Monthly Auction with Collectors and Militaria

L. Wangler of Oxford circular wall clock, together with clock bracket and pendulum

Cased set of eight Dunhill Clay Pipes

Late 19th century carved and pierced ivory frame, with hinged, pierced and carved door covers carved with dragons and clouds with calligraphy pane...

19th century ivory oval box, the lid with a painted portrait miniature of an attractive lady in Elizabethan style clothing Condition: Miniature s...

Celluloid early 20th century hand painted fan with floral decoration

19th century Japanese Okimono sectional figure of a man holding a staff

19th century ivory netsuke of a reclining sape with a monkey on his back

Late 19th century stained ivory netsuke of a man holding a scroll, together with another 19th century ivory netsuke, a carved ivory chess piece, a...

Two bone early 20th century (possibly) letter openers, each engraved with reindeer

19th century carved ivory pot lid, carved with floral decoration, two similar, a napkin ring, and two other items (mostly a/f)

19th century Chinese cirvical and pierced ivory, finely carved with figures and attendants (a/f)

Late 19th century Chinese carved ivory puzzle box with sliding lid carved with figures and attendants, with puzzle contents

19th century Chinese ivory purse shaped box with cartouche panels lightly carved with figures and attendants

19th century Japanese stained ivory netsuke carved as an actor wearing no mask with a fox on his head Condition: Tail of fox (a/f)

Three items of ivory to include a figure on an oval base, a carved ivory figure and another containing a calendar

Simon Hart print of boats moored in a beach setting, signed in pencil, 41cm x 60cm, framed

Simon Hart print titled, 'Bright Boats and Seagulls', unsigned, 58cm x 78.5cm, frame

Glyn Murray artist proof titled, 'Red Grabber', signed in pencil (bottom right) with writing verso, Glyn Murray, Artist's Proof, Devon 2004, 53cm ...

Glyn Murray, an untitled artist proof, signed in pencil (bottom right), with writing verso, Glyn Murray Artist's Proof Devon 2004, 48cm x 47cm, fr...

Georgie Young, limited edition print titled, Glow, signed in pencil and numbered 14/75, 20cm x 31cm, framed

A. Tozer, oil on board of two moored boats, signed, 26.6cm x 26.5cm, framed

John Dyer print, Beside the Wave Gallery, 59cm x 78.5cm, framed

Two prints of seascapes by the same hand, artist signature indistinct, each 22cm x 22cm, and both framed (2)

Martin Oates, watercolour titled Cottages Shieldaig, 16cm x 35.5cm, mounted and framed under glass, with Aberfeldy Gallery label verso

After Alfred Wallis, unsigned print of St Ives, with label verso, 31cm x 46cm, framed

After Henri Matisse print titled, Le Danse II, 59cm x 79cm, framed

Margaret Morcom, watercolour titled, Portloe 1975, signed, 36cm x 53cm, with label verso, framed and glazed

Margaret Morcom, an untitled watercolour of coastal scene (possibly Cornwall), 27cm x 35cm, with label verso, framed and glazed

Margaret Morcom, a watercolour titled, Porth Farm, signed, label verso, 26.5cm x 52.5cm, framed and glazed

Margaret Morcom, watercolour titled, Norway, signed, 21.5cm x 26.5cm, with label verso, framed and glazed

Margaret Morcom, watercolour titled Loeh Norway, signed, 21.5cm x 26cm, with label verso, framed and glazed

Margaret Morcom, a watercolour titled Bergen Norway, signed, 21cm x 26cm, with label verso, framed and glazed

After Henry Alken, four The Leicestershire Covers prints and each titled, The Death, View of Kettleby; Full Cry, Whifsendine Pasture; The Meeting,...

After Wilhelm Schacht, a lithograph titled, Trout Stream in the Franconian Forest, 74cm x 58cm, framed

Elizabeth Cramp, a watercolour titled, The Music Teacher, label verso, signed, 34cm x 27cm, framed

Arthur Cottam, a watercolour titled the, River Parrett, Bridgwater, monogrammed and dated, 19.9.08, with label verso, 25cm x 35cm, framed

J. Penson, watercolour of a river scene (possibly Cheddar Gorge), signed, 35cm x 50cm, framed

G. Cattermole, watercolour of the, Interior of Beauchamp Chapel, Wawick, titled verso, 28cm x 40.5cm, framed

Walter H. Alcott (1880-1951), watercolour of a disused building in a landscape setting, 27cm x 37cm,together with another watercolour in the same ...

Oil on board of a coastal view in Cornwall, unsigned and unframed, 43cm x 72cm

D. Harrison, a watercolour titled Conway and dated 1872, signed, 32.5cm x 51cm, together with a unsigned watercolour of a river scene, with hills ...

After Sir J. E. Millais, a print titled The Boyhood of Raleigh, together with another print after, F. D. Millet, titled Between two Fires ...[mor...

After R. Georgws, a print of three deer in a woodland winter setting with snow on the ground, together with another by the same hand of a deer wit...

Henry H. Parker, watercolour titled Stratford upon Avon depicting figures gathering hay, signed, 53cm x 36cm, in gilt frame

Two 19th century portraits, both signed and dated A. Janari dip, 1879 ...[more]

After David Stone, a limited edition print titled Rangitoto, signed in pencil and numbered 444/500, 36cm x 54cm together with after R. H. Sharlow,...

Watercolour of Weacombe Farm, West Quantoxhead, unsigned, 24cm x 35cm

Oil on board of a hunting scene, unsigned, 25cm x 34.5cm, in gilt frame

Valerie Thornton (1931-1991), artist's proof titled, Wood, signed and dated '56, 27cm x 14cm, framed

Oil on board of three Tibetan boys lying in a field with mountains in the background

Print of Dover Harbour, 48.5cm x 75cm, in gilt frame

After Sir Thomas Lawrence PRA, a mezzotint titled Lady Acland & Children by W. A. Cox, and signed in pencil by Cox bottom right, label verso, 34cm...

After Constance Milburn, a limited edition print numbered 268/600, of Somerset County Cricket Ground in Taunton, signed by the artist in pencil, 2...

John Dyke, a watercoloue of Readymoney Cove, Fowey, Cornwall, 24cm x 35cm, framed

Edward Healby, a watercolour titled Kilchurn Castle, Loch Awe, signed and framed, 24cm x 35cm,

Pears print titled, Oriental Colours, framed, 71cm x 34cm,

Three pictures of, The White Horse Inn, Stogumber, Somerset to include a watercolour by David Wild, dated '86 (3)

After Basil Ede, a print titled Quails in a Summer Field, signed in pencil and with a certificate of authenticity verso, framed, 35cm x 47cm,

Decoupage picture of a clown painted in oils, 26cm x 18cm

Two unsigned watercolours, possibly by the same hand, the first of a mountainous landscape scene, the second of a seascape, both in gilt frames