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A Regency marble topped figured rosewood four-door breakfront chiffonier, with black veined marble top above three frieze drawers with two end cupboards flanking a central crescent recess below, the four doors with inset celadon green pleated watered silk panels and fitted with Bramah type locks, the whole supported by a conforming moulded plinth base. 150 cm wide x 38 cm deep x 95 cm high
Spätbiedermeier-Hochkommode. Mitte 19. Jh. Kirschbaum, furniert. 95 x 79 x 50 cm. Chiffoniere mit 5 größendifferenten Schüben, geschweifter Deckplatte mit Profilkante, geschrägten Ecken mit Wellenkante, auf 4 Klotzfüßen. 4 Schübe mit Binnenfachungen. Runde Drechselknäufe aus Holz. Alt restauriert, Alters- und Gebrauchsspuren, mit Defekten und Fehlstellen, teils rissig. Abholung erforderlich.Aufrufzeit 25. | Okt. 2024 | voraussichtlich 19:00 Uhr (CET)Late Biedermeier high chest of drawers. Mid-19th century Cherrywood, veneered. 95 x 79 x 50 cm. Chiffonier with 5 drawers of different sizes, curved top panel with profiled edge, beveled corners with wavy edge, on 4 block feet. 4 drawers with internal compartments. Round turned wooden knobs. Old restored, signs of age and use, with defects and missing parts, some cracks. Collection required.Call time Oct. 25 | 2024 | probably 19:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A fine quality Regency mahogany Secretaire Chiffonier, attributed to Gillows of Lancaster, the shelved top with half gallery supported by reeded columns, over a frieze drawer opening to reveal a fitted interior with writing platform, above two panelled doors on cone shaped tapering legs, approx. 114cms high x 74cms wide x 42cms deep (45" x 29" x 16 1/2"). (1)
Regency mahogany chiffonier, in the manner of Gillows, raised back with gadrooned outlines, fitted with a single frieze drawer over two panelled doors, flanked by open shelf sections, with Doric style columns, width 140cm, depth 38cm, height 110cm.Condition report:Repairs and potential losses to the top of the back rail, top is good, some old splits to the flame veneer, old marks, drawer and roos are good, columns are good, I dont think they are the original feet. The chiffonier does not seperate for transport.Additional images have been uploaded to the lot page on our website for you to view.
AN IRISH LATE REGENCY ROSEWOOD AND BRASS INLAID CHIFFONIER,the superstructure with a pierced three-quarter gallery and two drawers decorated with stylised foliate stems, the lower part with two similarly inlaid frieze drawers and a pair of recessed panel doors below, flanked by composite capital stiles, on sabre feet, bearing John Dooly & Sons, Dublin trade label, 125cm high, 89.5cm wide, 44cm deepProvenance: Christies, London, 1996 The Rex Britcher Collection, lot 651
AN IRISH REGENCY ROSEWOOD AND BRASS INLAID CHIFFONIER, the superstructure with a pierced three-quarter gallery, the marble top with a reeded edge, fitted with three frieze drawers with open shelves below, between shaped rope-twist sides and spiral-reeded columns on bun feet, probably Cork, bearing John Dooly & Sons, Dublin trade label, 118cm high, 109.5cm wide, 38cm deepProvenance: Christies, London, 1996 The Rex Britcher Collection, lot 675In the foreword to the 1996 catalogue of The Rex Britcher Collection at Christie’s, London, the late Desmond Fitzgerald, the Knight of Glin wrote a brief but fascinating note about the history of the market for Irish antiques in twentieth century Dublin.It was a happy hunting ground for many British dealers and collectors who were attracted by the rich pickings in the Irish trade. The previous owner of this Regency chiffonier Rex Britcher, after his army career and world travels in the late 1940s, often visited Ireland in the company of his friend, George Furlong.George Furlong was the Director of the National Gallery of Ireland from 1935 to 1950, and was known for his exceptional eye for paintings, and numerous fine acquisitions were made during his tenure in Merrion Square including Gentileschi’s David and Goliath, Castiligione’s The Finding of Cyrus, a large Crespi and the only known painting by Passeri. Notwithstanding that, the board declined some important contemporary paintings such as a Gauguin, a Monet and a Roualt much to Furlong’s chagrin. However the final straw was in 1950, when they turned down Murillo’s Christ Healing the Paralytic at the Pool of Bethesda, and which was immediately bought by the National Gallery in London, that Furlong tendered his resignation and prompted his permanent move to London. The two friends had a fine house in Thurloe Street, where their many treasures were displayed to great advantage. Amongst their many artistic and literary friends who enjoyed their company were Lady Fingall, Senator Ned Maguire, John and Putzel Hunt, Norah McGuinness, Harold Nicholson and Vita Sackville-West.The present lot, with a Dooly of Dawson Street, Dublin trade label, and presumably purchased directly from them, sports a Connemara marble top, turned supports and brass banding of oak leaves. The Knight noted that this banding is exactly similar to the decoration on a lyre supported card table in a collection in the south-west of Ireland, and suggests that it was probably from a Cork manufactory. He opined that the inlay and a predilection for turned, and rope decorated detailing seemed to be very characteristic of Cork workshops
A Victorian mahogany chiffonier, the shaped and panelled shelved superstructure with carved acanthus scroll cresting on turned baluster supports, the base with 'wavy' mouldings, fitted with two frieze drawers and with cupboard below, enclosed by a pair of recessed panel doors, on a plinth, 121cm width, 167cm height, 44cm depth.
A REGENCY GILT-METAL MOUNTED ROSEWOOD CHIFFONIER CIRCA 1815,the two-tier superstructure, with pierced brass gallery, supported by reeded columns, above two cupboard doors inset with pleated yellow silk, enclosing two adjustable shelves, on tapering square feet and brass caps and castors. 143cm high, 92 wide, 32cm deep
WILLIAM IV ROSEWOOD CHIFFONIER, single shelf, three-quarter brass gallery, metal supports, mirror back, cupboard below with two glazed doors flanked by metal columns with acanthus leaf decoration, two shelves within, felt-lined with rosewood edging, 125 (h) x 95 (w) x 40cms (d)Provenance: private collection CardiffComments: very minor fading
A small Regency mahogany chiffonier, c.1820, the raised back with two stepped shelves, the upper shelf with shaped gallery, brass rods and 'S' shaped supports, the base with a frieze drawer and pair of doors enclosing cupboard with one adjustable shelf, on vase-shaped turned mahogany feet, 79 x 42 x 143cms high.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
A William IV goncalo alves (zebrawood) mirror-backed chiffonier, c.1835, the raised back with galleried shelf resting on 'S' shaped carved and pierced supports and centred by a bevelled mirror, the lower section with a pair of panelled doors opening to reveal a single shelf cupboard, flanked by turned and carved pillars, on plinth base, 114 x 44 x 144cms high.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
A Regency rosewood two-door chiffonier cabinet, c.1825, the back shelf with scrolling acanthus decoration and turned rosewood shelf supports, disguised drawer to frieze with spiral carved rosettes to each side, two pleated silk backed grille doors flanked by round pillars opening to reveal two adjustable shelves, on four turned legs, 101 x 38 x 133cms high.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
A mahogany chiffonier in the Chippendale manner by Edwards & Roberts, circa 1900The mirror-back upper section with pierced canopy surmounted by a flower and rocaille finial, above twin glazed display cupboards flanking shelves, the uprights carved with blind fretwork, scrolls and rocaille, the lower section of breakfront form with central frieze drawer above a rocaille apron between square section supports carved with blind fretwork united by an undertier.122cm wide x 48.5cm deep x 227cm highFootnote:Stamped Edwards & Roberts to the drawer.Condition:Generally very good overall with a few very small chips to the rocaille work. Two small pieces of rocaille carving detached from the lower section but extant. Small loss to moulding on back right support. Detached moulding extant to back left support.
A Victorian zebrawood chiffonier . With mirror back gallery over a long single frieze drawer above twin cupboard doors raised on a shaped plinth base, height 147cm width 106cm depth 39cm.All joints are firm and solid. Areas of replaced/restored veneers. General wear, scratches and age cracks commensurate with age. Additional images online.

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9967 item(s)/page