558
Samuel Dixon (c.1755) Foreign and domestic birds A set of four ``basso relievo`` embossed bird
Description
Samuel Dixon (c.1755) Foreign and domestic birds A set of four ``basso relievo`` embossed bird paintings contained in their original black Japanned frames, 28cm by 38cm and 22cm by 17.5cm respectively (4) Two of the works were purchased in 1957 for £200. For comparables see: Sotheby`s ``A Connoisseurs Collection``, 04 December 2013, lot 415 Sotheby`s ``Property from the Collections of Lily and Edmond J. Safra - Volumes I-VI``, 18 October 2011, lot 1133 Christie`s ``The Gothick Pavillion - A Private Collection in Belgravia``, 26 January 2011, lot 5 The Pigeon with the butterfly and birds nest: The gouache remains in good colour depth. The background is quite heavily stained which slightly recedes at the top edge and right hand side edge. The main body of the background has a slightly mottled look with lighter small patches. There is isolated and sporadic brown specs of presumably foxing. There is a black (painted?) vertical line running from the top of the pigeon`s beak approximately 0.5cm in length and may not be contemporary with the other painting. Evidence of some light cockelling to the paper. Minor scuff to the bottom right hand corner. (has not been examined out of the frame) The white bird on a branch with flowers: There is an overall good depth of colour to the gouache with some loss of definition to the green of the leaves to the left of the blue coloured tulip, the stalk and the long curved green leaf forming a ``C`` shape between the two red chrysanthemums. The blue corn flowers above the left hand side of the afore mentioned leaf are losing some of the colour depth and definition. There is also some fine cracking to the paint of two or three of the cornflower`s centres and minor light flaking to the denser parts of the burgundy coloured gouache forming the vegetation of the orange coloured tulip in the lower section. The background is uniformly heavily stained to a dark beige colour. The paper is cockelling. There is one worm hole to the left hand side edge. There is a small ``V`` shaped crease/tear to the upper left hand corner (less than 0.5cm on each side) and a small amount of thunder flies are visible to the top right hand corner (has not been examined out of the frame) The reverse of this example bears an inscription verso ``A pair of Dixon pictures (18th century) bought from A. Cook at Antique Dealers Fair in 1957 for £200 Feversham.`` The example with the red parrot: The colour depth of the gouache is generally strong and good. There is some very minor and fine crazing with very small losses to the head of the parrot nearest the beak and fine crazing down his neck and breast. There is further fine crazing to the gouache and gum arabic in the rich blue of his tail beneath his wings (stable)There is rubbing to the surface at the bottom of the left hand corner and a slight loss of definition to the branch which the parrot rests upon. There is some very superficial scuffing to the wing of the black and white bird perched on the branch. The background is heavily discoloured (slightly less so towards the top edge and left hand side edge) There is a quantity of thunder flies trapped mostly under the glass and on the mount. There is a worm hole to the centre of the lower edge (has not been examined out of the frame) The example with the blue macaw: The background is uniformly and heavily discoloured to dark beige. The colour depth is generally strong. There is a small nick to the surface bottom of the left hand side branch. There is slight rubbing to the right hand side wing of the left hand side grey and red bird and slight cockelling to the paper. The head, neck and back of the blue macaw appears slightly green so possibly reduced in colour (has not been examined out of the frame)
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Samuel Dixon (c.1755) Foreign and domestic birds A set of four ``basso relievo`` embossed bird paintings contained in their original black Japanned frames, 28cm by 38cm and 22cm by 17.5cm respectively (4) Two of the works were purchased in 1957 for £200. For comparables see: Sotheby`s ``A Connoisseurs Collection``, 04 December 2013, lot 415 Sotheby`s ``Property from the Collections of Lily and Edmond J. Safra - Volumes I-VI``, 18 October 2011, lot 1133 Christie`s ``The Gothick Pavillion - A Private Collection in Belgravia``, 26 January 2011, lot 5 The Pigeon with the butterfly and birds nest: The gouache remains in good colour depth. The background is quite heavily stained which slightly recedes at the top edge and right hand side edge. The main body of the background has a slightly mottled look with lighter small patches. There is isolated and sporadic brown specs of presumably foxing. There is a black (painted?) vertical line running from the top of the pigeon`s beak approximately 0.5cm in length and may not be contemporary with the other painting. Evidence of some light cockelling to the paper. Minor scuff to the bottom right hand corner. (has not been examined out of the frame) The white bird on a branch with flowers: There is an overall good depth of colour to the gouache with some loss of definition to the green of the leaves to the left of the blue coloured tulip, the stalk and the long curved green leaf forming a ``C`` shape between the two red chrysanthemums. The blue corn flowers above the left hand side of the afore mentioned leaf are losing some of the colour depth and definition. There is also some fine cracking to the paint of two or three of the cornflower`s centres and minor light flaking to the denser parts of the burgundy coloured gouache forming the vegetation of the orange coloured tulip in the lower section. The background is uniformly heavily stained to a dark beige colour. The paper is cockelling. There is one worm hole to the left hand side edge. There is a small ``V`` shaped crease/tear to the upper left hand corner (less than 0.5cm on each side) and a small amount of thunder flies are visible to the top right hand corner (has not been examined out of the frame) The reverse of this example bears an inscription verso ``A pair of Dixon pictures (18th century) bought from A. Cook at Antique Dealers Fair in 1957 for £200 Feversham.`` The example with the red parrot: The colour depth of the gouache is generally strong and good. There is some very minor and fine crazing with very small losses to the head of the parrot nearest the beak and fine crazing down his neck and breast. There is further fine crazing to the gouache and gum arabic in the rich blue of his tail beneath his wings (stable)There is rubbing to the surface at the bottom of the left hand corner and a slight loss of definition to the branch which the parrot rests upon. There is some very superficial scuffing to the wing of the black and white bird perched on the branch. The background is heavily discoloured (slightly less so towards the top edge and left hand side edge) There is a quantity of thunder flies trapped mostly under the glass and on the mount. There is a worm hole to the centre of the lower edge (has not been examined out of the frame) The example with the blue macaw: The background is uniformly and heavily discoloured to dark beige. The colour depth is generally strong. There is a small nick to the surface bottom of the left hand side branch. There is slight rubbing to the right hand side wing of the left hand side grey and red bird and slight cockelling to the paper. The head, neck and back of the blue macaw appears slightly green so possibly reduced in colour (has not been examined out of the frame)
Summer Fine Art Sale - Saleroom 2
Sale Date(s)
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DL8 5SG
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Shipping/Delivery is entirely at the discretion of the Auction House. We suggest contacting the Auction House before placing a bid to ensure delivery is possible. Tennants can potentially only ship small items up to 5 kilos by Royal Mail Special Delivery, they cannot guarantee being able to pack ceramic or glazed items or to ship internationally. They recommend Pack & Send, ?specialists in the packing of fragile and valuable fine art and antiques for delivery throughout the UK and Worldwide? ? 0113 2436393, leedsnorth@packsend.co.uk & Mailboxes, Etc from Leeds who visit regularly to collect, pack and ship items and can be contacted on 0113 242 8715, info@mbeleedscity.co.uk.
For larger items they recommend Bradleys Furniture Carriers with whom they work with very closely, they can be contacted at 01325 244 217 or 01748 503 101.
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