AN AMBER-GLAZED POTTERY VASE AND COVER, HU, HAN DYNASTYChina, 202 BC to 220 AD. The compressed globular sides rising from a short, splayed foot to a waisted neck and everted rim surmounted by a domed cover. The shoulder and body each with a narrow band carved with wave designs enclosed by recessed line borders. Covered overall in an even and finely crackled, golden amber glaze, the interior of the cover with a greenish tint. (2)Provenance: The base with an old label, 'Han Dynasty. Amber glaze. Covered jar. 25-220 AD.' From the collection of Joseph Rondina (1927-2022), who was born into a first-generation Florentine-American family in Auburn, upstate New York. Returning to the U.S. after being stationed in Berlin at the end of the Second World War, he studied at the Whitman School of Design before opening Joseph Rondina Antiques on Madison Avenue in Manhattan's Upper East Side in 1957. In the beginning, his interests focused primarily on European 18th-century decorative arts and furniture, over time developing to include Chinese, Korean, Indian, Thai, Cambodian, Persian and Japanese art, bringing a more esoteric and exotic style to the market. His clientele included stars of the stage and screen, royalty, notables, dignitaries, and denizens of the social register from the United States and abroad.Condition: Good condition, commensurate with age. The foot chipped with an associated old fill, minor old repairs and touchups as generally expected from Han dynasty excavations. Wear, firing flaws, intentional glaze crackling, glaze abrasions, kiln grit, small losses, encrustations.Weight: 1,396 gDimensions: Height 25.8 cmLiterature comparison: Compare a related amber-glazed hu, decorated with taotie masks suspending mock ring handles and lacking the cover, 40.6 cm high, dated to the Eastern Han dynasty, in the Metropolitan Museum of Art, accession number 1994.605.123. Compare a related amber-glazed hu, decorated with taotie masks and lacking the cover, 34.5 cm high, dated 2nd century BC to 1st century AD, in the Ashmolean Museum, Oxford, accession number EA1956.909.Auction result comparison: Type: Related Auction: Sotheby's London, 18 May 2018, lot 284A Estimate: GBP 4,000 or approx. EUR 5,500 converted and adjusted for inflation at the time of writingDescription: A large amber-glazed pottery vase, hu, Han dynasty Expert remark: Compare the closely related form and amber glaze. Note the lacking cover and the larger size (47.5 cm).漢代褐釉弦紋壺中國，公元前202 年至公元220 年。口外撇，束頸，鼓腹，足外撇。有一個圓頂蓋。肩部和身體各有一條弦紋，上面刻有由凹線邊框包圍的波浪圖案。通體施褐色釉，釉色均勻，裂紋細密，蓋內泛綠。 來源：底部有標籤 'Han Dynasty. Amber glaze. Covered jar. 25-220 AD.'。Joseph Rondina (1927-2022年) 私人收藏。Joseph Rondina (1927-2022年) 出生於紐約州北部奧本的第一代佛羅倫薩美國人家庭。第二次世界大戰結束後駐紮在柏林，後回到美國。之後他在惠特曼設計學院學習，於 1957 年在曼哈頓上東區的麥迪遜大街開設了 Joseph Rondina 古董店。一開始，他的興趣主要集中在歐洲十八世紀的裝飾藝術和家具。隨著時間的推移，他開始收集印度、中國、韓國和日本的藝術。他的客戶包括來自美國和國外的銀幕明星、皇室成員、名人、政要和社會名流。 品相：品相好，足部有小填充、小修補。有磨損、燒製缺陷、釉面裂痕、開片、窯砂、小損失、結殼。 重量：1,396 克 尺寸：高 25.8 厘米 文獻比較： 比較一件相近的東漢褐釉弦紋壺，飾有饕餮輔首啣環，沒有蓋子，40.6 厘米高，收藏於大都會藝術博物館，館藏編號1994.605.123。比較一件相近的公元前二至一世紀釉弦紋壺，飾有饕餮輔首啣環，沒有蓋子，34.5 厘米高，收藏於牛津Ashmolean Museum，館藏編號EA1956.909。 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2018年5月18日，lot 284A 估價：GBP 4,000（相當於今日EUR 5,500） 描述：漢褐釉弦紋壺 專家評論：比較非常相近的外形和褐釉。請注意沒有蓋子和尺寸較大(47.5 厘米)。
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![Miscellaneous Roman coins (15), including a denarius of Julia Domna; together with a Cambodian tical [16]. Varied state £40-£](https://cdn.globalauctionplatform.com/d671303e-bff6-4673-b446-af65010f132f/cc2c33dc-6dfe-4ef4-9602-afa300d1b25c/468x382.jpg)
A Cambodian pierced silver purse probably first half 20th century, indistinct impressed mark to underside, of reticulated floral design with birds and a butterfly, chased foliate decoration to the hinged cover, with silver strap, 4½in. (11.5cm.) long, weight 2.85 tr.oz.* Condition: In good condition, with no faults.
A selection of silver tableware and accessories, to include a Cambodian silver coloured posy vase, of trumpet form with waved rim on circular base, embossed with figures in a rural village scene, foliate detail borders, stamped 'T90', 16.3cm high, a cased part set of Victorian silver salts, Mappin & Webb, Sheffield 1885, comprising three cauldron salts, 6.5cm diameter, and three salt spoons, 7cm long, a George V silver cigarette case, E J Trevitt & Sons, Chester 1932, 8.3cm x 7.7cm, a Victorian silver open face pocket watch, London 1871, 44mm diameter, a silver mounted travelling comb, 9cm wide, ten assorted silver teaspoons, longest 13.2cm, and a Lever watch in silver mounted stand, 8.5cm x 6cm, gross weight (excluding watches) 15.77ozt (21) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A tuk tuk bar,modern, likely Thai or Cambodian, a tuk tuk front, decorated in green and yellow with Hindi script, raised on metal supports and a front rubber wheel, the driver's window mounted with glass racks, the back with shelving and racks,70cm wide180cm highCondition ReportWith loss of decoration. Some rusting to the exposed areas. With scratches, marks and dents throughout.
A LARGE SANDSTONE FIGURE OF BUDDHA MUCHALINDA, ANGKOR PERIODKhmer Empire, 12th-13th century. Seated on the scaled coils of Muchalinda, his hands in dhyanamudra, richly adorned with jewelry. The face with downcast eyes in a benevolent expression, flanked by long earlobes with pendant earrings. The hair pulled into a conical chignon and secured with a wide tiara, backed by the seven-headed naga hood, their bodies decorated with sun wheels. The jewelry, scales, and head of the snake with delicate and remarkably well-preserved incision work.Provenance: From the private collection of Jean Dumoulin, Belgium, by repute acquired in April 1987 in the Bangkok trade. Condition: Good condition, commensurate with age, showing extensive wear, minor losses, the left knee partially broken off, some nicks and shallow surface scratches, signs of weathering and erosion, cracks, remnants of old pigment. Overall with a consistent natural patina and presenting exceptionally well.Weight: 44 kg Dimensions: Height 81.7 cmMuchalinda is the name of a naga sheltering the Buddha from the elements after his enlightenment. When a storm raged and torrential rain fell for a whole week, the king of the nagas, Muchalinda, rose from the earth, coiling its body to form a seat and swelled its great hood to shelter Buddha. When the great storm had cleared, the serpent king assumed his human form, bowed before the Buddha, and returned to his palace. Seven-headed nagas are often depicted as guardian statues, carved as balustrades on causeways leading to main Cambodian temples, such as those found in Angkor Wat.Literature comparison:Compare with a similar piece in the collection of RMN Grand Palais in Paris, inventory number Ka985. Auction result comparison:Type: RelatedAuction: Galerie Zacke Vienna, 11 March 2022, lot 568Price: EUR 63,200Description: A monumental sandstone figure of Buddha Muchalinda, Angkor periodExpert remark: Compare the closely related subject. Note the large size (121 cm).
A CAMBODIAN CROSSBOW AND A QUIVER OF ARROWS, 20TH CENTURY, the first of wood, with long bow (cracked through) fitted with a string of twisted cord, slender tiller grooved on the top for bolts and with a rudimentary trigger release mechanism, and the second comprising bamboo quiver and ten arrows, the first: 57.5 cm tiller (2)¦¦Provenance¦John Cloake (1986)¦¦Property from the Collection of a Distinguished Scholar and Collector¦
7 Ausgaben Giuseppe Tucci, 14 Bände Südostasien, Architektur, Kultur und Symbole, u.a. Jacques Dumarcay, Hiram WoodwardIn schwarzem Hardcover Jacques Dumarcay/Michael Smithies: "Cambodian Architecture, Eighth to Thirteenth Centuries", 2001 und Hiram Woodward: "The Art and Architecture of Thailand", 2005. 7 Ausgaben Giuseppe Tucci aus dem Jahr 1988: "Stupa (Indo-Tibetica I)", "Rhin-Chen-Bzan-Po (Indo-Tibetica II)", "The temples of western Tibet and their artistic Symbolism (Indo-Tibetica III 1. und 2.)", "Gynatse and its monasteries (Indo-Tibetica IV 1., 2. und 3.)".Aus einer europäischen Privatsammlung, erworben vor 2007Guter Zustand
A very rare Khmer (Cambodian) Angkor Wat period bronze water pourer in the form of a conch shell on original stand; 12th century, the whole typically cast in relief with foliage motifs and fabulous beasts, 10'' tall. (Provenance - private collection southern England formed in the mid 20th century).
A Cambodian silver betel nut box, modelled as a temple lion, an Indian white metal cylindrical box, chased and repoussed with village scenes within cartouches, with a band of lappits below, the lid repoussed with a lion, and a white metal trinket dish, embossed with decoration of a lion (3) Condition Report:Available upon request
An antique Cambodian sword with scabbard. Overall length 70 cm, together with a small brass mounted ornamental dagger. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.
Full title: A Cambodian or Thai carved and polychrome decorated wood statue of Vishnu carried by Garuda, 19th C.Description:H 113 cm Ref.: - The sculpture expertised by MutualArt (July 30, 2013): A two-piece, polychrome Cambodian figural wood sculpture depicting the Hindu god Vishnu wielding a Nandaka, standing on the shoulders of Garuda [possibly Khmer, ca. 13th Century, Bayon Period]. - The sculpture expertised by Value My Stuff (December 15, 2019): Vishnu on Garuda, Thailand, carved and painted wood, 19th C. The sculpture in Thai style, although it might be from Cambodia as Thai style was dominant at that time. Insurance value: Euro 5.000. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
A very rare compilation LP 'Cambodian Rocks'. Unknown to exist until recently, these recordings from the late 60s, early 70s Cambodian rock scene range from mad garageband rave-ups to mystic go-go organ/fuzz guitar, with exotic female singers. The music has elements of of Jimi, Janis, Seeds, Them and S.F. acid. Vinyl and sleeve NM.
Cambodian sterling silver vessel or box in the form of a bird, possibly a snipe. Decorated throughout with intricate repousse details. Impressed along the interior "De In Cambodge" (Made in Cambodia) with a maker's mark DAC impressed along the underside. Tested as sterling.Height: 2 1/2 in x width: 5 1/4 in x depth: 2 1/2 in. Gross weight of sterling: 2.815 Troy oz.
A GROUP OF FOUR SOUTHEAST ASIA RELATED PRINTS Comprising three 19th Century views of Cambodia, 'La Pyramide de Pimanacas'; 'Western Facade of the Temple of Ongou Wat'; and 'Une Entree de Ponteay Prea-Khan'; together with an etching of the Siamese and Pali alphabet, originally published in 1828, this example signed, dated 1997 and numbered 65/300 in pencil to the margin (4) The largest Cambodian view 20x28cm Condition: Condition Report All three Cambodian views with foxing to the paper, some spots and dirt beneath glass, the alphabet print with some occasional foxing This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
TÊTE DE BOUDDHA EN GRÈSCambodge, style du Bayon, XIIe/XIIIe siècleA SANDSTONE HEAD OF BUDDHACambodia, Bayon style, 12th/13th centuryHis face with serene expression, ridged eyebrows, incised eyes, broad nose, smiling lips, distended earlobes, curled coiffure over the shallow ushnisha, stand. 13.5cm (5 3/8in) (2).Footnotes:Provenance:Mr Dalet's collection, Peyrehorade, FranceRobert Rousset, Paris (1901-1981), acquired from the above, 3 July 1954Jean-Pierre Rousset, Paris (1936-2021)The typical wide face with a broad smiling mouth is modelled with delicacy is typical of the Style of Bayon, imitating the portrait of Jayavarma VII, but his expression is more idealised to capture the essence of the Buddha. His coiffure of small curls, that continues over a shallow conical ushnisha, is contained by a thin raised border along the hairline. Compare with S.E.Lee, Ancient Cambodian Sculpture, Asia House Gallery, New York, 1969, no.46, p.84.柬埔寨 巴戎寺風格 十二/十三世紀 砂岩佛首來源：Dalet先生舊藏，佩爾奧拉德，法國巴黎Robert Rousset（1901-1981）舊藏，於1954年7月3日得自上述收藏巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
STATUETTE DE BOUDDHA SOUS MUCHALINDA EN ALLIAGE DE CUIVRECambodge, style d'Angkor Vat, XIIe siècleA COPPER ALLOY FIGURE OF BUDDHA UNDER MUCHALINDACambodia, Angkor Wat style, 12th centuryThe king of the nagas, Muchalinda, rose from the earth, coiling his body to form a seat swelling his great hood to shelter Buddha beneath his seven-headed canopy. Buddha is wearing a short loincloth around his waist, adorned with elaborate jewellery, a crown or headdress surrounding his hair piled high and surmounted by a conical ushnisha, his face with serene expression, downcast eyes and hands held in his lap holding a stupa or fruit. 18cm (7 1/8in) high.Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired in the 1950's-1970'sJean-Pierre Rousset, Paris (1936-2021)This iconic image of Siddartha Guatama's pursuit of enlightenment shows the scene when torrential rain threatened to drown him. Few early examples of this type appear to be recorded and the cult coincided with the rule of Jayavarman VII, who built the great royal temple at Banteay Chhmar. Embracing Buddhism with fever, he aligned himself with the image of the Buddha seated on a serpent, as the divine form under which he would be venerated.Compare with a closely related example in the Eilenberg Collection, see S.E.Lee, Ancient Cambodian Sculpture, Asia House Gallery, New, York, 1969, p.92, fig.54, and two other examples in G.Coedès, Bronzes Khmers, 1923, plate XXI, figs 1 and 2; and another sold at Christie's New York, 20 March 2002, lot 11 and J.Menzies, Buddha: Radiant Awakening, Sydney, 2001, cat. no.93, pp.128–129.柬埔寨 吳哥窟風格 十二世紀 銅目支鄰陀龍王護佛坐像來源：巴黎Robert Rousset（1901-1981）舊藏，得自二十世紀五十至七十年代巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
STATUETTE DE PRAJNAPARAMITA EN ALLIAGE DE CUIVRECambodge, style d'Angkor Vat, XIIe siècleA COPPER ALLOY FIGURE OF PRAJNAPARAMITACambodia, Angkor Wat style, 12th centuryThis relatively large figure of Prajnaparamita holds a manuscript in palm leaves. Her face is defined by the fine tracing of the lower lip over the bifid chin and her sampot defined by a large central point sash flanked by delicate pleats, stand. 25cm (9 7/8in) high. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired in the 1950's-1970'sJean-Pierre Rousset, Paris (1936-2021)Originally part of a Buddhist triad that would have included the Adi-Buddha,Lokesvara and Buddha under Muchalinda. This relatively large figure of Prajnâpâramitâ holds a manuscript in palm leaves, in which would appear the version of a sacred text. Cast with the characteristics of the style of Angkor Wat, but departs in small and refined details like the curved line of the diadem above the forehead is in harmony with the design of the eyebrow arches. The trace of the lower lip is also in harmony with the bifid chin recalling the architypes of Baphuon. Compare with another in S.E.Lee, Ancient Cambodian Sculpture, Asia House Gallery, New York, 1969, p.76, fig.38.柬埔寨 吳哥窟風格 十二世紀 銅般若佛母立像來源：巴黎Robert Rousset（1901-1981）舊藏，得自二十世紀五十至七十年代巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
STATUETTE DE VAJRAPANI EN ALLIAGE DE CUIVRECambodge, style d'Angkor Vat, XIIe siècleA COPPER ALLOY FIGURE OF VAJRAPANICambodia, Angkor Wat style, 12th centurySeated on a waisted lotus platform holding the vajra to the chest and a ghanta at the hip. 13cm (5 1/8in) high.Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired in the 1950's-1970'sJean-Pierre Rousset, Paris (1936-2021)Vajrasattva or Buddha of Supreme Intelligence is considered the spiritual son of Akshobya whose diminutive figurine is placed in the front of his raised hair bun. The worship of this deity was quite popular during this period with the vajra and ghanta serving as the basic implements used in tantric rituals that were popular under Jayavarman VII and practiced at Banteay Chhmar.The base is shaped like a double lotus in an inverted cone separated by a pearl ring, all resting on a quadrangular platform which is also found on a closely related example in the Cleveland Museum of Art (1947.494) and see S.E.Lee, Ancient Cambodian Sculpture, Asia House Gallery, New York, 1969, pl.31 and M.Giteau, Khmer Sculpture and the Angkor Civilization, London, 1965, pl.90.柬埔寨 吳哥窟風格 十二世紀 銅金剛手菩薩坐像來源：巴黎Robert Rousset（1901-1981）舊藏，得自二十世紀五十至七十年代巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
STATUETTE D'APSARA OU DE DANSEUSE CÉLESTE EN ALLIAGE DE CUIVRECambodge, style d'Angkor Wat, XIIe siècleA COPPER ALLOY FIGURE OF AN APSARA OR A CELESTIAL DANCERCambodia, Angkor Wat style, 12th centuryCast in an pose of ecstatic dance with both legs flexed with the weight resting on the left leg and the tip of the right foot on the ground, counterbalanced by the positioning of the arms, at her feet kneels a small diminutive attendant, stand. 9.7cm (3 7/8in) high. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired in the 1950's-1970'sJean-Pierre Rousset, Paris (1936-2021)This element was to be part of a decorative frieze of which the pose is reminiscent of the Apsaras of Preah Pithu. The movement of the body reflects the poses often taken by the dancers of the Cambodian royal ballets seen on the bas-reliefs of Siem Reip and compares with the attendant figures with a complete frieze in the Norton Simon Museum of Art (F.1973.13.7.S).柬埔寨 吳哥窟風格 十二世紀 銅飛天或天界舞者像來源：巴黎Robert Rousset（1901-1981）舊藏，得自二十世紀五十至七十年代巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
BUSTE DE DIVINITÉ FÉMININE EN GRÈSCambodge, style de Prei Kmeng, VIIIe siècleA SANDSTONE BUST OF A FEMALE DIVINITYCambodia, Prei Kmeng style, 8th centuryThe torso reflects a representation of a mature woman, shoulders are broad and reflect her power as a principle goddess. Her full breasts are close together are underlined by a line engraving giving them relief, stand. 23.5cm (9 1/4in) (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired from Capital Antique, Bangkok, 30 August 1967Jean-Pierre Rousset, Paris (1936-2021)This very important small torso of female deity is likely a representation of Hindu deity, Devî. Characteristic of the style, with a revival of Indian influence, it is possible to relate this work to the reign of Içanavarman I, given one of his daughters married the Hindu Brahmin Durgâvamin.Images of pre-Angkorian female deities carved in the round are rare, and the lack of comparison makes it difficult to establish a safe chronological basis. However, it could be compared to the female deity of Prasat Thleay (Ta Kev) at the National Museum in Phnom Penh, see M.Giteau, L'Art Khmer - Reflet des Civilisations d'Angkor, Paris, 1997, p.206, no.23.Entirely lacquered in red, the sculpture bears traces of gilding which is a convention followed by all periods of Cambodian sculpture but seldom preserved, even from the later period. Compare with similar from the Halphen Collection in S.E.Lee, Ancient Cambodian Sculpture, Asia House Gallery, New York, 1969, p.41, no.5.柬埔寨 波利敏風格 八世紀 砂岩女神像來源：巴黎Robert Rousset（1901-1981）舊藏，於1967年8月30日得自曼谷Capital古董店巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
STATUE DE DIVINITÉ FÉMININE EN GRÈS, POSSIBLEMENT DURGACambodge, époque angkorienne, style du Koh Ker, Xe siècleA SANDSTONE FIGURE OF A FEMALE DEITY, POSSIBLY DURGACambodia, Angkor Period, Koh Ker style, 10th centuryThe robust figure stands in samabhanga, elegantly carved with hour-glass form torso, with full breast above delicately incised lines to indicate slight rolls of skin and sumptuous wide hips. She wears a long straight garment (sampot) flaring slightly at the bottom, with a large curling flap and incised vertical lines to indicate the fine pleats, stand. 90cm (35 1/2in) high. (2).Footnotes:Provenance: Robert Rousset, Paris (1901-1981), acquired from Smit Gallery, Bangkok, 19 April 1965Jean-Pierre Rousset, Paris (1936-2021)Published, Illustrated and Exhibited:Sherman Lee, Ancient Cambodian Sculpture, Asia House Gallery, New York, October 1969, p.50, no.12The Koh Ker temple complex, approximately 80km northeast of Angkor, was the capital of the Khmer Empire from 928-944 under the kings Jayavarman IV and Harshavarman II. Koh Ker's sculptural style is distinct from those developed in Angkor's immediate vicinity. The stone sculpture, often monumental in size, is imbued with a heightened sense of movement and a suppleness of form. The broad flap of pleated fabric that hangs over the sash at the waist, a fashion which first appeared in the last quarter of the ninth century, then became the convention in the tenth century during the Koh Ker period and can also be seen on the male figure from Banteay Srei.Given the dominance of the Shaivite cult throughout the Koh Ker temple complex, it is most likely that this four-armed figure would have been Durga – the wrathful female aspect of Shiva. Compare with the complete cast bronze figure of Durga in the Cleveland Museum of Art (1996.27), and another fragmentary figure described as Durga in the Metropolitan Museum of Art, New York (2003.605). Also compare with another female deity in the Linden-Museum, Stuttgart. The hieratic monumentality of this rare female deity is balanced against the soft fleshy skin and flair of the curling flap that Jean Boisselier, in his review of Koh Ker sculptural style (Asie du Sud-Est, 1966, p.248) characterised as 'dynamic equilibrium'.Le complexe de temples de Koh Ker, situé à environ 80 km au nord-est d'Angkor, a été la capitale de l'empire khmer de 928 à 944 sous les rois Jayavarman IV et Harshavarman II. Le style sculptural de Koh Ker est distinct de ceux développés dans le voisinage immédiat d'Angkor. La sculpture en pierre, souvent de taille monumentale, est imprégnée d'un sens aigu du mouvement et d'une souplesse des formes. Le large pan d'étoffe plissée qui pend sur la ceinture à la taille, une mode apparue dans le dernier quart du IXe siècle, puis devenue la convention au Xe siècle pendant la période Koh Ker, est également visible sur la statue masculine de Bantreay Srei. Compte tenu de la prédominance du culte shivaïte dans l'ensemble du complexe de temples de Koh Ker, il est fort probable que cette statue à quatre bras soit Durga, l'aspect féminin courroucé de Shiva. Comparée avec la fonte complète de Durga en bronze du Musée d'art de Cleveland (1996.27), et avec une autre statue fragmentaire décrite comme étant Durga au Metropolitan Museum of Art, New York (2003.605). Comparée également avec une autre divinité féminine au Musée Linden, Stuttgart.La monumentalité hiératique de cette rare divinité féminine est contrebalancée par la douceur de la peau charnue et l'élasticité du rabat enroulé que Jean Boisselier, dans son analyse du style sculptural de Koh Ker (Asie du Sud-Est, 1966, p.248), qualifie d'« équilibre dynamique ».柬埔寨 吳哥時期 科克風格 十世紀 砂岩或杜爾加立像來源：巴黎Robert Rousset（1901-1981）舊藏，於1965年4月19日得自曼谷Smit藝廊巴黎Jean-Pierre Rousset（1936-2021）舊藏展覽著錄：Sherman Lee, 《Ancient Cambodian Sculpture》，Asia House畫廊，紐約，1969年10月，頁50，編號12科克寺廟建築群位於吳哥東北約八十公里，928至944年間為闍耶跋摩四世與哈沙跋摩二世統治下高棉帝國之首府。科克雕塑風格與吳哥鄰近地區截然不同，常見砂岩雕像尺寸較大，造型靈活並充滿強烈動感。褶襉圍裙寛闊的上擺向外翻出垂在腰間，此服飾最早出現於九世紀下半葉，至十世紀科克時期已成慣例，於女王宮內神像上亦可見。 鑑於崇拜濕婆之風主導科克寺廟群，故此四臂像應為杜爾迦—濕婆女神憤怒相。比較一例完整的杜爾加銅像，藏於克利夫蘭藝術博物館（1996.27）、另見一例杜爾加像殘件，藏於紐約大都會藝術博物館 （2003.605）。再比較一例女神像，藏於斯圖加特林登博物館。 此尊罕見女神像極具宗教藝術的神聖宏偉，與其柔順飽滿的肌膚及摺裙的捲邊上擺互起平衡作用，Jean Boisselier在《Asie du Sud-Est》，1966年，頁248的科克寺雕塑風格評論中稱之為「動態平衡」。For further information on this lot please visit Bonhams.com
TÊTE DE DIVINITÉ EN GRÈSCambodge, style du Bayon, fin du XIIe/début du XIIIe siècleSANDSTONE HEAD OF A DEITYCambodia, Bayon style, late 12th/early 13th centuryThe hair is rendered in vertical braided bands with a pearl band that surrounds the forehead and tightly frames the ears. The hairstyle and the shallow fragment of the ushnisha do not allow for a clear designation of the deity as the features are shared by both Buddha and bodhisattva figures, stand. 23cm (9in) high. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired from Smit Gallery, Bangkok, 19 April 1965Jean-Pierre Rousset, Paris (1936-2021)Published, Illustrated and Exhibited:Sherman Lee, Ancient Cambodian Sculpture, Asia House Gallery, New York, October 1969, p.85, no.48 A noted by Sherman Lee in the ground breaking exhibition on Cambodian sculpture at the Asian House Gallery in New York in 1969 'This fragment of a male head- probably that of a Buddha- although very incomplete, gives another version of the Bayon sculptural type. The stylised, bead-shaped locks arranged in vertical rows, the thick projecting eyebrows, the closed eyes with well-formed lids, and the sensuous mouth with its corners raised in a smile.'This magnificent fragment of the time of Jayavarman VII captures, despite the section lost, an emotion that no other work of Khmer art from earlier period had managed to deliver. The youthful face already wears all signs of maturity. The high forehead and very thick eyebrow give a feature of naturalistic interpretation that connect, like many sculpture of the period with the portrait of Jayavarma VII (see H.I.Jessup and T.Zephir, Sculptures of Angkor and Ancient Cambodia, Washington 1997, p.301, no.89). The serene expression is amplified by the eye, closed in a deep meditation, conveying total introspection and perfect tranquility. Also see H.I.Jessup and T.Zephir, Sculptures of Angkor and Ancient Cambodia, Washington 1997, pp.305-315, nos.92-98.Executed in a very fine sandstone whose quality was reserved for exceptional pieces, this head is the testimony of the magnificence of the Bayon period and the work of an inspired artist.柬埔寨 巴戎寺風格 十二世紀末/十三世紀初 砂岩像首來源：巴黎Robert Rousset（1901-1981）舊藏，於1965年4月19日得自曼谷Smit藝廊巴黎Jean-Pierre Rousset（1936-2021）舊藏展覽著錄：Sherman Lee, 《Ancient Cambodian Sculpture》，Asia House畫廊，紐約，1969年10月，頁85，編號48For further information on this lot please visit Bonhams.com
A LARGE SANDSTONE FIGURE OF BUDDHA MUCHALINDA, ANGKOR PERIODKhmer Empire, 12th-13th century. Seated on the scaled coils of Muchalinda, his hands in dhyanamudra, richly adorned with jewelry. The face with downcast eyes in a benevolent expression, flanked by long earlobes with pendant earrings. The hair pulled into a conical chignon and secured with a wide tiara, backed by the seven-headed naga hood, their bodies decorated with sun wheels. The jewelry, scales, and head of the snake with delicate and remarkably well-preserved incision work.Provenance: From the private collection of Jean Dumoulin, Belgium, by repute acquired in April 1987 in the Bangkok trade. Condition: Good condition, commensurate with age, showing extensive wear, minor losses, the left knee partially broken off, some nicks and shallow surface scratches, signs of weathering and erosion, cracks, remnants of old pigment. Overall with a consistent natural patina and presenting exceptionally well.Weight: 44 kg Dimensions: Height 81.7 cmMuchalinda is the name of a naga sheltering the Buddha from the elements after his enlightenment. When a storm raged and torrential rain fell for a whole week, the king of the nagas, Muchalinda, rose from the earth, coiling its body to form a seat and swelled its great hood to shelter Buddha. When the great storm had cleared, the serpent king assumed his human form, bowed before the Buddha, and returned to his palace. Seven-headed nagas are often depicted as guardian statues, carved as balustrades on causeways leading to main Cambodian temples, such as those found in Angkor Wat.Literature comparison:Compare with a similar piece in the collection of RMN Grand Palais in Paris, inventory number Ka985. Auction result comparison:Type: RelatedAuction: Galerie Zacke Vienna, 11 March 2022, lot 568Price: EUR 63,200Description: A monumental sandstone figure of Buddha Muchalinda, Angkor periodExpert remark: Compare the closely related subject. Note the large size (121 cm).
A GOLD REPOUSSE FIGURE OF BUDDHA SHAKYAMUNI, AYUTTHAYA KINGDOM, 1351-1767Thailand, 17th-18th century. Seated in dhyanasana atop a finely chased, double lotus base, the right hand lowered in bhumisparsa mudra, the left resting on his lap, dressed in monastic robes. The serene face with a benevolent smile, flanked by long earlobes, the hair in tight curls surmounted by a flaming ushnisha.Condition: Very good condition with old wear, expected soil encrustations, minor losses, dents and nicks. The core is still in place.Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 698.4 gDimensions: Height 18.5 cmWith a recent fitted silk storage box. (2)Expert's Note: This pristinely modeled Buddha was fashioned from a sheet of 24-carat gold, using the repousse embossing technique, neatly modeled above an ancient resin or bitumen core. The style combines characteristics of both Cambodian and Thai sculptural schools. Statues made of pure gold, dating back to this era, are generally considered as rare.Literature comparison:Compare a related Ayutthaya Lopburi-style gold repousse Buddha, dated before 1424, but of smaller size (10.6 cm high), in the collection of the Cleveland Museum of Art, accession number 1999.316. Compare a related Ayutthaya gold and silver repousse Buddha, dated 1300-1600, in the collection of the Asian Art Museum of San Francisco, object number 1989.44.
Plakate - Kommunismus - - Sammlung von 18 illustr. Plakaten (Offsetdrucke, Lithographien u.a.) der KPD/ML, Roten Garde u. FRAP. 1970er Jahre. Versch. Formate von ca. 42 x 30 bis 43 x 61 cm. Enthält u.a. Plakate der KPD "Für ein unabhängiges sozialistisches Deutschland", den "proletarischen Internationalismus", gegen "diplomatische Beziehungen zu Israel", gegen Ernst Aust, für Solidarität mit der Kommunistischen Partei Spaniens (PCE (M-L)) sowie dem Kampf des kambodschanischen Volkes, Demonstration zum 30. Jahrestag der Ermordung Ernst Thälmanns in Hamburg, Roter Morgen Zentralorgan der KPD/Marxisten-Leninisten, Aufruf der FRAP zur "Solidarität mit dem Kampf des spanischen Volkes gegen US-Imperialismus und Franco-Faschismus". - Darunter 4 Dubletten. - Vereinzelt papierbedingt etwas gebräunt, gelegentlich etwas knitterig bzw. angeknickt, tls. mit Randläsuren, insgesamt gut erhalten. Communism - Collection of 18 illustr. posters (offset prints, lithographs a.o.) of the KPD/ML, Red Guard, and FRAP. 1970s. - Includes KPD posters "For an independent socialist Germany", "proletarian internationalism", against "diplomatic relations with Israel", against Ernst Aust, solidarity with the Spanish Communist Party (PCE (M-L)) and the struggle of the Cambodian people, demonstration for the 30th anniversary of Ernst Thälmann's assassination in Hamburg, 'Roter Morgen' central organ of the KPD/Marxist-Leninists, FRAP call for "solidarity with the struggle of the Spanish people against US imperialism and Franco fascism". - 4 duplicates. - Some browning due to paper, occasional creases or folds, some marginal tears, overall in good condition.
The National Museum Of History. Chinese Buddhist Sculpture From The Wei Through The T'ang Dynasties, 1st edition, Taipei, 1983, numerous colour and black & white illustrations, original cloth in dust jacket and slipcase, lightly rubbed to head and foot, large 8vo, together with;Felton(Wolfgang & Martin Lerner), Thai And Cambodian Sculpture From The 6th to the 14th Centuries, 1st edition, London: Sotheby's Publications, 1989, numerous colour illustrations, original cloth in dust jacket, large 8vo, plusChung(Young Yang), Silken Threads A History Of Embroidery In China, Korea, Japan, and Vietnam, 1st edition, New York: Harry N. Abrams, 2005, 375 illustrations 300 in full colour, original cloth in dust jacket, minor rubbing to head and foot with repaired tear to head of dust jacket, 4to, and 62 other oriental art reference including Chinese Art bronze jade sculpture ceramics by Daisy Lion-Goldschmidt, office du livre, 1966, flowers of ukiyo-e painting by Tadashi Kobayashi, New Otani Museum, 1991, The new Cambridge history of japan, volume 3 medieval Japan by Kozo Yamamura, Cambridge University Press, 1990, mostly original cloth in dust jacket some original wrappersQTY: (65)
FOUR CAMBODIAN SILVER CANDLE HOLDERS AND COVERS The covers decorated in a pierced foliate and elephant design, marked '90%' to the bases Bases 11cm high; covers 11cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF EARLY CAMBODIAN RIBBED GOLD EARRINGSCambodia, c. 1st - 2nd century. The gold earrings in form of a ribbed open circle.Condition: Very good condition, minuscule nicks, and soil encrustations.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 6.1 g and 4.4 gDimensions: Diameter 1.8 cm
A PAIR OF EARLY CAMBODIAN RIBBED GOLD EARRINGSCambodia, c. 1st - 2nd century. The gold earrings in form of a ribbed open circle.Condition: Very good condition, bending, minuscule nicks.Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Weight: 8.1 g eachDimensions: Diameter 2 cm and 1.9 cm
A SANDSTONE LINTEL CENTERPIECE DEPICTING A KALA, BANTEAY SREI STYLE, ANGKOR PERIODKhmer Empire, Siem Reap, 10th century. Boldly and deeply carved with the head of a fierce kala with bulging eyes and prominent nose, three lotus flowers borne on beaded leafy stems issuing from its wide-open mouth, surrounded by scrolling foliage.Provenance: From an old private collection in California, USA.Condition: Excellent condition, commensurate with age. Extensive wear, weathering, losses, nicks, chips, and surface scratches.Weight: 14.4 kg (incl. stand)Dimensions: Height 43 cm (excl. stand) and 49.3 cm (incl. stand)Mounted to an associated metal stand. (2)Banteay Srei, the 'citadel of beauty', is a 10th-century Cambodian temple dedicated to the Hindu god Shiva, consecrated on 22 April 967 AD, and the only major temple at Angkor not built by a monarch but credited to two important courtiers, Vishnukumara and Yajnavaraha. It lies near the hill of Phnom Dei, 25 km northeast of the main temple group that once belonged to the medieval capitals of Yasodharapura and Angkor Thom. Originally, it carried the name Tribhuvanamaheshvara—great lord of the threefold world—in reference to the Shaivite linga that served as its central religious image. The temple's modern name, Banteay Srei, means 'citadel of women' or 'citadel of beauty'.Literature comparison: Compare a sandstone lintel with a central kala head, dated ca. mid-10th century, in the collection of the Metropolitan Museum of Art, accession number 1994.111.
THREE MINIATURE SOUTHEAST ASIAN DOUBLE GOURD VASES Thai or Cambodian, with twin loop handles and brown glaze Largest item 8cm high Condition: For a condition report or further images, please contact the saleroom via hello@hotlotz.com Provenance: Lots 119 - 307 from the collection of former Singaporean diplomat and Member of Parliament, Joseph Conceicao
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