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Lot 155
A vintage boxed Girard Perregaux gentleman's wristwatch, having black leather strap with GP buckle. Condition Report: Overall condition of the watch is good, having minor surface scratching to glass and slight pitting to the dial. The case is NOT plated, it is marked for 18ct [French]. The strap is tired and showing digns of wear.
Lot 221
Six pairs of early 20th century ladies shoes, comprising: soft black leather shoes circa 1900 with metal and cut steel buckles; a pair of pale olive coloured leather lace-up shoes; black leather brogues; Edwardian court shoes with a square buckle; and two further pairs of shoes, UK sizes 4 to 6 approximately, (6).
Lot 68
A 1930s Slazenger canvas tennis racquet bag; together with a canvas and leather holdall, a woven carpet bag with leather strap, a pair of cased binoculars, a Boys Brigade leather belt with brass buckle, an early 20th century leather cartridge bag, a pair of early 20th century black lace-up leather boots, a pair of 19th century black leather gaiters, and two further canvas bags, (10).
Lot 91
Four pairs of 19th century ladies shoes, comprising: cream chamois leather shoes with a low heel; ivory satin shoes with a decorative fabric covered buckle; a pair of soft cream leather shoes with a cotton bow to the front; and one other pair of satin shoes, UK sizes 3 to 4 approximately, (4).
Lot 414
1st-2nd century AD. A group of two balteus, fittings, or buckles with plates consisting of one with a long plate with central spine, axe shaped attachment with rivet hole at one end, loop attached to D shaped buckle with scrolled ends; another with rectangular plate, hollow for the insertion of other material, pelta shaped rivet plate at one end, loop attached to D-shaped buckle. Property of a Surrey collector; acquired in the early 1970s. The balteus was a thin leather belt worn by Roman soldiers over the shoulder to hold the gladius, or short sword. 46 grams in total, 10cm (4"). [2, No Reserve] Fine condition.
Lot 525
9th-12th century AD. A silver belt furniture suite comprising: a convex buckle loop with facetted tongue, clubbed finials; a rectangular plaque with stud to each corner, three of five attachment loops to the underside; ten belt stiffener plaques, each tongue-shaped with scrolled ends, eight with pairs of ring-and-dot motifs. Property of a North West London gentleman; formerly with a central London gallery in 1990. 100 grams total, 36-42mm (1 1/2 - 1 3/4"). [12] Fine condition; repaired; tip of tongue absent.
Lot 532
8th-12th century AD. A substantial gilt-bronze buckle set comprising: a square buckle-plate with raised octofoil and superimposed quatrefoil lined with pellets, beaded dome to the centre, pierced lugs to the underside and securing pin; C-shaped loop with raised kidney-shaped inner plaque, flared ribbed fins to the rear, strap to the rear bar with securing rivet; trefoil-section tongue with curved forward end, loop to the underside. From an important private London collection; formed in the 1970s and 1980s. See Bishop, M.C. and Coulston, C.N. Roman Military Equipment, London, 1993. This type of buckle is known as a Crested Closed Loop Dolphin due to the design of two facing, or sometimes, as in this example, opposing dolphins that form the loop. The type became popular in the late third century AD as a military fitting and continued into the Byzantine period. On this example the dolphins have become highly stylised with only the crests visible.The square belt plate with faceted flower motif can be compared with examples from the Danubian cultures of Migration Period peoples. 395 grams total, plate: 54mm (2 1/4"). Fine condition, tongue separate.
Lot 918
5th century AD. A silver-gilt hinged buckle set comprising: the dished loop with cabochon garnets at the hinge and either side of the couch for the tongue, panels of scrolled decoration between; the carinated tongue with scroll decoration on the forward lateral panels, four inset cabochon garnets; the lozengiform plaque with scrolled decoration on the main panel, opposed bird figures placed on the rear edges and a finial comprising addorsed bird-heads, all with inset cabochon garnet eyes; plaque pierced for attachment. Property of a gentleman; acquired in the late 1960s-early 1970s. Cf. Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007 (Kerch, Ukraine, p.306"). Buckles such as these are often described as being Gothic, an east Germanic people who settled in the Roman provinces as the political stability of these areas collapsed. Their art styles are typical of the Migration period in that they are composed of stylised animals and swirls and often employing garnets; there is also a hint of Roman and Byzantine styles. The display of wealth was carried out by by both men and women and was a means of defining themselves on the basis of their common lineage as part of distinct families. As well as distinguishing themselves through formal Germanic dress, it is also likely that ruling families sought to identify themselves with the high culture of the Byzantium. 66 grams, 11cm (4 1/4"). Very fine condition; one cabochon absent.
Lot 920
4th-5th century AD. A silver buckle with parcel-gilt detailing comprising: a flat-section loop with beast-head panels, parcel-gilt faces; a D-section tongue with forward edge curved over the loop; elliptical plaque with raised inner border, niello inlay, parcel-gilt central motif of a volute scroll, strap to the reverse, holes for three pins. Property of a Salisbury, Wiltshire, UK collector; formerly property of a London collector, acquired before 1980. Cf. Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007, item I.38.5. Buckles with round or kidney-shaped plates evolved from Hunnic period cloisonne buckles. They are particularly common in high status Frankish graves in north western France during the period of Clovis I, king of the unified Frankish tribes. Such buckles not only held belts around the waist together, but also various arts of equipment, such as sword straps, that were an integral part of the warrior elite. 51 grams, 67mm (2 3/4"). [No Reserve] Very fine condition.
Lot 211
A gentleman's Rolex Cellini Wristwatch, the gold dial signed Rolex, Geneva to the 12 o'clock position, diamond stud markers to the 3 o'clock, 6 o'clock and 9 o'clock positions, within 18 carat yellow gold case with engraved minute increment graduations, on leather strap with 18 carat yellow gold Rolex buckle
Lot 84
Breitling Top Time chronograph stainless steel gentleman's wristwatch, ref. 810, circular black dial with baton markers, outer tachymeter scale, centre seconds and subsidiary silvered dials for hours, minutes and constant seconds, black Breitling leather strap with Breitling buckle, 38mm *with Breitling pouch
Lot 158
Audemars Piguet Geneve 1950s 18k gentleman's wristwatch, circular silvered dial with baton markers and centre seconds, fine nickel and gold train 19 jewel movement adjusted to temperature and four position, no. 69319, modern black leather strap, 35mm * with Audemars Piguet box and original felt strap with 18ct buckle
Lot 26
Omega Seamaster De Ville automatic 9ct gentleman's wristwatch, circa 1968, attractive machined textured silver dial with applied baton markers and sweep centre seconds, movement no. 25593145, black leather strap with Omega buckle, 34mm *With red Omega box and International Guarantee booklet dated 24.8.68
Lot 186
A collection of enamel butterfly and panel brooches, comprising six vari-coloured enamel butterfly brooches, of graduated sizes, an enamel dragonfly brooch, a blue enamel buckle brooch by Charles Horner, a circular enamel panel brooch, with floral spray and gilt ribbon bow tie, and two further enamel brooches (11)
Lot 448
A 1960s yellow crepe dress and feather trimmed hat theatrical costume worn by Judi Dench, the dress with square neckline and short sleeves, black brocade borders and tassels to hem, with black beaded buckle to waistband, the straw hat with yellow and black feathers and bow detail (2) This costume was worn by the actress Judi Dench in the 1966 production of The Rules of the Game by Luigi Pirandello, staged at the Oxford Playhouse (see illustration) and is accompanied by an original theatre programme
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