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D Armstrong, A Leeds Gas Lamp 1982, original pencil on paper, 13 by 10cm.
Ducan Armstrong, Airton Near Skipton, Padiham, 1981, original pencil on paper, 15 by 10cm.
Duncan Armstrong, one Town End, Padiham 1980, original pencil on paper, 13 by 10cm.
Duncan Armstrong, A Snicket in Skipton, Padiham 1980, original pencil on paper, 13 by 10cm.
Duncan Armstrong, Gate Edn, Padiham, 1983, original pencil on paper, 10 by 15cm.
Duncan Armstrong, A Drivers Tale Padiham 1994, limited edition print, signed in pencil and titled to
Duncan Armstrong, A Drivers Tale Padiham 1994, limited edition print, signed in pencil and titled to the margin, 7/250.
S. Warburton, Church with dark skies, watercolour and ink, 1983, 30 by 40cm.
VC Ellerton, village scene with figures to the fore, pencil and chalk on paper, 30 by 23cm.
S Warburton, The Road To Keighley, Hebdon Bridge, '84, watercolour, 33 by 40cm.
Rowena Brassey (20th century): pair of nude studies, pastel on paper, dated 1973, signed in pencil.
Rowena Brassey (20th century): pair of nude studies, pastel on paper, dated 1973, signed in pencil.
Three 16th century sanguine drawings.
Adrian Thompson (20th century): Locomotives, oil on canvas, 75 by 100cm.
Adrian Thompson (20th century): ship on choppy seas, oil on canvas, 75 by 100cm.
Adrian Thompson (20th century): Crusader SH173, watercolour, 46 by 33cm.
E.K Redmore (19th century): moored fishing boats at twilight, 44 by 75cm.
Adrian Thompson (20th century): Arctic Corsair, 50 by 74cm.
J Harvey (20th century): Galleons at sea, 50 by 60cm.
E A Redmore (19th century): white cliffs with fishing boats and figures to the fore, 50 by 75cm.
E A Redmore (19th century): white cliffs with fishing boats and figures to the fore, 50 by 75cm.
Oil on canvas, laid onto board, 19th century, unsigned, lightning strike in stormy seas, 47 by
Oil on canvas, laid onto board, 19th century, unsigned, lightning strike in stormy seas, 47 by 77cm.
Joie Welbrock-Smith, Cretan Vineyards and The Old French Mill, oil on board.
George Coppard, Beatrice Webb House, and a landscape, both oil on board.
Five pictures, a pair of oil on canvas by E T Edwards, 2 watercolours by ET Edwards, another by S
Five pictures, a pair of oil on canvas by E T Edwards, 2 watercolours by ET Edwards, another by S Nicholson.
J Welbrock-Smith, Highland Solitude, oil on canvas.
Stamford Meadows, limited edition print 287/500.
Robert Ixer (20th century): two oil on canvas landscapes, one oval.
A oil on porcelain plaque, portrait of a girl wearing a bonnet, holding a dove.
Five Indian hand painted book leaves.
Five Indian hand painted book leaves.
A group of five Indian gouache paintings with script.
Five Indian hand painted book leaves.
Five Indian hand painted book leaves.
A pair of prints depicting classical studies of fountains.
Vic Millington, 2012, Approaching Padstow, Cornwall, original watercolour, railway style, based on a
Vic Millington, 2012, Approaching Padstow, Cornwall, original watercolour, railway style, based on a photograph by Derek Cross, signed, 57 by 77cm...
Leighton Maybury, hand painted bone china plaque, No. of Fires - No. 8, dated 1984, detail verso, 34
Leighton Maybury, hand painted bone china plaque, No. of Fires - No. 8, dated 1984, detail verso, 34 by 24½cm.
A 19th century print depicting a child feeding a bird beside an open window, 33 by 38cm.
A pair of oil on board, lakeside scenes, circa 1900, 5 by 20cm.
Cecil Aldin, hunt scene, original pencil on panel, circa 1935, 13 by 18cm.
Cecil Aldin, hunt scene, original pencil on panel, 18 by 12cm.
Cecil Aldin, huntsman on horseback jumping fence, original pencil on panel, circa 1935, 12 by 17cm.
Cecil Aldin, huntsman on horseback jumping fence, original pencil on panel, circa 1935, 12 by 17cm.
A group of six hunting prints.
A group of six hunting prints.
A classical style print depicting a Grecian urn. 29 by 20cm.
Four 19th century tinted prints of a comical nocturnal hunt; 'Ipswich The Watering Place Behind
Four 19th century tinted prints of a comical nocturnal hunt; 'Ipswich The Watering Place Behind the Barracks- Preparing to Start', 'The Large Fiel...
A pair of botanical prints, in oak frames.
Ronald A Suter (20th century): Mont Orgueil castle, St Aubins Bay, Jersey, oil on canvas.
Ronald A Suter (20th century): boat studies, watercolour. (2)
Ronald A Suter (20th century): boat studies, oil and wash on board. (3)
James North (20th Century): fishing boat against the dock 1993, and the estuary 1992, watercolour. (2)
W H Cooper: prints: Down The Cumbrian Esk, October Sun Coniston Water, Langdale Pikes and Oak
W H Cooper: prints: Down The Cumbrian Esk, October Sun Coniston Water, Langdale Pikes and Oak House Farm. (3)
Ronald A Suter (20th Century): boat studies, oil on canvas. (2)
Sally Giles, Clifftop, watercolour, 15 by 15cm.
A group of local portrait photographs, framed, including a pair of small framed portraits of two
A group of local portrait photographs, framed, including a pair of small framed portraits of two brothers.
A 19th century tinted print by C Fitzgerald, figures on a boat with house to the background, 39 by
A 19th century tinted print by C Fitzgerald, figures on a boat with house to the background, 39 by 31cm.
Hector Wallet, 1941, oil on board, still life of flowers, painted both sides. 60 by 47cm.
Andre Asegui, Yorkshire Village scene with black cat on a bridge, oil on board, 37 by 46cm.
An oil on board, view of Stamford Roman Catholic Church, Broad Street, in a giltwood frame.
A print; Alberto Monseco signed in ink to the margin, 31 by 37cm.
A large print depicting fish studies, 94 by 64cm.
A set of four hunting prints, in oak frames, bearing Warings of Oxford framers labels verso.
A set of four hunting prints, in oak frames, bearing Warings of Oxford framers labels verso.