Design | To include items from the Estate of Max Clendinning and Ralph Adron

Ettore Sottsass (Italian, 1917-2007), 'Alucia', 1972, produced 1974-1976 by Vistosi Murano, the red incalmo glass bowl with a black rim, raised on...

Ettore Sottsass (Italian, 1917-2007), 'Veniera', 1972, produced 1974-1976 by Vistosi Murano, the yellow incalmo glass body of cylindrical form, su...

Ettore Sottsass (Italian, 1917-2007), 'Basilissa', 1972, produced 1974-1976 by Vistosi Murano, the blue incalmo glass body with a green neck, etch...

Lewis Foreman Day (1845-1910), an Aesthetic Movement ebonised mantel clock, with a gilt-painted and enamelled pottery dial, within a surround carv...

An ebonised mantel clock, c.1870, by Lewis Foreman Day (1945-1910), the cornice modelled as a tiled roof, with a painted porcelain dial decorated ...

William De Morgan (1839-1917), a pair of 'BBB' tiles, late 19th century, each decorated with a yellow flower, impressed with Fulham Pottery marks ...

William De Morgan (1839-1917), a pair of 'Cavendish' tiles, c.1880, each painted with a blue flower amongst green foliage, stamped to the base wit...

William De Morgan (1839-1917), a pair of 'Oblique' tiles, designed c.1875, each decorated in green with blue details, impressed to the verso with ...

William De Morgan (1839-1917), a ruby lustre 'BBB' tile, c.1880, with a faint Fulham Pottery mark to the verso, 16cm square, anda Persian-inspired...

William De Morgan (1839-1917) Two pen and ink sketches, one depicting a procession, the other possibly the triumph of St George, c.1870unsigned 34...

An Aesthetic Movement ebonised desk, c.1880, the top with a mirror-backed gallery over two walnut-fronted drawers, flanked to either side by cabin...

An Aesthetic Movement mahogany desk, c.1880, the rectangular top raised with a frieze drawer, above bobbin-turned supports and an undertier, raise...

An ebonised 'Thebes' side table, late 19th century, after the original design by E W Godwin, the square top raised on turned supports, with an und...

Paolo Rizzatto (Italian, b.1941) and Gino Sarfatti (Italian, 1912-1985), an Italian 'Model 613' desk lamp, designed in 1975 for Arteluce, the semi...

Attributed to WAS Benson (1854-1924), a near pair of brass Pullman lamps, early 20th century, each of tripod brass construction, one example with ...

Charles Locke Eastlake (1836-1906), a Gothic Revival walnut library bookcase, c.1870, in two sections, the upper section with a buttressed cornice...

An Aesthetic Movement walnut bracket clock, c.1870, the design attributed to Lewis Foreman Day (1845-1910), the case inset with painted ceramic pa...

Philip Webb (1831-1915), two ebonised 'Sussex' chairs, late 19th century, designed for Morris & Co., one with a spindle gallery backrest, the othe...

▲ Pablo Picasso (Spanish, 1881-1973), 'Paysage (landscape), Variante aux Trois Étoiles' (AR 205), 1953, a faience stoneware charger, glazed and pa...

A pair of Czech Art Deco splatter glass spill vases, c.1930, by Franz Tomschick, each of stepped form, with white and blue splatters against a red...

A pair of French opaline glass obelisks, 1860s, each of typical form,26cm high (2)Provenance: The Estate of Max Clendinning and Ralph Adron.

▲ Max Clendinning (1924-2020) Cabinet, 1976, the burnished and painted wooden frame surmounted by a rectangular marble top, with a stepped galler...

Dr Christopher Dresser (1834-1904), a near pair of 'Kordofan' candlesticks, designed in 1883 for Richard Perry, Son & Co., each cupped sconce rais...

An ebonised Anglo-Japanese corner cabinet, c.1880, possibly by George Maddox, surmounted by a swan-neck pediment over a half-open gallery, the low...

▲ Ralph Adron (1939-2023) Anxious Procession, c.1990,signed l.r., triptych, oil on canvas115 x 206cmProvenance: The Estate of Max Clendinning and ...

▲ Duncan Grant (1885-1978) 'Sketch at Brighton', 1930signed and dated l.l., also signed l.r. and inscribed with title on a fragmented label verso,...

▲ Frederick Kenneth Crooke (1908-1991) Les Caves, Nice, 1938signed and dated 'Frederick Crooke -38' l.l., gouache56 x 41cm, 80 x 64cm framedProven...

▲ Oliver Messel (1904-1978) Study of a seated woman, 1946watercolour and gouache, signed l.l,38 x 54cm, 52 x 69cm framedProvenance: The Estate of ...

▲ Nicholas Georgiadis (Greek-British, 1923-2001) The Sleeping Beauty, costume design for Galina Panova as Aurora, Act I, 1975signed l.l., charcoal...

Juan Gris (Spanish-French, 1887-1927) Nature morte, originally executed 1922, ed.1953pochoir print, unsigned29 x 21cm, framed 59 x 49cmProvenance:...

▲ Jean Dubuffet (French, 1901-1985) 'Nappe Léopardée', 1959lithograph, signed and titled artist's proof 45 x 63.5cm, 50 x 70cm framedProvenance: T...

Piero Fornasetti (Italian, 1913-1988), a 'Tema E Variazioni' plate, 1970s, design no. 28, the surface with transfer-printed decoration of Lina Cav...

A Jean Dubuffet exhibition poster, c.1966, 'Tate Gallery, 23 April - 30 May 1966', issued by the Arts Council,74 x 50cm, 100 x 70cm framedProvenan...

▲ Richard Slee (b.1946), 'Trowel', 2007, the found and enamelled trowel head mounted with a glazed ceramic handle, the trowel with an applied frin...

Nathalie Du Pasquier (French, b.1957), an 'Ebano' ceramic vase, designed in 2018 for Memphis Milano, of stepped cylindrical form, glazed in green,...

Ettore Sottsass (Italian, 1917-2007), 'Tosca', 1996, a painted stoneware vase, produced in 1997 by Flavia Montelupo, for Édition Limitée, Paris, t...

Ettore Sottsass (Italian, 1917-2007), 'Morosina', 1972, produced 1974-1976 by Vistosi Murano, the opaque glass body of stepped cylindrical form, e...

A pair of Louis XV armchairs, modern, by William L Maclean, each of typical form, the seat, back and armrests with needlepoint upholstery designed...

▲ Richard Slee (b.1946), 1977, an earthenware vase, of asymmetrical form, with a rectangular cushioned rim, raised on oval supports, decorated in ...

▲ Richard Slee (b.1946), 1977, an earthenware vase, of flared asymmetrical form with faceted sides, raised on oval supports, decorated in a mottle...

▲ Richard Slee (b.1946), 1983, an earthenware bowl, of tapering abstract form with a thick rim, the textured base glazed in purple and white, with...

▲ Richard Slee (b.1946), c.1986, a pair of earthenware vases, each of asymmetrical double gourd form, with faceted sides, decorated in a bright bl...

Ettore Sottsass (Italian, 1917-2007), an 'Articolo 6000' vase, 1991, the enamelled stoneware floor vase designed for the 'Hollywood' collection, p...

▲ Ralph Adron (1939-2023) an elaborate wall mirror, 1994, surmounted by three pierced triangular cornices, the sides mounted with sconces supporti...

▲ Max Clendinning (1924-2020), console, 2011, of reverse waterfall form, the wooden frame decorated in olive with silvered detailing, 116.5cm wide...

Gianfranco Frattini (Italian, 1926-2004), an 'Acheo' standard lamp, 1970s, designed for Artemide, the cylindrical glass shade raised on a slender ...

A rosewood and ebonised stereoscopic viewer, containing approximately 190 slides of subjects including Italy, St Ives, Grindelwald, most labelled ...

Manner of AWN Pugin, a pair of oak side chairs, mid-19th century, each with a carved back rail, one centred with a portcullis, with chamfered and ...

An Aesthetic ebonised side cabinet, c.1880, by Snowdon of Rochdale, with chamfered and gilt borders, mounted with a bevelled glass back, a shelf, ...

Manner of WAS Benson, a brass standard lamp, 1890s, with an extending column, mounted with embossed leaves, raised on four swept supports with cla...

Charles Locke Eastlake (1836-1906), an oak dresser, c.1870-1875, with a moulded top, over three adjustable shelves, the lower section centred with...

An Arts and Crafts copper purdonium, of cylindrical form, with stylised embossed details, inset with Ruskin roundel cabochons, with a rusticated g...

An oak armchair, 1980s, by Litton Furniture Sturminster, after a design by Charles Rennie Mackintosh (1868-1928) for Miss Cranton's 'Argyle Street...

A group of three John Walsh Walsh glass shades, c.1890, Birmingham, each of bell form, relief-moulded with stylised foliate motifs to a straw opal...

A pair of Arts and Crafts silver-plated wall lights, early 20th century, each oak-mounted with scrolled and planished decoration, each supporting ...

A group of three straw opalescent glass shades, late 19th century, in the manner of James Powell & Sons, each relief-moulded with stylised ribbon ...

A WAS Benson copper ceiling light, c.1900, with a six-division fitting, stamped 'Rd' number, supporting a James Powell & Sons straw opalescent gla...

A WAS Benson brass and straw opalescent glass ceiling light, c.1900, the six-division fitting supporting a James Powell & Sons straw opalescent gl...

A set of five straw opalescent glass shades, c.1900, in the manner of James Powell & Sons, each with a scalloped rim, 12cm diameter9.5cm highFor a...

Manner of WAS Benson, a pair of Arts and Crafts copper and opalescent glass ceiling lights, c.1900, each with lobed pendants, supporting a John Wa...