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TWO CHINESE GLAZED SHIWAN POTTERY ITEMS, 19/20TH CENTURY. To include a pair of green glazed joss stick holders in the form of seated lions; Together with a narcissus bowl on three shallow feet decorated with figures in a landscape scene. Joss stick holders 16.5cm tall. (3)Shallow loss to front corner of one joss stick holder. Pot in good overall condition.
A PAIR OF SMALL CHINESE YIXING POTTERY TEAPOTS, MENG CHENG MARK. Undecorated with inscribed poem to base marked Meng Cheng and impressed shop mark to underside of handles. 11.5cm length. (2)Both covers with small chips around the bottom rim. Both bodies in good overall condition with no major damages or signs of repair. Surface wear to note.
A CHINESE BLACK GLAZED HARE'S FUR POTTERY TEA BOWL, SONG DYNASTY. Deep rounded sides on a short foot covered in a black lustrous glazed with silvery brown streaks pooling around the foot. Song dynasty (960-1279). 12.5cm diam. Provenance: Purchased from Capital Gallery, Hong Kong in 1991. With original purchase invoice.Good overall condition with no signs of damage or repair. Only a 2cm hairline in the glaze near foot.
A COMPLETE SET OF TWELVE CHINESE ZODIAC POTTERY FIGURES, MING DYNASTY. Each figure in human form wearing the robes and headgear of an official and holding one of the twelve animals of the Chinese zodiac. Made from a red pottery and cold painted in various coloured pigments.Approx. 18 – 19cm tall. (12)Good condition. Some inevitable loss of pigment and in places, mineralised surface deposits.
A CHINESE AMBER GLAZED POTTERY TRIPOD CENSER AND COVER. Of cylindrical form with ribbed body on three animal form feet. The exterior covered in an amber glaze leaving the buff interior body unglazed. Tang dynasty or later. 14cm tall.Good overall condition with no obvious signs of damage or repair.
PO CHAP YEAP (CHINESE 1927-2007), A BLACK BOWLMarked to base31cm diameter Provenance: Paul Rice, November 1st, 1991Born in Malaysia to a Chinese family, Yeap came to London in 1948 to study law. He turned to pottery much later, working initially in a pottery in Aarhus, Denmark (1961) and then in London, and eventually became a research student at the Royal College of Art in 1967-68, following which he established his own workshop in Surrey. He taught ceramics at St Pauls' School, London, until 1975 and made stoneware and porcelain pots in traditional Chinese styles with particular attention to the quality of glazes. He retired in 1985.Condition Report: No serious damage or restoration detected.Please see additional images Condition Report Disclaimer
A pair of William Mehornay studio pottery Chinese style vase table lamps of baluster form, verdigris / bronzed effect glaze, signed Mahornay, on gilt wood bases, (2)height including fitting 54cmCondition: No chips or damage. Some Rubbing and minor chips to giltwood bases . In need of rewiring
Unusually large Chinese Han dynasty green-glazed pottery boshan lu hill-form incense burner or lian. The lid molded in the shape of hills or mountains, depicting five sacred mountains between earth and paradise. The exterior molded with a landscape filled with beasts, likely big cats, birds, and monkeys. Resting on a tripod of three bear-form legs.Provenance: Tai Sing Fine Antiques Ltd., Hong Kong, 2000; From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 12 in x diameter: 9 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Group of four Chinese mingqi funerary or spirit figures, likely Han dynasty. Unglazed pottery with white slip. Two depicting male courtiers and two depicting female courtiers; each in long, flowing robes with their hands clasped in front of their waists.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Without base, height: 14 1/2 in and 13 3/4 in; width: 4 in; depth: 1 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese mingqi cauldron (ding) spirit or funerary green-glazed pottery vessel, likely Han dynasty. Consisting of a deep basin on three legs molded in the forms of bears. With a pair of luted S-curved upraised strap handles. The domed lid with two registers of low-relief molded animals, likely big cats and monkeys, with three bosses. The glazed interior and underside with iridescence. In the form of bronze vessels of similar style.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Height: 6 1/2 in x width: 10 in x depth: 7 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese unglazed red pottery horse, possibly Eastern Han or Tang dynasty. A mingqi sculptural mortuary or spirit object. The horse strides or prances forward with its docked tail held high. With an S-curved neck and a well-sculpted head featuring open mouth, flared nostrils, and protuberant eyes under curved brows. The long, pointed ears are pricked upwards on either side of a gently sloped roached mane. The gracefully curving horse turns its head slightly to one side, commanding the attention of the viewer. With a plinth.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Horse; height: 37 in x width: 26 in x depth: 9 1/2 in. Base; height: 11 in x width: 38 in x depth: 18 in.Condition: Overall there are no major cracks or losses. There is general wear throughout as expected from an item of this age. There is natural variation to the color of the horse including a darker head and a lighter tail. There are small chips throughout, some are natural minute losses to the material and possibly original to the artistic process. Along the left shoulder of the horse there is an uneven area of lighter-colored accretions that is slightly rougher than the area around it. There is a small chip along the back left hoof; there is a minute chip along the tip of the right ear; there are several small chips along the right shoulder; there are a few small chips along the right side of the jaw; there are small chips throughout the flared lips; there is a chip near the front of the left shoulder; there are a few chips along the front right hoof. There are hairline cracks throughout. The largest hairline cracks are in the following locations: around the circumference of the back left leg near the hock; there is a oval-shaped hairline crack along the front right knee; there is one along the center of the back; there is a T-shaped crack along the left cheek. There are two spots along the back of the horse along the aforementioned hairline crack where the ceramic is darker than the surrounding material. There is wear to the base including some areas of discoloration from the ceramic hoofs.
A Chantilly blue and white dish, late 18th c, painted with the Sprig pattern, 29.5cm diam, painted horn and D and miscellaneous ceramics to include four Minton bone china dishes and pin trays and a ring stand, early 20th c, painted J E Dean, all signed or signed with initials, with a dog, 14cm diam, an English porcelain dessert plate, mid 19th c, unusually painted en grisaille with figures in the roman Forum, in pierced gilt border, 23.5cm diam, a pair of Staffordshire bone china vases, c1820, painted with two panels of flowers reserved on a cobalt and gilt ground, 22cm h, pattern No 511, a Chinese famille rose export porcelain bowl, Chinese Imari plate, two saucers and a Batavian ware tea bowl, late 18th c, plate 22.5cm diam, a Staffordshire pearlware cream jug, c1790, enamelled with a stylised floral Cottage pattern, puce diaper inner border, 87mmh, a Prattware military review jug, c1790-1800, 13.5cm h, a Leeds Revivalist engine turned creamware and reticulated bowl and cover, impressed LEEDS POTTERY and a Northern European pewter mounted faience jug, 19th c or later Chantilley dish - Restored. Sheep - several small chips and slight wear. Cradle - cracked and small surface graze
Pair of Chinese glazed pottery foo dogs, 24cm, two other smaller foo dog models, modern model of Buddha, man with a fan and a Satsuma figure.Qty: 7Condition report:Some chipping and glaze loss to the pair of turquoise dogs. Elder holding a fan - some crazing and minor glaze loss but generally ok.Satsuma Female figure with gilt scroll - scroll has been previously broken and reglued. Chipped losses to the feet.Two smaller foo dog figures are ok, no damages.
Qing dynasty Chinese famille rose mille fleurs large baluster pottery vase with turquoise glazed interior, elephant mask handles (one damaged), reign marks to underside for Yongzheng period, 39cm high. Damage to handle.One elephant handle is lacking / broken off.Hairlines with various small chips to rim.Losses to glaze, mainly to the interior and base.Losses to gilding on rim.Age staining allover.Minor age losses to areas of the floral glaze.

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15907 item(s)/page