Lot

54

James Humbert Craig RHA RUA (1877-1944) COUNTRY LANE WITH FIGURES, 1917oil on canvassigned lower

In Important Irish Art

This auction is live! You need to be registered and approved to bid at this auction.
You have been outbid. For the best chance of winning, increase your maximum bid.
Your bid or registration is pending approval with the auctioneer. Please check your email account for more details.
Unfortunately, your registration has been declined by the auctioneer. You can contact the auctioneer on +353 1 676 2888 for more information.
You are the current highest bidder! To be sure to win, log in for the live auction broadcast on or increase your max bid.
Leave a bid now! Your registration has been successful.
Sorry, bidding has ended on this item. We have thousands of new lots everyday, start a new search.
Bidding on this auction has not started. Please register now so you are approved to bid when auction starts.
James Humbert Craig RHA RUA (1877-1944) COUNTRY LANE WITH FIGURES, 1917oil on canvassigned lower
Interested in the price of this lot?
Subscribe to the price guide
Ballsbridge, Dublin

James Humbert Craig RHA RUA (1877-1944) COUNTRY LANE WITH FIGURES, 1917

oil on canvas

signed lower left; signed again and dated on reverse; also with John Magee & Co. [Belfast] label on reverse

P

20 by 15.5in., 50 by 38.75cm.

This is a very similar painting to A Lane in County Down, painted by James Humbert Craig in 1916 and exhibited at the RHA in 1917. When that picture was offered at Whyte`s on 16 September 2003 as lot 82 Dr S. B. Kennedy wrote:Although J. H. Craig was born in 1877 he began to paint seriously only around 1910 . Thus, while he was thirty-nine in 1916 when he painted this picture, it is, in reality, an early work. In these years, during which he lived with his parents in a large and commodious house, `Craigalea`, at Bangor in Co. Down, his subject matter was in the main drawn from areas close to home, namely Bangor, Groomsport and the shores of Belfast Lough. Only occasionally did he spread his wings to the north Antrim coast and Donegal and those other areas with which he is now so closely associated. A Lane in Co. Down, therefore, marks the end of the earliest phase of his work and looks forward to the whole of his later career…" Both A Lane in County Down and the present work show a touch of the French Barbizon school in both composition and tone. Both are atypical examples by the artist who, as Kennedy notes, "…generally preferred to record with uncanny realism the essential visual effect of a scene. Or, as John Hewitt more poetically put it, to catch `the swift notation of the insistent effect, the momentary flicker, the flash of light, the passing shadow`, attributes which might be regarded as the hallmark of his art. The loose Impressionist palette and brushwork, however, are typical of Craig`s oeuvre in general."

James Humbert Craig RHA RUA (1877-1944) COUNTRY LANE WITH FIGURES, 1917

oil on canvas

signed lower left; signed again and dated on reverse; also with John Magee & Co. [Belfast] label on reverse

P

20 by 15.5in., 50 by 38.75cm.

This is a very similar painting to A Lane in County Down, painted by James Humbert Craig in 1916 and exhibited at the RHA in 1917. When that picture was offered at Whyte`s on 16 September 2003 as lot 82 Dr S. B. Kennedy wrote:Although J. H. Craig was born in 1877 he began to paint seriously only around 1910 . Thus, while he was thirty-nine in 1916 when he painted this picture, it is, in reality, an early work. In these years, during which he lived with his parents in a large and commodious house, `Craigalea`, at Bangor in Co. Down, his subject matter was in the main drawn from areas close to home, namely Bangor, Groomsport and the shores of Belfast Lough. Only occasionally did he spread his wings to the north Antrim coast and Donegal and those other areas with which he is now so closely associated. A Lane in Co. Down, therefore, marks the end of the earliest phase of his work and looks forward to the whole of his later career…" Both A Lane in County Down and the present work show a touch of the French Barbizon school in both composition and tone. Both are atypical examples by the artist who, as Kennedy notes, "…generally preferred to record with uncanny realism the essential visual effect of a scene. Or, as John Hewitt more poetically put it, to catch `the swift notation of the insistent effect, the momentary flicker, the flash of light, the passing shadow`, attributes which might be regarded as the hallmark of his art. The loose Impressionist palette and brushwork, however, are typical of Craig`s oeuvre in general."

Important Irish Art

Sale Date(s)
Venue Address
Royal Dublin Society
(RDS) Anglesea Road Entrance
Ballsbridge
Dublin
Ireland

General delivery information available from the auctioneer

The buyer will be responsible for all removal, storage and insurance charges in respect of any lot which has not been collected within fourteen days of the date of sale.

Important Information

Friday 24 May, opening reception kindly sponsored by Smith & Williamson with gallery talks 6pm to 8pm

Buyer's Premium 16.53% + VAT

Shipping:
Whytes do not handle this themselves but will recommend a suitable company who can collect your purchases on your behalf and pack and despatch them to you once they have been paid for.

Terms & Conditions

See Full Terms And Conditions