109tlg. Besteck mit Spatenmuster und MuscheldekorDansk Guldindustri/Randers/Dänemark. 830er Silber. Punzen: Herst.-Marke, 800, Halbmond/Krone. Gew.: 2840 g (ohne Messer). Teilw. abweichende Herst.-Marken. 12 Tafelgabeln L. 21,3 cm. 12 Tafelmesser L. 21 cm. 12 Tafellöffel L. 21,5 cm. 12 Menügabeln L. 18,7 cm. 12 Menümesser L. 20,5 cm. 12 Menülöffel L. 18,5 cm. 11 Kaffeelöffel L. 14 cm. 6 Kuchengabeln L. 14,5 cm. 6 Tassenlöffel L. 14,8 cm. 6 Teelöffel L. 12 cm. 1 gr. Kompottlöffel L. 18,5 cm. 1 Soßenlöffel L. 18 cm. 4 Fleischgabeln L. 15,3 cm. 1 Sardinengabel L. 13,8 cm. 1 gr. Vorlegelöffel L. 37,5 cm.
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Treen - Black Forest style letter opener with horn handle; Black Forest style animals, including bird, frog; a Norwegian carved spoon, inscribed Jotunheimen 1896; a tartanware box and cover; a pair of door handles; Meerschaum pipe; striped wood zebra; etc; metalware including copper box with Staffordshire knot; pair of candlesticks; Japanese Dansk bears; etc
Kühnel, Victor Georg. 1889 Aarhus-1971 Haderslev/ DänemarkStillleben mit drei Topfpflanzen. Verso Stillleben mit Tigerlilien in Blumenvase. Öl auf Leinwand, re. u. monogr. "VGK". 68,5 x 79 cm. Gerahmt. Rahmenmaß 80 x 90 cm 1910-1916 Ausbildung an Akademie der Künste Kopenhagen (Aksel Hou) und Malschule Harold Giersing. Studienreisen nach Deutschland, Schweiz, Polen, Österreich und Norditalien. Mit Werken vertreten in zahlreichen Museen und Sammlungen in Dänemark, u.a. Charlottenburg Museum, Den Frie, Museum Aarhus, Haderslev Museum. Lit.: Weilbach, Dansk Kunstnerleksikon, Bd. 4, 1995. Victor Georg Kühnel (1889-1971 Dänemark): Stilllife with plants. Reverse: Flower stilllife with lilies. Oil/ canvas, monogram "VGK", frame. Frame size 80 x 90 cm
Dansk Kobenstyle Cookware Assortment (8) items in chili red, yellow, orange and white including (2) 5-quart dutch ovens having lids, a 2-quart dutch oven having a lid, a 12-quart lidded pot, a braising pan, a 13-inch by 9-inch baker, (2) fondue pots (1) with lid; together with a fondue warmer; all marked on underside, some appearing unused Property from: a Chicago, Illinois (Lincoln Park) estate Height: 2 inches, Length: 13 inches, Width: 9 inches (largest) Condition: Good, overall light to moderate wear consistent with normal use; 5-quart pans having spoon marks and discoloration on inside; orange fondue pot showing discoloration on bottom of inside and handle worn; white 2-quart showing discoloration on inside; minor chips to some enamel on rims Category: Collectibles > Food Estimated Sale Time: 3:18 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1
Jørgen Roed 1808 Ringsted - 1888 Kopenhagen Kreuzgang von San Lorenzo fuori le mura, Rom. 1837. Öl auf Malkarton, kaschiert auf Leinwand. Rechts unten monogrammiert 'R.' und datiert'1837 19 Octbr'. Verso auf dem Keilrahmen handschriftlich nummeriert sowie mit neuerem Etikett. 29,5 x 33 cm (11,6 x 12,9 in). PROVENIENZ: Bruun Rasmussen, Kopenhagen, Auktion 30.11.1999, Los 216 (mit Abb.). Thomas Le Claire Kunsthandel, Hamburg. Privatsammlung Bayern (2001 vom Vorgenannten erworben). LITERATUR: Knud Voss, Guldalderens malerkunst. Dansk arkitekturmaleri 1800-1850, Kopenhagen 1968, S. 158 (mit Abb.). På sporet af Jørgen Roed: Italien 1837-1841, hrsg. von Jens Peter Munk, Ausst.-Kat. Ny Carlsberg Glyptotek, Kopenhagen 1991, S. 17 (mit Abb.). Jørgen Roed, obgleich hierzulande noch wenig bekannt, gilt als einer der zentralen Künstler des dänischen Goldenen Zeitalters. Er tritt 1822 in die Kopenhagener Kunstakademie ein und studiert zunächst bei Hans Hansen, anschließend ab 1828 unter Christoffer Wilhelm Eckersberg, in dessen Klasse mit Wilhelm Bendz, Constantin Hansen und Christen Købke weitere wichtige Vertreter dieser Zeit versammelt sind. Vor allem Eckersberg und Hansen sind die Vorbilder einer Architekturmalerei, der sich Roed zunächst um 1830 mit Motiven dänischer Monumente, anschließend in Italien von 1837 bis 1841 widmet. 1838 unternimmt er mit dem Architekturmaler Constantin Hansen, Sohn seines ehemaligen Lehrers und zunächst Architekturstudent, anschließend ebenfalls Schüler von Eckersberg, eine Studienreise nach Neapel und Pompeji. Bereits zuvor hatte er in Rom unsere Ansicht des Kreuzgangs der Basilika minor San Lorenzo fuori le mura festgehalten. Errichtet im 4. Jahrhundert unter Kaiser Konstantin, ist die Basilika ab der Mitte des 19. Jahrhundert zahlreichen Restaurierungsversuchen unterworfen. Umso interessanter sind die Ansichten der dänischen Künstler, wobei Roed hier auf den Spuren Eckersbergs wandelt, dessen Ansicht des Kreuzgangs von 1824 sich heute im Art Institute, Chicago, befindet. In diesem interessanten Frühwerk Roeds, das sich in die Linie Eckersbergs stellt und die fruchtbare Offenheit und Reiselust der dänischen Künstler zeigt, verdeutlicht sich einmal mehr deren von vornehmer Zurückhaltung und vernunftgeleitetem spätem Klassizismus geprägte Ausdrucksweise. Nach seiner Rückkehr nach Dänemark widmet sich Roed wieder vermehrt dem Porträt, wird 1844 Mitglied der Akademie und schließlich 1862 zum Professor ernannt. Werke Roeds befinden sich im Kopenhagener Statens Museum for Kunst, der Ny Carlsberg Glyptotek sowie der Nivaagaards Malerisamling, Niva. Zuletzt ist Jørgen Roed mit seinen Werken 2020/21 in der Ausstellung „L‘âge d‘or de la peinture danoise 1801-1864“ im Petit Palais - Musée des Beaux-Arts de la Ville de Paris vertreten. [KT] Aufrufzeit: 11.12.2021 - ca. 15.08 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONJørgen Roed 1808 Ringsted - 1888 Kopenhagen Kreuzgang von San Lorenzo fuori le mura, Rom. 1837. Oil on board, laminated on canvas. Bottom right monogrammed 'R.' and dated'1837 19 Octbr'. Numbered and with a later label on the reverse. 29.5 x 33 cm (11.6 x 12.9 in). PROVENANCE: Bruun Rasmussen, Copenhagen, auction on November 30, 1999, lot 216 (with illu.). Thomas Le Claire Art Trade, Hamburg. Private collection Bavaria (acquired from the above in 2001). LITERATURE: Knud Voss, Guldalderens malerkunst. Dansk arkitekturmaleri 1800-1850, Copenhagen 1968, p. 158 (with illu.). På sporet af Jørgen Roed: Italien 1837-1841, published by Jens Peter Munk, ex. cat. Ny Carlsberg Glyptotek, Copenhagen 1991, p. 17 (with illu.). Called up: December 11, 2021 - ca. 15.08 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
A pair of Jens Quistgaard for Dansk Designs weighted taper stick or candle holders, marked DANSK. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered UK only address.
A large group of exhibition catalogues and miscellaneous reference books Comprising: Miho Museum, 1997; Sculpture Collection of the Cincinnati Art Museum, 1970; Kunsthalle Basel, Meisterwerke Griechischer Kunst, 1960; K. Schefold, Basler Antiken Im Bild, 1957; Stiftung zur Förderung der Hamburgischen Kunstsammlungen, 1961; Stiftung zur Förderung der Hamburgischen Kunstsammlungen, 1970; Ny Carlsberg Glyptotek, Antik Kunst i Dansk Privateje, 1974; Antikenmuseum Basel + Sammlung Ludwig, Etrukische Kunst, 1988; Antikenmuseum Basel + Sammlung Ludwig, Orient und Fruehes Griechenland, 1990; Antikenmuseum Basel + Sammlung Ludwig, Münzen, 1988; Masterpieces of the J Paul Getty Museum, Antiquities, 1997; Institut der Universität Zürich, Das Tier in der Antike, 1974; Antikenmuseum Berlin, Antiken aus Berliner Privatbesitz, 1976; Miho Museum, Connaissance des Arts, 1997; Sotheby's, Classical Antiquities from the Private Collections of Great Britain - a Loan Exhibition, 1986; Handbook to the Nicholson Museum, 1948; J. Chittenden and C. Seltman, Greek Art: A Commemorative Catalogue of an Exhibition held in 1946 at the Royal Academy, Burlington House, London, 1946; Nelson Gallery of Art, Atkins Museum, Handbook, vol II, 1973; Nelson Gallery of Art, Atkins Museum, Handbook, vol I, 1973; P. Getz-Preziosi, The Obsidian Trail, Museum of Cycladic and Greek Art, 1987; J.L. Zimmermann, Ancient Art from the Barbier Mueller Museum, 1990; G. Ortiz, In Pursuit of the Absolute; Art of the Ancient World, the George Ortiz Collection, 1996; B. Fleischman, No Substitute for Quality; the Many Worlds of Larry Fleischman, 1995; D. Scott Fox, Mediterranean Heritage, 1978; Bob Hecht by Bob Hecht; J. van der Kiste, Kings of the Hellenes, Greek Kings 1863-1974, 1994; R.H. Randall jr., Masterpieces of Ivory from the Walters Art Gallery, 1985; D.M. Wilson, Anglo-Saxon Ornamental Metalwork, 700-1100; Catalogue of Antiquities of the Later Saxon Period, British Museum, Vol. I, 1964; M. Artamonov, The Dawn of Art, The Hermitage Collection, 1974; S. Moscati (eds.), The Celts, 1991; J. Durand, Byzance; L'Art Byzantin dans les collections Publiques Francaises, 1993; Gens Antiquissima Italiae, Antichita dall'Umbria a New York, 1991; V.R. Desborough, The Last Mycenaeans and their Successors; an Archaeological Survey c1200-c1000 BC, 1964; L. Marangou, Bone Carvings from Egypt; I. Graeco-Roman Period, 1976; J. Nells, The World of Ceramics; Masterpieces from the Cleveland Museum of Art, 1982; H. Froning, T. Holscher & H. Mielsch, Kotinos; festschrift fur Erika Simon, 1992; N. Kunina, Ancient Glass in the Hermitage Collection, 1997; B. Bergmann and C. Kondoleon, The Art of Ancient Spectacle, 1999; C. Wagner and J. Boardman, A Collection of Classical and Eastern Intaglios, Rings and Cameos, 2003; K. Kilian, Fibeln in Thessalien, 1975; S.M. Heim, Ladders to Heaven: Our Judeo-Christian Heritage 5000BC - AD 500, 1979; F. Edgu, The Anatolian Civilisations part I, Prehistoric/ Hittite/ Early Iron Age, 1983; N. Asgari and S. Atasoy (eds), The Anatolian Civilisations part II, Greek/ Roman/ Byzantine, 1983; N. Tapan and F. Cagman (eds), The Anatolian Civilisations part III, Seljuk/ Ottoman, 1983; J. Boardman, Intaglios and Rings; Greek, Etruscan and Eastern from a Private Collection, 1975 (x2); H. Shetelig (eds), Viking Antiquities in Great Britain and Ireland, part V, 1940; H. Shetelig (eds), Viking Antiquities in Great Britain and Ireland, part VI, 1954; E. Simon and M. Gawlikowski, Die Goetter am Trajansbogen zu Benevent & Aus dem syrischen Goetterhimmel, 1979/80; H. Wrede, Der Antikengarten der del Bufalo bei der Fontana Trevi, 1982; B.H. Krause, Iuppiter Optimus Maximus Saturnus, 1983; J. Boardman, Island Gems; a Study of Greek Seals in the Geometric and Early Archaic Periods, 1963; F. Baratte, East and West: A Central Asian Silver Hoard from the Parthian Era, 2002; K. Polinger Foster, Aegean Faience of the Bronze Age, 1979; F. Canciani and F.W. von Hase, La Tomba Bernardini di Palestrina, 1979; K. Lehmann and P. Williams Lehmann, Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 3, The Hieron, Text II, 1969; Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 3, The Hieron, plates, 1969; Samothrace, Excavations Conducted by the Institute of Fine Arts, New York, part 4, The Altar Court, 1964 (58)For further information on this lot please visit Bonhams.com
A Danish sterling silver and blue enamelled flower head brooch, stamped DGH for Dansk Guldsned Handvaerk 925S Denmark Sterling verso; together with a faux amber pendant on finelink chain, with matching drop pendant earrings, lapis lazuli necklace with matching bracelet, various enamelled brooches etcCondition report: See extra pictures
A collection of mid century Danish itemscomprising a set of eight Laurids Lonborg teak and coloured leather coasters, four Lundhofte stainless steel candle holders, a pair of teak and stainless steel book ends, a boxed set of eight Dansk Designs cocktail forks and a chrome and glass four light candelabrum, (qty)variousCondition: Fair condition commensurate with age
A Danish teak ‘Oval-Klap’ dining table,designed in 1966 by Niels Koefoed for Koefoeds Møbelfabrik, with an oval top raised on a sculptural base, extended 195cm wide130cm deep72cm highCondition report: With some scratches and marks to the top. Recently restored.Literature: Dansk Kunsthåndværk årgang 1953, No. 6, p.110. With some scratches and marks to the top.
A teak wall cabinet,Danish, designed by Peter Løvig Nielsen for Løvig Dansk, the upper section with an arrangement of eight adjustable shelves, over a cupboard opening to reveal two shelves to one side, with brass strap hinges and vertical 'T' handles, raised on tapering supports, branded 'Løvig Dansk' to the backboards, 120cm wide 45cm and 26cm deep178cm highCondition report: Some wear to the shelves and fixing points. Brass handles worn. Some knocks to the legs and the edges.
A Chinese bronze mounted tortoise shell chopstick box with two bone chopsticks and a selection of other Eastern and European decorative items including a blue and white vase, a Dansk Designs Japan white metal seahorse, a carved alabaster scarab, four decorative metal boxes, a brass telephone timer, etc.
Hans J. WegnerFolding chair, model no. JH 512, designed 1949Teak, cane, brass. 76.5 x 61.5 x 76 cm Executed by cabinetmaker Johannes Hansen, Copenhagen, Denmark. Underside impressed JOHANNES HANSEN/COPENHAGEN/DENMARK and manufacturer's mark.Footnotes:Literature'Danimarca', Domus, no. 259, June 1951, p. 29Svend Erik Møller and Viggo Sten Møller, Dansk Møbelkunst, Københavns snedkerlaugs møbeludstilling 1927-1951, Copenhagen, 1951, p. 95Johan Møller Nielson, Sitting Pretty: wegner en dansk møbelkunstner, Copenhagen, 1965, pp. 48, 52, 98-99, 102, 106-107Kathryn B. Hiesinger and George Marcus, Design Since 1945, exh. cat., Philadelphia Museum of Art, 1983, p. 137Christian Holmsted Olesen, just one good chair, exh. cat., Design Museum Denmark, 2014, pp. 52, 78, 82, 183This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Jens Quistgaard (Danish 1919-2008), a pair of brass candlesticks for Dansk Designs, c.1960, cast Dansk Designs Finland IHQ with copyright symbol,Cast and of waisted form, each with loose removeable sconce,11 cm high (2), Property from a private collection.Some age spots and old marks, with general wear in keeping with age and use.
2002 Porsche 911 / 996 Targa Transmission: manualMileage:85235The 996 is the internal designation for the Porsche 911 model manufactured and sold between 1998 and 2005. On its debut, the 996 featured the most significant changes to the Carrera model since its 1963 introduction, namely the water-cooled engine replacing the previously air-cooled unit. Progressively stringent noise regulations, environmental concerns, a higher expectation for refinement and a high-performance, four-valve per cylinder engine made the switch necessary. Other changes included a sleeker body with a more steeply raked windshield and a redesigned interior. The performance characteristics remained superb with reliability at its core. The Targa models now featured a full glass and electronically operated roof. The 996 was another step forward for Porsche, making cars that not only excited their fan base but appealed to those who wanted a comfortable and practical everyday sports car that could sprint to 60 mph in a shade over five seconds.Originally registered on 29th June 2002 this 996 Targa is owned by a fastidious and knowledgeable collector, the car has always been well cared for. The striking paintwork on this handsome Porsche has to be seen to be appreciated. Officially known as Ocean Blue the paintwork almost changes colour in the sunlight and has a deep metallic finish to it. The interior of the car is contrasting grey leather. With great ergonomics this six-speed manual gearbox Porsche is a treat to drive, the exhaust note emitting from the Dansk sports exhaust is fantastic. Offered for sale at a realistic estimate given the condition and taking into account it has a Targa roof for those rare but thoroughly enjoyable sunny days. Supplied with a V5C registration document and a current MoT test certificate valid until 20th February 2022. Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.
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