George Weissbort (1928-2013), a still life of red and white flowers, oil on board, 9" x 11" (23 x 28cm).
George Weissbort (1928-2013), a still life of a jug of flowers with grapes set on a white cloth, oil on board, 21.5" x 18" (55 x 46cm), unframed.
Thomas Rowlandson (1756-1827), 'The Norwich Bull Feast or Glory and Gluttony', hand coloured engraving, 9.5" x 13.5" (24 x 34cm).
George Weissbort (1928-2013),a still life study of roses, oil on board, 25" x 31" (63.5 x 79cm).
Circle of John Paddy Carstairs, landscape of a harbour village, watercolour, 13" x 21" (33 x 54cm).
James Gillray, 'Brisk Cathartic', engraving, published by H. Humphrey, 11" x 8.5" (28 x 21.5cm), unframed.
George Weissbort (1928-2013), a still life of grapes and a cream jug, oil on canvas laid down, 15" x 18" (38 x 46cm), unframed.
Henry George Gawthorn, 'Sleeping Leopard Cub', etching, gallery label verso, plate size 4.25" x 7" (11 x 18cm).
George Weissbort (1928-2013), a still life of fruit and wine on a white tablecloth, oil on canvas laid down, 20" x 24" (51 x 61cm), unframed.
George Weissbort (1928-2013), a still life of kitchen objects and tomatoes, oil on canvas laid down, 10.5" x 16" (27 x 40cm), unframed,
George Weissbort (1928-2013), a tall still life of mixed flowers and foliage, oil on board, signed, 24" x 10" (61 x 26cm).
George Weissbort (1928-2013), figure on a country path, oil on board, signed and dated 75, 23.75" x 28.75" (60 x 73cm), unframed.
Michele Martino (1889-1969), a view of a busy market at Constantinople, watercolour, signed, 12" x 18" (30 x 46cm), unframed.
George Weissbort (1928-2013), a still life of fruit and a pewter tankard amongst linen, oil on canvas laid down, 15" x 18" (38 x 46cm), unframed.
George Weissbort (1928-2013), a study of a traditional costume and boots, oil on canvas laid down, 32" x 24" (81.5 x 61cm).
Late 19th Century English School, a portrait of a woman in black, oil on canvas laid down, 20" x 16" (51 x 40cm).
George Weissbort (1928-2013), a still life of flowers in a glass vase, oil on canvas laid down, 16" x 13" (41 x 33cm), unframed.
George Weissbort (1928-2013), a still life study of fruit, grapes and a white jug, oil on canvas laid down, 18" x 24" (46 x 61cm), unfamed.
George Weissbort (1928-2013), a still life of onions, a white jug and other objects on a table, oil on canvas laid down, 18" x 22" (46 x 56cm)/
George Weissbort (1928-2013), still life study of a figurine and sheet music, oil on canvas laid down, 15" x 18" (38 x 46cm), unframed.
Schranz Brothers, 'Malta, A View of the Great Harbour from Ricasoli', hand coloured lithograph, 9.5" x 12" (24 x 30cm), a/f.
After Bouguereau, 'L'Amour et Psyche', oil on canvas laid down, 15.75" x 19.75" (40 50cm).
George Weissbort (1928-2013), a still life of a jar and jug with ribbons, oil on canvas laid down, signed, 11,75" x 15.75" (30 x 40cm), unframed.
J. R. Hutchinson, etchings of Peterhouse, Cambridge, a set of five, each signed in pencil, unframed, a/f.
20th Century Soviet Subject, Stalin gathered with other party officials, oil on canvas, 78" x 88" (199 x 224cm), unframed.
George Weissbort (1928-2013), a still life study of a basket of flowers, oil on canvas laid down, 18" x 24" (46 x 61cm), unframed.
After Ken Done, a colour print of fish, 16.5" x 25" (42 x 64cm).
Circle of Varley, a shepherd and his flock in a landscape with windmills in the distance, watercolour, 13" x 18" (33 x 46cm).
Attributed to George Van Haanen (1807-1876), figures in a forge, watercolour heightened with white, 6" x 5.25" (15 x 13cm).
Circle of George Chinnery, a lady seated in a wooded landscape, oil on canvas, 17" x 13" (43 x 33cm), unframed, a/f.
Circle of Donald Mcintyre, a view of boats on the shore, oil on board, inscribed verso, 8" x 10" (20 25cm).
19th Century Chinese School, a boy kneeling before a high ranking official, watercolour on rice paper, 9.25" x 6.25" (23 x 16cm).
Late 19th Century possibly North African School, figures in a narrow city street, oil on canvas laid down, 19.5" x 16" (50 x 40cm).
Late 19th Century, a gouache study of R.M.C. SS Moselle in open waters, inscribed, 18" x 25.5" (46 x 65cm).
George Weissbort (1928-2013), a still life with a horn and roses, oil on canvas laid down, signed, 13" x 21.75" (33 x 55cm), unframed.
J. R. Smith after W. Bigg, 'School Boys Giving Charity to Blind Men', hand coloured mezzotint, a/f.
John Emanuel (b. 1930), 'Cumbrian Fells', and extensive landscape, oil on board, signed and inscribed verso, 14.5" x 30" (37 x 76cm), unframed.
George Weissbort (1928-2013), a still life of a lobster and other objects on a tabletop, oil on canvas laid down, 18" x 21.5" (46 x 55cm).
George Weissbort (1928-2013), a still life of a glass of wine with a classical figurine, oil on canvas laid down, 18" x 21.5" (46 x 55cm), unframe...
Edward Tennyson Reed (1860-1933), 'The Milleniumsky Review', ink, signed with initials, 9" x 12" (23 x 30cm), unframed.
George Weissbort (1928-2013), a still life study of a cornet on a tabletop, oil on canvas laid down, 15" x 21.5" (38 x 55cm).
Circle of Dod Procter, still life of a green and white tea service, oil on canvas board, 12" x 16" (30 x 41cm).
Circle of Landseer, bulls clashing outside a country dwelling with a female figure looking on, pencil, 3.75" x 6.75" (9.5 x 17cm).
George Weissbort (1928-2013), a still life of apples and a glass vessel on a tabletop, oil on board, 29" x 36" (74 x 91.5cm), unframed.
Circle of J M W Turner, 'On the Swale below Richmond Castle', watercolour, 4" x 6" (10 x 15cm), painted and framed in a cartouche shape.
George Weissbort (1928-2013), a landscape view over fields, oil on board, 19.75" x 28.5" (50 x 72cm), unframed.
George Weissbort (1928-2013), a pair of unfamed oil on board studies of female nudes, each 13" x 9.5" (33 x 24cm), (2).
20th Century Soviet Subject, Lenin seated on a rocky outcrop with waves breaking beyond, oil on canvas,71" x 55" (180 x 140cm), unframed.
After Alessandro Rosi, 'Love of Virtue', oil on canvas, 32" x 27" (81.5 x 69cm) octagonal stretcher in a shaped frame.
20th Century, a native American weaving with a child alongside, oil on canvas laid down, indistinctly signed, 11" x 14.5" (28 x 37cm).
After David Roberts, a photolithograph of The Grand Portico of the Temple of Philae, Nubia, 19.75" x 28" (50 x 71cm).
R. Metcalf, an engraved and partially hand coloured folding plan and elevation of London Bridge by Mr. Dance, paper watermarked 1794, 100" x 26" (...
20th Century Soviet Subject, a portrait of Lenin holding a scroll and standing behind a flag with the hammer and sickle, oil on canvas, 115" x 67"...
A collection of twenty-seven cartoons from the 'St. Stephen's Review Presentation', various dates and subjects, each 12" x 18" (30 x 46cm), unfram...
Thomas Rowlandson (1756-1827), Colonel Topham Endeavoring with his Squirt, to Extinguish the Genius of Holmam, engraving, unframed, plate size 9.5...
Thomas Rowlandson (1756-1827), 'All for Love or a Scene at Weymouth', An Unexpected Meeting', hand coloured engraving, plate size 13.75" x 9.5" (3...
H. J. Johns, 'Breakwater and The Mew Stone from Mount Edgcumbe', watercolour, signed, 6.5" x 8" (16.5 x 20cm), along with a small marine oil and ...
Thomas Rowlandson (1756-1827), 'The Wooden Leg, or Careful Landlady', hand coloured engraving, plate size 9.75" x 14" (25 x 36cm), unframed.
G. B. Piranesi, 'Interior View of St. Peter's Rome', etching, unframed, 9" x 14" (23 x 35.5cm), a/f.
Thomas Rowlandson (1756-1827), 'The Magician !!', hand coloured engraving, plate size 9.5" x 13" (24 x 33cm).
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