equipment allowed the astronauts to record extremely detailed photographs of the Earth, definitely confirming the potential of photography from space and bringing to light the fragility of the Earth.These photographs were taken with the amazing Hasselblad SuperWide camera and its 38mm lens loaded with Kodak film which offered unparalleled photography quality but was unfortunately discontinued on later Apollo missions for practical reasons. "Everybody is interested in the Earth we live on. The astronauts just brought it home visually. Nobody could ever draw or paint it. I think their missions will live forever through photography." Les Gaver, former photography director, Public Affairs, NASA Condition Report: MintCondition Report Disclaimer

Edgar Mitchell Two views of the ALSEP site and equipment left on the surface from the LM before lift-off, with footprints and tracks made by the moonwalkers well visible, Apollo 14, 31 January - 9 February 1971One vintage chromogenic print on resin coated Kodak paper, [NASA photo No AS14-66-9336], 25.3 x 20.5 cm (10 x 8 in), with This paper manufactured by Kodak watermark on verso (NASA/North American Rockwell) and one vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), RED NUMBERED NASA AS14-66-9340, with NASA caption and A KODAK PAPER watermarks on verso (NASA Manned Spacecraft Center), (2)Footnotes: The first photograph shows the ALSEP site on the horizon. The second photograph [NASA AS14-66-9340] shows the Hasselblad camera left on a tray at the back of the MET (Modularized Equipment Transporter) and the Gold stereo 35mm camera left on the lunar surface. Condition Report: Significant area to surface gloss loss in margins and a repaired horizontal tear (approx. 4 sm long) in upper margin (lightly visible but nonetheless affecting the image) Condition Report Disclaimer

Buzz Aldrin "Tranquility Base here; the Eagle has landed": shadow of Eagle from the LM after touchdown, rare photograph not published after the mission Apollo 11, 16-24 July 1969 Vintage gelatin silver print on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), numbered S11-39-5788 in right margin on recto (NASA/USGS)Footnote: A photograph symbolizing the arrival of the first humans on the surface of another world: the Eagle casts a long shadow at Tranquility Base just after touchdown. It is a frame from a panoramic sequence of the landing site from B&W magazine 39/Q taken by Buzz Aldrin from his Pilot LM window with the lunar surface EVA Hasselblad 500 EL Data Camera and its 60mm (focal length) lens. The EVA camera had a reseau plate, so images taken with it show a grid of crosses. While in the LM on the Moon, Armstrong and Aldrin had three photographic magazines: two color magazines 37/R and 40/S; and one B&W magazine 39/S. Frames from this magazine 39/Q were not released by NASA after the mission and are extremely rare..Aldrin: Descent Engine Command Override, Off. Engine Arm, Off. 413 is in. Duke (Mission Control): We copy you down, Eagle. Armstrong: Engine arm is off. Houston, Tranquility Base here. The Eagle has landed. Duke: Roger, Twan...(correcting himself) Tranquility. We copy you on the ground. You got a bunch of guys about to turn blue. We're breathing again. Thanks a lot. Aldrin: Thank you.   

William Anders The most celebrated image of the Earth rising above the Moon's horizon. This is the first Earthrise witnessed by humans and captured in colour on camera. The view was observed by the crew of Apollo 8 at 75h 48m and 39s of the mission and during the fourth orbit of the Moon. Taken with a 70 mm Hasselblad camera, 250 mm telephoto lens, colour magazine 14/D Apollo 8, 24 December 1968 16.49 GMT Vintage chromogenic print on fibre-based Kodak paper, 25.2 x 20.5 cm (10 x 8 in), [NASA photo No AS8-14-2383], with A KODAK PAPER watermark on verso (NASA/North American Rockwell)Footnote: "There was nothing in the plan for an Earthrise photo. Indeed, we didn't even see an actual Earthrise until, on our third orbit, we changed the spacecraft's orientation to heads up and looking forward. As we came round the back side of the Moon, where I had been taking pictures of craters near our orbital track, I looked up and saw the startlingly beautiful sight of our home planet 'rising' up above the stark and battered lunar horizon. It was the only color against the deep blackness of space. In short, it was beautiful, and clearly delicate." William Anders (Jacobs, p. 33). North American Rockwell was NASA's prime contractor and manufacturer of the Apollo Command Module. Condition Report: Condition Report Disclaimer

Buzz Aldrin 4-photo panoramic sequence of Tranquility Base from the LMP window of Eagle before liftoff, extremely rare photographs from B&W magazine 39/Q, Apollo 11, 16-24 July 1969 Vintage gelatin silver prints on fibre-based paper, [NASA photos No AS11-39-5818, AS11-39-5820, AS11-39-5822, AS11-39-5824], 25.4 x 20.3 cm (10 x 8 in), numbered in left margin on rectos, blank on versos (NASA/USGS), (4)Footnotes: Extremely rare photographs from B&W magazine 39/Q taken with the Hasselblad 500 EL used for Intra Vehicular Activity (IVA) and equipped with the 80mm lens, not published by NASA after the mission. The US flag, the TV camera which recorded the moonwalk and footprints left by the moonwalkers are visible in the foreground but also near a crater to the left of Eagle's shadow.  

Jack Swigert or Fred Haise Three views of the Moon receding in size during the dramatic journey back to Earth, unpublished after the mission Apollo 13, 11-17 April 1970 Vintage chromogenic prints on fibre-based Kodak paper, 25.4 x 20.3 (10 x 8 in), RED NUMBERED NASA AS13-62-8937?, AS13-62-8924, AS13-62-8952 and AS13-62-9015, with A KODAK PAPER watermarks on versos (NASA Manned Spacecraft Center), (3)Footnotes: On the way back to Earth, Swigert and Haise, despite exhaustion and grave danger they found themselves in, took a fantastic series of photographs of the Moon with magazine 62/JJ and the 60mm lens of the lunar surface Hasselblad 500EL Data Camera which never made it to the lunar surface. "We really got out the cameras, at least Jack and I, and tried to make use of as much of the film as we could." Fred Haise 

Alfred Worden, James Irwin or David Scot Four rare orbital views of the Moon, taken with three different lens and four different Hasselblad magazines, unpublished after the mission Apollo 15, 26 July - 7 August 1971 Four vintage gelatin silver prints on fibre-based paper, 25,4 x 20,3 cm (10 x 8 in), BLACK NUMBERED NASA AS15-81-11031, NASA AS15-90-12327, NASA AS15-94-12836, NASA AS15-95-12903 (NASA Manned Spacecraft Center), (4)Footnotes: These extremely rare photographs from the Apollo 15 mission reveal stunning details of the lunar surface captured by the crew with various lens and magazines mounted on the Hasselblad cameras. First photograph [AS15-81-11031]: 500 mm telephoto lens vertical photograph (Hasselblad telephoto 500EL data camera also used on the lunar surface) of an ejecta near the north rim of Crater Lambert in the Sea of Rains (26.5° N / 21° W), magazine 81/QQ, altitude 111 km, orbit 69. Second photograph [AS15-90-12327]: 60 mm wide angle lens (Hasselblad lunar surface 500EL data camera) view of the lunar horizon looking northwest over Crater Menelaus (top right), magazine 90/PP, altitude 118 km, orbit 70. Third photograph [AS15-94-12836]: 80 mm lens oblique photograph (Hasselblad 500EL) looking northwest of the fresh impact crater Proclus located to the west of the Sea of Crises (19.5° N / 45° E), magazine 94/S, altitude 115 km, orbit 37. Fourth photograph [AS15-95-12903] : 500 mm telephoto lens vertical photograph (Hasselblad telephoto 500EL data camera also used on the lunar surface) over the Apennine mountains (19° N / 4° W), magazine 95/R, taken post rendezvous with the LM. 

Vintage Victor Hasselblad 500 C camera with lenses 

A 1981 HASSELBLAD 500 C/M Camera with SONNAR 150 mm Lens and A.12 back.Full working order and in very good condition.

A VERY LARGE COLLECTION OF HASSELBLAD ACCESSORIES TO INCLUDE: H/B Magnifying Finder Hood 52094 in original boxH/B Extension Tube 16 - 40541.H/B Bellows Model 2 40676 with B50 and B60 connectors circa l980.H/B Bellows Model I wih B50 Connector circa 1970.H/B Lens shade for Sonnar 150 mm.H/B quick focus lever No.1 - 40061 with instructions, clips and index markers.H/B spirit level.H/B polarising filter 63 in makers case.H/B – 2 x Polarising Filters B50 Ref. 50075 in original black leather pouches.H/B orange filter B50 in plastic keeper.H/B standard focusing screen in makers pouch.H/B focusing screen 42170 (Rare) acute matte with grid and split image rangefinder inmakers plastic keeper with instructions, and in makers box and foil wrapper circa 1990.H/B rear body cover 51063.H/B light trap seals kit in makers plastic bag.H/B camera strap – braided, 1.5” wide unused.H/B leather neck strap 49018 and leather hand strap 46140.H/B Novoflex lens adaptor for C mount lenses to NIKON F Camera.2 No. unbranded filter adaptors for H/B B50 to screw threaded filters in plastic keeper

A Hasselblad NC-2/100 45 Degree Camera Veiwfinder, black, body F, some corrosion to outer body, optics F-G, some light fungus present, in makers box, box very poor,

A Hasselblad 500C camera with Carl Zeiss planar 1:2.8 F+80mm lens no. 4595461 along with a boxed Hasselblad Professional lens shade (40231), magazine 100 for Polaroid film (30198), two quick focusing handles etc.

A Hasselblad 903SWC Medium Format Camera, 1998, black/chrome, serial no. 13ES10368, with Carl Zeiss Biogon T* f/4.5 38mm lens, black, serial no. 7202775, body, VG, lens, VG-E, shutter working, complete with an external viewfinder, lens hood, strap, instructions, and filter lens adapter, in maker's box

A Hasselblad 2000 FCW Medium Format Camera, 1987, chrome, serial no. RU1522498, with Carl Zeiss Planar T* CFE f/2.8 80mm lens, black, serial no. 8881558, body, VG-E, shutter working, lens, VG-E, shutter working, some very light internal haze

A Hasselblad X-Pan Rangefinder Camera, 1999-2004, black, serial no. 11SV23562, with Hasselblad f/4 45mm lens, black, serial no. 8YSV23088, body, G-VG, shutter working, lens, VG-E, together with Hasselblad f/4 90mm lens, black, serial no. 8ZSV16605, body, VG, elements, VG-E, complete with Centerfilter for X-Pan 45mm and lens hood, also to include various Hasselblad marketing literature

A Hasselblad SWC/M Medium Format Camera, 1982, black, serial no. H144528, with Carl Zeiss Biogon T* f/4.5 38mm lens, black, serial no. 6625273, body, VG, lens, VG, shutter working

A Hasselblad 1000F Medium Format SLR Camera black/chrome, 1956, serial no.CT 21233, with a Carl Zeiss Tessar f/2.8 80mm lens, circa 1954, serial no.1419665, shutter working, with 6 x 6cm roll film back, body G, lens G, with lens hood

A Hasselblad 500EL/M with Underwater Housing, with Carl Zeiss Distagon f/4 50mm lens, black, serial no. 4781973, camera body, VG, untested, lens, VG, untested, underwater housing, VG-E, together with Connector flash 57541, Sekonic Marine Meter II, and replacement rubber gasket seals, with a photocopy of original instructions, in a custom-fitted aluminium flight case

A Hasselblad X-Pan II 35mm Panoramic Rangefinder Camera, 1997-2003, black, serial no. 1BSP11586, with Hasselblad f/4 45mm lens, black, serial no. 8YSP28459, body, VG-E, shutter working, lens, E, complete with lens hood, all in maker's original boxes and additional Peli Case 1150

Vintage electric modified camera with assortment of accessories; filters, lens hoods, batteries and more.Hasselblad 500 EL/M: 4.5in x 3.5in x 5.5in. Hasselblad 70 70mm Film Back for V System: 3.25in x 3.5in x 3.25in. (3) Diameter 60/38-60: 3in x 3in x 1in; 1 original box 3.25in x 3.25in x 1in. (4) Diameter 60/80; 3.25in x 3.25in x 2in. Quick-Focusing Handle 2: 5.25in x 1.25in x 3.25in; original box 5.25in x 3.5in x 1.25in. (2) Hasselblad/50 filters: 1x HZ -0; 0.5in x 2.5in. Hasselblad/50 filter: 1x HZ -0; 64x GR -6; 0.5in x 2.5in. Hasselblad filter: -Y 1.5-50; 0.5in x 2.25in. Hasselblad filter: -CR 12-2-50; 0.25 x 2.25in. (2) Focusing Screen 42250: 2.25in x 2.25in; original boxes 3in x 3in. Release cord 46043 FK 30: original box 3.25in x 3.25in x 1in.(3) Battery chargers: 2.5in x 3in x 1.75in. (2) Varta batteries for camera: 2in x 1.25in. Hasselblad Sunpak HA-2D Dedicated Module: original box 2.75in x 2.75in x 2in. Artist: Victor HasselbladIssued: c. 1971Manufacturer: HasselbladCountry of Origin: SwedenCondition: Age related wear. Not tested, function not guaranteed.

A collection of Hasselblad camera bodies and accessories, to include a 500C/M body serial number UP150524, with Carl Zeiss 1:2.8 f80mm lens and battery, 500C/M camera body (unknown serial no. battery stuck), Sonnar Zeiss Lens 1:5.6 f=250mm Nr. 6288401, Sonnar lens 1:4 f=150mm Nr. 6356807, and further extension tube rings, lens caps instruction manuals, books etc.

Mentor Compur Reflex, Exakta C und Reflex-Korelle III1) Goltz & Breutmann. Mentor Compur Reflex für 6,5 x 9 cm, Nr. 50831, Compur läuft, mit Tessar 4,5/10,5 cm, funktioniert wie eine Hasselblad: Spiegel geht hoch, Verschluß schließt, Spiegel rastet oben ein, Verschluß löst aus. Technisch aufwendige Kamera - wichtige Sammlerkamera. Mit Riemen, Mattscheibenrückteil, 5 Kassetten, Zollplombe und Köfferchen. (3/3+) - 2) Ihagee, Dresden. Exakta-C Nr. 405818, Chrom, Einzelanfertigung der Schnellbajonettfassung für Tessar 3,5/7,5 cm, Nr. 1449048, Verschluß: zweiter Vorhang läuft schief. Seltene Variante für Rollfilm und Platten, mit Mattscheibenrückteil und gehäusenummergleichem Ausgleichsring, Spiegel erneuert. (3-4/4) - Und: 3) Franz Kochmann, Dresden. Reflex-Korelle III Chrom, SLR-Kamera 6 x 6 cm, auf Original-Adapter Tessar 2,8/8 cm Nr. 2372931, Verschluß läuft, aber schwierig aufzuziehen, Spiegel erneuert. (3-/3-) Start Price: EUR 240 Zustand: (-/-)Mentor Compur Reflex, Exakta C and Reflex-Korelle III1) Goltz & Breutmann. Mentor Compur Reflex for 6,5 x 9 cm, no. 50831, Compur works, with Tessar 4,5/10,5 cm, works like a Hasselblad: mirror goes up, shutter closes, mirror snaps up, shutter releases. Technically complex camera - important collector's camera. With strap, focusing screen back, 5 cassettes, customs seal and case. (3/3+) - 2) Ihagee, Dresden. Exakta-C no. 405818, chrome, one-off production of the quick bayonet socket for Tessar 3.5/7.5 cm no. 1449048, second curtain fastener runs crookedly. Rare variant for rollfilm and plates, with focusing screen back and numberidentic intermediate ring, mirror renewed. (3-4/4) - And: 3) Franz Kochmann, Dresden. Reflex-Korelle III chrome, SLR camera 6 x 6 cm, on original adapter Tessar 2.8/8 cm no. 2372931, shutter runs but difficult to open, mirror renewed. (3-/3-) Start Price: EUR 240 Condition: (-/-)

A HASSELBLAD 500C/M MEDIUM FORMAT FILM CAMERA fitted with a Carl Zeiss Planar 80mm f2.8 lens, two film backs and a camera bag Condition is good optics clear but mirror stuck on camera

A Hasselblad 1600F Medium Format Camera 1952, chrome, serial no.CH 12808, with a Carl Zeiss Sonnar f/3.5 135mm lens, serial no.1273048, body G, shutter firing but slow speeds not working, lens F-G, cleaning marks, complete with 45 degrees prism finder and film back

A Hasselblad Super Wide C SWC Medium Format Viewfinder Camera black, serial no.UUW 15152, 1977, with a Carl Zeiss Biogon T* f/4.5 38mm lens, serial no.5767244, shutter and crank working, body G-VG, lens G-VG, light haze, dust, complete with 6 x 6cm roll film back and ten boxes of expired 120 roll films

A Hasselblad A70 Medium Format Camera Film Back, chrome, serial no. TU 301163, insert serial matches, missing darkslide, no film canisters present,

A Hasselblad 500C/M Medium Format SLR Camera 1978, serial no. UR1213509, with a Carl Zeiss Planar T* f/2.8 80mm lens, serial no. 6072837, lens leaf shutter working but rear shutter not closing completely until crank wound on, body G, dust to mirror and screen, lens VG, light internal dust, also with film winding knob with exposure meter, rear cover, two A12 roll film backs, single dark slide and a 45 degree viewfinder prism and Hasselblad 100 Polaroid film back

A Hasselblad 500CM Medium Format Camera, chrome, serial no. UT179745, with Carl Zeiss Planar T* f/2.8 80mm lens, black, serial no. 5659957, body, G, lens, G-VG, shutter working, some very light internal haze IR467004

A Hasselblad 500 C/M medium format SLR camera, 1974, serial no. UI 162031, back no. UI 460493, with Carl Zeiss Planar T* 80mm f/2.8 lens, no. 5737861, and Carl Zeiss Sonnar 150mm f/4 lens, no. 5590530, and leather carry case (4)Please note that Roseberys do not guarantee the working order of any camera.

A Hasselblad 500 EL Camera, chrome, serial no TUE 11447, untested, no battery cells, no charger, battery compartment clean, body G, light wear, with Carl Zeiss 80mm f/2.8 Planar lens, serial no 2576050, barrel G, elements G-VG, with A12 back and dark slide

A Hasselblad 500 EL/M Camera, chrome, serial no UE 1314327, untested, no battery cells, no charger, battery compartment clean, body G, light wear, with prism finder, black, F, paint wear to edges, with Carl Zeiss 80mm f/2.8 Planar lens, serial no 4490269 barrel G, elements G-VG, with A24 back, black, F, paint wear to edges and dark slide

A Hasselblad 500C Camera, serial no UH 125736, body G-VG, shutter working, with Carl Zeiss Planar 80mm f/2.3 lens, serial no 5195445, shutter working, shutter lags behind camera in all speeds, barrel G-VG, elements G-VG, with A12 back, lens hood and strap

A Hasselblad 500C/M Camera, black, 10162, serial no RV 1257690, shutter working, body VG-E, with Carl Zeiss T* 80mm f/2.8 Sonnar lens, serial no 6308184, Synchro Compur shutter working, barrel VG, elements VG, with A12 back, dark slide, lens cap, in maker's box

A Hasselblad 500 EL/M Medium Format SLR Camera, chrome, serial no. RH1323910, c.1982, body G, functions not checked, together with a battery, charger, & fuse, also with a Carl Zeiss Planar T* f/2.8 80mm lens, body G, shutter working but sticks on slow speeds, optics G, some cleaning marks to front element, also with a later waist level finder, also with an A12 film back, serial no. RS 3157413, matching insert,

A Hasselblad 500EL Medium Format Film Camera, chrome, body G-VG, shutter not tested, together with Carl Zeiss Planar f/2.8 80mm lens, optics G-VG, with a very light haze & cleaning marks to the front element, shutter working, also with a C12 film back, standard focussing screen, & standard waist level finder,

A Hasselblad 500c/m Medium Format SLR Camera, chrome, serial no. RS 1237250, c.1980, body G-VG, together with a Carl Zeiss Planar T* f/2.8 80mm lens, body G, shutter working, optics G-VG, together with an A12 film back, serial no. 3160512, body G-VG, with lens cap & dark slide,

A Hasselblad 500EL/M '20 Years in Space' Medium Format Camera, 1982, grey, serial no. RH1321883, with Carl Zeiss Sonnar f/4 150mm lens, chrome, serial no. 3690520, body, G, untested, stuck half way through cycle, battery chamber with slight corrosion, lens, F, some haze present, untested, complete with maker's box & Note: A limited run of 1500 cameras were manufactured to celebrate 20 years of participation by Hasselblad in the NASA Space program. This example is number 0142 / 1500.

Collection of three flown film fragments from the lunar surface, filmed during the Apollo 13 mission. Affixed to a certificate of authenticity; numbered 6/30.These fragments are from the collection of Dick Underwood and are from film magazines II, JJ, and R. Dick Underwood, a NASA Supervisory Aerospace Technologist, assisted in acquiring camera equipment including the Hasselblad 70mm camera used for many early missions. He processed the films and salvaged the leaders and tails from each roll of flown film. The segments are from film used to document the mission including serious damage to the service module, the improvised adaption of the LiOH canister in the LM, the flyby of the moon, and the jettisoning of the Lunar Module (lifeboat).Each film; height: 1/2 in x width: 1/2 in.Condition: The item is in great condition with no visible tears, creases, or losses. The film fragments are kept intact under the transparent tape. There are no tears or other visible damage to the paper. When inspected under UV light, there is no visible sign of restoration.

Hasselblad 500 ELX Camera together with various accessories

Hasselblad 500 ELX Camera together with various accessories plus Olympus Zoom 140 Camera

PHOTOGRAPHIC EQUIPMENT A Hasselblad 500EL/M medium format camera body Condition Report:Available upon request

PHOTOGRAPHIC EQUIPMENT A Hasselblad 500 C camera body, serial no. TU72745 Condition Report:Available upon request

PHOTOGRAPHIC EQUIPMENT A quantity of mainly Hasselblad camera accessories, comprising a boxed Prism Viewfinder HC-4, Bellows Extension and Front Shade for Bellows extension, various grips etc. Condition Report:Available upon request

A Hasselblad A70 Medium Format Camera Film Back, black, serial no. UI 309513, insert serial does not match, missing darkslide, film reminder plastic missing, film canisters present,

A Hasselblad 553ELX Medium Format Camera, chrome, serial no. RU1334844, with Carl Zeiss Sonnar T* f/4 150mm lens, black, serial no. 6284462, body, G, some corrosion to battery terminals, camera shutter appears to be working at the time of auction but can be temperamental, sold as seen, lens, VG, shutter working,

A Hasselblad A70 Medium Format Camera Film Back, chrome, serial no. RS 361596, insert serial does not match, missing darkslide, film canisters are present,

A Selection of Three Camera Lens Filters, to include two Heliopan Linear Polarisers 95mm ⌀, together with a Hasselblad Linear Polariser ⌀60, all in G condition, require some slight cleaning,

A Selection of Various Camera Accessories comprising a Hasselblad A12 6 x 6cm film magazine, a Hasselblad flash bracket and grip, a Wata flash bracket, a folding flash bracket, an Optech camera strap, a Hama table top tripod, cable releases (8), a Contax wired release and a Bilora Stabilo 1115 tripod

A Hasselblad 500C/M medium format camera with a Carl Zeiss Planar f/2.8 f=80mm Nr 6273829 lensCondition good. Untested. Lens unscratched.

A Hasselblad 500c camera with two spare lenses, spare film back and a shutter release handle.

A Hasselblad 500C/M medium format SLR camera with Carl Zeiss planar 80mm F/2.8 lens, in original box with manual and accessories including spare winding crank, lens shade and 50/Haze filter. CONDITION REPORT: Shutter release stuck.

A Hasselblad 501C Medium Format Camera,black, serial no. 17EI11830, with Carl Zeiss CF Planar T* f/2.8 80mm lens, black, serial no. 7267096, body, VG, lens, G, some marks to front element, complete with Carl Zeiss CF T* Sonnar f/4 150mm lens, black, serial no. 6561300, body, G-VG, shutter working, elements, VG-E

A Hasselblad 553ELX Medium Format Camera,chrome, serial no. RU1334844, with Carl Zeiss Sonnar T* f/4 150mm lens, black, serial no. 6284462, body, G, some corrosion to battery terminals, camera shutter appears to be working at time of auction but can be temperamental, sold as seen, lens, VG, shutter working, Note: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.