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Eugene Henri Paul Gauguin Les Vieilles Filles a Arles, from the Volpini Suite signed in the plate
Description
Eugene Henri Paul Gauguin Les Vieilles Filles a Arles, from the Volpini Suite signed in the plate executed in 1889 lithograph sheet size: 32 by 47cm The following is an excerpt from an article published in the New York Times, 13 March 2014, relating to the exhibition, The Man, Not the Myth, Gauguin Metamorphoses, at the Museum of Modern Art: In 1889, he made the Volpini series of zincograph prints (named for the cafe in which they were exhibited), the first of three suites of prints that form the spine of the MoMA show. Printed on yellow paper with generous borders that are themselves unusual, they show him reprising paintings made in Brittany... http://www.nytimes.com/2014/03/14/arts/design/gauguin-metamorphoses-at-moma-goes-beyond-paintings.html
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Eugene Henri Paul Gauguin Les Vieilles Filles a Arles, from the Volpini Suite signed in the plate executed in 1889 lithograph sheet size: 32 by 47cm The following is an excerpt from an article published in the New York Times, 13 March 2014, relating to the exhibition, The Man, Not the Myth, Gauguin Metamorphoses, at the Museum of Modern Art: In 1889, he made the Volpini series of zincograph prints (named for the cafe in which they were exhibited), the first of three suites of prints that form the spine of the MoMA show. Printed on yellow paper with generous borders that are themselves unusual, they show him reprising paintings made in Brittany... http://www.nytimes.com/2014/03/14/arts/design/gauguin-metamorphoses-at-moma-goes-beyond-paintings.html
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Monday 12 October 2015
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