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Three cameras, Busch compact, Zenit EM and Bolex B8SL cine camera, case with key

3 frühe Bolex-Kameras, ab 1928Bolex, Schweiz. Alle Kameras für 16 mm, Tageslicht­spulen für 30 m Film, Newton-Aufsichtssucher und Antrieb durch Federwerke, alle laufen. 1) Bolex Auto Cine Camera, Typ A1, Nr. 2016, um 1928, mit Meyer Kino-Plasmat 1,5/25 mm. - 2) Bolex Auto Cine Camera, Typ II, Nr. 5942, um 1929, Objektiv: Kern 2,5/25 mm. - Und: 3) Bolex Auto Cine Camera, Typ III (kein Bolex-Zeichen), Nr. 6657, um 1930, Objektiv: Kern 2,5/25 mm. Start Price: EUR 300 Zustand: (3-/3-)3 Early Bolex Cameras, 1928 onwardsBolex, Switzerland. 16 mm, for 30-meter daylight spools, with Newton finders and spring drives, all working. 1) Bolex Auto Cine Camera, Type A1, no. 2016, c. 1928, with Meyer Kino-Plasmat 1.5/25 mm lens. - 2) Bolex Auto Cine Camera, Type II, no. 5942, c. 1929, with Kern 2.5/25 mm lens. - And: 3) Bolex Auto Cine Camera, type III (unbranded), no. 6657, c. 1930, with Kern 2.5/25 mm lens. Start Price: EUR 300 Condition: (3-/3-)

Sonderzubehör Bolex H16, um 1960Paillard, Schweiz. 1) Stereo-Aufnahmevorsatz für alle Bolex-H16-Modelle in C-Mount. Stereo-Projekti­ons­vorsatz für Paillard-Projektoren, Bolex-Belich­tungsmesser und die Bedienungsanleitungen, alles im Original-Karton. - Und: 2) Bolex-Gunstock, Kamera-Auslöser in Form eines Gewehrschaftes für Bolex-H16-Kameras. Ein sehr seltenes Bolex-Fabrikat im Original-Paillard-Karton, die Kamera ist nicht in diesem Lot enthalten. Glanzstück jeder Bolex-Sammlung. Start Price: EUR 600 Zustand: (2/2)Special Accessories for Bolex H16 Camera, c. 1960Paillard, Switzerland. 1) Stereo attachment for all Bolex H16 models with C-mount; stereo projection attachment for Paillard projectors; Bolex light meter and the operating instructions, all in the original box. - And: 2) Bolex gunstock, camera trigger in the shape of a rifle stock, for Bolex H16 cameras, a very rare Bolex product in the original Paillard box, the camera is not included in this lot. Highlight for the well-appointed Bolex collection. Start Price: EUR 600 Condition: (2/2)

A COLLECTION OF CAMERAS TO INCLUDE, DACORA DIGNETTE, RICOH RDC-5300 DIGITAL CAMERA, CUPILO GX, BOLEX 680 VIDEO CAMERA, FLASHES, ETC PLUS THREE THREE PAIRS OF BINOCULARS

A Paillard Bolex H16 Reflex 16mm cine camera. Together with an Oplenon 3" f:1.9 Telephoto lens and other accessories, and a Voigtlander Superb camera.The motor winds and runs well. The Oplenon lens with fungus, iris and focus rings in working order. The Kern Paillard Switar lens is clean and the iris and focus ring are in working order as is the Elitar lens.

A Bolex Paillard B-8L "Compumatic" and one other 8 mm cine camera, cased with accessories, etc

A quantity of vintage optical equipment, including Retina III C Camera and Bolex 155 Super Video Camera

Paillard Bolex H 16mm movie camera with leather case, accessories & instructions

A Bolex H8 Cine Camera, serial no 122803, 1966, motor runs, body G, some light wear, no eye level finder, with SOM Berthiot 12.5-36mm f/2.8 Pan Cinor lens, with finder, barrel G, elements G, turret revolving handle has to be removed to attach lens

Bolex Paillard zoom reflex P2 film camera in case, Olympus OM-2 camera, number 894629Nikon camera, number FE4218341, Rollei 35 camera, number 6163318, Olympus IS-100 camera, number 1181416, Lunasix 3 exposure meter and Minox exposure meter

Paillard Bolex H8 movie cine camera, serial number 112329, in Eedee brown leather case with instruction booklet.

Two Canon AV-1 35mm cameras and four Canon lenses, comprising F2.8 28mm, F1.8 50mm (2) and F4 70-210mm, several accessories, various other cameras, including a Bolex 430 cine camera, binoculars, etc

BOLEX; an H16 SB cine camera, with accessories including a Bolex Paillard hand grip, a Kern Vario-Switar Compact 1:3,5 f=17-85mm H16RX lens, with front and rear lens caps and lens hood, in original polystyrene packaging, with a Bolex lightmeter made by Gossen, boxed, etc, in a fitted leather case. Condition Report: The eyepiece for the cine camera has perished and is damaged in places. The case has damage to the upper right corner and the metal mounts and locks have tarnished, with some rusting.The movement appears to be in working order although we offer no guarantee of this. lens appears fully functional with no obvious signs of fungus

Two AK8 Cameras, together with a Bolex camera, lenses, projectors and camera accessories

A Bolex H16 16mm Motion Picture Clockwork Cine Camera, body G-VG, appears to wind & run correctly, with Octameter, a Meyer Tripolan f/2.8 17mm lens, a Meyer Primoplan f/1.5 2.5cm lens, a Som Berthiot Tele-Cinor f/2.5 75mm lens, a Som Berthiot Cinor B f/1.9 25mm lens, a range of internal filter holders in case, & a range of accessories,

A Bolex H16 Standard 16mm Motion Picture Camera, black & chrome, serial no. 65699, body F-G, motor appears to wind & run, together with a Schneider Xenon f/1.9 16mm lens, optics F, some haze present, also with a Schneider Xenon f/1.5 25mm lens, optics F, some haze present, also with a Schneider Tele-Xenar f/3.8 75mm, optics F, some fungus & haze present, also with a large range of accessories, including a critical focussing device, a range of viewfinder masks, hoods, & more,

A box of cameras including Zenit, Olympia, binoculars, Acer tablet, headphones, Bolex cine camera

Camera equipment including a Pentax Asahi 35mm, a Bolex Cine Camera, a Yashica mat camera with its case zoom lenses etc

A 1950s Bolex Paillard 8SL 8mm cine camera - with Som Berthiot Pan-Cinor f/2.8 10-30 zoom lens; hand grip mount; AGFA Tully light meter; etc., in the original tan leather case; together with a boxed Weston Master Cine Exposure Meter. (2)

WILLIAM KENTRIDGE (B. 1955)Drawing from the History of the Main Complaint 1996 signed and dated '96charcoal and pastel on paper123 by 160 cm.48 7/16 by 63 in.Footnotes:ProvenanceAnnandale Galleries, SydneyPrivate Collection, SydneyAcquired directly from the above by the present ownerLiterature Carolyn Christov-Bakargiev, William Kentridge, Brussels 1998, p. 112, illustrated in colour Dan Cameron, Carolyn Christov-Bakargiev, J.M. Coetzee, William Kentridge, London 1999, p. 87, illustrated in colourCaptivating and poignant, Drawing for the Main Complaint is one of twenty-one large-scale drawings constituting Kentridge's film, 'History of the Main Complaint.' The present work's expansive scale and gestural execution coupled with its thematic exploration of apartheid, colonialism, memory, and time firmly establish Kentridge as a significant artist who has made a compelling contribution to contemporary art. Other drawings from the film are housed in esteemed collections such as the Museum of Modern Art, New York and the Museum of Contemporary Art, Chicago, affirming the importance of the present work, and of Kentridge's stature as one of today's most notable living artists. In the present work Kentridge is rendering a striking portrayal of an austere black-and-white hospital ward with curtains drawn around a solitary bed, revealing only two discernible hints of red and blue – red in the light on the wall to the right and blue in the bowl of water to the left. These sparingly applied colours carry profound aesthetic and allegorical significance, transforming into a device imbued with powerful symbolism. Drawing lies at the core of Kentridge's artistic practice. 'I guess it all starts from charcoal drawings; you can change charcoal as quickly as you can change your mind. There's a flexibility and granularity that I really like.' (the artist in an interview with Tate, London, William Kentridge – 'Art Must Defend the Uncertain' | Artist Interview | TateShots, youtube.com/Tate, 20 April 2018) This immediacy becomes palpable in the artwork, where the velvety smudged lines and sooty surface coalesce to deliver a tactile and evocative visual experience. Each drawing represents a singular scene within the animation, changing subtly through the swift process of erasing and redrawing with each new image photographed in 16 or 35-mm film. The lingering imprints of these stages on the paper transcend their physicality, emerging as an important metaphor for the layering of memory, a central and resonant theme that permeates Kentridge's extensive body of work. Kentridge comments further on his unique and labour-intensive process, 'The technique I use is to have a sheet of paper stuck up on the studio wall and, halfway across the room, my camera, usually an old Bolex. A drawing is started on the paper, I walk across to the camera, shoot one or two frames, walk back to the paper, change the drawing (marginally), walk back to the camera, walk back to the paper, to the camera, and so on. So that each sequence as opposed to each frame of the film is a single drawing. In all, there may be twenty drawings to a film rather than the thousands one expects. It is more like making a drawing than making a film (albeit a grey, battered, and rubbed-out drawing). Once the film, editing, adding sound, music, and so on proceeds like any other.' (the artist in: C. Christov-Bakargiev, William Kentridge, Brussels 1998, pp. 61-64).Hypnotic and deeply moving, Kentridge's films go beyond politics to express a profound humanitarian perspective. They are a powerful collection of images tapping into a shared consciousness. Viewed collectively, these films evoke a lingering, almost overwhelming sadness extending beyond the confines of Johannesburg. 'History of the Main Complaint' is featured in many prominent publications and holds a pivotal place in Kentridge's filmography. Editions of the film are found in the collections of prestigious institutions such as the Museum of Modern Art, New York and Tate London.Drawing from the Main Complaint features in the sixth film, 'History of the Main Complaint,' which spans 5 minutes and 50 seconds. It is a part of Kentridge's ongoing series of animations entitled 'Drawings for Projection,' initiated in 1989. Created in 1996 during the Truth and Reconciliation Commission's initial hearings in post-apartheid South Africa, 'History of the Main Complaint' delves into the profound social and historical wounds inflicted by apartheid. The Commission, established under Archbishop Desmond Tutu, aimed to address human rights abuses during the apartheid era through public hearings where individuals recounted personal suffering for reparation and reconciliation. Kentridge's film centres on the theme of white responsibility, portraying a 'medical' investigation into Soho Eckstein, a white property-developing magnate, and the protagonist in preceding films. As Soho lies comatose in a hospital ward, weighed down by the burdens of his past actions and those implicated by his race and class, MRIs and CAT scans visually articulate his affliction. Memories of violence against black South Africans permeate the screen, reflecting the intricate interplay between individual and collective guilt. Soho's awakening from his coma hinges on acknowledging his personal responsibility, embodying a powerful revelation of conscience within the broader narrative of societal healing and historical reckoning. Kentridge's work has been exhibited in renowned museums and galleries worldwide since the 1990s, including the Albertina Museum in Vienna, Musée du Louvre in Paris, Whitechapel Gallery in London, Louisiana Museum in Copenhagen, the Reina Sofia Museum in Madrid, the Kunstmuseum in Basel, Zeitz MOCAA, and the Royal Academy of Arts in London. He has also been featured multiple times in Documenta in Kassel (2012, 2002, 1997) and the Venice Biennale (2015, 2013, 2005, 1999, and 1993).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A Bolex Paillard twin lens cine camera, with Pizar 1:1.9 f=5.5mm and Yvar 1:1.8 f=13mm lenses, in case with accessories.

Early Pathescope cine camera, together with a Pathescope projector in an oak case and a Bolex Paillard G3 projector with Dallmeyer and Hugo lens Mayer

A collection of vintage 20th century audio and video equipment comprising of a Eumig Mark DL automatic film projector, a PYCB 8mm Super 8 Russian projector, Bolex Nailard 150 hand held Super 8 - in original case, along with a second Bolex Nailard D8L camera by Paillard Ltd with case, instructions and cased accessories - both made in Switzerland. Includes five plastic reels in metal/plastic cases marked Paterson & Premier. . 

A Bolex Paillard camera, contained in a leather case, with three rolls of film.

FIVE BOXES AND LOOSE SUNDRY ITEMS ETC, to include a boxed Singer model 99? sewing machine with accessories, Canon AE-1 camera fitted with a 50mm f1.8 lens, Ensinor 80-200 zoom lens, Paillard Bolex M8 cine projector, Bausch & Lomb 8x52 binoculars, incomplete sets of Wills cigarette cards, Polaroid 103 camera, 8mm cine cameras, Thomas Kinkade electronic Christmas tree, haberdashery items, etc

A Paillard Bolex H16 Reflex 16mm Motion Picture Camera, black & chrome, body G-VG, motor winds & runs, together with a Kern-Paillard Vario-Switar f/2.5 18-86mm lens, optics G, some haze & light fungus present,

A Mixed Selection of Cameras & Lenses, to include a Helios-44-2 f/2 58mm lens, optics VG, together with a Zenit-B, body G, shutter working, also with a Zenit 12xp, body G, mirror not moving, with a Unitor Auto Wide f/2.8 35mm lens, optics G, some dust present, also with a Bolex wide angle converter, a Canon WD-58 0.7x wide angle converter, a Bugs Bunny Polaroid camera, a Zorki 4, & more,

A Bolex H8 Reflex Camera, with Kern Switar f/1.6 5.5mm lens, and two others.

A Palliard-Bolex cine camera, with Paillard Bolex SOM Berthiot Cinor f2.8 12.5 lens, serial No. 1146057, sold with original case and Ikophot light meter.

1 PAILLARD - BOLEX CINE CAMERA WITH LIGHT METER & BAG, KODAK JUNIOR IN POUCH & A VIOGTLANDER BOXED CAMERA IN CASE

Bolex Zoom Relex P1 8mm Camera in leather case with instructions handbook, the leather case has 1 broken leather strap, plus Berthiot hyper pan lens, reel of 9mm film some Laurel & Hardy and empty reel,

Camera Related Items, including a Sony TRV245E digital 8 camcorder, JVC CU-VD40 DVD burner, Bolex 233 Compact S Super 8 cine camera, al untested, a Konica Z-Up 70 VP compact camera, shutter working, self timer working, flash working, G and other items

A collection of cameras, camera equipment to include Orion, Bolex Paillard cine camera, projectors etc 

Collectable cameras to include Paillard Bolex BH8 cine camera with three various lenses, manuals etc, Nikkormat FT2 with 50mm 1:2 and Vivitar 70-105mm 1:3.8 lenses, Braun Paxette with Cassarit 50mm 1:2.8 and Staeble Telexon 1:3.8/135 lenses, Weston light meters etc

Canon EOS100 35mm SLR camera with Canon 70-210mm and 28-70mm and Sigma 1:2.8 24mm lenses, together with an Asahi Pentax 35mm SLR camera with 1:2/55, Zeiss 1:3.5 135mm, Meyer 35/50 and Zeiss Flektogon 4/20 lenses and a Paillard Bolex PH8 cine camera

A Vintage Nizo 148 Macro 8mm Cine Camera together with Bolex Splicer and Accessories

A Bolex projector, Cannon AE1 camera, a 10x50 monocular and a tin of various cigarette cards

Nintendo DS in red; Eumig Mark 501 projector; Bolex 150 Super 8mm cine camera; and a pair of Swift Newport MK II binoculars (qty)

Paillard Bolex H8 Reflex Camera with Kern lenses: f1.4 36mm, f1.3 12.5mm and f1.6 55mm; a similar Paillard-Bolex camera with Yvar f2.8 75mm and Taylor, Taylor & Hobson f1.9 1" lenses; Paillard Bolex B8SL with Kern lenses: f2.8 36mm and f1.9 13mm; together with a Movinette 8 camera, all in leather case (4)

Two boxes of assorted cine camera, video cameras & accesoories etc. to include a Bell & Howell, Ferguson Videostar, Bolex 450 & a Canon camcorder.

A Paillard Bolex H16 RX 16mm Reflex Camera serial no.136835, 1957, with a SOM Berthiot Pan-Cinor 85 f/2 17-85mm zoom lens with reflex viewfinder, Kern Switar f/1.6 10mm H16 RX, Switar f/1.4 25mm H16 RX, Switar f/1.8 16mm H16 RX and Yvar f/2.8 75mm lenses, an Octameter side viewfinder, other accessories, some 1960 Paillard-Bolex receipts issued to Prinz Karim Aga Khan (1936- ) and a Bolex fitted leather case, camera spring motor runs 16ft on one winding at 24 frames/sec without film, body F-G, signs of corrosion to chrome plated areas, lenses overall G

A Bolex 16mm Cine Camera, with Kern Switar AR f/1.4 25mm and Yvar AR f/2.8 16mm lenses, body, VG, motor running, lenses, VG, some light haze, in maker's case

Two Bolex and a Bell & Howell Motion Picture Cameras comprising a Bell & Howell 200 EE 16mm magazine camera with a Bell & Howell Super Comat f/1.9 20mm lens, spring motor winds up and runs, with leather case, a Paillard Bolex P3 Zoom Reflex 8mm camera with a SOM Berthiot Pan Cinor f/1.9 8-40mm lens, spring motor not working, a Paillard Bolex 7.5 Macrozoom Super 8 camera, untested

A Bolex C8S and Other 8mm Cine Cameras comprising a Paillard Bolex C8S, 1959, serial no.773774, with a SOM Berthiot Lytar f/1.9 13mm lens, an Auto Carena camera, a Pentacon Abefot camera, a Eumig Electric R camera, a Sankyo 8-E camera, an Agfa Movex 88 camera together with an Alef 9.5mm and a Pathescope Prince 9.5mm cameras, all untested (8)

A Paillard Bolex B8SL 8mm Motion Picture Camera 1960, serial no.843222, twin lens turret camera with Kern-Paillard f/1.9 13mm and f/2.8 36mm AR lenses, spring motor winds up and runs, supplied with Declic trigger handle, instruction manual and Minibolex-style outfit case

Paillard Bolex cine camera, Model H8 serial  with Kern-Paillard lens Switar 1:1.5 f=25mm AR nr 140114 and a Yvar 1:2.8 f=16mm AR nr 137284 and a Yvar 1:2.8 f=75mm AR 139643 (patent pending) complete with instruction booklets, depth of focus table for Kern-Paillard lenses, Weston Master V Exposure Meter, housed in a velvet-lined box, complete with key.

A Sony stereo cassette recorder TC520CS, a Sony Solid State stereo tapecorder TC280, a Bolex Paillard M8 projector screen, a boxed Brownie movie projector 8 mm, a vintage wooden crate inscribed "Danish Blue Cheese" containing various music scores from the early 20th Century some with handwritten dates 1912 onwards together with a suitcase containing various 8 mm films to include Charlie Chaplin "Charlie in Easy Street", "Charlie Vagabond" and "Charlie the Tramp" together with various other 8 mm films, cine reels etc and Bell & Howell camera

A Bolex H16 16mm reflex cine camera in leather carry case with assorted accessories, and a further camera tripod in box.

A Fidelity Electronics Chess Challenger "10", in fitted case with instruction manual and wooden chessman, a Bolex Paillard leather camera case and a Japanese doll, in glazed display case

A Paillard Bolex H16 16mm cine camera in its case with lenses

Bolex paillard cine camera in leather case. Not available for in-house P&P

Paillard Bolex movie camera, projector, editor and a Rank Mamiya camera. Not available for in-house P&P

A Bolex Paillard B8LA 8mm cine camera. Together with a Bolex Paillard 18-5 projector, an Academy Editor, an Agfa camera and more.

An assortment of cameras and lenses. To include a Zenit E Moscow Olympic 35mm SLR with a Helios 58mm f2 lens, a Praktica BMS with a Pentacon 50mm f2.4 lens, an Ihagee 127 folding camera, a Bolex Paillard cine camera, a Sony Handycam, a Fujita 135mm f4.5 lens and more.

Two Trays of Cine Cameras, including a Bauer C14XL, Nikon 8X Super Zoom, Nikon Super Zoom 8, Yashica T3, Cine Kodak Magazine 16, Camex 8, Midas cine camera/projector, Bolex 155 Super and other examples, all untested, AF

A Tray of Camera Related Items, including a Bolex 8L 8mm cine camera, motor runs, G, three 4x5 cut film holders, unbranded right angle finder, Harex, Cokin, Kodak filters and other items

A Bolex H16 Reflex Rex 5 16mm Cine Camera, serial no 254677, motor runs, VG, body VG (rubber deterioration to eye cup), with Kern H16 RX 10mm f/1.8 lens, serial no 1120942, barrel G-VG, elements VG, with front & rear caps, lens manual, in lens case, auxiliary multifocal viewfinder, additional multifocal viewfinder, three filter holders, quick release cable, camera manual, in Bolex case, makers box with outer sleeve and camera & 16mm film canister blimp, VG

A Group of Various Cameras, a Contaflex II, mirror sticking, meter responsive, body F-G, with Carl Zeiss 50mm f/2.8 Tessar & 115mm f/4 Pro Tessar lens, G, Fujica ST605, shutter working, meter unresponsive, with Fujinon 55mm f/2.2 lens, G, Bolex B8, motor runs, Kodak Six-20 folding camera, in makers box and unboxed Six-20

A Bolex H8 8mm Cine Camera, serial no 112718, motor runs, body F-G, lightly damp affected, some mildew from case, some surface oxidation, with Kern Paillard 16mm f/2.8, 25mm f/1.4 & 75mm f/2.8 lens, elements F-G, some fungus, manual and case

Paillard Bolex cine camera, Model H8 serial  with Kern-Paillard lens Switar 1:1.5 f=25mm AR nr 140114 and a Yvar 1:2.8 f=16mm AR nr 137284 and a Yvar 1:2.8 f=75mm AR 139643 (patent pending) complete with instruction booklets, depth of focus table for Kern-Paillard lenses, Weston Master V Exposure Meter, housed in a velvet-lined box, complete with key.