We found 5205 price guide item(s) matching your search

A QUANTITY OF MARBLE FIREPLACE SECTIONS A/F

A ‘Rowley Gallery’ style fold out photograph frame The arched wooden panels decorated with dancing gnomes fold out to reveal a painted fireplace at Christmas Eve with sleeping brother and sister, 33cm high

Victorian white marble part fireplace surround

Attributed to Harry Hope Read (fl. 1907-1928) - Ink and wash sketch - Beach scene with numerous figures, 10.5ins x 14.5ins, unsigned, and a charcoal sketch - Interior scene with a gentleman standing by a fireplace scolding a maid, 10.75ins x 13ins, unsigned, both in moulded frames and glazed

A good assortment of Victorian and later fireplace tiles

Bronze cat signed 'Julie Moignie' and a bronze Victorian fireplace sample

A suite of Victorian ebonised Doll's House Furniture, comprising dining table and chairs, chaise longue, cheval mirror, side table and fireplace etc.

A collection of approximately 41 18th century Delft blue and white fireplace tiles (some damages)

A large solid dark oak fire surround, dentil pediment above carved and gilded leaf scrolls and central urn, flanked by upper columns, bold moulding, 5ft. 10in. extreme width; fireplace width 3ft. 3in.

Henry Edward Spernon Tozer (1864-c.1938) Interior Scene with a Lady taking Tea beside a Fireplace Signed and dated "1932", also inscribed with the artist's name on a plaque attached to the slip below, pencil and watercolour heightened with white, 22cm by 32cm Born at Sheppey, Kent, specialising in cottage interiors Listed in the local trade directories as an artist working 1890-1924 at Thursley, Surrey, although dated work suggests that he was working until 1938. Often confused with the Cornish marine painter Henry E. Tozer.

Frederick George Pasmore Jnr (fl.1875-1884) Interior Scene with a Mother and Child beside a Fireplace, a dog by their feet Signed, oil on canvas, 30.5cm by 25cm The artist is said to have been related to Daniel and Emily Pasmore and specialised in animal and figurative paintings living at Camden Town, London.

Malcolm Drummond (1880-1945) The Fireplace Pencil 22.5 x 26cm; 8¾ x 10¼in Good

A cast iron fireplace, with domed border and cast foliate panels cast numbers 92cm. high

A Barnard, Bishop and Barnard cast iron fireplace designed by Thomas Jeckyll, cast in low relief with flower and insect mon and five other Fireplaces designed by Thomas Jeckyll, with cast iron and tile panels cast marks 96.5 x 71cm.

An Art Nouveau period cast iron fireplace

Art Nouveau fireplace hood with copper finish and stylized flower heads

An Arts and Crafts small cast iron fireplace, with three stylised seed pods with enamelled roundels to the canopy, S/D, 53cm wide by 96cm high. ILLUSTRATED

A large Travertine marble-effect Fireplace, plain columns and plinth base, 63 ½” wide

A Victorian cast iron miniature fireplace, with a mihrab design surround and a scroll fireback with a bar front, on a stepped bases, 9.75in (25cm) h, 12in (30.5cm) w, with a later mahogany surround.

A pair of early 19th century jasperware fireplace plaques each decorated with classical figures with a border of flowers and foliage -2 45.5cm wide, 15.5cm high

A pair of Victorian brass Pheasant fireplace Ornaments, 2 similar dog ornaments, small pair of candlesticks etc.

SCOTTISH ARTS & CRAFTS OAK FOUR POSTER BED the canopy carved with Gothic tracery and with rosette and flowerhead motifs above a plain head board with material covering, the front supports spirally moulded and imbricated with flowerheads, shields and acorn motifs, joined by a shaped triple panel foot board corresponding to the canopy 164cm wide, 242 high, 211cm long Provenance; Findynate House, Strathtay, Perthshire Note; Findynate House was built in 1876 but in 1909 the house was extensively remodelled inside and out by the architect Francis William Deas. The woodwork was fitted out by Messrs Scott Morton & Co and it is assumed that at this time also many of the fittings included in this auction were purchased, possibly though Scott Morton & Co. or perhaps through Whytock & Reid in Edinburgh, as several Whytock and Reid pieces were discovered in the house. Deas' client Miss Janet McEwan was perhaps influenced in her choice of fittings by her cousin Robert Finnie McEwan whose house Bardrochat in Ayrshire had. just been completed by Sir Robert Lorimer. The stylistic nature of the metal fireplace fittings featured here do suggest the influence or the hand of Lorimer who regularly worked closely with Scott Morton and Whytock and Reid.

WHYTOCK & REID, EDINBURGH WALNUT SIDE CHAIR with single splat back and drop in seat raised on cabriole legs; and a chequer-inlaid side chair (2) Provenance; Findynate House, Strathtay, Perthshire Note; Findynate House was built in 1876 but in 1909 the house was extensively remodelled inside and out by the architect Francis William Deas. The woodwork was fitted out by Messrs Scott Morton & Co and it is assumed that at this time also many of the fittings included in this auction were purchased, possibly though Scott Morton & Co. or perhaps through Whytock & Reid in Edinburgh, as several Whytock and Reid pieces were discovered in the house. Deas' client Miss Janet McEwan was perhaps influenced in her choice of fittings by her cousin Robert Finnie McEwan whose house Bardrochat in Ayrshire had just been completed by Sir Robert Lorimer. The stylistic nature of the metal fireplace fittings featured here do suggest the influence or the hand of Lorimer who regularly worked closely with Scott Morton and Whytock and Reid.

SIR ROBERT LORIMER (STYLE OF) PAIR OF ARTS & CRAFTS STEEL COMPANION SETS each with poker, coal nippers and ash shover, supported on a stand with hoop handle and shaped spreading base (2) 59cm high Provenance; Findynate House, Strathtay, Perthshire Note; Findynate House was built in 1876 but in 1909 the house was extensively remodelled inside and out by the architect Francis William Deas. The woodwork was fitted out by Messrs Scott Morton & Co and it is assumed that at this time also many of the fittings included in this auction were purchased, possibly though Scott Morton & Co. or perhaps through Whytock & Reid in Edinburgh, as several Whytock and Reid pieces were discovered in the house. Deas' client Miss Janet McEwan was perhaps influenced in her choice of fittings by her cousin Robert Finnie McEwan whose house Bardrochat in Ayrshire had just been completed by Sir Robert Lorimer. The stylistic nature of the metal fireplace fittings featured here do suggest the influence or the hand of Lorimer who regularly worked closely with Scott Morton and Whytock and Reid.

Art nouveau cast iron bedroom fireplace

Melvyn King oil on canvas in frame - room interior with fireplace, signed, 50cm x 45cm

JACOB MEMBLING, DUTCH, 20TH CENTURY, Dutch interior scene with figures eating oysters beside a marble fireplace, oil on panel, signed to lower left, 42.5cms x 31cms. See illustration

Modern fireplace with seashore pebble electric fire

A Victorian faux marble slate fireplace, together with a small bedside chest of drawers, 18" wide, a piece of white marble from a washstand and a two tier mahogany whatnot, 14 1/2" wide x 31 1/2" high (3).

ATTRIBUTED TO THOMAS JECKYLL, for Barnard, Bishop & Barnard, an aesthetic period cast iron fireplace with a cast panel of roundels against a geometric ground, flanked by twelve Minton's style blue and white tiles, 36" wide. .

A Victorian floral carved mahogany fireplace, 127cm high x 151cm long

A VICTORIAN CAST IRON FIREPLACE with moulded decoration and basket, 36" x 30".

A Victorian cast iron range with fireplace to one side and oven to the other by Baldwin Brothers of Fairford & Kempsford, 36" wide.

A Victorian cast iron fireplace, 36" wide x 38" high.

A late 19th Century Minton, Hollins & Co dust pressed two tile panel stencil printed and hand colour washed depicting a mother seated by a fireplace with a baby in her lap all within a repeat border, each tile 6" square. A/F.

Unusual Art Nouveau period cast iron fireplace with recessed shelf

Pair of antique oak carytid fireplace pilasters/brackets, each heavily carved with grotesque animal masks over fruits, each 41.5" high

A cast iron fireplace, with domed border and cast foliate panels cast numbers 92cm. high

EWAN G. WALKER GROUP OF SIX WORKS 'Sketch Scene - "Whether" watercolour 34cm x 36cm; 26cm x 20cm; two at 26cm x 13cm Bears Glasgow School of Art label 'Design for a fireplace' watercolour 50cm x 40cm Mermaids pair of silk batik panels 70cm x 29cm and two others by the same hand (6)

SIR DAVID WILKIE R.A. (1785-1841) THREE FIGURES BY THE FIREPLACE Brown pen and ink 7.3cm x 7.5cm (2.9in x 2.95in) Note: Abbott & Holder, November 2000

Tray Consisting Of Royal Albert Old Country Roses Ruby Celebration 3 Piece Set Comprising Teapot, Cream Jug & Sugar Bowl, 2 Portmerion Christmas Fireplace Teapots, Large Spode Bowl Decorated With Christmas Trees & a similar Spode Platter , A Portmerion Holly Tree Shaped Dish, Buckingham Palace Tankard (All Boxed) (9)

Dolls' house accessories: selection including two baths, fireplace, red cast metal water jug 45mm high, pressed glass table ware, white cast stove, two baskets, radiogram and other household items

Dolls house and furniture: painted wood dolls house with tinplate windows 415mm high and furniture including Charbens fireplace and two F.G. Taylor & Sons electric fires

Unusual Art Nouveau period cast iron fireplace with recessed shelf

A VICTORIAN PAINTED BLACK SLATE FIREPLACE with fluted sides having shaped corbels

A Victorian brass Chamber Candlestick, brass fireplace ornament and 3 pewter measures.

Scottish School, 19th century, Cottage interior with lady seated by fireplace, initialled 'A.M.' and dated 1847, with gallery label on verso, watercolour over pencil, 46.5 x 34.5cm. 18.25 x 13.5in.

A large Scottish Victorian brass fireplace, with gadrooned pillars, 106cm high, together with a mid 19th century foliate cast iron fire place, 91cm high (2)

A 19th century white painted wood fireplace, dismantled and another fireplace (2)

DAME ELIZABETH VIOLET BLACKADDER, DBE, RA (B. 1931) ORIENTAL CARPET OVER FIREPLACE Signed and dated 1972 lower right, oil on canvas 41cm x 42cm (16in x 16.5in)

A PAINTED PINE FIREPLACE with urn decoration and fluted sides, 70" across approx.

A cast iron flat back Fireplace Ornament in the form of a ploughman, inscribed with Burns poem, made by Greenlees of Glasgow.

A late 20th Century cast iron fireplace and grate with pine surround, on a black granite hearth stone.

A 19th Century White and Pink Marble Fireplace having raised column supports, 1m 70cm wide, 1m 25cm high overall

ARTHUR VIVIAN COULING (1890-C.1952) INTERIOR WITH A FIREPLACE Signed, inscribed 'Blinkbonny' and dated 1940, oil on canvas 61.5cm x 74cm

Taylor & Barrett Household Furniture and Dolls' House accessories: Toaster, Jugs and Basin, Tin Bath, Carpet Sweeper, Washing Machine, Fireplace, Pedal Bin, G (22)

A yellow painted fire place and another fireplace (2)

ENGLISH SCHOOL (EARLY 20TH CENTURY) - Portrait of the Honourable Lavinia Talbot, (neé Lyttleton) wife of Edward Stuart Talbot, first Warden of Keble College and later bishop of Winchester, seated by a fireplace in a room setting, oil on canvas, 28" x 36". (see illustration). Our attention has been kindly drawn to a work by Sir William Rothenstein (1872-1945) 'Mother and Child' in the Tate Collection Ref. T05075 which bears striking similarities to this work.

A Victorian fireplace, with tiled insert and white marble surround.

Rex Whistler, 1905-1944 dust wrapper for san felice signed twice and titled pencil, ink and gouache 22.5x20cm.; 8.75x8in. (2) To be sold together with an alternative design for the fireplace panel at 5 Belgrave Square. Exhibited London, The Arts Council of Great Britain, The Works of Rex Whistler, 1960, No. 485, cat. no. 95