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A 19th Century Vienna porcelain cabinet plate depicting "The Duchess of Norfolk" by Wagner, wearing a black brimmed and feathered hat with triple rose corsage, head and shoulders, signed, within a green, blue and gilt decorated border, signed "Duch Norfolk, Dec 242 deposé" in black verso, also bearing painted mark "4233", and beehive mark in underglaze blue, 25 cm diameter CONDITION REPORTS Some light rubbing to gilt work. Slightly dirty. Rubbed to the outer edge. Back dirty and has some wear.
A SWISS GOLD AND ENAMEL CARNET DE BAL the front inset with an oval enamel miniature of a lady wearing black lace ruff and rose corsage, the reverse with a later miniature on ivory of a semi named young woman clasping a dove to her bosom, the lid with oblong idealised landscapes with fishermen on a blue ground in white borders and fine trailing frame, the top and sides with gold husks on turquoise panels, the interior containing an ivory tablet with gold rivet and inscribed in ink Remember your true Friend, 9cm h, c1800 In good condition
Frédéric BOUCHERONAnnées 1890Broche trembleuseà décor de feuilles de vigne vierge. Elle se compose de trois feuilles de taille différente pavées de diamants taille brillant (TA). Monture en or jaune et argent. Poinçon de maître de Frédéric BOUCHERON. Elle est démontable pour se porter en trois broches indépendantes. Poids brut : 36,3 gr. (petit manque) Longueur : 18 cmDans son écrin d`origine. (trois systèmes broches en or rose). Frédéric BOUCHERON imagina de nombreuses broches trembleuses à décor floral et feuillagé inspirées de la nature. Deux broches du type de la notre pouvaient être assemblées par deux en guirlande, grâce à un système amovible et formaient alors une "traîne de corsage" bordant fréquemment le décolleté de la robe de bal. La feuille de vigne vierge est en vogue au cours des années 1890-1900Bibliographie : Boucheron, Gilles Néret, page 10, Editions Pont Royal, 1988, reproduisant la broche identique de la Collection Boucheron. A "en tremblant" diamond, gold and silver brooch by Frédéric BOUCHERON circa 1890.
(Costume, Mode) - Le Follet belge, courrier des salons, Journal des Modes [- Esméralda, revue Littéraire, Artistique, et Fashionable (Modes de Paris)].[Bruxelles], Deprez et Parent [- Houdin], 1836 [- 1844].11 vol. in-8°; très nombreuses illustrations (qqs numéros manquants, qqs pl. manquantes (?), qqs rouss., qqs pp. lég. brunies, certaines plus fortement, cachets de poste, qqs déch. dont 1 renforcée, qqs coins manquants, 1 pl. et 1 p. part. déreliées).Rel. de l`époque : demi-veau bleu à petits coins, plats de percaline à impression décorative, dos lisses avec roul. dorées, tr. marbrées (lég. us., manque de percaline au plat inf. de l`année 1839, coins émoussés).Est. : 100/ 120 €Contient approximativement 355 chromolithographies sur simples pages (certaines ne correspondent pas aux numéros et à la description dans le texte ou étant reliées dans un autre volume) représentant souvent 2 femmes ensembles ou une femme vue de face et de dos. Une planche dépliante en noir figure des patrons (corsage, manche, chapeau...). La Esméralda, fondée en 1836 par le Prince Guillaume de Looz, fusionna en 1842 avec "Le Follet belge" pour paraître sous le titre : "La Esméralda et le Follet Belge Réunis, Journal des Salons. Mode, Littérature, Arts, Théâtre".# pas dans Colas.
French Art Nouveau Porcelain Miniature of Woman with Hat. The oval plaque of a young blond haired beauty painted wearing a low cut emerald green dress with a rose corsage, a wide brimmed hat encircled by a pink rose garland, inset in a raised bezel mount reserved on a green guilloche enamel border in a gilt branch form frame with a flowering vine, fitted with an easel support, signed in lower right "Carol J. Music". Circa 1900; Dimensions 5 inches (12.7 cm); 4 inches (10.2 cm); The enamel border of frame with a horizontal crack. Starting Price: $250
Circa 1940`s Russell Stuart London Cream Patterned Silk Wedding Dress, with round neck, long sleeves, pleated detail and flower head to the back and a small train; Cream Silk and Lace Wedding Dress, with lace long sleeves and bodice, large floral corsage and train; Circa 1950`s Cream Flocked Wedding Dress with floral motifs, long sleeves, buttons to neckline and cuffs, part gathered skirt, together with a headdress with wax flowers (3)
19th Century Silk Skirt with pleated detailing and lace mounts, train back and lace mounted hem, with black silk floral corsage appliques; 19th Century Pink Satin Fitted Evening Bodice, with black lace mounts, military style frogging in pink velvet with paste set buttons, short sleeves and lace flounced cuffs; Liberty Pink Silk Bodice with long sleeves, smocked detailing to the bodice and also to the top of the sleeves, buttons to the reverse (3)
Four Late 19th Century Bodices, including a cream silk example with lilac silk trims, flared cuffs with bow detailing; pale blue grosgrain type silk fitted bodice with pleated trims to the cuffs and neckline; black velvet bodice with a pleated pink silk insert, gathered shoulders, black silk gathered trims to collar and lapels; black net and velvet trimmed fitted bodice with bead and sequin decoration, sleeves trimmed with lace, purple velvet corsage and a cream silk lining (4)
‘Loves Garland’, a multi gem set brooch by Arthur and Georgie Gaskin, circa 1912, the triangular corsage brooch set with opal, pink tourmalines, blister pearls and green pastes in trailing foliage around a central heart shaped motif, set with a heart shaped opal surrounded by pink tourmalines and blister pearls, with a drop suspended beneath from a single pearl connection, signed G, 5.5cm long, in the original grey velvet bound Mr & Mrs Arthur Gaskin, Olton, Warwickshire fitted case. Exhibited ‘Arthur & Georgie Gaskin’, City Museum and Art Gallery, Birmingham 11 February - 21 March 1982, The Fine Art Society, London 29 March - 30 April 1982. Item G40 in this exhibition catalogue and illustrated on P.86 of the exhibition catalogue. The catalogue entry states this piece was previously exhibited at W. T. Whitely ‘The Arts and Crafts Society’s Exhibition at the Grosvenor Gallery’ in 1912, where it was illustrated in ‘The Studio vol. LVII’ and priced at £12 12s 0d. The original pencil drawing for this piece is in the “Drawing Book” by Arthur & Georgie Gaskin (Victoria and Albert Museum ref: E672-709-1969), where all the stones in the piece are labelled, showing that the missing drop was an opal.
Circa 1950`s Adare & Ronsmans Ltd Pink Satin Evening Coat; Pink Silk Taffeta Patterned Strapless Evening Dress; Louis Cope Dark Grey Lace Mounted Dress, with long lace sleeves, corsage, skirt mount needs reattaching; Black Shift Dress with lace mount, satin neckline with sequin detailing (4)
Ensemble comprenant une robe de nuit en coton blanc brodée de plis "religieuse", bordure "Richelieu" pour l`encolure, une robe en lin brodée à l`anglaise et jours échelle, à bords festonnés en plumetis, une robe de nuit à encolure carrée, en voile de coton, plis "religieuses", entre-deux de dentelle et broderie anglaise et une chemise de nuit en coton blanc, encolure brodée de plis "religieuse" parsemés de fleurettes brodées. Joint un corsage en voile de coton, plis "religieuse", entre deux de dentelle et jours.
A Belinda Bellville Boutique Black Velvet Cocktail Dress, 1950s, labelled, uk 14, the straight skirt with sleeveless attached double breasted tunic top with button detail, a Pierre Celeyre at Wilton Mews London, 1950s, labelled, black velvet calf length gown with embroidered shaped and ruffle sleeve detail (some discolouration to the embroidery) waist 76cm, bust 90cm and a Hardy Amies navy blue velvet drop-waist gown, 1950s, labelled, the long sleeves with pleated silk cuffs, silk lined, and with silk corsage to the shoulder, waist approx. 102cm,bust approx. 90cm (3)
Four vintage ladies' dresses comprising black velvet, circa 1950s, Susan Small dress with pink silk rose corsage, two Jean Allen dresses - one black velvet and lace cocktail dress and the other check and floral print light day dress with full circular skirt, together with a Harvey Nichols, Knightsbridge, long green satin evening dress with embroidered bodice embellished with rhinestones, bugle beads and pearl trimming
Twelve Assorted Circa 1950's and Later Evening Dresses, including 'Feminette Model Ltd' Strapless Dress in pale pink silk taffeta (size 36); 'Laura Phillips Model' Strapless Dress in black lace, full length with full skirt and pink chiffon to the bust with matching corsage; 'Mandell Couture' Full Length Evening Dress with black and white checked bodice and skirt and white chiffon bodice; a Floral Evening Dress with full skirt, orange silk bodice and later black velvet trim; 'Russell Stuart Model' Evening Dress, full length in brocade; 'Jean Allen' Evening Dress in brown floral brocade with beaded bodice (size 40); Navy Blue Dress with ruched bodice, internal corset and full skirt; Lime Green Satin Dress with spaghetti straps and pleated detailing and beaded decoration to the bodice; Pale Pink Satin Dress with beads to the waist; Halter Neck Dress in duck egg blue; Pale Blue Silk Dress with bead bodice; and Pale Green and Floral Sprigged Brocade Evening Dress with pleated detailing to the bust (12)
A cultured pearl corsage by Madame Grès for Cartier, the four rows of matched cultured pearls suspend from the two gold foliate brooches, each centred with a mabe pearl within a surround of further pearls and circular cut sapphires. Both brooches signed Cartier, Paris 119972 and Grès. With fitted Cartier case. Accompanied with a book, Grès by Laurence Benaïm.
FRENCH SCHOOL, 18TH CENTURY A NOBLEWOMAN in lace ruff, wearing flowers in her coiffure and corsage in trompe l`oeil frame, copper, 9 x 7.5cm h, silvered brass two piece frame Small drill hole extreme upper centre and some small surface blemishes and knocks and retouching but free from recent restorations. The silvered brass frame of later, 19th c date
Two Russel Wright for Bauer vases Circa 1940`s, the larger pillow vase stamped ``Russel Wright / Bauer`` (8.5`` H x 9.75`` W x 3.75`` D), the smaller corsage vase unmarked (8.25`` H x 4.5`` W x 3`` D), each with chartreuse lava glaze, 2 pcs Condition: Each: Good condition overall. Shelf wear and surface grime to undersides.Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
A unique wedding gown by Basia Zarzycka, the ivory silk corset bodice encrusted the crystals, sequins, silk and velvet hand made flowers, gold thread embroidery and gilt purl embroidery. The puff sleeves similarly embroidered with gold thread and embellished with large silk roses and gold thread embroidered tulle, the tulle full netted skirt similarly embroidered, together with a detachable train of gold thread embroidered silk and tulle with silk floral corsage and satin covered hoops.
Circa 1940`s and Later Costume, including a Harrods Black Full Length Lace Mounted Dress, with capped sleeves, ruched waist, sweetheart neck line, pink lining and matching corsage; Carolyn New York Black Crepe Dress with white sequin and bead detailing to the bodice and pleats to the skirt front; Black Crepe Dress with long sleeves and a stylised double layered panel to the skirt; Black Lace Evening Top, with buttons to the front; Jenners Black Flocked Chiffon Evening Jacket (38); Evening Skirt of black net decorated with spots (6)
Victorian Black Velvet and Silk Fitted Jacket with long sleeves and beaded trims; Black Silk Skirt; late 19th century Regency Style Green Silk Dress with an empire line bodice, and short gathered sleeves; Circa 1920`s Cream Silk Wedding Dress, with three quarter length sleeves, a floral corsage to the waist and lace modesty panel (4)
Assorted Accessories and Items including a small framed sampler worked by Eliza Day of the Charity School, Dover, Kent, dated 1837 with floral decoration, 18 cm by 18 cm; Kigu circular silver hinged compact, 6 cm diameter; Kigu green and gilt metal mounted compact and another; ostrich feather corsage; embroidered evening purse with hinged white metal mount, cream silk lining;
A Transitional corsage watch with unusual wristwatch adaption by way of a pig skin strap and circular cradle with blue enamel back, inset seed pearls and surround (back and front), gilt ornate hands, white enamel dial, top wind Swiss movement `Dido 936` and pin set button at 1. 1 1/10" diam.
A diamond cluster pendant by Corsage, lazered marks, `18K`, pave set with nineteen hexagonal brilliant cuts, within a shaped frame set with forty two small brilliants, and a bale set with three brilliants, the diamonds totalling approximately 1.5 carats, on a chain, stamped `18K`, 45cm long, 6.7g gross

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667 item(s)/page