We found 3650 price guide item(s) matching your search

An Anstey Wilson battery Sunburst wall clock and a Mercedes clock in the form of a miniature grandfather clock.

Modern Windsor 31 day grandfather clock, height 203 cm, width 50 cm, depth 27 cm

Brass grandfather clock face labelled James Thompson of London

A good 30 hour Grandfather clock in working order, COLLECT ONLY.

A 19th century Hall Jnr, Grimsby mahogany cased Grandfather clock, needs minute hand but otherwise working, COLLECT ONLY.Maker Hull Jnr, Grimsby.Oval veneer.Panel in hood lifted.Missing all 3 hood finials.No key.Visually in good condition.

A good oak cased 8 day Victorian Grandfather clock by John Steel, complete and ticking but may need a service, COLLECT ONLY.

A late Victorian / early Edwardian 30 hour Grandfather clock with circular silver plated dial by Revel Sheffield.  Complete and working but would benefit from a service, COLLECT ONLY.

Antique Oak Brass Face Chiming Grandfather Longcase Clock. All proceedings from this lot will be given to the Chigwell Convent - Sisters of the Sacred Hearts of Jesus and Mary.

WHITEHAVEN W. NICHOLSON GRANDFATHER CLOCK

W. MARSHALL GRANDFATHER CLOCK

OAK CASED GRANDFATHER CLOCK BY SOMERVEILL, ST NINIAN'S

MAHOGANY CASED GRANDFATHER CLOCK WITH PAINTED FACE BY MARSHALL

An oak cased grandfather clock, silvered dial inscribed Thos Ranger, Chipstead, Kent 49 x 191 x 26cm.

BAROCKE STUTZUHR, Wien, um 1720-50, ebonisiertes Holzgehäuse architektonisch gegliedert auf vier Kugelkrallenfüßen aus feuervergoldeter Bronze, in der Front ölvergoldete Holzlisenen, um den Ziffernring ziselierte und aufgelegte florale Verzierung, im oberen Teil des Ziffernblattes bezeichnet „Kilian Geist Wienn“ sowie eine Schlag- und Repetitionsabschaltung, das Werk mit Spindelhemmung und Wiener 4/4 Schlag auf zwei Glocken. HxBxT: 48/32/17 cm. Alters- und Gebrauchsspuren, Werk läuft kurz an (reinigungsbedürftig), Rest., Erg.| BAROQUE GRANDFATHER CLOCK, Vienna, c. 1720-50, ebonised wooden case, architecturally structured on four ball-claw feet of fire-gilt bronze, the front with oil-gilt wooden pilaster strips, chased and applied floral decoration around the chapter ring, the upper part of the dial marked "Kilian Geist Wienn" and a striking and repeating mechanism, the movement with verge escapement and Viennese 4/4 strike on two bells. HxWxD: 48/32/17 cm. Signs of age and wear, movement tarnishes briefly (in need of cleaning), rest.

ART DECO GRANDFATHER CLOCK

A quality long case Grandfather clock, 11-inch square brass dial with silvered centre, date aperture and engraved fruit basket and signed 'Thos Ranger Chipstead in Kent', framed by a silvered chapter ring with black Roman hours and outer Arabic minutes, the hood with moulded pediment, turned columns and glazed door above a rectangular trunk door, plain base and plinth, with pendulum and weight. Thomas Ranger is recorded as a clockmaker working in Chipstead, Kent, between 1740 and 1770.

FREDERICK WILLIAM BALDWIN (1899-1984): A watercolour of country house interior, inglenook fireplace with Windsor chairs and grandfather clock, signed lower-left, dated 1943, 25cm x 36.5cm, framed and glazed

Francis Walker of Maryport grandfather clock, the face painted depicting hunting scenes

A MAHOGANY GRANDFATHER CLOCK CASE.

A grandfather clock with month indication, England, address; A. Hunt, Yarmouth, 19th century. Walnut veneered case, voluting hood with two pillars as styles, polychromed dial ring with Roman numerals, shows hours and minutes, 220 cm.

A grandfather clock, Germany, ca. 1930. Oak casing, copper dial with Arabic numerals, weights and pendulum, h190 cm.

Warminck, a small and decorative grandfather clock, 20th C.Movement with moon phases. Movement signed WUBA. With the original operating manual and instructions. Dimensions: (L:28 x W:48 x H:193 cm)

AN ANTIQUE BRASS GRANDFATHER CLOCK FACE AND MOVEMENT

Doulton Lambeth stoneware desktop grandfather clock, circa 1880, the hood and trunk with incised scrolled designs and applied prints, the base with reek key design, in navy, green and core glazes, the circular dial with Roman numerals, cylinder movement, unidentified artist monogram, stamped factory mark, 31cm.Condition report:The front corners of the domed top may have touches of professional restoration, just at the point of the capitals of the pillars. Otherwise the ceramic aspect is in very good condition, no chips or hairlines. The clock face is lacking any glass, and the white metal mount has some creases to it, and the gilt rim is flaking and worn. The movement and cover to the back may be replaced. Not presently working. No key.

LARGE MODERN GRANDFATHER CLOCK

A LARGE 19TH CENTURY GRANDFATHER CLOCK

A HIGGS AND EVANS POCKET WATCH MOUNTED IN AN 18TH CENTURY GRANDFATHER CLOCK MINIATURE27cm HIvory Act Submission CPJLNHS7

19th century dome top grandfather clock; comes with weights and pendulum. [204cm high]

19th century Antique mahogany cased grandfather regulator clock, comes with weight, pendulum and key for locking door

Englische Standuhr mit IntarsienEngland, ca. 1850, Westminster- und Whittington-Schlag, Stundenschlag auf Gong, Stundenschlag auf Gongstäben, Viertel-Stundenschlag auf Gong oder Glocken, 8-Tagewerk, 3-Gewichter, Sekundenindikation, Gehäuse Massivholz, furniert, mit Intarsien und Messingdetails, Uhrwerk Messing, Zifferblatt Messing und Edelstahl, Stundenzahlen römisch, Sekundenzahlen arabisch, Kopf mit verglaster Tür, abnehmbar, kannelierte Halbsäulen und Zapfenbekrönung Messing, eintüriger Pendelkasten mit Vasen- und Schleifenintarsien, 237,5 cm x 56,5 cm x 34,5 cm, gangbar, Werk reinigungsbedürftig, Pendelzug zu weit hochgezogen, mit Alters- und Gebrauchsspuren, Furnierschäden und BestoßungenEnglish grandfather clock with inlaysEngland, ca. 1850, Westminster and Whittington strike, hour strike on gong, hour strike on gong sticks, quarter hour strike on gong or bells, 8-day movement, 3-coasters, seconds indication, case solid wood, veneered, with inlays and brass details, movement brass, dial brass and stainless steel, hour numerals Roman, seconds numerals Arabic, head with glazed door, removable, fluted half columns and cone crowning brass, single door pendulum case with vase and bow inlays, 237,5 cm x 56,5 cm x 34,5 cm, gangable, movement in need of cleaning, pendulum train raised too far, with signs of age and wear, veneer damage and bumping

A late 17th century olivewood, boxwood and ebonised parquetry and oyster inlaid longcase clock with 10 inch dial. Together with receipts regarding its sale by Walter J. Iden to the vendors grandfather in 1942. Further accompanied by a letter from Iden offering to buy it back again in 1944.Thomas Tompion, London The rising hood with later, pre-numbered carved cresting over long glazed side panels, spirally twisted front columns, convex throat moulding and long (41.5 inch) door inlaid with two geometric stars framed by inlaid corner pieces and a half-round moulded edge, all centred by an unusual octagonal lenticle, over a matching base with stellar inlay to a plain plinth. The 10 inch square brass dial with a single line border enclosing the winged cherubs head spandrels and narrow silvered chapter ring with Arabic minute track, narrow Roman hours and an inner quarter-hour track, the finely matted centre with narrow Arabic seconds ring and chamfered date aperture, and three blued steel hands. Signed along the lower edge Thomas Tompion Londini fecit. Mounted to the movement via four latched dial feet. The eight day weight-driven movement with thick plates united by six knopped and ringed latched pillars, the going train with anchor escapement, the striking train with inside countwheel and detent striking on the deep bell above. The backplate with shaped aperture for the anchor and long steel crutch, the pendulum suspended from a shaped tapering cock. Together with a pendulum and two brass weights, all labelled in Iden's typical cream lettering, a crank winder and door key labelled Mr T.. Further accompanied by a selection of paperwork, see Footnote. 2.135m (7ft) high.For further information on this lot please visit the Bonhams website

Elgin of Enfield Jacobian style Dolls House furniture, English circa 1930, dark stained wood furniture including fireplace, sideboards, wardrobe, dressing table with mirror, grandfather clock, table, two dining chairs and an armchair, together with a boxed Triangtois side table, (condition: very good, one sideboard leg replaced), (11 items).

A good Antique mahogany grandfather clock with painted dial. By J. Carmichael, Gateshead. Est. £100 - £150.

A good oak grandfather clock with painted arch dial. By Josh Watson. Est. £100 - £150.

A collection of six painted grandfather clock dials. Est. £30 - £50.

Grandfather clock  D Oliver, Wellington,  Weights and pendulum still in situ.

7FT MAHOGANY CASED GRANDFATHER CLOCK

Mixed Treen including Miniature Grandfather Clock, Oak Bookends, Westminster Chime Mantle Clock, etc

An oak grandfather clock with walnut veneers , broken swan neck pediment over a painted dial with a parrot, 50 x 211 x 24cm.

Dawson of Haddington mahogany grandfather clock, with a swan neck pediment and brass finials over a painted dial with roman numerals and two subsidiary dials, flanked by columns, 51 x 215 x 28cm.

A Jackson's of Polesworth 19th Century Grandfather Clock (A / F) (No key)

8 day Grandfather clock in oak case by Thoms Beall St Ives? enamel painted face, with weights etc in working order (cracked glass and some woodwork needs attention as shown in pictures) 

A VINTAGE WOODEN CASED TEMPUS FUGIT GRANDFATHER CLOCK

An important mid 18th century French ormolu-mounted kingwood and rosewood centre seconds longcase clock of one month duration, with equation of time, time of sunrise and sunset, phases and age of the moon, calendar, sign of the zodiac and temperature compensated pendulumJulien Le Roy, Paris. The case stamped A. Dubois. The case with waisted hood over a shaped trunk with ormolu-mounted shaped glazed lenticle, on a tapering base and plinth with outswept feet, mounted with elaborate foliate scrolls to the front and rear edges, with boldly cast bands of acanthus and other motifs between the case sections. Stamped on the inside top sill of the base by the case maker A. Dubois. The 11 inch circular dial signed across the centre, Julien Le Roy with silvered Roman and Arabic chapter ring, the half-hours marked by meeting-arrowheads, with outer minute band and inner quarter hour band, set with twin chamfered apertures - between VII and VIII the time of sunrise is automatically shown, the time of sunset is shown between IIII and V. The gilt and engraved dial centre is decorated with an engraved trellis pattern and three shaped apertures: the top shows the age and phase of the moon, the rolling silvered moon and stars showing against a painted background; the central aperture gives the date and number of days in the month, and the lowermost aperture depicts the changing signs of the zodiac as the year progresses. The full annual calendar is engraved on an 8.5 inch silvered dial set just below the main dial and is connected at the rear to a brass kidney which dictates the equation of time information. The time is shown via two elaborately pierced and engraved silvered hands. A blued steel hand with engraved sun at its tip gives solar time, another with counterbalanced end shows running seconds. The weight driven movement united by five tapering pillars pinned through the backplate. The going train of five-wheels with high-count pinions terminating in a pin-wheel escapement. The movement is topped with a heavy steel horizontal plate connected at the right hand side to a pair of substantial vertical steel rods running down into the body of the clock and flanking a movable brass cylindrical rod (with fine screw adjustment at its base); the pendulum is suspended from a pivoted horizontal steel arm which is in contact with the tip of the cylindrical brass rod at one end, and with a sprung arbor connected to the thermometer hand by a silk thread at the other. The bases of the steel and brass rods are set on a shaped brass piece running across the inside of the trunk which in turn also carries an arbor for the thermometer hand mounted in the front door. As the ambient temperature changes, the steel and brass set-up automatically raises or lowers the pendulum, while at the same time shows the temperature on the silvered thermometer dial set into the trunk. The strike train with an outside countwheel and sounding on a bell via a horizontal steel hammer set on a vertical arbor, its speed dictated by a shaped brass fly. 55cm wide x 31cm deep x 218cm high, (21 1/2in wide x 12in deep x 85 1/2in high)Footnotes:ProvenanceGalerie Neuse, Bremen, 1995. Julien Le Roy (1686-1759) was regarded by his contemporaries as perhaps the most influential horologist of his era. He was a superb craftsman as well as a scholar who contributed the section on horology to the Encyclopédie. He was eulogized by Voltaire as the man responsible for the 18th century pre-eminence of French clock making.Born in Tours and trained by his father, Le Roy arrived in Paris around 1700. He is generally thought to have served as journeyman to the Parisian horologist, Charles Le Bon. Le Roy received his freedom in 1713 and, shortly after, set up a workshop in the Rue de Harlay, off La Place Dauphine, where the most eminent 18th century Parisian clockmakers also worked. In 1717 he presented an equation clock to the Royal Academy of Sciences, which showed the true time, the place of the sun and its declination. In 1739, Julien Le Roy was appointed valet de chambre, horologer du Roi, and granted premises in the Louvre, which he maintained in addition to his atelier in the rue de Harlay. Le Roy's son Pierre (1717-1785) succeeded his father and devoted the latter part of his career to the Longitude problem and the development of marine timekeepers.Adrien Dubois is recorded as having worked in rue du Faubourg Saint-Antoine, first as the foreman in the important workshop founded by Bernard Van Risenburgh I, maître before 1722, (better known by his stamp BVRB). The father and grandfather of Bernard II and III, Bernard I specialised in making clock cases. Adrien Dubois lived with Bernard and his family above the workshop, and when Bernard died in 1738 the probate inventory listed a very large number of both finished and un-finished clocks, clock cases, pedestals and clock brackets, many of which would have been made by Dubois. Three years after his master's death Adrien finally received the accolade of maître ébéniste. As well as clock cases, Dubois and his family were famed for restorations and adaptations of earlier 'boulle-work'. A console table believed to be partly from the workshop of André-Charles Boulle can be seen in the Victoria & Albert Museum, accession number: 1021:1 to 3-1882.Another case stamped 'A.DUBOIS' was sold at Sotheby's, New York, Property from a Distinguished American Collection, 2 February 2019, lot 763.This lot is subject to the following lot symbols: * TP Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com

A very rare mid-18th century French ormolu grande sonnerie striking mantel clock of two-week duration, with alarm and repeatEtienne Lenoir, a Paris. The case attributed to Robert Osmond. The case surmounted with an impressive urn with berry finial and laurel swags, over a pierced waist set with musical trophies, the sides cast with berries and acanthus leaves and silk-backed sound frets, all on an elaborately shaped base with heavy cast foliate scrollwork. The 5.25 inch white enamel Arabic and Roman dial signed Etienne LeNoir A Paris under elaborately pierced gilt brass dragon hands and the tapering steel alarm-setting hand, all framed by a well cast bezel. The triple spring barrel movement contained within two separate pairs of brass plates, the upper movement of tapering form, with anchor escapement, pull repeat system and large numbered outside countwheel, linked via a vertical rod to the lower set of plates set in the base of the clock to control the repeat and alarm functions, with larger engraved outside countwheel. The upper backplate engraved Etienne Le Noir AParis No. 454. Ticking, striking, operational alarm and repeat. Together with a delicate silk suspension pendulum. 32cm wide x 18cm deep x 49cm high, (12 1/2in wide x 7in deep x 19in high)Footnotes:Provenance The Collection of Mcihael Cory-Wright, Esq;Christies, London, 11 June 1998;Gilbert de Vries, Horlogerie de Collection Ancienne et Contemporaine, Paris, November 1998. ExhibitedTEFAF, Basel and sold with accompanying paperwork including a Certificate of Cultural Property dated December 1998 and instructions. Etienne Lenoir (also spelled Le Noir) was born in Paris in 1660 to a horological family. His father, Simon, was a horologist, and Etienne's grandfather, Jean (or Jehan) was Horloger du Roi in 1552. Etienne, perhaps unsurprisingly therefore also became a horologist, though the details of his apprenticeship are unclear. It is likely however, that he was apprenticed to his father. He married Marie-Anne Gamonet in 1696 and they had two children, Pierre-Etienne, born in 1698, and Etienne, born a year later. Etienne senior was known to have made turret clocks, as well as making a varied output of gold and silver watches, marquetry clocks, and bronze figural mantel clocks, among others. He died in 1739.Etienne Junior would become a horologist as well; he married in 1717 and was recorded working out of Goldsmiths' Quay in 1743 and was still recorded as late as 1778. His son, also named Pierre-Etienne and born in 1724, was an accomplished horologist and worked with his father in Goldsmiths' Quay. It appears that Pierre joined his father in business around 1743, shortly after Pierre's marriage that year. Unfortunately, both father and son signed their work 'Etienne Le Noir' which makes distinguishing the work quite difficult. Their workshop was known simply as 'Le Noir' and it would continue trading until 1820. Pierre-Etienne has been recorded as late as 1791, but it is unclear when he or his father died. The Lenoir dynasty was associated for generations with quality and extravagance and included everything from an elaborate bronze elephant automaton clock to a delicate gold repeater pocket watch.Tardy, Dictionnaire des Horlogers Français, 127th edition, Aubenas: Lienhart et Cie, 1972.An identical clock case by Robert Osmond, minus the foliate scrolling to the base is illustrated in H. Ottomeyer and P. Proschel, Vergoldete Bronzen, 1986, p.542, fig.1.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A 19th century eight day Grandfather clock with revolving moon phase and date aperture, having oak and mahogany case CONDITION REPORT.

A 19th century eight day Grandfather clock by William Nicholas of Birmingham, having separate second hand, date aperture and painted arch dial CONDITION REPORT needs some tlchas pendulum and weightsCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention to showcase the lot in more detail.

Staffordshire porcelain figures. A candleholder in the shape of a horse, a grandfather clock pocket watch stand and a Punch character. H.31 W.20 cm. (largest)

Grandfather clock maker Joseph Marshall of Leicester with a glass viewer in the door, pendulum, two weights and key and winder measures approx 94 inches tall by 22 inches wide and 11.5 inches deep, untested

9ct Gold grandfather clock charm (0.9)

Grandfather clock by Hampson of Wrexham, 1436. Brass dial with roman numerals. Oak case with brass fittings. Chiming movement in working order. With pendulum and weights. Height 192cm, width 47cm. Hood / case has potentially been amdended.

MINIATURE EVERITE BRASS GRANDFATHER CLOCK AND PAIR OF CRYSTAL CANDLESTICKS

A Lladro group:  girl with grandfather clock, height 28cm; another:  dancing girl (1 hand a.f.)

A fine quality Irish Georgian period Provincial Grandfather Clock, the ornate hood with dentil moulded swan neck capital over blind fretwork frieze, the glazed hinged door housing an ornate brass dial with Roman and Arabic figures by 'Bailie (William) of Down' c. 1820s, flanked either side by reeded columns, the main body with shaped panelled door with herringbone inlay flanked by half reeded columns, on a box base with bracket feet, approx. 233cms (92'') high. (1)

Geo Lowe Gloucester (early 19th century ac. Baille) longcase clock. A mahogany cased 30cm painted dial 8 day grandfather clock with swan neck pediment, blind fret and shaped columns to hood, short trunk door and boxwood stringing, H225 cm (inc.finial)

A 19th century Grandfather clock movement with painted dial. The dial 30.5 cm squared.

A miniature Grandfather clock by Bryson, Edinburgh, with key, 15" tall.

An Oak and Mahogany cased longcase / grandfather clock having light and dark-wood stringing, the painted face with Roman numerals having an inset date register and decorated to the corners with well-depicted pink Rose blooms, the 30 hour movement striking the hours on a bell. 75 3/4" high, 21 1/8" wide and 10" deep approx. Running at the time of lotting.

LATE C18TH BRASS FACED GRANDFATHER CLOCK LATE 18TH CENTURY BRASS FACED GRANDFATHER CLOCK BY GEORGE WEST, GRAVESEND IN AN OAK CASE

LATE C18TH BRASS FACED GRANDFATHER CLOCK LATE 18TH CENTURY BRASS FACED GRANDFATHER CLOCK BY WILLIAM BRADFORD OF DREYFORD IN AN OAK CASE 82" HIGH