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Marc Chagall, Pablo Picasso und Horst Janssen, drei GraphikenMarc Chagall, 1887 Peskowatik/Witebsk, Russisches Kaiserreich, heute Belarus - 1985 Saint-Paul-de-Vence, "Eva wird von Gott verdammt", aus der Bibel, Farblithographie 1960, 36 x 26,5 cm, Edition Verve, hinter P.p.; Pablo Picasso, 1881 - 1973, "Krieger Diomedes", Offset-Farblithographie von 1961, im Stein signiert, 40 x 30 cm, hinter P.p.; Horst Janssen, 1929 Wandsbek - 1995 Hamburg, Horst Janssen, 1929 Wandsbek - 1995 Hamburg, "Evelin", Farbradierung vom 13.9.1980, 12,8 x 19,5 cm, sign. in der Platte und handsigniert, num. 20/30, o. Rahmen

Marc Chagall / Paul Kusche, Abraham & Sarah, Farblitho von 1956 / Frauenakt, sign. Radierung 1920er Jahre, beide gerahmt Marc Chagall, 1887 Peskowatik, Russisches Kaiserreich - 1985 Saint-Paul-de-Vence, Abraham & Sarah, Farblithographie von 1956 aus der Bibel-Serie, 27 x 35 cm, unter P.partout gerahmt // Paul Kusche, 1882 - Karlsruhe - 1952, Akt einer jungen Frau in sommerlicher Landschaft, Radierung um 1920, 18 x 24 cm, r. u. sign., gerahmt

Marc Chagall, "Femmes-Oiseau (Vogelfrau)", Farblithographie, Plakat für Ausstellung bei der Galerie Maeght, Paris, 1950, gerahmtMarc Chagall, 1887 Peskowatik/Witebsk, Russisches Kaiserreich, heute Belarus - 1985 Saint-Paul-de-Vence, "Femmes-Oiseau (Vogelfrau)", Farblithographie von 1950, Plakat zu der Ausstellung mit Aufschrift "Galerie Maeght, Paris, Chagall, Oeuvres recentes", Blattgröße 50 x 58 cm, verso num. 59/300, Chagall. Die Lithographien, La Collection Sorlier Nr. 49, mit P.p. in Edelrahmung

BELL, Clive (1881-1964). Since Cezanne, London, 1922, 8vo, half tone plates, original cloth. FIRST EDITION, with a pencil note by Eden and highlighting. With 12 other art reference books, some PRESENTATION COPIES to Anthony Eden. (13)BELL, Clive (1881-1964).  Since Cézanne. London: Chatto and Windus, 1922. 8vo (195 x 130mm). Half title, half tone plates (some spotting). Original blue cloth, spine with printed label (label rubbed, without the dust-jacket). Provenance: Anthony Eden, 1st Earl of Avon (old armorial bookplate). FIRST EDITION, with a pencil note on p.65 (illegible, probably not in Eden's hand, illustrated) and on p.137, in Eden's hand, regarding "young Oxford intellectuals", and with his highlighting throughout. With 12 other related books including Julius Meier-Graefe's Degas (London, 1923, 4to, monochrome plates, original buckram, NUMBER 225 OF 1,000 COPIES), Constantin Antoniade's Trois Figures de la Renaissance. Pierre Arétin. Guichardin. Benvenuto Cellini (Paris, 1937, 8vo, wrappers, NUMBER 141 OF 155 COPIES, PRESENTATION COPY, inscribed, "A Mr. Anthony Eden, hommage et respectueuse admiration, Antoniade, Genève, Janvier 1938", Austen Chamberlain's Seen in Passing ... Foreword by Lady [Ivy] Chamberlain (London, 1937, 4to, plates, original cloth, the author's wife's PRESENTATION COPY of this account of an architectural travelogue through Europe just before The Second World war, inscribed "Anthony [Eden], [?]from Ivy Chamberlain"), Wilfrid Blunt's The Art of Botanical Illustration (London, 1950, large 8vo, plates, some coloured, attractively bound in full red modern calf gilt by Bayntun Riviere, SIGNED BY THE AUTHOR), Kenneth Clark's Piero della Francesca (London, 1951, folio, plates, some coloured, original red buckram, INSCRIBED in a very small hand [?presumably to Anthony Eden], "With all good wishes from Jane & Kenneth Clark, August 1952"), Huntington Cairns & John Walker's Great Paintings from the National Gallery of Art (Washington, 1952, folio, full-page coloured illustrations, original dark blue buckram gilt, FIRST EDITION, PRESENTATION COPY, the front free endpaper inscribed, "For [?illegible word] Eden, with kind regards from his friends at the National Gallery, [signed respectively by:] David Finley [the gallery's first Director], Huntington Cairns, John Walker, Washington, March 5, 1953"), Raymond Nacenta's The Painters and the Artistic Climate of Paris since 1810 (London, 1960, folio, coloured plates, original blue hessian, PRESENTATION COPY, the half title inscribed, "A Lord et Lady Avon, en souvenir de leur visite 'd'avant-première' à l' Exposition des peintures des collections français, Avec les sincères hommages de Ray. Nacenta, Le 27 Juin, 1962"), Catalogue de l' Oeuvre de Georges Braque. Peintures 1936-1941 ([Paris], 1961, 4to, illustrations, some coloured, original coloured decorated hessian boards, ring-bound internally), Henry Maldiney's La Fondation Marguerite et Aimé Maeght (Paris, "Derrière le Miroir, No. 148," 1964, folio, plates and illustrations by Braque, Chagall, Kandinsky, Miro, Giacometti and others, including 6 original lithographs, some coloured, original pictorial boards) and Denys Sutton's Walter Sickert. A Biography (London, 1976, 4to, plates, cloth, PRESENTATION COPY, inscribed, "For Anthony and Clarissa [Eden], with much affection and gratitude, Denys"). The lot sold not subject to return. (13)

Chagall (Marc) Lithographe I, first edition, 12 lithographs and illustrations by Chagall, original cloth, dust-jacket, light creases and nicks to edges, otherwise excellent, 4to, Paris, André Sauret, 1960.⁂ For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). This is the scarce first volume of the 6 vol. set which were issued separately over a period of 26 years.

Beautiful color lithograph on paper of Sarah and Abimelech printed for a special edition of the original Bible lithographs by Marc Chagall. Housed in a royal blue linen mat in a gilded frame. Sight size: 9.90â€L x 13.40â€H. Frame size: 17.25â€L x 20.15â€H x 1.40â€W. Artist: Marc ChagallIssued: c. 1960Condition: Age related wear.

δ Marc Chagall (1887-1985)Crossing of The Red Sea, from Bible (Cramer 29)Etching, 1956, signed in pencil, from the edition of 275, published by Tériade Editeur, Paris, on Montval paper, with full margins, sheet 440 x 328mm (17 1/4 x 12 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Marc Chagall (1887-1985) after.Le SongeLithograph printed in colours, 1994, a proof aside from the edition of 750, with the publication details printed verso, printed by Mourlot, Paris, with the Atelier Mourlot Collection rubber stamp verso, on Arches wove paper, watermarked with Comité Chagall ©ADAGP 1994 Marc Chagall Edition Arta Gallery, with full margins, sheet 1050 x 725mm (41 3/8 x 28 1/2in)

CHAGALL MARC: (1887-1985) Russian-born French artist. A.L.S., Marc Chagall, two pages, 4to, n.p., 21st May 1925, to a gentleman, in French. Chagall thanks his correspondent for a draft contract and proceeds to suggest a few alterations, in part, '1. Par exemple c'est pas toujours que je fais les dessins pour les gravures souvent ce sont de petits croquis…..2. Je voudrais que les cuivres apres le premier tirage serions detruites. 3. Quant au terme, je vous prierais de pas preciser la date. Je n'oubeierai…..Peut-etre je les ferai plus tot du temps….4. Quant au payement, je vous demanderais 2000 fr a la signature du contrat et tout la reste a la livraison….' (Translation: '1. For example, it's not always that I make the drawings for the engravings, often they are small sketches…..2. I would like the brass after the first stage to be destroyed. 3. As to the term, I would ask you not to specify the date. I won't forget….Maybe I'll do them sooner…..4. As for the payment, I would ask you 2000 francs at the signing of the contract and all the rest on delivery…..'). Chagall further requests that the work be carried out by his engraver, Monsieur Fort, 'car je sois deja habitue a travailler avec lui et il connait deja bien me maniere de travail' (Translation: 'because I am already used to working with him and he already knows my way of working well') and concludes by remarking 'Je vous remercie infiniment pour votre livre, il est tres interessant, il m'inspire beaucoup d'emotion' (Translation: 'Thank you very much for your book, it is very interesting, it inspires me with great emotion'). A few very light, minimal creases, VG

MIRO JOAN: (1893-1983) Spanish painter. An excellent, lengthy and early A.L.S., Miro, three pages, 4to, Barcelona, 7th April 1934, to [Christian] Zervos, in French. Miro states that he has received his correspondent's letter, article and photograph, explaining that he did not answer sooner 'parce que j'ai du me rendrer a Montrois pour verifier d'apres le dessins.....les dates exactes, et vous donner de la facon la plus exacte possible, les renseignments que vous m'aviez demande a Paris' (Translation: 'because I had to go to Montrois to check according to the drawings….the exact dates, and to give you in the most exact way possible, the information that you had asked me for in Paris') and continuing to write concerning Zervos's article, and offering some advice, 'Votre article est tres, tres bien, vous avez tres bien compris mes inquietudes, il est en meme temps ecrit avec un grand courage. Je l'ai lu maintes fois attentivement et en suis tres emu. Vous en remercie de tout Coeur. Il faudrait toutefois rectifer, quelques dates, il m'etait tres difficile de les preciser lors de notre entretien chez vous. J'estime que ces donnees doivent etre tres exacter, d'autant plus qu'elles seront repandues a l'etranger, ou l'on se servira de ce numero de "Cahiers d'Art" lorsque l'on voudra ecrire quelque chose d'important sur moi. a) J'ai commence l'etude de la peinture a l'age de 14 ans, mon premier professeur a ete Urgell, et plus tard Pasco. b) Je cesse de peindre de 1910 a 1912 - a partir de cette date je m'adonne entierement a la peinture et frequente a Barcelone certaines academies etc. et passe mes vacances a Montrois, je frequente les academies jusqu'a 1914, et desormais je travaillerai seul.  c) arrive a Paris pour le premiere fois en mars 1919, et c'est a partir de cette date que je travaille tantot a Barcelone tantot a Montrois, tantot a Paris. d) qouique la plupart de reproductions n'auront pas de titre, il ne faudrait cependant pas negliger d'en mettre a celles que vous citez dans votre article et aux plus representatives pour mieux le comprendre. e) ces tableaux ont ete faits l'hiver et le printemps 1933. f) Je trouve aussi que c'est mieux que vous supprimiez ce passage. Comme vous voyez toutes les rectifications sont tres necessaires et tres importantes, je vous demande de faire l'impossible pour y etre a temps' (Translation: 'Your article is very, very good, you have understood my concerns very well, it is at the same time written with great courage. I have read it carefully many times and am very moved by it. Thank you wholeheartedly. However, it would be necessary to rectify a few dates, it was very difficult for me to specify them during our interview with you. I consider that this information must be very exact, especially since they will be spread abroad, where people will use this number of “Cahiers d'Art” when they want to write something important about me. a) I started studying painting at the age of 14, my first teacher was Urgell, and later Pasco. b) I stop painting from 1910 to 1912 - from this date I devote myself entirely to painting and attend certain academies etc. in Barcelona and spend my holidays in Montrois. I attended the academies until 1914 and from then on I would work alone. c) arrived in Paris for the first time in March 1919, and it was from this date that I worked sometimes in Barcelona, sometimes in Montrois, sometimes in Paris. d) although most of the reproductions will not have a title, you should not neglect to put one to those you quote in your article and to the most representative ones to better understand it. e) these paintings were made in the winter and spring of 1933. f) I also think it is better that you delete this passage. As you see all the corrections are very necessary and very important, I ask you to do the impossible to there in time'). Miro also asks his correspondent if they have decided to go ahead with an exhibition, and to let him know the exact date of the opening as soon as they know it, and further enquiring if invitations will be sent, in which case Miro will provide some addresses, additionally writing 'J'ai reflechi a ce que votre femme me demande d'apporter de nouveaux tableaux. Il me semble que cette nouvelle serie faudrait la montrer ensemble, ce serait une erreur que d'en exposer quelques specimens au prealable. Ce qui serait peut-etre tres bien, ce que, du moment ou "Cahiers d'Art" est consacre a toute mon oeuvre, vous exposiez aussi, dans une piece a part quelques toiles anciennes. En etant fait simultanement a l'apparition de "Cahiers d'Art" cela n'aura nullement l'air d'une retrospective, qu'il faut a tout prix eviter.......ca restera tres intime et n'aura pas l'air pretentieux d'une exposition rue de la Boetie. Et suivrait en meme temps la trajectoire qui se termine en 1933' (Translation: 'I thought about your wife asking me to bring new paintings. It seems to me that this new series should be shown together, it would be a mistake to exhibit a few specimens beforehand. What would perhaps be very good, since “Cahiers d'Art” is devoted to all my work, you also exhibit, in a separate room, a few old paintings. By being done simultaneously with the appearance of “Cahiers d'Art” it will in no way seem like a retrospective, which must be avoided at all costs….it will remain very intimate and will not have the pretentious air of an exhibition on rue de la Boetie. And at the same time it would follow the trajectory which ends in 1933'). Miro concludes by asking if Zervos has seen Pierre Matisse, explaining 'Je lui ai ecrit deux lettres en reponse a la sienne ou'il me faisait part de l'accord avec [Henri] Matisse et il ne m'a point repondu. Je lui demandais s'il m'autorisait a ecrire a Matisse pour lui demander de s'entendre avec lui pour les mensualites de maniere a ce que ce fut Pierre qui ces versat en toute sa totalite. Je crois que du moment ou Pierre est, pour ainsi dire, le marchand officiel, pourrait trouver des moyens pour regler les mensualites…..' (Translation: 'I wrote him two letters in response to his where he informed me of the agreement with [Henri] Matisse and he did not answer me. I asked him if he would authorise me to write to Matisse to ask him to come to an agreement with him for the monthly payments so that it was Pierre who would pay them in full. I believe that since Pierre is, so to speak, the official merchant, he could find ways to settle the monthly payments….'). A letter of fine content. Some very light, extremely minor age wear, VGChristian Zervos (1889-1970) Greek-French art historian, critic, collector, writer and publisher who founded the magazine Cahiers d'art and also ran an art gallery.Pierre Matisse (1900-1989) French-American art dealer, the youngest child of Henri Matisse. The Pierre Matisse Gallery was opened in New York in 1931 and represented many European artists including Miro, Marc Chagall, Alberto Giacometti and Jean Dubuffet amongst others.

Pablo Picasso - 'Galerie 65 Cannes 1956', lithograph in colours, published by Mourlot 1959, sheet size 30.5cm x 24cm, together with a collection of prints including examples after Arthur Secunda, Miro, Picasso, Chagall and Raphael.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 198542 x 64 cm, R."Mégaclès reconnaît sa fille pendant le festin", 1963. Farblithografie auf Bütten aus der Folge "Daphins et Chloé".Mourlot, 347.Galerie Valentien, Stuttgart.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Blattgröße: 77 x 60 cm; 65,5 x 50 cm, o. R."Couple de paysans", 1967. Farblithografie auf Bütten. In Bleistift unten rechts signiert und unten links nummeriert 41/50. Mourlot, 484.Privatbesitz.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 198535,5 x 26 cm, R."David et Bethsabée", 1956. Farblithografie auf Papier aus der Folge "Bible".Morlout, 132.Privatbesitz, Berlin.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Versch., R.3 Bl.: "Le plafond de l'opera de Paris, frontispice", 1965; "Les anémones", 1974; "Le peintre et son double", 1981. Farblithografie.Mourlot, 434; 730; 992.Galerie Valentien, Stuttgart.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Blattgröße: 86 x 56 cm, o. R."Le cirque au clown jaune", 1967. Farblithografie auf Papier. Ausstellungplakat.Vgl. Mourlot, 443.Galerie Valentien, Stuttgart.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Blattgröße: 65 x 50,5 cm; 60 x 48 cm, R."Paysage 2e état", 1956. Lithografie auf Bütten. In Bleistift unten rechts signiert und unten links nummeriert 9/20.Mourlot, 154.Galerie Valentien, Stuttgart.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Blattgröße: 52 x 38 cm; 35,5 x 26,5 cm, R."Booz se réveille et voit Ruth à ses pieds", 1960. Farblithografie auf Bütten aus der Folge "Bible". In Bleistift unten rechts signiert und unten links nummeriert 28/50.Mourlot, 249.Galerie Valentien, Stuttgart.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Blattgröße: 52,5 x 38 cm; 36 x 27 cm, R."Cain et Abel", 1960. Farblithografie auf Bütten aus der Folge "Bible". In Bleistift unten rechts signiert und unten links 28/50Mourlot, 238.Galerie Valentien, Stuttgart.

Derriere le miroir.: No. 246: Chagall Lithographies originales. Paris 1981. Folio. Mit 1 doppelblgr. Orig.Farblithographie von Marc Chagall u. 18 (8 farb.) Abb. Illustr. OU. - Sorlier. 992.

Struck,H.: Die Kunst des Radierens. (5. Aufl. 10-14. Tsd). Bln., Cassirer 1923. 4°. Mit 2 Orig.-Radierungen v. Liebermann u. Struck, 1 Lithographie v. Kokoschka u. 1 Holzschn. v. Barlach, sowie zahlr. Textabb. 331 S. Goldgepr. Olwd. (Rckn. etw. berieb.). Letzte Auflage, mit den Orig.-Graphiken: M.Liebermann: "Eislauf". - O.Kokoschka: "Mädchenbildnis". - E.Barlach: "Walpurgisnacht" und H.Struck: "Chagall". - Ecken tls. etw. knittrig, sonst guter Zustand.

Chagall, Marc: (1887 Peskowatik b. Witebsk - Saint-Paul-de-Vence 1985). Farblithographie aus "Le Cirque", unten links ╔mit Tinte "Chagall" signiert (eh.?)╗ Paris, Teriade 1967. Blgr. ca. 42 x 32 cm. Unter Passep. montiert. Aus einer Auflage von 250 Ex. - Mourlot 490. - Colour lithograph from "Le Cirque". From an edition of 250. - Unten links in der Ecke mit Tusche "essai" (Probedruck). - Provenienz (verso Passep.): Erworben bei Galreie Brockstedt, 6.03.1993". D

Derriere le miroir.: No. 246: Chagall Lithographies originales. Paris 1981. Folio. Mit 1 doppelblgr. Orig.Farblithographie von Marc Chagall u. 18 (8 farb.) Abb. Illustr. OU. - Sorlier. 992. D

Chagall, Marc: (1887 Peskowatik - Saint-Paul-de-Vence 1985). Révolution. Farblithographie auf Bütten, signiert und nummeriert. Darstellungsmaß: 54 x 47 cm. Blattmaß: 70 x 54 cm. Eines v. 150 Ex. - Blatt ehemals gerollt. Leichte Bestoßungen und minimale Griffspuren an den Kanten. Verso minimale Verschmutzungen. Ansonsten sehr guter Zustand. R

Derriere le miroir.: No. 246: Chagall Lithographies originales. Paris 1981. Folio. Mit 1 doppelblgr. Orig.Farblithographie von Marc Chagall u. 18 (8 farb.) Abb. Illustr. OU. - Sorlier. 992.

Mourlot,F.: Chagall Lithograph II, 1957-62. Monte Carlo, Sauret 1963. 4°. Mit 12 (7 farb., inkl. OU.) Orig.-Lithogr. von Marc Chagall u. zahlr. meist farb. Abb. 208 S., 1 Bl. Olwd. mit farb. illustr. OU. (Dieser mit kl. Randläs.). Deutsche Ausgabe. - ╔Dabei:╗ Chagall Lithograph IV, 1969-73. Ebda. Mit 1 (von 2) farb. Orig.-Lithogr. (nur Umschl., ohne das Front.). OU mit Randbeschäd., unfrisches u. fleckiges Ex. - ╔Drawings for the bible╗ (Verve 37-38), Fragment, es fehlen alle 24 farb. Orig.-Lithogr.

Lithographic exhibition poster after Marc Chagall (Russian/French, 1887-1985) "La lutte de Jacob et de l'Ange" (The Fight Between Jacob and the Angel). On lower left of plate : Ch. Sorlier. Grav. On the lower part: "Le Message Biblique de Marc Chagall", Musee du Louvre Galerie Mollien". Printed by Mourlot. Frame size: 19.80"L x 28.50"H x 1"W. Artwork dimensions: 19"W x 27.75"H. Artist: Marc ChagallIssued: 1967Condition: Age related wear.

2 Marc CHAGALL Bücher "Lithograph" Herausgeber André Sauret, 1963, zusammengestellt von Fernand MOULOT, Ex. 78 von 100 handsignierten Exemplaren (Signatur von Marc Chagall und André Sauret), OHNE die 2 handsignierten Original-Lithographien, Pappeinbände mit Papiereinschlag und mit rotem Leinen beschlagene Pappschober, Papier leicht gebräunt, 1 Einband/Deckel gelöst, ca. 33x25x6cm

MARC CHAGALL (1889 Peskowatik - 1985 Saint-Paul-de-Vence) Farboffset-Lithografie auf Bütten, ¨Les Fleurs sur Saint Jeannet¨ nach dem gleichnamigen Gemälde, unten rechts Stempelsignatur ¨Marc Chagall¨ (in grün), Ex. 102/250, ca. 64,5x78,5cm (in Passepartout), gerahmt (79x94cm), gebräunt/lichtrandig FR

MARC CHAGALL (1887 Peskowatik bei Vitebsk - 1985 Saint-Paul-de-Vence) Farblithografie, "La Vache bleu" (1967), ca. 31x23,5cm (montiert), gerahmt (44x36cm) FR

† MARC CHAGALL; a signed limited edition print, 'Red Dress (Les Soucis)', signed lower right, 178/500, 61 x 87cm, framed and glazed.

{Marc Chagall. 1887 Witebsk - 1985 Saint-Paul-de-Vence.} Handsign. und numm. 7/7. A table, homme assis et animal. Lithographie auf Velin d'Arches. Mourlot 1956 nach einem Werk von 1922. 18,5 x 26,5 cm auf 28 x 38 cm. Gl.u.R

MARC CHAGALL, The Twelve Tribes, a set of twelve lithographs 1962, printed by Mourlot, 36.5cm 31.5cm.

MARC CHAGALL, Le Carrousel du Louvre, rare original lithograph on woven paper, edition Maeght, edition 2500, 37cm x 27.5cm. (Subject to ARR - see Buyers Conditions)

Property of a Gentleman of ChelseaAn original lithograph of Léonard Tsuguharu Foujita's handprints (1963)Hand signedInscribed: "Lo Paqueo 1963"Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the hands of the great artists of his time. Thus Chagall, Picasso, Fautrier (whose assistant and close friend he was during the last years of his life), Foujita, Cocteau, Lurcat or Mathieu would come to his studio to engrave their hand on lithographic stone. Lorriaux did not have time to finalise his project and only a few tests – including this rare lithograph – were made.Dimensions:(Paper) 20 in. (H) x 13 in. (W)(Frame) 23.5 in. (H) x 16.25 in. (W)

To be sold without reserveProperty of a LadyMarc Chagall (1887 - 1985)An original etching entitled "Le Loup, la Chèvre et le Chevreu, for the fables of La Fontaine"Dimensions:20.2 in. (H) x 16.75 in. (W)

Marc Chagall (Russian/French, 1887-1985)Les Adolescents (Mourlot 741) Lithograph in colours, 1975, on Arches wove paper, signed and numbered 40/50 in pencil, the full sheet, framedImage 640 x 505mm (25 1/4 x 19 7/8in)Sheet 744 x 565mm (29 1/4 x 22 1/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)La Ruse de Dorcon, from Daphnis et Chloé (Mourlot 317; Cramer books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 21/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet, framedImage 425 x 322mm (16 3/4 x 12 5/8in)Sheet 540 x 380mm (21 1/4 x 15in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)Le Dauphin Mort et les Trois Cents Ecus, from Daphnis et Chloé (Mourlot 338; Cramer books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 49/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with deckle edges at right and below, framedImage 425 x 322mm (16 3/4 x 12 5/8in)Sheet 540 x 380mm (21 1/4 x 15in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)La Mort de Dorcon, from Daphnis et Chloé (Mourlot 320; Cramer books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 8/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge below, framedImage 425 x 645mm (16 3/4 x 25 3/8in)Sheet 540 x 756mm (21 1/4 x 29 3/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)Le Grand Bouquet (Mourlot 384) Lithograph in colours, 1963, on Rives BFK wove paper, signed and numbered 48/50 in pencil, the full sheet with deckle edge below, framedImage 673 x 498mm (26 1/2 x 19 5/8in)Sheet 805 x 586mm (31 3/4 x 23 1/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) By Charles Sorlier (1921-1990)Le Soleil de Paris (Sorlier 48) Lithograph in colours, 1977, on Arches wove paper, signed and numbered 66/150 in pencil, published by Editions des Musées Nationaux, Paris, the full sheet with a deckle edge at right, framedImage 567 x 452mm (22 3/8 x 17 3/4in)Sheet 756 x 510mm (29 3/4 x 20 1/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)Offrande à la Tour Eiffel (Mourlot 416a) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 21/50 in pencil, printed by Atelier Mourlot, Paris, with wide margins, framedSheet 750 x 534mm (29 7/8 x 21 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (Russian/French, 1887-1985)L'Atelier de Nuit (Mourlot 961) Lithograph in colours, 1980, on Arches wove paper, signed and numbered 21/50 in pencil, published by Mourlot, Paris, with their blindstamp, the full sheet with deckle edge below, framedImage 500 x 378mm (19 5/8 x 14 7/8in)Sheet 650 x 475mm (25 5/8 x 18 3/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall plate signed lithographic print 'Le Livre Italien Contemporain' Galerie Des Ponchettes 1953 by Fernand Mourlot France - approx. 49.5cm x 40.5cm 

Marc Chagall modernist figural lithographic print published in New York printed in West Germany - approx. 60cm x 45cm 

Chagall, Marc (1887 Vitebsk - Paul de Vence 1985) "Das Haus in meinem Dorf". Farblithographie von 1960. 32x 24 cm. PP., R. Wvz.: Mourlot 283.

Chagall, Marc (1887 Vitebsk - Paul de Vence 1985) "Flötenspieler". Farblithographie. 23x 38 cm. PP., R. Wvz.: Mourlot 197.

Chagall, Marc (1887 Vitebsk - Paul de Vence 1985) "L'echelle". Farblithographie von 1957. 22x 20 cm. PP., R.

[CHAGALL]. Meyer, Franz, Chagall. Traduction de Philippe ]accotet. Paris, Flammarion, 1964. Fort in-4 de 772 pp. Rel. toile grise de l'éditeur, jaquette en couleurs.(Déchirures sur la jaquette).

Marc Chagall. (1887 Witebsk - 1985 St. Paul-de-Vence). Nu à la Corbeille de Fruits (Akt mit Früchtekorb). 1953 - 1954. Lithographie auf Arches Velin (mit WZ). 40,6 x 62 cm (48,4 x 65 cm). Signiert und nummeriert. Unter Glas gerahmt. - An den Rändern teils leichte Farb- und Schmutzspuren. Vereinzelt Braunflecken, auch verso. Dort am Rand mit leichten Spuren der ehemaligen Montierung. Insgesamt gut. Prachtvoller, kräftiger Druck mit breitem Rand und Schöpfrand an der linken und rechten Seite. Mourlot 91. - Eines von 75 Exemplaren. - Hg. von Maeght, Paris 1954. Lithograph on wove paper. Signed and numbered. Framed under glass. - At the margins partly slight traces of paint and dirt. Isolated brown spots, also on the verso. There at the margin with slight traces of the former mounting. All in all good condition. Splendid, strong impression with wide margins and scooped edges at the left and right side. - One of 75 copies. - Pub. by Maeght, Paris.

Various ArtistsLettre à Mon PeintreThe book, 1965, comprising twenty-seven lithographs most printed in colours, by artists including Raoul Dufy, Marc Chagall, Georges Braque and Bernard Buffet, with title-page, text and justification, this copy numbered from the edition of 975, printed by Fernard Mourlot, Paris, published by Librairie Académique Perrin, Paris, on BFK Rives paper, the full sheets, the sheets loose within the original paper covered boards and matching slipcase, overall 320 x 250mm (12 1/2 x 10in)Lithographs by Raoul Dufy, Darius Milhaud, Jean Cocteau, Jacques Villon, Georges Bracque, Marc Chagall, André Lhote, Charles Lapicque, André Marchand, Jean Lurçat, Max Jacob, Jean Renoir.

** Marc Chagall (1887-1985) after.MaternitéLithograph printed in colours, 1954, signed and inscribed 'HC' in pencil, also dedicated and dated, aside from the edition of 300, published by Maeght, Paris, on Arches paper, with full margins, sheet 591 x 745mm (23 1/4 x 29 1/4in)Dedication reads: "Pour C. Wiedrich en bon souvenir. 1957. Vence"** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Marc Chagall (1887-1985)Colère (Anger) II (Kornfeld 59)Etching printed in red ink, 1925, one of only 16 impressions on Japan paper, and very few in this colour, with full margins, sheet 250 x 190mm (9 7/8 x 7 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Marc Chagall (1887-1985)Hyménée, from Daphnis et Chloé (Cramer 46; Mourlot 349)Lithograph printed in colours, 1961, signed and numbered from the edition of 60 in pencil, printed by Mourlot, published by Tériade, Paris, on Arches paper, with full margins, sheet 539 x 755mm (21 1/4 x 29 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Marc Chagall (1887-1985) after.Le Cheval RougeLithograph printed in colours, 1954, signed in blue pen, numbered from the edition of 300 in pencil, published by Guy Spitzer, Paris, with their blindstamp, on Johannot wove paper, with full margins, sheet 559 x 749mm (22 x 29 1/2in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Marc Chagall (1887 - 1985), Christmas card with original inscription and signature of Marc Chagall, card dimensions 12cm x 18cm, framedThe upper image is a photographic print of the front side of the card, signature is genuine and original ink, very slight paper discolouration, good condition

Marc Chagall, circus rider, original lithograph, 1956, from an edition of 2000 copies, Mourlot 153, 38cm x 52cm, framedGood condition

Marc Chagall, Jeriamiah, original lithograph, Bible issue 1956, sheet 35cm x 26cm, framedGood condition

Marc Chagall, Green River, original lithograph published 1975, Mourlot 728, sheet 29cm x 57cm, framedGood condition