The Pywell-Phillips Collection of English Milled Silver and Copper Coins

Anne (1702-14), Halfcrown, 1713, rev. eight strings to harp, roses and plumes in angles, ...[more]

Anne (1702-14), Halfcrown, 1714, rev. eight strings to harp, roses and plumes in angles, ...[more]

Anne (1702-14), Shilling, 1707, rev. eight strings to harp (ESC 1395 {1141}; S.3610), light flecking across nicely toned and residually lustrous s...

Anne (1702-14), Shilling, 1708, rev. six strings to harp (ESC 1399 {1147}; S.3610), light flecking, otherwise deep tone overlying lustrous surface...

Anne (1702-14), Shilling, 1709, rev. six strings to harp (ESC 1402 {1154}; S.3610), softly struck on high points, the portrait otherwise neatly fr...

Anne (1702-14), Shillings (2), 1710, rev. six strings to harp, roses and plumes in angles (ESC 1403 {1155}; S.3614), once mounted but skillfully r...

Anne (1702-14), Shilling, 1712, rev., six strings to harp, roses and plumes in angles (ESC 1410 {1159}; S.3617), near very fineSubject to 20% VAT ...

Anne (1702-14), Shilling, 1713 over 2, rev., six strings to harp, roses and plumes in angles (ESC 1411 {1160}; S.3617), tone overlying residual lu...

Anne (1702-14), Shilling, 1714, rev. six strings to harp, roses and plumes in angles (ESC 1412 {1161}; S.3617), scratch behind bust, otherwise bol...

Anne (1702-14), Sixpence, 1707, rev. seven strings to harp, angles plain (ESC 1453 {1587}; S.3619), toned, with underlying residual lustre, extrem...

Anne (1702-14), Sixpence, 1707, rev. five strings to harp, plumes in angles (ESC 1455 {1590}; S.3623), lightly flecked and with some cabinet frict...

Anne (1702-14), Sixpence, 1708, rev. five strings to harp, angles plain (ESC 1456 {1591}; S.3619), toned and lustrous, approaching mint state, but...

Anne (1702-14), Sixpence, 1710, rev. six strings to harp, roses and plumes in angles (ESC 1459 {1595}; S.3624), once lightly wiped on obverse, oth...

Anne (1702-14), Sixpence, 1711, rev., five strings to harp, normal lis, angles plain (ESC 1460 {1596}; S.3619), toned and lustrous, extremely fine...

Anne (1702-14), Pattern Farthing, 1714, in copper, ...[more]

George I (1714-27), Crown, 1716, laureate, draped and cuirassed bust right, rev. crowned shields cruciform, eleven strings to harp, roses and plum...

George I (1714-27), Crown, 1718 over 6, rev. eleven strings to harp, roses and plumes in angles, ...[more]

George I (1714-27), Crown, 1720 over 18, rev. eleven strings to harp, large roses and plumes in angles, ...[more]

George I (1714-27), Crown, 1723, rev. eight strings to harp, ...[more]

George I (1714-27), Crown, 1726, rev. nine strings to harp, small roses and plumes in angles, ...[more]

George I (1714-27), Halfcrown, 1715, laureate, draped and cuirassed bust right, rev. crowned shields cruciform, eight strings to harp, large roses...

George I (1714-27), Halfcrown, 1717, rev. eight strings to harp, ...[more]

George I (1714-27), Halfcrown, 1720 over 17, rev. nine strings to harp, ...[more]

George I (1714-27), Halfcrown, 1720 over 17, rev. nine strings to harp, ...[more]

George I (1714-27), Halfcrown, 1723, rev. seven strings to harp, ...[more]

George I (1714-27), Halfcrown, 1726, rev. six strings to harp, smaller roses and plumes, ...[more]

George I (1714-27), Shilling, 1715, first laureate, draped and cuirassed bust right, rev. crowned shields cruciform, eight strings to harp, roses ...

George I (1714-27), Shilling, 1716, rev. nine strings to harp (ESC 1562 [R3] {1163}; S.3645), toned, very fine, very rare thus ...[more]

George I (1714-27), Shilling, 1717, rev. eight strings to harp (ESC 1565 {1164} - but 8 strings not recorded; S.3645), lightly toned with the odd ...

George I (1714-27), Shilling, 1718, rev. seven strings to harp (ESC 1566 {1165}; S.3645), good very fineSubject to 20% VAT on Buyer’s Premium. For...

George I (1714-27), Shilling, 1719, rev. seven strings to harp (ESC 1567 [R2] {1166}; S.3645), once cleaned and with flecking streaks, otherwise g...

George I (1714-27), Shilling, 1720, rev. seven strings to harp, angles plain (ESC 1572 {1168}; S.3646), boldly struck, extremely fine or betterSub...

George I (1714-27), Shilling, 1721, rev. seven strings to harp, roses and plumes in angles (ESC 1577 {1171 - but 7 strings not recorded; S.3645), ...

George I (1714-27), Shilling, 1722, rev. seven strings to harp (ESC 1581 {1174}; S.3645), toned, extremely fine or better albeit softly struckSubj...

George I (1714-27), Shilling, 1723, first bust, rev. eight strings to harp, ...[more]

George I (1714-27), Shilling, 1724, second bust right, rev. six strings to harp, roses and plumes in angles (ESC 1594 {1181}; S.3649), richly tone...

George I (1714-27), Shilling, 1725, no stops on obverse, rev. six strings to harp (ESC 1599 {1184}; S.3649), toned, very fine ...[more]

George I (1714-27), Shilling, 1726, second bust, ...[more]

George I (1714-27), Shilling, 1727, second bust, no stops in legend, rev. seven strings to harp, roses and plumes in angles (ESC 1607 [R5] {1188a}...

George I (1714-27), Sixpence, 1717, laureate, draped and cuirassed bust right, rev. crowned shields cruciform, seven strings to harp, roses and pl...

George I (1714-27), Sixpence, 1720 over 17, rev. seven strings to harp (ESC 1611 {1599}; S.3651), a striking crack to flan by date, otherwise ton...

George I (1714-27), Sixpence, 1723, small lettering, rev. large lettering, ...[more]

George I (1714-27), Sixpence, 1726, rev. six strings to harp, small roses and plumes in angles, (ESC 1616 {1602}; S.3653), the portrait softly str...

George I (1714-27), Maundy Fourpence to Twopence, 1717 (3), laureate, draped and cuirassed bust right, rev. crowned mark of value; the last with n...

George I (1714-27), Maundy Fourpence to Twopence, 1721 (3) (ESC 1620, 1624, 1631 {1895, 2016, 2225}; S.3654-56), the Fourpence heavily haymarked o...

George I (1714-27), Maundy Fourpence to Penny, 1723 (ESC 1617 {2400}; S.3658), generally near very fine, the Penny almost extremely fine (4)Subjec...

George I (1714-27), Maundy coins, 1726 (2), Twopence and Penny (ESC 1633, 1647 {2225B, 2329}; S.3656-57); additionally, Penny oddments (4) 1716; 1...

George I (1714-27), Maundy Fourpence to Penny, 1727 (ESC 1618 {2401}; S.3658), fine to very fine, variable tone (4)Subject to 20% VAT on Buyer’s P...

George I (1714-27), Halfpenny, 1717, 'Dump issue', laureate and cuirassed bust right, rev. Britannia seated left, date in exergue (BMC [Peck] 768;...

George I (1714-27), Halfpenny, 1718 (BMC [Peck] 774; S.3659), peripheral striking weakness and the odd carbon spot, otherwise traces of mint lustr...

George I (1714-27), Halfpenny, 1719, second issue on a larger flan, left shoulder with plain strap, edge plain (BMC [Peck] 782; S.3659), minor cen...

George I (1714-27), Halfpenny, 1720 (BMC [Peck] 795; S.3660), traces of original mint colour in recesses, good very fine or better for issue ...[...

George I (1714-27), Halfpenny, 1721 over 0 (BMC [Peck] 796; S.3660), friction to hair, otherwise boldly struck for issue, good very fine or better...

George I (1714-27), Halfpenny, 1721 (BMC [Peck] 797; S.3660), lustre in recesses, good very fine for issue ...[more]

George I (1714-27), Halfpenny, 1722 (BMC [Peck] 800; S.3660), a trace of double-striking, otherwise bold details, good very fine ...[more]

George I (1714-27), Halfpenny, 1723 (BMC [Peck] 803; S.3660), a small dig below cheek otherwise with nice patination, extremely fine or very near ...

George I (1714-27), Halfpenny, 1724 (BMC [Peck] 806; S.3660), some underlying lustre, and with the odd surface mark, otherwise good very fine ......

George I (1714-27), Farthing, 1717, 'Dump issue', laureate and cuirassed bust right, rev. Britannia seated left, date in exergue (BMC [Peck] 783; ...

George I (1714-27), Proof Farthing, 1718, 'Dump issue', in silver, laureate and cuirassed bust right, rev. Britannia seated left, date in exergue,...

George I (1714-27), Farthing, 1719, second issue, large lettering on obverse (BMC [Peck] 807; S.3662), struck with a rusty obverse die, otherwise ...