We found 9183 price guide item(s) matching your search

A modernist Barcelona chair and foot stool in black leather and chrome - after an original design by Mies van der Rohe fo Knoll International, with buttoned black grained leather detachable cushions, the chair 66 cm wide, 82.5 cm high.

Boxes of Art and Architectural reference books, to include Old Masters from the Thyssen- Bornemisza Museum La Belle Epoque, Art Nouveau, Musee D'Orsay Robert Rosenblum, Wiener Werkstatte, auction catalogue from Christies, Sotheby's Old Master Paintings etc Two volume bound catalogue Champalimaud Christies, Venice Art and Architecture, Futurismo, Interni Barcelona, Les Noces de Cana Caravaggio (qty in three boxes)

France, Italy, Kingdom of Napoleon, Lira, 1814m (MIR 492/9); 10 Soldi, 1810m (MIR 494/3); 5 Soldi (2), 1812b, 1813b, both with b over m (MIR 66/1, 66/2); BARCELONA, Joseph Napoleon, Peseta, 1810 (Cayón 14668) [5]. All about very fine £70-£90

Spain, Ferdinand and Isabella (1476-1516), Réal, Seville, privy mark star, 3.20g/8h (Cayón 2716); BARCELONA, Joseph Napoleon, Peseta, 1810 (Cayón 14668; KM. 70) [2]. First good fine on an irregular flan, second fine or better but centres weak £100-£120

Brown leather and chrome Mies van der Rohe Barcelona style upholstered chair, W75cm

An early 20thC Catalan wall clock, white marble circular dial bearing raised enamel and brass banded Roman numerals for Julio Bonnemain Barcelona, circular face with painted wood decoration, eight day movement, 37cm diameter.

Bound programme for the Manchester United v Barcelona Champions League Final in Rome 27th May 2009. Good

Bound programme for the Manchester United v Bayern Munich Champions League Final in Barcelona 26th May 1999. This was the last part of the Manchester United Treble of 1998/99. Slightly different cover to the previous lot. Good

Programme miscellany. 21 programmes to include Manchester United v Real Madrid (EC) 1956/57, Gateshead v Accrington Stanley 1957/58, Southern Transvaal v Bolton Wanderers (Fr) 1958/59, Birmingham City v Barcelona (Fairs Cup Final) 1959/60, Real Madrid v Eintracht Frankfurt (European Cup Final ) 1960, Accrington Stanley v Darlington 1960/61, Manchester United v Real Madrid (Fr) (Pirate - White Eagle Press) 1960/61, Blackburn Rovers X1 v Bill Eckersley's X1 1960/61, Burnley European Cup ties v Rheims and Hamburg 1960/61, Benfica v AC Milan (EC Final) 1963, Manchester United v Benfica (EC Final) 1968 plus 3 Foreign Internationals Germany v Holland, Holland v Norway both 1959 and Spain v Italy 1960. Generally good

Bound programme for the Manchester United v Bayern Munich Champions League Final in Barcelona 26th May 1999. This was the last part of the Manchester United Treble of 1998/99. Limited edition 53/100. Slightly warped but generally good

Three folders of Manchester United ephemera from the 1970s to the 2000s. A hospitality card at Wembley for the FA Cup Final Arsenal v Manchester United 1979, British Rail menu for travel back from the Liverpool v Manchester United Milk Cup Final of 1983, Wembley Stadium Menu Everton v Manchester United and invitation to the Cocktail Party and Private dinner at the Royal Lancaster Hotel, London after the FA Cup Final 1985, Official programme for the Toyota World Club Championship 1999 in Tokyo, ticket and Menu at Old Trafford Champions League Final Juventus v AC Milan 2003, FA Cup Final ticket 2007 Chelsea v Manchester United in wallet. travel information in Moscow Champions League Final 2008, Ticket in FA wallet Charity Shield 2008, UEFA Super Cup Player itinerary Man United v Zenit St Petersburg in Monaco 2008, 3 invitations to the after party Champions League Final 2009 in Rome United v Barcelona, Carling Cup Final ticket 2010 Aston Villa v United & team sheet and invites/itineraries/VIP guest tickets to Champions League Final party 2011 Manchester United v Barcelona at Wembley 2011. Comes with a folder of itineraries team sheets programmes pertaining to American and Far East tours in 2004 and 2005. Comes with programmes (some pirates) tickets, menus, programme of events for Finals in 2005, 2007, 2009 and 2010. Good

Manchester United badges. A collection of about 260 badges from the 1960s to 2000s with a few pins and 6 Star badges 4 of them for John Aston. Included in the collection are a few from other clubs mainly European that Manchester United played against e.g., Barcelona, Kosice, Honved, Fenerbahce, Juventus, Inter Milan, Slavia Prague plus the German Federation and the Dutch Olympic team. Generally good

A Barcelona chair with button loose seat and swept supports together with a matching stool

PABLO PICASSO, rare Le Divan, signed in the plate, numbered pochoir in an edition of 500, 1963. Suite: Rare Bleus de Barcelona, French vintage frame. (Subject to ARR - see Buyers Conditions)

Linford Christie signed 22x16 colour Team GB Olympic Gold Big Blue Tube print. Linford Christie Olympic Games Barcelona 1992. Linford Christie wins the 100m Gold medal in 9. 96 seconds. Limited edition 500 copies. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Samantha Riley signed Yellow Silicone Swimming Cap. Is an Australian former competitive swimmer. She is of Aboriginal descent. She specialised in breaststroke and competed for Australia in the 1992 Summer Olympics in Barcelona and the 1996 Summer Olympics in Atlanta,

Javier Mariscal (Spanish 1950-): Cobi in Barcelona, set of three limited edition serigraphs embossed with signature and numbered 568, 500 and 581/700 in pencil max 50cm x 60cm Notes: Commissioned by SEAT in 1989 on the occasion of the Barcelona 1992 Olympic Games.

Barcelona FC 2006 squad sign football shirt framed - no coa

A GREEN MARELLA ITALY LONG WOOL COAT WITH DARK BROWN FAUX FUR CUFFS AND COLLAR SIZE 12, TOGETHER WITH A CALDENE MADE IN ENGLAND BLUE BLAZER WITH SUESE COLLAR SIZE 36, A CAROLINE CHARLES YELLOW WOOL BLAZER UK12, AND A MINT GREEN GLORIA ESTELLES BARCELONA BLAZER SIZE 44 (4)

A Hallam (20th century), a portrait of Vivian Stanshall, watercolour, signed and dated '72, believed given to Vivian as a gift, 71 cm x 60 cm unframed, together with a further portrait, obtained by Vivian from a street artist in Barcelona, pastel, 66 cm x 47 cm framed and glazed. This lot, along with all others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall

After Mies van der Rohe - " Barcelona " - A pair of contemporary white leatherette & chrome 'Barcelona' style lounge easy chairs. Each chair having a cushioned seat & back rest in white leatherette. Chrome structure below. Each measuring approx. 80cm x 75cm x 76cm.

FOOTBALL, 1999 Champions League Final programme, Manchester United v Bayern Munich, played in Barcelona, May 26th 1999, some creasing to spine, minor crease to corner, VG (near EX)

A PAIR OF BLACK BARCELONA STYLE CHAIRS ON POLISHED CHROME X FRAME LEGS

A PAIR OF BLACK BARCELONA STYLE CHAIRS ON POLISHED CHROME X FRAME LEGS

Billy Al Bengston (American, 1934-2022). Etching on paper titled either "Composition 1" or "BAB 4" depicting a silhouette of a dog against an abstract background with large celestial-like bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Sight; height: 22 in x width: 30 in. Framed; height: 25 1/2 in x width: 33 1/2 in x depth: 1 1/4 in.Condition:The colors are bold and deep. There are no visible tears, losses, or creases. Along the lower margin there are minute white accretions. There is undulation to the sheet. Framed under plexiglass, not examined out of frame. No signs of restoration under UV light.

Ed Moses (American, 1926-2018). Etching on Guarro paper depicting the intersection of abstract lines, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a minute spot of soiling in the margin of the upper left quadrant. There is also a minute spot of discoloration in the lower left quadrant. There are no signs of restoration under UV light.

Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-1" depicting two abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in. Brian Gross Fine Art SF CACondition:The colors are bold and bright. There are no visible tears, creases, or losses. There are no signs of restoration under UV light.

Billy Al Bengston (American, 1934-2022). Etching with aquatint print on Rives BFK paper depicting a silhouette of a dog against a green and red background with abstracted celestial bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in.Condition:The colors are bold and deep. There are no visible tears, major creases, or losses. There are no signs of restoration under UV light. There is a minute crease along the upper right corner. There is an extremely minute chip to the upper left corner; only noticeable upon close inspection.

Ed Moses (American, 1926-2018). Lithograph on Guarro paper depicting a bisected abstract illustration, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a faint area of toning along the top margin and lower margin, the top margin toning measuring approximately ten inches wide. There are no signs of restoration under UV light.

Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-2" depicting three abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a green discoloration along the side margin of the lower left quadrant. There is a minute scattering of discoloration throughout the corner of the upper left margin. There are no signs of restoration under UV light.

Peter Alexander (American, 1939-2020). Lithograph of Guarro paper titled "Sitka" depicting an abstract range of soft blue and gray triangular shapes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in.Condition:The colors are bold and deep. There are no visible creases, tears, or losses. There is a minute spot of discoloration across the margin of the upper right corner. No signs of restoration under UV light.

Larry Bell (American, b. 1939). Color lithograph depicting a gradient from gold to dark purple, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the center lower margin; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There are no signs of restoration under UV light.

Larry Bell (American, b. 1939). Aquatint on paper depicting a rectangular color gradient from blue to orange, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There are two minute blue accretions in the upper right quadrant of the sheet. There are no signs of restoration under UV light.

Eric Orr (American, 1939-1998). Color lithograph on paper depicting a gradient from deep purple to red with a scarlet slash and pale blue echo near the center, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There are no signs of restoration under UV light.

Eric Orr (American, 1939-1998). Color lithograph depicting a blurred salmon-hued rectangle against a navy blue background, 1989. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There are no signs of restoration under UV light.

C. Pedros (Contemporary Spanish). A square in Barcelona. Oil on canvas. Signed. 29cm x 29cm.

‡ DANIEL MEAKIN mixed media on canvas - "An Eerie Place to Be", signed and dated 2020 lower right, 60 x 50cmsProvenance: private collection ConwyComments: unframed, young artist Daniel Meakin is well established in Barcelona from where hundreds of his highly original paintings have sold throughout the world

A black Barcelona style sofa, with button down loose cushions, on a chrome X-frame with swept legs, 150cm long, 72cm deep, 76cm high.All lots to be cleared from the auction room by Tuesday 2nd April otherwise storage charges will apply - NO EXCEPTIONS.

Miró, Joan (1893 Montroig - Mallorca 1983) "Litografia original I". Farblithographie, Edition wohl Ediciones Poligrafa, S.A. Barcelona, 1977. Ca. 33,5x 25,5 cm. PP., R. Wvz. Mourlot/Maeght 1113.

Eduardo Chillida (1924 – San Sebastián – 2002). „Ozendu“. 1981Kaltnadel auf BFK Rives-Velin. 12,4 × 13,7 cm (64,9 × 49,8 cm) (4 ⅞ × 5 ⅜ in. (25 ½ × 19 ⅝ in.)). Signiert.Van der Koelen 81003.–Einer von 50 nummerierten Abzügen aus einer Gesamtauflage von 65 Exemplaren. Barcelona, Galería Maeght, 1981. [3929]Zustandsbericht: Ex. 34/50. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Die obere linke Ecke mit einer diagonalen Knickspur (1 cm). Rückseitig in den oberen Ecken jeweils mit einem Papierklebestreifen auf den Unterkarton montiert. Schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.

Original vintage travel poster - Visitad Montserrat la Montana de la Poesia y de la Fe / Visit Montserrat the Mountain of Poetry and Faith - depicting the rock features and serrated peaks of the Montserrat mountain range rising behind the historic 11th century Santa Maria de Montserrat Benedictine abbey and sanctuary buildings located near Barcelona in Catalonia Spain, the CET lion logo on the sky above and the stylised bold title text below. Artwork by the Spanish painter Jose Segrelles Albert (1885-1969). Good condition, tears, creasing, staining. Country of issue: Spain, designer: J. Segrelles, size (cm): 48x30, year of printing: 1926.

Münzkassette - Münzen der Olympische Spiele 1988 / 1992 mit ca. 34 Münzen, u.a. Kanada - 10 x 20 $ Calgary 1988 PP, 1x 5$ / 1x 10$ Montréal 1976, Süd-Korea - XXIV. Olympia Seoul 1988, 8 x 5.000 Won / 8 x 10.000 Won, jeweils PP, Niue - 1x 50$ 1987 'Boris Becker', Malediven - 250 Rufiyaa XXV. Olympia Barcelona 1992, etc. Münzkassette hat starke Alters- und Gebrauchsspuren. Bitte das Los besichtigen.| Coin case - Coins of the Olympic Games 1988 / 1992 with approx. 34 coins, i.a. Canada - 10 x 20 $ Calgary 1988 PF, 1x 5$ / 1x 10$ Montréal 1976, South-Korea - XXIV Olympia Seoul 1988, 8 x 5.000 Won / 8 x 10.000 Won, each PP, Niue - 1x 50$ 1987 'Boris Becker', Maldives - 250 Rufiyaa XXV Olympia Barcelona 1992, etc. Coin case has strong signs of age and use. Please view the lot.

Münzkassette 'Olympische Spiele Barcelona 1992' mit 36x Silbermünzen & 1x 100$ Jamaica jeweils PP, in Kapsel. Bitte das Los ansehen.| Coin case 'Olympic Games Barcelona 1992' with 36x silver coins & 1x 100$ Jamaica, each PF, in capsule. Please have a look at the lot.

Joan Miró (1893–1983) was a Spanish painter, sculptor, and ceramicist associated with the Surrealist movement. He was born in Barcelona, Catalonia, and his work is known for its playful, abstract, and symbolic elements. Miró's style evolved over the years, and he experimented with various artistic forms, including painting, sculpture, and ceramics.Some key characteristics of Miró's art include whimsical and biomorphic forms, vibrant colors, and a childlike sense of spontaneity. His work often incorporated symbols, signs, and imaginative shapes, creating a unique visual language that set him apart as a prominent figure in 20th-century art.Miró's notable works include "The Tilled Field," "The Birth of the World," and "The Harlequin's Carnival." His contributions to the art world have left a lasting impact, and he is considered one of the most influential modern artists.Measures 40 x 60.Sold "after" Miro.Oil on canvas.

Spanisches Miniatur-Walzenklavier auf Karren, um 1960Hersteller: "Faventa, Barcelona, España". Serien-Nr. 9985, Walze mit 6 populären internationalen Melodien, 23 Tonstufen, Gußrahmen, lackiertes Holzgehäuse, Handkurbelantrieb, Melodienwechsel mit seitlicher Kurbel, Musiktitelanzeiger, Gesamtmaße 40 x 27 x 45 cm. Auf dazu gehörenden Handkarren. - Literatur: Alexander Buchner, "Mechanische Musikinstrumente", S. 107. - Gut spielender Zustand. Start Price: EUR 240 Zustand: (2/2)Spanish Miniature Barrel Piano on Cart, c. 1960Faventa, Barcelona, España. No. 9985, barrel with 6 melodies (popular international songs), 23 keys, cast-iron frame, crank-operated, tune-change crank with indicator, lacquered wood case, overall size 19 ¾ x 11 x 18 in. On matching handcart. - Good playing condition. - Literature: Alexander Buchner, "Mechanische Musikinstrumente", p. 107. Start Price: EUR 240 Condition: (2/2)

MIRÒ, JOAN, nach (1893-1983) "Femme pour XXe siècle" Reliefplatte mit Bronzeüberzug nach Linolschnitt von 1938, Fundación J. Miró, Barcelona 1984, verso gegossene Signatur und Bez. "XX Siecle/ No. 4 -1938", HxB: 11/8,5 cm.Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| MIRÒ, JOAN, after (1893-1983) "Femme pour XXe siècle"Relief plate with bronze coating after linocut from 1938, Fundación J. Miró, Barcelona 1984, moulded signature and inscription "XX Siecle/ No. 4 -1938" on verso, HxW: 11/8.5 cm.Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.

Tí pies, Antoni und Pere Gimferrer Mappe "Aparicions" (Barcelona 1923-2012 ebd.) Portfolio mit neun graphischen Arbeiten von Antoni Tapies und einem Gedicht von Pere Gimferrer. Aquatintaradierungen mit Prägedruck. Im Impressum vom Autor und Künstler sign. mit Auflage "68/99". In illustr. Leinenmappe und illustr. Schuber. Ges. 47 x 34 x 4 cm.Informel, Spanischer Künstler

11 Photographien aus der Edition Griffelkunst 1989 bis 2006 1) Günter Förg (1952-2013): Barcelona Pavillon. Verso sign. und dat. "89". 2) Kathi Müller - B - (1953 geb.): Falsch gedacht. Verso Stempel und Sign. 40,5 x 30,5 cm. 3) Cecile Noldus (1961 geb.). Verso monogrammiert. 40 x 29,5 cm. 4) Heinrich Zille: Akt. Fotographie aus dem Nachlass. Verso mit Stempel. 30,5 x 24 cm. 5) William Anastasi (1933 geb.): Autobodyography. Verso monogrammiert. 41 x 30 cm. 6) Friedrich Seidenstücker: Mutterglück. Aus dem Nachlass. 30,5 x 24 cm. 7) Fritz Brill (1904-1987): Vase mit negativem Schatten. Aus dem Nachlass. Verso Stempel. 30,5 x 23,5 cm. 8) Helga Paris (1938 geb.): aus der Serie Häuser und Gesichter. Verso sign. 40,5 x 30 cm. 9)+10) Knoefel (geb. 1962). 2 Farbphotographien aus der Reihe "Synapsen 2001". 11) Günther Förg: ohne Titel. Photographie. Verso sign. und dat. "95". 59 x 43 cm. - Wahl 253 C1, 276 C5, 292 C6, 296 C6, 304 C1, 307 C5(W), 316 C6(W), 321 C2(W), 306 B8, 306 B10, E238. - Dabei 1 s/w-Photographie eines Wache stehenden Soldaten. 30 x 24 cm.Fotografie, Fotografin, Schwarzweißfotografie, Zeitgenössischer Künstler

A 1927 Barcelona International Canine Exposition dog medallion, 5 cm

Autographed PAUL SCHOLES 16 x 12 Edition : Colorized, depicting Man United's PAUL SCHOLES scoring a stunning goal against Barcelona in the 2008 Champions League semi-final second leg at Old Trafford, the goal was the only goal of the game and secured United's place in the Final, signed in black marker. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Boxing Liberia Barcelona 1992 Olympics FDC PM First Day of Issue 7 Aug 1992 Monrovia Liberia. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Autographed FRANK STAPLETON 16 x 12 Edition : Colorized, depicting Man United's FRANK STAPLETON scoring a memorable winning goal against Barcelona in the second leg of the European Cup Winners Cup quarter-final at Old Trafford in 1984, Stapleton's goal secured a 3-0 victory on the night and advanced the Red Devils to the semi-final stage, signed in blue marker. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Bestiarium aus St. Petersburg. Eine englische Meisterhandschrift mit realistischen Tierdarstellungen. Frühes 12. Jh. Heller Ledereinband mit 182 Seiten. Ex. 558/999. Barcelona 2022. In Originalverpackung. 32x 27 cm.

Jodidio (Philip) 100 Contemporary Houses, 2 vol., text in English, German & French, Cologne, 2013 § Corcuera (A.) & others. Contemporary Houses, Barcelona, 2006 § Kunz (N.) & Manuela Roth. Luxury Houses: Top of the World, Kempen, 2008 § Shulman (Julius) Palm Springs, New York, 2008 § Powers (Alan) The Twentieth Century House in Britain from the Archives of Country Life, 2004 § Daguerre (M.) Latin American Houses, Milan, 2007, illustrations, many colour, original boards with dust-jackets, the first also with slip-case; and c.15 others, modern architecture, 4to & 8vo (c.20)

Basford (John) Sandra Blow: Studio Inventory and Catalogue Raisonné of Prints, number 46 of 250 copies with an original print, signed by the author on title, original cloth-backed boards, print with embossed estate stamp loose in cloth folder, together in original cloth slip-case, Sheffield, 2013 § Tassi (Roberto) Graham Sutherland: Complete Graphic Work, Barcelona, 1988 § British Printmakers 1855-1955, Devizes, Garton & Co., 1992 § Kemp (Dominic) Terry Frost Prints: A Catalogue Raisonné, signed by the author and two contributors on front free endpaper, water-stained and damaged, loose in binding, Farnham, 2010, illustrations, many colour, all but the first original boards with dust-jackets, the last crinkled; and 8 others on prints & printmaking, mostly modern, 4to & 8vo (12)

ASTON VILLA, COLLECTION OF PROGRAMMES, vs. Raith Rovers 1959, Barcelona 1977/78, Bayern Munich 1982 and another, Santos 1972, BFC Dynamo 1981, Barcelona 1983, along with nine trading cards, also Ajax programmes vs. Sporting Lisbon, Genoa, Olympique Lyon, Sparta

Klaes Molenaer, um 1630 Haarlem – um 1676 ebenda GROSSE WINTERLANDSCHAFT MIT SCHLITTSCHUHLÄUFERNÖl auf Leinwand.77 x 92 cm.Rechts unten signiert „K. Molenaer“. Verso mit Etikett der Kunstgalerie „Sala Parés“ in Barcelona.In ornamental verziertem Rahmen.Landschaft mit niedrigem Horizont, links eine Häusergruppe, die von einem schneebedeckten Turm überhöht wird. Die großformatige Winterlandschaft zeigt in vorderster Bildebene einen schmalen Streifen, auf dem sich mehrere Figuren in kleinen und größeren Gruppen zusammengefunden habe, um sich gleich dem Eisvergnügen zu widmen oder sich von diesem auszuruhen. Im rechten Mittel- und Hintergrund sind einige FIguren auf dem Eis beim Schlittschulauf, auf einem Schlitten sitzend oder einen solchen schiebend dargestellt. Der Künstler präsentiert auf dem sich großer Beliebtheit erfreuenden Bildthemas der winterlichen Genredarstellung die unterschiedlichen Möglichkeiten des Eisvergnügens vor verschachtelt wiedergegebenen Dorfhäusern.Der Maler war Bruder von Jan Miense Molenaer (1609/10-1668) und Bartholomeus Molenaer (um 1610/28-1650) und wurde 1651 Mitglied der Haarlemer Sankt Lukas-Gilde. Der Maler war bekannt für seine Winterszenen, aber auch für seine ländlichen Motive und humorigen Genreszenen. Werke seiner Hand befinden sich in der Alten Pinakothek, München, im Wallraf-Richartz-Museum in Köln sowie im Von der Heydt-Museum in Wuppertal.Anmerkung:Ein ähnliches Gemälde ist beim RKD Den Haag unter der Inv.Nr. 108726 registriert und zeigt ebenfalls die hier dargestellte Häusergruppe. (13916033) (1) (19)Klaes Molenaer, ca. 1630 Haarlem – ca. 1676 ibid.LARGE WINTER LANDSCAPE WITH ICE SKATERS Oil on canvas.77 x 92 cm.Signed “K. Molenaer” lower right.Paintings by the artist are held at the Alte Pinakothek in Munich, the Wallraf-Richartz-Museum in Cologne, and the Von der Heydt-Museum in Wuppertal. Notes:A similar painting is listed at the RKD in The Hague under inv. no. 108726 and shows the group of houses presented in the present painting.

Joan Miró, 1893 Barcelona – 1983 Palma de MallorcaLE DELIRE DU COUTURIER, 1969Farblithografie.Höhe: 125,6 cm.Breit: 86,8 cm.Links unten „H.C.“, rechts unten signiert.Hinter Glas gerahmt.Literatur:Vgl. Miro Litographs IV 4, 1969 - 1972, Paris 1981, S. 46, Nr. 645. (1392008) (13))

Giovanni Domenico Tiepolo, 1727 Venedig – 1804 ebenda, zug.IL MINUETTO – SZENE AUS DEM VENEZIANISCHEN KARNEVALÖl auf Leinwand. Doubliert.79,5 x 108,5 cm.Verso auf dem Keilrahmen mit einem Etikett.In mit plastischen Blüten verziertem vergoldetem Rahmen.Die Darstellung ist von den Stücken von Carlo Goldoni inspiriert und zeigt die Hauptfiguren der Commedia dell‘arte, Pantalone und Columbina, zusammen mit anderen elegant gekleideten, maskierten Figuren, die sich im Garten einer Villa zusammengefunden haben um zu tanzen. Es handelt sich um eine Genreszene in der Atmosphäre des Karnevals, des Ereignisses, das einen Besuch der Stadt Venedig für die europäischen Reisenden des 18. Jahrhunderts erst komplett erscheinen lässt. Tiepolo nutzt den Karneval als Vorwand, um die Sitten und die Stimmung der Menschen in seinem Umfeld zu beschreiben: eine Gesellschaft, die ihre Dekadenz verbirgt und sich hinter flüchtigen Erscheinungen, Vergnügungen und Zeitvertreib versteckt.Als Tiepolo das Bild malte, war das Menuett, ein sehr ausgeprägter Paartanz, bereits seit einiger Zeit in ganz Europa verbreitet.Die von Tiepolo dargestellte Szene ist venezianisch, während zahlreiche Menuette etwa von Luigi Boccherini auch im Ausland, etwa in Madrid, entstanden.Die vorliegende hervorragende Arbeit bezieht sich direkt auf dessen weitere Arbeit, die mit 81 x 105 cm ähnliche Maße aufweist und unter der Invent. Nr. RF1938-39 im Louvre in Paris verwahrt wird. Das dortige Gemälde war in der Sammlung des Francesco Algarotti 1765 zu finden und ab 1876 in der Sammlung der Prinzessin Mathilde Bonaparte. Eine weitere Version befindet sich im Metropolitan Museum in New York (75,6 x 120 cm, Invent. Nr. 1980767) und eine weitere im Museu Nactional d‘Art de Catalunya in Barcelona (78,5 x 110 cm, Invent. Nr. 064988). Eine weitere Version befindet sich im New Orleans Museum of Art (78,1 x 108,6 cm Invent. Nr. 61.88), welche allerdings als Werkstattarbeit gilt. Die Zuschreibungsgeschichte unseres Gemäldes hingegen kennt auch in der Vergangenheit Giandomenico selbst als Autor (E. Martini, 1991; G. Knox, 1999; G.M. Pilo, ohne Datum; U. Ruggeri, ohne Datum).Provenienz:Sammlung Imelda Marcos, Wittwe des ehemaligen Präsidenten der Philippinen.Christie‘s New York, 11. Januar 1991, Lot 69. (1320018) (13)Giovanni Domenico Tiepolo,1727 Venice – 1804 ibid., attributedTHE MINUET- VENETIAN CARNIVAL SCENEOil on canvas. Relined.79.5 x 108.5 cm.Verso on the stretcher with a label.The depiction is inspired by plays of Carlo Goldoni and shows the main characters of the Commedia dell´Arte, Pantalone and Columbina, along with other elegantly dressed, masked figures, gathered in the garden of a villa to dance. It is a genre scene set in the atmosphere of carnival; the event that made a visit to the city of Venice complete for 18th century European travellers. Tiepolo uses the carnival as a pretext to describe the customs and mood of those around him: a society that hides its decadence, hides behind fleeting appearances, amusements, and pastimes. When Tiepolo created this painting, the minuet, a very distinctive couple dance, had been popular throughout Europe for some time. The scene shown by Tiepolo is Venetian, while numerous minuets, for example by Luigi Boccherini, were also created abroad, for example in Madrid. This excellent work refers directly to another work with similar dimensions (81 x 105 cm) held at the Louvre in Paris with inv. no. RF1938-39. The painting there was held in the collection of Francesco Algarotti in 1765 and from 1876 in the collection of Princess Mathilde Bonaparte. Another version is held at the Metropolitan Museum in New York (75.6 x 120 cm, inv. no. 1980767) and another at the Museu Nacional d´Art de Catalunya in Barcelona (78.5 x 110 cm, inv. no. 064988). A further version is held at the New Orleans Museum of Art (78.1 x 108.6, inv. no. 61.88), which is also considered a workshop work. The attribution history of the present painting has often considered it to be by Giandomenico himself. (E. Martini, 1991; G Knox, 1999 G.M Pilo, undated; U. Ruggeri, undated).Provenance:Collection Imelda Marcos, widow of the former president of the Phillipines.Christie’s New York, 11 January 1991, lot 69.

Joan Miro (Spanish (Catalan), 1893-1983). Aquatint etching on paper from the "El Pi de Formentor (The Pine of Formentor)" Suite, 1976. Depicting an abstracted composition of bold black shapes surrounding a burst of bright, primary colors in the artist's signature style. Pencil signed along the lower right; numbered 34/50 along the lower left. Published by Sala Gaspar, Barcelona. "The Pine of Formentor" is a well-known Catalan poem by Miquel Costa i Llobera.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Lot Essay:Joan Miro's early works were influenced by Catalan folk art and Fauvism, but it was his encounter with Surrealism in Paris during the 1920s that profoundly shaped his artistic vision. Embracing the Surrealist ethos of unlocking the subconscious mind, Miro developed a unique visual language characterized by biomorphic forms, dreamlike symbols, and vibrant colors. His paintings, such as "The Farm" (1921-1922) and "The Tilled Field" (1923-1924), evoke a sense of poetic spontaneity and primal energy.Throughout his career, Miro continued to innovate, exploring various mediums including painting, sculpture, ceramics, and printmaking. His experimentation with automatic drawing and spontaneous mark-making liberated his artistic process, allowing for a fluid and intuitive approach to creation. Miro's iconic works, such as "The Harlequin's Carnival" (1924-1925) and "The Birth of the World" (1925), exemplify his playful yet profound exploration of form and color.In addition to his artistic achievements, Miro was a committed advocate for social and political causes, particularly during the tumultuous period of the Spanish Civil War and World War II. His art often served as a vehicle for political commentary, expressing solidarity with the oppressed and advocating for peace and freedom. Miro's enduring legacy as a pioneer of Surrealism and a champion of artistic experimentation continues to inspire generations of artists, as his boundless imagination and creative spirit remain as relevant today as ever before. Through his daring exploration of the subconscious and his fearless embrace of spontaneity, Miro transcended artistic conventions, leaving an indelible mark on the trajectory of modern art.Sight; height: 41 1/4 in x width: 35 1/2 in. Framed: height: 56 1/2 in x width: 50 1/2 in.