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AN 18 CARAT GOLD, ENAMEL AND DIAMOND SET BUTTERFLY CLOCK ASPREY & CO. LTD., LONDON 1987 The two 18 carat gold and plique a jour enamelled butterflies set with diamonds, sapphires and rubies, to a gold mounted and diamond set rock crystal base, the clock with a pink guilloche enamel dial, diamond set bezel and Roman numerals, quartz movement, screwed down case back with four screws, mounts and dial signed Asprey 37cm high Provenance: Private Collection Condition Report: Movement not currently functioning, we have not risked opening the case back to inspect the movementEnamel goodHallmarks clearAll stones appear to be presentDial and hands goodMounts are tight to the baseRock crystal with natural inclusions and fracturesLight scratches and wear commensurate with age and use1147g grossCondition Report Disclaimer
LATE VICTORIAN SILVER CLOCK, CHARLES & GEORGE ASPREY the circular dial with Roman numerals, raised on bracket feet, in R.L. Austin Ltd box7cm high Overall, this clock is in good conditon, with some signs of wear. There is a small crack to the right-hand of the face, which is shown in additonal images. The clock is not ticking at present.
A mixed lot to include an Asprey rosewood bookstand with brass clad edges, a Regency mahogany sarcophagus tea caddy on gilt metal paw feet A/F, an Elliott mahogany cased mantel clock retailed by Mappin & Webb, a spelter model of a suit of armour and leather cased playing cards Location:GLIf there is no condition report shown, please request
λ A silver travelling combination barometer, compass, thermometer, calendar and clock, by Asprey & Co Ltd., London 1914, of cube form, swing handle to the top with applied gold initials and date 'W.B.L 1914', with carved ivory month and weekday dials, the barometer is set on a hinged door, height 6.4cm. Provenance: A Private Collection. Ivory registration number 6U5XFN2B
An Edwardian mahogany bracket clock retailed by Asprey of London, in the regency style with brass inlay & gilt-metal mounts, the 5” corvex silvered dial with roman numerals & 8-day French movement striking on a coiled gong, 38cm high x 19.2cm wide x 14cm deep.Condition report: The clock is in generally good order, the case is in good condition, the movement is running, but it doesn't strike for some reason. The hammer & the coiled gong are in place, and the movement seems clean & tidy, but when the minute hand reaches the hour, you can't hear the characteristic click as the striking mechanism engages - or should engage.
ASPREY A GILT METAL AND BROWN LEATHER ALARM PURSE WATCH Movement: Quartz alarm Case: Gilt metal and leather sliding case Dial: White Size: 57mm (closed) Signed: Dial Accessories: None Together with a Garrard gilt metal and leather purse watch, manual wind movement, silvered dial, 54mm (closed) Condition Report: Asprey Movement is not currently functioning. We have been unable to gain access to the movement to be able to report its condition. Dial appears to be in a generally good condition with no marks visible when viewed under a 4x loupe. Hands appear to be in a generally good condition. Small green mark at 1 o'clock visible under a loupe Glass appears free of significant scratches or marks when viewed under a 4x loupe. Case appears to be in good condition with minor scratches and marks. Case slides well. Crown has light scratches when viewed under a 4x loupe. Garrard Movement is currently functioning. We have been unable to gain access to the movement to be able to report its condition. Dial appears to be in a generally good condition with no marks visible when viewed under a 4x loupe. Hands appear to be in a generally good condition. Glass appears free of significant scratches or marks when viewed under a 4x loupe. Case shows light scratches and marks. Case slides well Crown has light scratches when viewed under a 4x loupe. Wear to the plating This lot does not come with box or papers. Dreweatts 1759 do not guarantee the working order or accuracy of any lots sold. Due to opening of the case back we recommend this watch is re-sealed by a qualified technician to ensure any stated water resistance is achieved. If you should have any further questions regarding this lot, please contact the Watch Department on 01635 553 553 or at watches@dreweatts.com Condition Report Disclaimer
LeCoultre for Asprey - Art Deco desk / travel compendium (weather station), the Centigrade and Fahrenheit thermometer flanked by chrome-mounted clock with rectangular Arabic dial marked 'Asprey Eight Days Swiss', and barometer reading from 26 to 31 inches with Remarks, in folding morocco case stamped 'Made in France / Patent 365884', 14.5cm x 10.5cm (closed), 10cm high when opened
An early 20th century Asprey silver miniature travel clock, sponsor marks for Charles William Guignard, import marks for London 1912, decorated with pink guilloche enamel, the enamel signed dial with Roman numerals and fancy pierced gilt hands, case numbered 5162, movement numbered 12329, 5.2cm high x 3.6cm wide, together with a fitted leather case, 7.1cm high x 6cm wideIf there is no condition report shown, please request
A mixed collection of silver to include: two money clips, keyring, photograph frame, two pen holders,. all London, Makers mark for Richard Lawrence Geere, weighable silver approx. 103 grams, together with a silver clock unmarked (7) Provenance : Geere Family Note : Richard Geere born in 1932, and following in the footsteps of his father Charles Edward Geere who was also a Goldsmith and Silversmith, Richard Lawrence Geere was apprenticed to Ramsden and Roed and attended day release classes at the Central School of Arts and Crafts.After working for Asprey and Stuart Devlin he set up his own workshop where he undertook various private commissions and made his own range of silverware much in the style of Stuart Devlin for whom he was a maker. He continued to supply Asprey with bespoke items and photo frames from his own workshop.
A silver and enamel desk clock, London 1984,square dial applied with arabic numerals, the case decorated with blue enamel , 7cm x 7cm , in a fitted case. Markers mark for Richard Lawrence Geere. Provenance : Geere Family Note : Richard Geere born in 1932, and following in the footsteps of his father Charles Edward Geere who was also a Goldsmith and Silversmith, Richard Lawrence Geere was apprenticed to Ramsden and Roed and attended day release classes at the Central School of Arts and Crafts.After working for Asprey and Stuart Devlin he set up his own workshop where he undertook various private commissions and made his own range of silverware much in the style of Stuart Devlin for whom he was a maker. He continued to supply Asprey with bespoke items and photo frames from his own workshop.
A silver desk clock, London 1983, square dial applied with roman numerals, the case with folate decoration, 7cm x 7cm , in a fitted case. Markers mark for Richard Lawrence Geere. Provenance : Geere Family Note : Richard Geere born in 1932, and following in the footsteps of his father Charles Edward Geere who was also a Goldsmith and Silversmith, Richard Lawrence Geere was apprenticed to Ramsden and Roed and attended day release classes at the Central School of Arts and Crafts.After working for Asprey and Stuart Devlin he set up his own workshop where he undertook various private commissions and made his own range of silverware much in the style of Stuart Devlin for whom he was a maker. He continued to supply Asprey with bespoke items and photo frames from his own workshop.
Asprey of London - An early 20th century glass & brass French made carriage clock in original leather case with key. The clock with white enamel face and Roman numerals to chapter ring, stamped Asprey Bond Street London, French Make to face. Bevelled glass & brass case with movement stamped Made in France to back. In original leather & velvet lined case with key.Measures approx. 11cm x 8cm x 6cm without case.Some damage to handle of case.
Y A RARE QUEEN ANNE GILT BRASS MOUNTED TORTOISESHELL QUARTER REPEATING TABLE/BRACKET CLOCK WITH ALARMROBERT HODGKIN, LONDON, EARLY 18th CENTURYThe substantial six finned pillar bell striking movement with plates measuring 7.75 by 5.5 inches and verge escapement regulated by lenticular bob pendulum incorporating pivoted beam rise/fall regulation to suspension, with pull-repeat peeling the quarters on a graduated nest of six bells and sounding the hour on a further larger bell, and with pull-wind alarm mechanism sounding on the hour bell via a vertically pivoted T-shaped hammer, the backplate finely engraved with symmetrical foliate scrollwork issuing from a central leafy cartouche engraved signed Hodgkin, London and with herringbone banded outer border, the 7 inch wide brass break-arch dial with shaped false bob and calendar apertures to the matted centre within applied silvered Roman numeral chapter ring with cruciform half hour markers and Arabic five minutes beyond the outer minute track, with scroll pierced blued steel hands and unusual applied grotesque mask and phoenix cast gilt brass spandrels to lower angles, the upper angles interrupted by twin rosette-centred subsidiary dials each with Roman numeral chapter ring, the left a second hour dial with central silvered alarm setting disk opposing rise/fall regulation top the right, the centre with engraved signature Robert Hodgkin, London and n/s strike/silent selection switch, beneath arch applied with a demi-lune cast gilt brass mount decorated with a sunburst beneath leafy scroll infill flanking a male mask, within herringbone engraved upper border, the case of French Regence design with large gilt brass grotesque mask and acanthus cast flambeau urn finial to the cushion-capped cavetto upstand incorporating gilt draped leaf cast mounts to angles, above egg-and-dart moulded arched cavetto cornice centred with a mask and terminating with opposing acanthus scrolls issuing leafy pendant angle mounts, over hinged glazed gilt brass framed egg-and-dart cast break-arch door incorporating concave lower angles enclosing a repeating leafy spray cast apron mount beneath the dial behind, the sides with egg-and-dart moulding over rectangular glazed panels within ribbon-weave cast gilt brass frames and swollen lower section, the rear with hinged rectangular brass framed glazed aperture, on acanthus cast scroll feet with conforming palmette-centred pendant mount to the shaped front apron between.58.5cm (23ins) high, 31cm (12.25ins) wide, 14cm (5.5ins) deep. Very little of Robert Hodgkin is known; he is noted in Loomes, Brian Clockmakers of Britain 1286-1700 as working circa 1705-20 with reference to a single longcase clock signed by him. From the apparent lack of records, it would be reasonable to suggest that Robert Hodgkin most likely worked within one of the larger workshops. Indeed the style of the present lot would suggest a Huguenot workshop such as that of Claude DuChesne. Provenance:Purchased by the vendor at Bonhams, London sale of FINE CLOCKS, 10th December 2014 (lot 111) for £7,500. Previously exhibited by Algeron Asprey and Meyrick Nielson in An Exhibition of Fine and Decorative Clocks held at Bruton Street, London, 10-20th June 1975 (exhibit No. 6). The engraving to the backplate of the current lot is unusual in that there is noticeable 'space' within the composition - most noticeably towards the herringbone border and to the upper third. This does not conform to the usual practice of entirely filling the plate hence demonstrates an individual approach by Hodgkin's chosen engraver. Stylistically the rendering of the foliate scrollwork can be closely compared to that seen on a backplate of a clock by Daniel Quare illustrated in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass page 233 (Figure 13.19) which would suggest that both were executed by the same hand. The design and layout of the pull quarter repeat mechanism in the current lot can also be compared to that of a clock by John Wady described and illustrated in Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass pages 440-41. Condition Report: Movement is in fully working condition with no visible evidence of alteration or noticeable replacements however it is likely that a relatively complex clock of this age will have some service replacements within the mechanism. There is no evidence to indicate that the escapement is a re-conversion (ie. no evidence of the clock ever having and anchor escapement. Although in working condition the alarm mechanism is a little feeble. The brass of the movement has a slightly mellow hue. The dial plate also has slightly mellow colouring however is in fine condition with minimal oxidation to the chapter ring; the spandrels are of unusual pattern and are gilded as are the other mounts. The case is generally in very good condition. The mounts are of very even colour suggesting that have been regilded (electro-gilded). The convex section of the superstructure has some cracking to the tortoiseshell veneers towards the left-hand rear corner and the right-hand section following the arch profile has a join within the veneer across the rear upper corner. There is a small chip next to the front door keyhole otherwise veneers appear to be in fine condition with minimal movement or surface blemishes. The rear door upper pin hinge is currently not connected due to the tab drilled with a hole fitted to the door frame now being loose (requires screw drilling-out and re-tapping). Otherwise faults to the case are very much limited to slight age related wear and other very minor surface blemishes. Clock is complete with pendulum, case key and a winder. Condition Report Disclaimer
FRENCH GILT BRASS CALENDAR ALARM CARRIAGE CLOCK, RETAILED BY ASPREY 20TH CENTURY the white enamel dial with Roman numerals with Arabic five minute markers, the centre mask with a moonphase, subsidiary day, date and alarm dials below, gorge case, the twin train brass movement with platform lever escapement, stamped ‘Angelus, Made in France, 11 Eleven Jewels’ 18cm high [handle up], 9.5cm wide, 8cm deep
A large French gilt brass carriage clock retailed by Aspreywhite enamel dial with black Roman numerals, minute markers and outer Arabic minutes and blued steel moon hands signed Asprey, 8 day movement with passing strike on a coiled gong and platform escapement with compensated bimetallic balance, backplate signed Angelus, four glass gorge case with inspection top and carrying handle height with handle in upright position 18.2cm.Condition: Winding key present. Winds ticks and runs however no guarantee can be offered as to the full working order
An Art Nouveau oak cased mantel clock, having brass and ebony foliate inlay, the white enamel dial signed Asprey, and showing Roman numeral markers and twin winding holes for an 8-day movement, striking on a gong, height 31cmNot in working order; does not wind or adjust.Key and pendulum are present.Damage to the dial and losses to the inlay.The veneer is lifting and splintering in places.
A 1930's/40's ASPREY MANTEL CLOCK, Swiss made with gilt circular dial in a lacquered chinoiserie arched case, hand painted Oriental scene to the front, together with a Brook & Son Art Deco mantel clock, both wind and appear to work whilst testing (2) (Condition Report: the case of the Asprey clock is scratched and chipped in places, the other clock is missing ball feet, a couple of chips to case)

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649 item(s)/page